{"id":1074,"date":"2009-12-17T15:03:22","date_gmt":"2009-12-17T22:03:22","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=1074"},"modified":"2009-12-17T16:18:57","modified_gmt":"2009-12-17T23:18:57","slug":"prfarhanaozgenla","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2009\/12\/17\/prfarhanaozgenla\/","title":{"rendered":"<h3>Ozgen in LA<\/h3>"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art48\/graphics48\/ozPrincess.jpg\" alt=\"Ozgen and Author\" width=\"267\" height=\"239\" align=\"right\" \/><\/p>\n<h2>Turkish Dance Star in Los Angeles<\/h2>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/PrincessFarhana.htm\">Princess Farhana<\/a><br \/>\n<span class=\"footnotes\">posted December 17, 2009<\/span><\/h3>\n<p>Workshops &#038; shows held July 19, 2009 at percussionist <strong>Donavon Lerman\u2019s  <em>Studio Iqaat <\/em><\/strong>in Los Angeles.<\/p>\n<p>When I found out that\u00a0Turkish male belly dance star <span class=\"artist\">Ozgen<\/span>\u00a0was coming to Los Angeles for a few days of vacation, I\u00a0laid down the law: he simply had\u00a0to do a workshop and a show.<\/p>\n<p>Born in Istanbul and living in London, Ozgen is an international star\u00a0who has been dancing since childhood. Trained in ballet, jazz, modern and ballroom\u00a0styles, he\u2019s been\u00a0specializing in Turkish Romany (Roman Havasi) and Oryantal dance\u00a0for almost fifteen years.\u00a0 For years he was an instructor and choreographer at the <strong><em>Tolghan School<\/em><\/strong> in Turkey;\u00a0he\u00a0currently performs and\u00a0teaches\u00a0sold-out workshops all over Europe and the Far East. <\/p>\n<p>I often joke that Ozgen was\u00a0one of the best birthday presents I ever got:\u00a0we were introduced two years ago on\u00a0my birthday in London, backstage at <strong><em>The Shimmy Shake Show<\/em><\/strong>, where we were both performing.\u00a0 The night we met, we\u00a0immediately got along like gangbusters, but after I saw him perform, like everyone else in the audience, I fell in love!\u00a0 Since then, we not only became friends and correspondents, but, but have also have taught and performed together at <strong><em>Festival Fantasia<\/em><\/strong>, also in London. Off stage, he\u2019s wonderful, but on stage he is truly something else. He is ridiculously talented, technically amazing, and has incredible spinal and\u00a0upper-body flexibility, allowing his movements to be both precisely sharp and\u00a0almost bonelessly liquid at the same time.\u00a0<\/p>\n<p class=\"highlight\"> The pure love and passion he brings to his dancing is evident, and infectious to anyone who has the pleasure of watching him. <\/p>\n<p>When I found out this gem was coming to LA,\u00a0I was excited, since he had never performed or taught on the West Coast, only once before in New York City.\u00a0 I knew I wanted to do an event with him &#8211; the only hitch was\u00a0that I was leaving for Egypt to teach and perform at <strong><em>Ahlan Wa Sahlan<\/em><\/strong> the very next week, and\u00a0he was coming\u00a0to California mere days after I\u00a0would return. <\/p>\n<p>Thankfully, <strong>Nasila<\/strong> and <strong>Melia<\/strong> from <strong><em>LA Raqs<\/em><\/strong> stepped in, and together we coordinated and promoted an Ozgen extravaganza, at <strong><em>Studio Iqaat<\/em><\/strong>. All I can say is, the Internet made it all possible &#8211; we\u00a0emailed about everything: setting performers, deciding on curriculum and getting\u00a0details together, and advertised, all while I was at Ahlan Wa Sahlan in Cairo.\u00a0\u00a0In fact, both <strong>Aubre<\/strong> and <strong><a href=\"http:\/\/www.gildedserpent.com\/art40\/LuciaFahtiem.htm\">Fahtiem<\/a><\/strong>, guest-stars at the show, were in Egypt at the same time I was, and so I roped them into performing while they were riddled with jet-lag!<\/p>\n<p>Both the workshop and the show sold out. The workshop, \u201cAn Introduction To Turkish Dance\u201d where Ozgen contrasted the similar-yet-unique movements of\u00a0both Turkish\u00a0Oryantal and Romany dances, drew\u00a0in avid students interested in\u00a0exploring the form as well as LA-based professionals like <strong>Rania<\/strong>, <strong>Lee Ali<\/strong>, <strong>Marguerite Kusuhara<\/strong>, and<strong> Celeste<\/strong> of <strong><em>IAMED<\/em><\/strong>.\u00a0Ozgen\u2019s teaching style is facile with clear breakdowns, and he\u00a0made sure everybody learned about and understood the sociological and cultural inferences in the\u00a0various gestures\u00a0he demonstrated. <span class=\"style2\">\u00a0His English skills are phenomenal<\/span>, and though the class moved along at a good clip, his spot-on teaching is infused with humor and wit. \u00a0<\/p>\n<p class=\"highlight\">He\u00a0charmed everybody with his cute non-traditional names for intricate\u00a0footwork patterns as well as\u00a0his verbal expressions &#8211; at one point he referred to the flirtatious shoulder movements of Turkish Oryantal as \u201ccuddly\u201d!<\/p>\n<p>Los Angeles has long been a hot-spot of Oriental dance, with many world-class performers living in the city, so the show had an all-star line-up. \u00a0Audience members were literally astounded at the\u00a0name performers participating. In addition to Ozgen, Aubre, Fahtiem, Nasila and myself, the evening also included\u00a0<strong>Tamra-Henna<\/strong>,\u00a0 up-and-coming LA-based male dancer\/ choroegrapher <strong>Richy Nedjat<\/strong>, and last-minute guest Rania, who signed on as a surprise wild card\u00a0at 11:30 pm the night before the event!<\/p>\n<p>Noted\u00a0Arabic percussionist and Studio Iqaat owner <strong>Donavon Lerman<\/strong> pulled together a small Arabic ensemble\u00a0to kick the show off with live music, and also\u00a0 a Turkish band featuring <strong>Vedat<\/strong> on\u00a0saz and vocals, <strong>Jessica<\/strong> on\u00a0clarinet, and Donavon himself on tabla.\u00a0 Rania kicked the evening off by performing to \u201cMavi, Mahvi\u201d on CD, followed by\u00a0Nasila performing to \u201cLeylet Hob\u201d live; Richy interpreted \u201cEshta Ya Amar\u201d, Tamra Henna did\u00a0\u201cWe Deret Al Ayam\u201d in a stunning red Sahar Okasha, and Aubre performed a\u00a0hot Saidi Assaya &#8211; even though that day, she had hosted <strong>Sahra Saeeda<\/strong>\u2019s \u201cJourney Through Egypt\u201d workshop! Fahtiem and I\u00a0both opted to perform to the live Turkish band, and it was amazing to watch Fahtiem performing Turkish, since she so rarely does. For my part, I got chills during my set while dancing to Jessica\u2019s gorgeous\u00a0clarinet\u00a0taxim.<\/p>\n<p>Ozgen performed twice: his\u00a0first piece,\u00a0a Romany dance (a version of which I heartily encourage readers to view on YouTube!)\u00a0had the entire audience screaming, it was so full of attitude and\u00a0unbridled machismo. His second show\u00a0was pure Oryantal, quick-paced, dynamic and thrilling. He even did snakey floor work-complete with backbends- while Jessica played him an extended taxim. He ended his piece with a mind-bending, spine-snapping Turkish drop\u2026then got up\u00a0quickly to lure the audience out for open-floor dancing, which continued on for quite a long time.<\/p>\n<p>The\u00a0very next morning, he left for the airport, and back home to London.<\/p>\n<p>All I can say is\u2026 I hope he comes back to America soon. If you get the chance to see or study with this incredible dancer- don\u2019t\u00a0even think about it- JUST DO IT!<\/p>\n<p align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art48\/graphics48\/jessica,ozgen,donavon.jpg\" alt=\"Ozgen in LA\" width=\"500\" height=\"375\" \/><\/p>\n<p align=\"left\"><strong>More information:<\/strong><br \/>\nOzgen&#8217;s site-  <a href=\"http:\/\/www.ozgen.co.uk\/\" target=\"_blank\">www.ozgen.co.uk<\/a><br \/>\n\t<a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/PrincessFarhana.htm\">Author&#8217;s GS bio page<\/a><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"try out comment box below\" width=\"200\" height=\"400\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/div>\n<p><!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">4-7-08<\/span> <a href=\"http:\/\/www.gildedserpent.com\/art43\/princessfans.htm\">When the Hip Hits the Fan<\/a> <span class=\"articleauthor\">by Princess Farhana<\/span><br \/>Though fan dancing is not considered traditional in raqs sharqi, due to the increasing popularity of fusion, many Oriental dancers are exploring fusing the many styles of fan dancing and Belly dance with stunning results. When used onstage, fans are FAN-ciful, conveying various emotions to an audience, as well as being a spectacular visual treat. They can be dramatic and stately, or coy and flirtatious and are always a crowd pleaser!<\/li>\n<li><span class=\"articledate\"> 9-8-05<\/span> <a href=\"http:\/\/www.gildedserpent.com\/art32\/PFBurlesqueBD.htm\">Belly Dance, Burlesque and Beyond: Confessions of a Post Modern Showgirl<\/a><span class=\"articleauthor\"> by Princess Farhana (Pleasant Gehman) <\/span><br \/>\n &#8220;BUT WAIT!!!&#8221; I can hear you screaming, &#8220; BURLESQUE IS STRIPPING!&#8221; <\/li>\n<li><span class=\"articledate\"> 7-26-05 <\/span><a href=\"http:\/\/www.gildedserpent.com\/art32\/eugeniareviewsfarhana.htm\">Review of Princess Farhana&#8217;s Bellydance &amp; Balance: The Art of Sword and Shamadan<\/a><span class=\"articleauthor\"> by Eugenia Chao<\/span><br \/>\nThis may not be the most professional-looking bellydance video you ever bought, but it definitely serves its instructional purpose &#8212; perhaps more so than many high-budget productions. <\/li>\n<li><span class=\"articledate\">5-27-09 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/05\/28\/laurarosethrougheyecamera\/\">Throught the Eye of the Camera<\/a><span class=\"articleauthor\">, photos by Vibeke, text by Laura Rose<\/span><br \/>  This photo exhibit captures moments and scenery of Delilah&#8217;s most recent Visionary Belly Dance Retreat, which took place in Hawaii, Janurary, 2009.<\/li>\n<li><span class=\"articledate\">10-6-08 <\/span><a href=\"http:\/\/www.gildedserpent.com\/art45\/nicoledoesozgen.htm\">&quot;Just feel the music when you&#8217;re on stage!&#8221; Interview with Ozgen, Male Turkish Belly Dancer<span class=\"articleauthor\">,<\/span><\/a><span class=\"articleauthor\"> by Nini Baseema<\/strong><\/span><br \/>\nWell, I think my heart still beats for big shows and productions, as much as I know how stressful and difficult that show-life can be. I seem to not be able to live without it. <\/li>\n<li><span class=\"articledate\">4-23-08 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/art43\/ibccdailyblog.htm\">From Toronto, Ontario,Canada The International Bellydance Conference of Canada<\/a> <br \/>\nVideo reports by Gilded Serpent Staff Reports are presented in video format inbedded all on the same page.<\/li>\n<li><span class=\"articledate\">12-14-09<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/12\/14\/najiawineglass\/\">The Wine Glass or The Wine? Dance Conversation with My Mentor<\/a><span class=\"articleauthor\"> by Najia Marlyz<\/span><br \/>Sometimes, the mere beauty of glassware can be so impressive that it can far surpass the content. <\/li>\n<li><span class=\"articledate\">12-9-09<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/12\/09\/nicolecairoweddings\/\">Here Comes the Aroosa! Cairo Weddings<\/a><span class=\"articleauthor\"> by Nicole<\/span><br \/>Frankly, the Egyptian girls can get away with being a bit raunchier, and I do try to be more modest with my movements so as not to look like a saucy little American number straight off the plane. <\/li>\n<li><span class=\"articledate\">12-3-09<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/12\/03\/carlbduc09\/\">Division Champs of the Belly Dancer of the Universe Competition 2009<\/a><span class=\"articleauthor\">, photos by Carl Sermon<\/span><br \/>This contest is one of the first in the Belly Dance community and includes many categories covering different age groups, various styles and specialties.<\/li>\n<li><span class=\"articledate\">11-28-09<\/span> <a href=\"http:\/\/www.gildedserpent.com\/archives\/musicalinstrumentlibrary.htm#rowan\">Rowan Storm Tteaches about the Daf, Tar, and other frame drums used in the Middle East and North Africa<\/a><span class=\"articleauthor\"> Musical Instrument Tour<\/span><br \/> Filmed in August 2008, at the Mendocino Woodlands, Middle Eastern Music and Dance Camp. Rowan Storm talks about the different names each frame drum has in each country and the confusion that can happen. She also tells us about women only drum groups in central Asia. Another topic- plastic vs natural materials <\/li>\n<li><span class=\"articledate\">11-27-09<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/11\/27\/jillinaahlan09\/\">My Dream: Dancing in Cairo<span class=\"articleauthor\">!<\/span><\/a><span class=\"articleauthor\"> by Jillina<\/span><br \/>\nTo be asked to teach at Ahlan Wa Sahlan is an amazing honor, but to be performing, in the biggest show of the year? It was unbelievable! This was the most significant phone call I have ever received in my entire career.<\/li>\n<li>\n\t\t\t<!--end content -->\n\t\t<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Turkish Dance Star in Los Angeles by Princess Farhana posted December 17, 2009 Workshops &#038; shows held July 19, 2009 at percussionist Donavon Lerman\u2019s Studio Iqaat in Los Angeles. When I found out that\u00a0Turkish male belly dance star Ozgen\u00a0was coming to Los Angeles for a few days of vacation, I\u00a0laid down the law: he simply [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/1074"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=1074"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/1074\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=1074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=1074"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=1074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}