{"id":1175,"date":"2010-01-21T12:48:25","date_gmt":"2010-01-21T19:48:25","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=1175"},"modified":"2010-01-21T12:53:17","modified_gmt":"2010-01-21T19:53:17","slug":"mariastrovabdprovocative","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2010\/01\/21\/mariastrovabdprovocative\/","title":{"rendered":"<h3>Is Belly Dance Provocative?<\/h3>"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art49\/graphics49\/TulayKaraca.jpg\" alt=\"Tulay Karaca\" width=\"296\" height=\"454\" align=\"right\" \/><\/p>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/mariastrova.html\">Maria Strova<\/a><br \/>\n<span class=\"footnotes\">An edited excerpt from her published book,<br \/>\n&quot;The Secret  Language of Belly Dancing&quot;<br \/>\nposted January 21, 2010<\/span><\/h3>\n<p>Usually, the first idea that one has of Belly dancing is that it has to do with sexuality in some way, but not so much the sexuality of a woman. The fantasy about Belly dance seems to emphasize an arousing effect that provokes the desire of the man watching her dance. Sometimes, in clubs or in TV, we can still hear a dancer presented in this way: \u201c\u2026and now, specially for the gentlemen\u2019s pleasure,   here is Jasmine!\u201d\u00a0<\/p>\n<p>This type of introduction might suggest that the dancer is an object that inspires the longing and attention of men, but it doesn&#8217;t seem to promote her intent. <\/p>\n<p class=\"highlight\">This stereotype of Belly dancing\u00a0 has caused me a lot of displeasure; it has made me angry to see how imprisoned in negative models Belly dancing still is, and how much it had lost since it was formerly an ancient art that   honors the female body.<\/p>\n<p>I think it&#8217;s necessary to clarify the difference between Belly dancing (an art   form that is sensual by nature  and erotic at times) and other performances that are associated with erotic dancing\u00a0(such as   stripping or lap dance). Some of the proponents of those dances would like their dances to be recognized as an art and may be used as equivalents of Belly dancing itself.\u00a0<\/p>\n<p>It would be demeaning to speak of Belly dancing as only an erotic, \u201cprovocative\u201d dance, because the Belly dancer doesn&#8217;t look for a sexual effect with her dance, and  she doesn&#8217;t aim at turning on her   spectators, or encouraging them to act on their desires,   turning a fantasy into a physical act. This is not the intention of art but pornography, and I think it should be left that way; we should recognize the <em>intent<\/em> or objective of the performer when   we see a Belly dancing\u00a0 performance. <\/p>\n<p>As a true artist, a   Belly dancer conveys her inner life through movement, breath,   use of lights and choreography, pauses and with this discovers all the aspects that make up the human being and sexuality as a creative energy of life.   This is the energy that makes the world go round and has allowed us all to come into existence. This energy that is so important to life is expressed through its dance, Belly dancing .   I don\u2019t like to deny the sexual aspect of Belly dancing. To deny sexuality is to deny Life, but Life itself could never be expressed merely through a provocative dance!\u00a0 It is not related only to the   sexual act or sexual desire because the audience is   raised above that desire.<\/p>\n<p class=\"highlight\"> It&#8217;s doesn&#8217;t exclude sexual energy; art just goes above and beyond. It\u2019s symbolic.<\/p>\n<p>The archaic, cultural aspect of Belly dancing\u00a0recalls a life philosophy that is different from our western roots in regards to sexuality. During the time preceding the monotheist religions, the activities concerning the body, such as sexuality and fertility, were considered holy. There was an infinite series of relationships that weren&#8217;t limited to the physical outlet, but were interlocked in a complex figuration of life. Gender, sex, and eroticism have the potential to completely transcend the biological sphere. For the ancient religions, sexuality was something infinitely more complex than the one   instinctive outlet.\u00a0<\/p>\n<table width=\"126\" border=\"0\" align=\"right\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td>\n<iframe src=\"http:\/\/rcm.amazon.com\/e\/cm?t=thegildedserpent&amp;o=1&amp;p=8&amp;l=as1&amp;asins=8875076162&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"No\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe>\n<\/td>\n<\/tr>\n<\/table>\n<p>Dancing was an authentic workshop with which   people handcrafted the psychic life. Dancers, sought   unity with nature through movement, the melting of   tensions and complete relaxation of the being. I\u2019m convinced that Belly   dancing\u00a0still can draw from the component   that is erotic, but at the same time, it has a   sacred aspect to it. This forgotten aspect of the dance, is the key   to reinvent dance, to experience the dance in all its aspects and   to feel the eroticism is about womanly desire and women\u2019s   spirituality and not only a way to please the male gaze.<\/p>\n<p>The dancer might discover that sexuality is not limited to the sexual act   or to reproduction, because, for as much as it is an act of procreation, our   sexuality doesn\u2019t exist only within the relationship we have with another   person. On the contrary, it is manifested, through the body itself, in the   harmonious relationships with life, with other people, with pleasure and pain,   with what happens around us. It\u2019s an experience that begins by having a good   relationship with our bodies and the feeling of physical   pleasure.<\/p>\n<p class=\"highlight\">This dance is about discovering our sexuality in our own   terms\u2014a   place in the language of our dance that   expresses itself in movements, especially those involving the \u201cforbidden\u201d areas:   breasts, hips, pelvis, belly.<\/p>\n<p> It&#8217;s the passion that we discover inside   ourselves, and, freeing ourselves from restrictions of taboo; we are free   to express it. It&#8217;s the spiritual power that, like fire, we can give without   consuming ourselves.\u00a0<\/p>\n<p class=\"sectiontitle\">The Masculine Aspects of Belly   Dance<\/p>\n<p>In my book <strong>\u201cThe Secret   Language of Belly Dance<\/strong>\u201d, I talk about the meaning of the element of   fire in Belly dancing. I realized   that it could seem arbitrary to insert the symbol of fire into a feminine   context such   as\u00a0 Belly dancing because usually it is considered to   be a more masculine symbol, belonging to the authority of the Father, the   supremacy that was brought to life by Apollo in Greek   mythology.\u00a0<\/p>\n<p><a href=\"http:\/\/www.gildedserpent.com\/archives\/musicalinstrumentlibrary.htm\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/graphics\/musicalinstruments\/ney.gif\" alt=\"Ney\" width=\"131\" height=\"200\" align=\"left\" \/><\/a>However, precisely because fire and water are opposite   elements figuring into the solar and lunar symbolism, between them   there exists a single, harmonious dance. In reality, feeling the presence of   this element in Belly dancing\u00a0 confirms for us that it&#8217;s   a feminine art, one that preserves the dialogue of opposites and truly aims at   completeness. It wouldn&#8217;t be possible to arrive at the definition of a feminine   dance, which we usually consider belly dancing to be, without recognizing the   masculine aspect. It would be like defining night without day!<\/p>\n<p>In this dance,   which I feel is a \u201cdance of transformation,\u201d (life-death-life movement) there is   an implicit idea of the rhythm of opposites, and for this, the symbols of both   genders live together in the dance. They alternate, converse, and play. Just as   the sun and moon alternate in a day, as we dance, we alternate the elements that   feed from the solar symbolism with the elements of the nocturnal   symbolism.\u00a0<a href=\"http:\/\/www.gildedserpent.com\/archives\/musicalinstrumentlibrary.htm\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/graphics\/musicalinstruments\/dumbek.gif\" alt=\"Dumbek\" width=\"70\" height=\"104\" align=\"right\" \/><\/a><\/p>\n<p>To illustrate this game of opposites more clearly, I&#8217;ll cite the example   of the music that we usually use, the type made with the oldest and most   essential instruments\u2014the drums and the flute. The music of the   drum, which excites us with its striking rhythms, and which we   interpret with fast, beating movements, is seen as the masculine aspect, since   it marks the rhythm. Like the sun, it can have variations, but it remains   constant. In contrast, the melody of the flute, which we interpret with fluid,   continuous movements, transforms. It changes like the moon. It   unwinds;   it comes and goes. It is the   feminine aspect of the music. <\/p>\n<p>Another beautiful male-female correspondence between these two   instruments can be found in the shape and sound that each has. The flute has a   phallic, masculine shape, but produces a feminine melody with its high-pitched,   fluctuating tones. On the other hand, the drum has a dish-like, feminine shape,   but produces a strong masculine sound. The musical fusion of these two   instruments generates a harmonious union of opposites: in shape, in both   masculine and feminine energy, and in the rhythm and melody of the   music.\u00a0<\/p>\n<p>A good part of the dancer&#8217;s interpretive skill is in her ability to bring   out both aspects, at different times during the same varied dance, but also at   the same time in two different areas of the body. For example, we might see the   rhythm of the drums in her hips and the melody of the flute in her arms. Like   all creative arts, the idea behind the dance is in the game, the exploration of   the different possibilities the music has to offer the   imagination. Just as in the artistic, harmonious creation, we try to discover   both aspects of the male and   female psyche.\u00a0<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">10-19-09 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/10\/19\/deagonnakedbdpart1\/\">Naked Belly Dance in Ancient Egypt, Part 1: Are They Really Belly Dancing?<\/a><span class=\"articleauthor\"> by\tAndrea Deagon Ph.D<\/span>.<br \/>\nThe real first question is, \u201cWhat is belly dance?\u201d Many elements of the modern practice of belly dance emerged in the 20th century. Our emphasis on the female soloist, the structure of the typical show in both the East and the West, the style of music we dance to, our costuming, our specific styles of relationship with the audience, and so on, are modern developments. <\/li>\n<li><strong>11-16-09<\/strong> <strong><a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/11\/16\/deagonnakedbdpart2\/\">Naked Belly Dance in Ancient Egypt, Part 2: Are They Really Naked?<\/a> by Andrea Deagon Ph.D<\/strong><br \/>What does nudity mean in a dance scene like this?  And does this nudity reflect an actual practice of naked dancing as banquet entertainment? <\/li>\n<li><strong>5-3-09 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/05\/03\/tracevreviewsensualdvds\/\">Sensual not Sexual:Exploring Sensuality in Bellydance, DVD Reviews of &ldquo;Sensual Belly Dance with Blanca&rdquo;, and &ldquo;Sensual Passion with Tamalyn Dallal&rdquo;<\/a> 2 DVDs reviewed by Tracey Farmer <\/strong><br \/>&ldquo;Sensual Passion&rdquo; (the DVD) is not about sensuality! Again, like Blanca&rsquo;s &ldquo;Sensual Belly Dance&rdquo;, this DVD is not another &ldquo;charm your man and get him to fall in love with you&rdquo; instructional DVD. <\/li>\n<li><strong>12-24-03 <a href=\"http:\/\/www.gildedserpent.com\/articles24\/Najiainsideout.htm\">Dancing Inside Out<\/a> by Najia Marlyz<\/strong><br \/>&quot;Ummm. Call it Restoring Sensuality to Oriental Dance,&quot; I proposed confidently. It wasn&#8217;t until a few   weeks later, when I began to make up my lesson plan, that I realized the size of   the impossible task I had laid out for my little workshop.\u00a0 <\/li>\n<li><b>2-19-00<a href=\"http:\/\/www.gildedserpent.com\/articles6\/delilahnasalnavel.htm\"> Honoring Our Connection Between Navel and Nasal<\/a> by Delilah<br \/><\/b>People looked at us strangely, wrinkled their brows and said &quot;Aromatherapy and what?&quot;<\/li>\n<li><span class=\"articledate\">4-1-09<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/04\/01\/yasgoddessinshimmie\/\">Ask Yasmina #5, Where is the Goddess in a Vertical Drop and a Shimmy? Or How Can the Practice of Bellydance Lead the Dancer to a State of Grace or Enlightenment?<\/a> <span class=\"articleauthor\"> by Yasmina Ramzy<\/span><br \/>\nThe most important practice of almost all mystical paths is meditation. It is universal and does not need a frame of reference from any particular theology.<\/li>\n<li><b><strong>12-18-07 <a href=\"http:\/\/www.gildedserpent.com\/art42\/tatseenabullybelly.htm\">Bully Belly<\/a> by Tatseena<br \/><\/strong><\/b>For example: a promoter is thinking about planning an event and is talking to a friend and says, &#8220;I can&#8217;t help it if some other teacher has planned a show on the same day or night; they are different styles anyway.&#8221; <\/li>\n<li><span class=\"articledate\">9-8-05<\/span> <a href=\"http:\/\/www.gildedserpent.com\/art32\/PFBurlesqueBD.htm\">Belly Dance, Burlesque and Beyond: Confessions of a Post Modern Showgirl<\/a> <span class=\"articleauthor\">by Princess Farhana (Pleasant Gehman) <\/span><br \/>&#8220;BUT WAIT!!!&#8221; I can hear you screaming, &#8220; BURLESQUE IS STRIPPING&#8221;<\/li>\n<li><strong>1-17-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/01\/17\/barbarasyserenap1\/\">Serena Wilson (1933-2007) A Student of Ruth St. Denis, Part 1: Childhood<\/a> by Barbara Sellers-Young PhD<\/strong><br \/>Serene Blake was born in the Bronx on Aug. 8, 1933  into a Vaudeville family of performers called  Blake &amp; Blake. Her mother sang and her father played the banjo. Her childhood and adolescent years intersected with the  Vaudeville stage, on which she often appeared with her parents in the 1930s.<\/li>\n<li><strong>1-15-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/01\/15\/samravietnam\/\">Sweet Memories of Vietnam, Not THAT Vietnam<\/a> by Samra<\/strong><br \/>Soon I was to find out that I had nothing to worry. Hanoi is a vibrant cultural city and Belly Dance is the new rage.  It is respected as the true art form that it is, and dance students are hungry to learn more and more.<\/li>\n<li><strong>1-11-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/01\/11\/carlsbejillina\/\">Carl&#8217;s Camera Captures Jillina&#8217;s Bellydance Evolution<\/a>, photos by Carl, introduction by Ma*Shuqa<\/strong><br \/>Jillina Carlano\u2019s Bellydance Evolution marked the beginning of an era in which bellydance moves beyond dance Oriental imported from Egypt and performed in clubs. <\/li>\n<li><strong>1-4-2010<a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/01\/04\/yasmina11\/\"> Sticky Situations: Ask Yasmina #11- Inappropriate Audience Members, Competitive Teachers, Fickle Students<\/a> by Yasmina Ramzy<\/strong><br \/>Trying to please and appease those who already disrespect you leads to a miserable dead end. My advice is to say &quot;NO&quot; and give the inappropriately behaved person a good wack across the face.<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>by Maria Strova An edited excerpt from her published book, &quot;The Secret Language of Belly Dancing&quot; posted January 21, 2010 Usually, the first idea that one has of Belly dancing is that it has to do with sexuality in some way, but not so much the sexuality of a woman. The fantasy about Belly dance [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/1175"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=1175"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/1175\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=1175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=1175"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=1175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}