IBCC 2010
Thursday Night Main Stage Photos and Video Collage
photos by Samira, Video by GS Staff.
posted June 4, 2010
The Thursday Night Main Stage Performance of the International Bellydance Conference of Canada was held April 22, 2010 at the Hungarian Canadian Cultural Centre in Toronto, Ontario, Canada.
Video report consists of a collage of clips caught of performances. IBCC is produced by Yasmina Ramzy and company.
Readers sending the names of individual troupe members to the editor is always appreciated.
Cairo a la Nar of Ontario, Canada |
Dahab of Nevada, USA |
Iona & Haifa of Ontario, Canada |
&
Laura Selenzi of Ontario, Canada |
Ethereal Tribal of Quebec, Canada |
Maha of Ontario, Canada |
Amar of Quebec, Canada |
Michelle Marinho of Brazil |
Sultanettes of Ontario, Canada |
Denai’s Dancers of Wisconsin, USA |
Maki Natori of British Columbia, Canada |
Rosanna McGuire of Ontario, Canada |
Flor Coelho of Portugal |
More IBCC photos and videos coming soon! |
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- 6-4-10 IBCC 2010- Wednesday Stage, Opening Night Gala Performance Photos
The Opening Night Gala Performance was held April 21, 2010 at the Hungarian Canadian Cultural Centre. Video report reposted here as an introduction to the photos. - 5-10-10 IBCC 2010, Wednesday April 21, Opening Gala Report From The International Bellydance Conference of Canada
Because Gilded Serpent didn’t quite make it to the hall until the show was over, we are very grateful that Brigid Kelly consented to give us her report from the Wednesday evening performancec. The dance photos overlayed on this video are by Samira Hafezi. - 5-2-10 IBCC 2010, Thursday Activities Report From The International Bellydance Conference of Canada
We begin our video reports with the Thursday Activities: dance workshops by Amel Tafsout, Sema Yildiz, Delilah, and Aurora Ongaro lectures on The Anatomy of Bellydance, Dr Sawa on Rhythmic Notation for Bellydancers, Shira on Mass Media, Mass Stereotypes and a Panel on Feminism & BD led by Andrea Deagon, - 3-10-10 Ask Yasmina #12: The Importance of Oum Kalthoum, Undercutting, and Kid Bellydancers
When a client hiring a performer or a student looking for a teacher is at a point where they want quality, they know they have to pay a fair price. - 1-4-10 Sticky Situations: Ask Yasmina #11- Inappropriate Audience Members, Competitive Teachers, Fickle Students
Trying to please and appease those who already disrespect you leads to a miserable dead end. My advice is to say "NO" and give the inappropriately behaved person a good wack across the face. - 11-3-09 Ask Yasmina #10: Bellydance Business, Finding Musicians, Certification
This experience has made me very wary ever since of people with certificates. - 6-13-10 Miles Jay demonstrates the String Bass.
Another video filmed at the Mendocino Music and Dance Camp in 2008. Miles show us bowing and plucking the bass as well as the maqam bayati and how the bass is tuned. - 6-11-10 Teacher or Coach: What’s the Difference? Why All Performing Dancers Need a Dance Coach
Most performers have a great deal of untapped potential; additionally, many consider it cheating to engage a professional coach and yet, that is exactly what they would look for if this were the Olympics and they were competing for the gold! - 6-10-10 Debke, A Brief History
How does one combine Debke with Bellydance? What does that mean? In order to combine two beautiful dances, we have to first separate them and understand the different types of Arabic music - 6-8-10 Interview with Yamil Annun, An Argentinian Belly Dancer
Yamil Annum has created his own dance style and has evolved his specific style of Oriental dance by using the well established foundations of classical Ballet, Ukrainian dance, Ballroom dancing, Celtic dances, Jewish folk-dance, Bhangra, Armenian and Argentinian Tango. His elegance on the stage has revolutionized stages all over Argentina and Latin America. - 6-7-10 There’s More to Being a Professional?
Many are the times we have heard belly dancers bemoaning the fact that there are so few venues, especially paying ones, for our art form. They long to be professional dancers, and are understandably frustrated at the lack of opportunities afforded us for acceptable venues for performances. But, does the lack of venues keep dancers from being professional, or does being unprofessional create the lack of venues?
Dahab
Jul 10, 2010 - 09:07:46
Well, I am really sad you missed my performance, but in case you want to see it I just posted it on You Tube.
Dahab IBCC Performance
Thanks!