A Moulid
In an Egyptian Village
by Nada El Masriya and David Krysko
photos by David Krysko
posted May 17, 2011
The Moulid is one of the many Egyptian ceremonies I enjoyed last June in the small village of Nemraa El Bassal, in the Mahala El Kobra region of the Egyptian delta. Although it is a religious ceremony, for Egyptians, it is another excuse to dance!
A Moulid is a traditional street festival that is rich in rituals and customs. The direct translation of El Moulid is “the birth”; however, the term is used to refer to the birth of a much loved and respected holy man, a sheikh, who died sometime ago. A Moulid is held near the ornate stone mausoleum in which he is buried.
When I arrived, all of the main streets in the village were already full of people, and there were people selling candies and sweets as well as toys. There were mechanical fair-rides, and most importantly, there was free food, dancing, and singing. Kids come to the Moulid dressed in nice new clothes. Everywhere, they are playing and eating their favourite foods–like hummus (roasted chick peas) and halawa (sweets).
Every family of the village and surrounding area have brought a big fancy meal, served in beautiful china for the people of the village. Around 3 in the afternoon, all the women met in a big circle in the centre of the village, each with a circular aluminium tray full of food. Looking around, I was amazed (but not surprised) that every single tray has the exact same type of fancy china, since I am Egyptian, I know that this china is to be used only for the Moulid. Inside of the circle of food-bearing women, I could hear the men praying El Assr’ (the afternoon prayer). The women waited for the men to finish, then all the men and the women, the old and the young, the rich and the poor, sat together (without differences) and ate the great meal.
After the feast, the traditional Sai’eet (story teller), who could be a man or a woman, started telling stories accompanied by a full traditional orchestra. The entire village enjoyed stories about life, love, religion, and wisdom. Throughout history, the Sai’eet has been the educator, entertainer, and critic of life.
In times past, the most exciting thing at the Moulid were the Ghawazie. They were professional dancers who travelled from Moulid to Moulid for a living, like the Gypsies did in Europe. People would come from miles away (and wait all night) just to see their gold coin-covered costumes and sensational dancing. They danced to live music with th eir wide hips swinging from side to side as if they were proud of every part of their bodies.
It was still early, yet the men were getting exited by the music, beginning to whirl around in a large circle. Supposedly, due to the mystical effect of the power of the Moulid, they enter into a holy trance, whirling and swinging their bodies in different movements. One can hear them chanting the words “Allah haaiy!” This special dance is called a Zikir. The direct translation of the word Zikir is “mentioning”, which refers to mentioning God. Allah haaiy! means “God is alive!”
Around 3 in the morning, the Moulid was still going strong. On the other hand, I have been living in Canada for too long, and it was time for bed! Although my soul wanted me to stay and play, I got into my sister’s car and started out on the first part of our trip back to Cairo.
Have a comment? Use or comment section at the bottom of this page or Send us a letter!
Check the "Letters to the Editor" for other possible viewpoints!
Ready for more?
- 1-3-04 Khairiyya Mazin Struggles to Preserve Authentic Ghawazi Dance Tradition by Edwina Nearing
But when Khairiyya Mazin retires, one of the most distinctive traditions of Ghawazi dance may come to an end. - 2-11-09 Excerpts From Aesthetic Explorations of the Egyptian Oriental Dance Among Egyptian Canadians by Kathleen Fraser
One respondent attempted a description of Egyptianness in the dance. "Egyptians are plumper, more attractive. What makes the Egyptian style is the costume, soft movements, gentleness (no jumping or jerking), subtlety, dala, the drum, soft music." Charm and liveliness of face contributed to perceived quality of "Egyptianness." - 5-26-08 A Trade Like Any Other: Female Singers and Dancers in Egypt, Book Review by Kathleen Wittick Fraser
Van Nieuwkerk had as her main objective an examination of the professions of musician and belly dancer in contemporary Egypt and an identification of the influence of these professions on the status of their practitioners, the underlying question being "Are dancers and singers considered disreputable, and if so, for what reasons?" - 2-11-04 Sirat Al-Ghawazi, Part 1 by Edwina Nearing
Begun in the mid-1970’s , the early sections of "Sirat Al-Ghawazi" were first published under the title "The Mystery of the Ghawazi." We are happy to be able to respond to the continued demand for these articles by making them available to our readers worldwide. - 5-16-11 Back from Bahrain, Tiny Kingdom’s Riots are Puzzling
Approximately at the same time as the invasions of the French, British, etc. upon the Ottoman Empire the art of Belly dancing was introduced in cabarets of Egypt and Lebanon, as well as Turkey (Istanbul). - 5-12-11 Get Over It! Soundbyte Bellydance Part Two
Imagine yourself dancing inside of a huge plastic jug full of gel or detergent. Pull and push your movements through the viscosity with conviction! - 5-11-11 Moroccan Dreams: My New Festival in Marrakech
There is a mixture of faces in one region. There are so many different cultures that live in harmony –in the same place– that it is difficult to remain indifferent. - 5-10-11Ana Ra’asa Showcase: Egyptian Bellydance Past & Present
My purpose for doing this show was to bring Bellydance to the stage. We have such amazing talent in the Bay Area, and I feel that those dancers deserved a stage to showcase such amazing talent. - 5-4-11 Raqs Royalty Lights Up Atlanta! Black Orchid Danse, 2010
She turned this modern Maghreb raqs raissa into a belly dance fusion fanatic. - 5-3-11 Rakkasah West Festival 2011, Saturday, Page 2" J-Z
This group of photos is from Saturday, March 12, 2011. Bands in the background include: Vince Delgado and Coralee, The Mediterranean Raqs Band, Pangia, and Al’Azifoon - 5-2-11 Paula, 2011 Champion of Champions, Belly Dancer of the Universe Competition
I do not know exactly what will happen, but I know it’s a beautiful start to present a Dominican dancer to the dance world. One very important thing also is that this award means to me that dreams do come true. I always wanted to be a dancer, and I could never really make it work because my country does not considered it a true profession. - 4-25-11 You Say Zills, I say Sagat, So What’s the Difference?
Nevertheless, many dancers outside the Middle East still think the only difference between zills and sagat is semantics – “two words for the same instrument.” If you’ve played both – correctly – I doubt you would agree.
Sorry, comments for this entry are closed at this time.