Off the Beaten Path
Cory Zamora’s "Belly Dancing for Seniors" &
"Learn the Art of Male Belly Dancing"
Review by Jeanne Fogler
posted February 2011
Dancer and instructor Cory Zamora of Fresno, California, has created quite an extensive selection of DVDs. Some of the selections cover the usual territory offered by many other dancers/instructors: a series of belly dance basics, veil, some performances, etc. However, Ms. Zamora also presents some topics that are off the beaten path.
“Belly Dancing for Seniors”
The first unusual offering is a DVD that addresses a niche not previously filled. In this DVD, Ms. Zamora teaches a simple selection of basic moves; she is joined by some of her students, and then she combines all the dance moves and continues with some veil work. Instruction of the basic moves (which are very old-school in style) is clear and easy to follow.
However, I have a couple of issues with this DVD. One of my issues is that, other than stating the ages of the students (60, 63, 75) and making a fleeting mention of a few physical issues they have (problems with feet, back, etc.), there is not a great deal of material specific to senior dancers.
In order to address the topic in a more concrete way, some substantive discussion of common physical problems that seniors might face would have been appropriate and helpful (problems such as arthritis or osteoporosis, and how each condition might limit a person’s dancing, or how the problems might be alleviated by dancing).
My other issue is that there is a sharp increase in complexity level between the basics portion and the veil section that follows. The veil routine actually is quite well constructed, but after the laid-back format of the opening sections in which basic moves are introduced and then practiced at a leisurely pace, the complicated progression of one veil move after another does not seem to be aimed at the same audience.
"Learn the Art of Male Belly Dancing”
Although men are still a minority presence in the belly dance world, they have gained somewhat in numbers and visibility. In light of that, it is a bit surprising that there is little in the way of DVD instruction aimed at male dancers specifically. I don’t know of any such DVD other than this one! In it, Cory presents her former student, Wesley Gomes of Seattle, who is the main instructor on this disc. He teaches a collection of moves similar to those in the DVD for senior dancers previously reviewed here, such as basic weight changes, camels, flat-ball-ball-ball, and snake arms, sometimes noting details such as arm positions that can give a move a more “masculine style”.
In passing, I feel I need to mention that some of Wesley Gomes’ remarks seem a little questionable to me. I’m thinking of one in particular in which he introduces a chest circle and says it is one of the biggest differences between male and female style, claiming that women do vertical circles and men do a flat (i.e., horizontal) circle. Um, really? Most of the women dancers I know perform using both, or even favor using the horizontal circles.
After demonstrating a move, Wesley adds zils (sagat). This becomes a bit of a problem because the music in the background sounds like it was dubbed in later, not like he’s actually dancing to it; the threes that he plays (often quite slowly) tend to be out of tempo with the music. It grows kind of maddening after a while.
When the instruction is finished, Cory and Wesley chat a bit, including the topic of costuming. It would have been more instructive to see this idea expanded by displaying some examples of ideas for male costumes, rather than just saying, “Wear a shirt and a vest, but don’t wear camel tassels.” At the end of the DVD are several satisfactory performance clips, featuring Wesley and also another male dancer, Gregory, who studied with Cory.
Cory’s videos tend to be quite basic in production values. They have been recorded in her studio space, which looks fairly simple and not overly large. The lighting, videography, and the dance-wear of both instructors and students are merely average. Nonetheless, at a fee of under $20, and boasting fairly generous run times of 50 to 70 minutes respectively, both DVDs are a pretty good bargain.
Rating: 1.5 zills each
Purchase info
Have a comment? Use or comment section at the bottom of this page or Send us a letter!
Check the "Letters to the Editor" for other possible viewpoints!
Ready for more?
- 10-27-10 Gigbag Check #22 with Cory Zamora!
Cory talks with us after her performance at the Carnival of Stars Festival in Richmond, California, in August 2010. She shows us what she carries for her performance.Including an old style 2 piece cabaret belt, Egyptian style bra with no fringe and more. The performance clip includes beautiful floorwork done as only Cory Zamora can do! - 12-16-08 Whose Dance is This, Anyway? Where Do Men Fit into the Belly Dance World? by Lara
As soon as he was born, dancers of all stripes immediately started in with "Oh, a new little drummer for the troupe!". Excuse me? Why is there an instant assumption from birth that all little boys will be drummers and all little girls will be dancers just like mommy. –Added Feature! See our Gallery of Men in Middle Eastern Dance - 7-17-09 2 Balancing & Sword DVDs Reviewed: The Art of Sword and Shamadan by Princess Farhana DVD & Sword and Tray Balancing for Bellydancers with Cory & Laura by Martha Duram
It’s a shame that this DVD wasn’t a remastered version. - 9-20-07 The Passage of Time by Amel Tafsout
Her performance brought tears to my eyes; not only was she technically outstanding, but she had a whole persona, stage presence and her aura… no younger dancer could be compared to her. Many times I went to see the show to watch her again and again! - 5-13-03 A Search for the Soul in All Things. Or On Turning 61 and ¼
By continuing to dynamically entertain and stay ahead of the pack, they embolden all women, even of a lesser dynamism, to remain in the fray as long as they desire, instead of being cast to the sidelines as the official baby sitter for grandchildren - 3-6-11 A Day of Middle Eastern Rhythms Taught by Adriane & Tezrah Workshop Review by Nuriya
The two workshops combined a brief tutorial in the history of rhythms, practicing skills, and learning new combinations. I received a solid foundation in identifying and developing a familiarity with Middle Eastern rhythms. - 2-15-11 Turkish Dance DVDs: For the Birds? Danceuse by Asena” and “Sema Yildiz: Turkish Belly and Gypsy Dance” 2 DVD reviews by Joette
I enjoyed her Roma dancing the most and felt that it would be amazing to watch Sema in person to experience all the facial and tiny pelvic movements. - 2-11-11 Egyptian Classical Music: Entertainment or Education? 2 CD Reviews by Amina Goodyear
The Art of the Early Egyptian Qanun Vol. 1 & 2, performed byThe Traditional Arabic Music Ensemble & Egyptian Taqasim: Produced and distributed by Nesma - 1-17-11 Get Down to the Root of it! Yasmina Ramzy’s Asala I & II, DVD Review by Joette
Ramsey’s ability to show movements of grace and femininity comes across strongly by presenting the dance as respectable and as a valid form of dance expression. - 12-30-10 Dances of the Mahgreb, Tamazgha, or Berbers, Amel Tafsout in Performance, DVD revioew by Janine Ryle
I’m glad Amel included her singing and drumming along with her dance performances. Her Berber Chaoui song is especially strong and powerful. - 12-15-10 Where There is Music, There is Dance. Ahla Andalusi, 40 Days & 1001 Nights Review by Amina Goodyear
They are islands of beauty and as the two albums dance in my head, I am lost in a dream of visions – colors, light and dark, pure and hazy, and smells of incense and flowers wafting in the breeze of temperate temperature which encircle me and the choreographies of my mind.
Bony Fotia
Mar 10, 2011 - 09:03:16
Hi – I wanted to just add something to the review of Cory Zamora’s DVD for seniors. I think this could have been reviewed by a senior who understands a senior’s body. To those of us who are still young, this video may have sounded familiar but a senior may have understood where she was coming from. I’m not undermining Jeanne’s review but I think it would’ve been an added bonus to hear what a senior thought.
Beatrice Bell
Mar 10, 2011 - 12:03:31
I just read your review of Cory Zamora’s DVD’s and am not happy.Not all of us have the lovely variety of ailments that you listed, there is no age for them.So apart from that I do agree that Ms. Zamora has finally found a niche that needs to be appreciated.You used the term old school, but this is how many of us were taught and are still performing today because of these basic fundamentals–that is how we BECOME seniors.
Sophia Gates
Mar 10, 2011 - 02:03:54
I agree with Beatrice! I’m old school, started working as a dancer in the early 1970’s and am still dancing and teaching.
Solid fundamentals and a respect for the cultures that created the dance, for the wonderful music too are in danger of being lost along with respect for the form of the dance itself.
Cory deserves a lot of respect for her work as a dancer, a teacher and for efforts to reach a wider audience through DVD’s – many people never have access to this form of dance and music otherwise.
cory zamora
Mar 13, 2011 - 09:03:29
got my computer issues fixed…came back here, wow.
ok, first of all, thank you all..even reviewer.
i have taught and coached many far younger with ailments that were listed..lets add blind, severe hearing loss…injuries. i do not regard these issues as age related.
i an reminded that i assume to much …if i were viewing this, i would find the lady who has a sinular issues if not the same, and see how see does the move.
my only regret is the whole point was missed. to get the heart beat up, i half time fast music…i do not feel older dancers need to stick with music such as “yearning” for every dance.
we learn material from a another mind set here.we break it down, apply, watch others take on it…3 ways of retaining the info for sure.
Barbara Grant
Mar 13, 2011 - 12:03:51
I didn’t have time to read the article a couple days ago, except for the DVD titles, but I am very impressed that Cory is addressing particularly the issue of teaching seniors. Here’s what I, as a reader of the review, wanted to know but couldn’t find in the review: Cory is known (and with recent clips on GS) for her floorwork. So as a reader I’m wondering whether she teaches seniors this, or not; and if she does, how does she do it?