Rebecca Firestone Rebecca Firestone has been a student of Middle Eastern Dance since 2000, having previously studied other dance forms including ballet, modern, jazz, West African, Caribbean, and fire dance. In addition to dance she has studied martial arts including Aikido, Kung-Fu, and Kupigana Ngumi (an Afrikan fighting art). She has a B.A. in East Asian Studies from Oberlin College and currently supports herself as a technical writer in California's Silicon Valley. Website:www.lady-flame.com Articles on
Gilded Serpent by Rebecca: 10-15-08 Bellydancing
With Fire with Leslie Rosen Reviewed by Rebecca Firestone 5-30-08 Welcome
to the Gothla! Dancing Along the Sulk Road Review of 3 DVDs by
Rebecca Firestone 3-3-08 Academics
and Belly Dance, Two Books Review by Rebecca Firestone 2-07-08 Aruna's "Dancer's
Body" Reviewed DVD review by Rebecca Firestone
11-29-07 Tribal:
Fusion, Bedouin, What's the Difference? 4 DVDs reviewed and compared by
Rebecca Firestone 7-11-07 Dahlena,
The Classic Style Prevails, Workshop review by Rebecca Firestone 5-24-07
Elegance and Power, A Weekend Workshop
with Raqia Hassan, Gala Performance Show, Review and Report by Rebecca
Firestone 4-13-07
Ballet Afsaneh and Carmen
Carnes Dance Ensemble Reviewed by: Rebecca Firestone 3-27-07
Macedonian Bellydance CD
Reviewed by: Rebecca Firestone 1-17-07 Perfectly
Masterful Teaching: Drum Solo Master Class with Jim Boz Reviewed by:
Rebecca Firestone 4-3-06 Rachel Brice Goes Balkan: Pogonometric Revue Reviewed by: Rebecca Firestone, Photos by Brad Dosland, Sunday, March 12, 2006, CELLspace, 2050 Bryant St., San Francisco, Cost: $15 and worth every penny 1-4-06
What You Can't Get From Instructional Videos by Rebecca Firestone 3-16-06
Giza Awards 2005, A Cultural Odyssey,
by Rebecca Firestone 8-17-05
Workshop with Issam Houshan
March 26, 2005, San Francisco Reviewed by Rebecca Firestone 9-28-05 Haft Paykar: "Seven Beauties" Seeking Love and Enlightenment in 12th Century Persia, Reviewed by: Rebecca Firestone, performed on April 2, 2005 produced by Laurel Victoria Gray . Even when a show attempts to borrow at least the external forms from some body of myth or literary work, it is unusual for the producers to be as aware of the allegorical content as Gray is of the deeper meanings behind Haft Paykar. |
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