{"id":1377,"date":"2010-04-15T21:57:16","date_gmt":"2010-04-16T04:57:16","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=1377"},"modified":"2010-04-15T21:57:40","modified_gmt":"2010-04-16T04:57:40","slug":"shira-mass-media","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2010\/04\/15\/shira-mass-media\/","title":{"rendered":"<h3>Mass Media, Mass Stereotypes: Beginnings<\/h3>"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art50\/graphics50\/shira\/ThedaBaraSalome.jpg\" alt=\"Theda Bara plays Salome\" width=\"253\" height=\"400\" align=\"right\" \/><\/p>\n<h3>by <a href=\"#\">Shira<\/a><br \/>\n<span class=\"footnotes\">posted April 15, 2010<\/span><\/h3>\n<p>It has been over a century since the Middle Eastern dancers at the <a href=\"http:\/\/www.gildedserpent.com\/art37\/ShiraWhiteCity.htm\">1893 Columbia Exposition in Chicago<\/a> sparked controversy and scandal. Although the North America public today is much better educated and sophisticated than it was then, when it comes to   belly dancing, many people still cling to the old \u201cseducing the Sultan\u201d and  \u201cdance of the seven veils\u201d stereotypes from long ago.\u00a0 Admittedly, some of this can be explained by bad behavior by attention-hungry performers who represent our dance poorly to the public. However, it goes deeper than that.\u00a0 The mass   media of television, motion pictures, newspapers, and magazines have continued over the years to reinforce the stereotypes even now, in the 21st   century.<\/p>\n<p class=\"highlight\">From the very   beginning of moving pictures technology, moviemakers have used \u201cMiddle Eastern   dance\u201d as a means of adding sexual innuendo and sexy eye candy to their   productions.\u00a0<\/p>\n<p> Whether the film depicts a concubine dancing for the Sultan, a spy thriller with some of the action set in the Middle East, a harem full of beauties waiting to serve their master, or a modern-day Moroccan restaurant in   New York with a dancer, the primary purpose for including the scene is often to exhibit scantily-clad women to please the male audience members.\u00a0 Often, the   characters watching these performers make comments that reinforce the \u201cdancer as seductress\u201d stereotype. <\/p>\n<p>A list compiled by <span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/MariaBoulder.htm\">Maria<\/a><\/span>, a now-retired dancer in Boulder, Colorado contains <a href=\"http:\/\/www.shira.net\/about\/movies-maria-usa.htm\" target=\"_blank\">nearly 200 movies made in North America and Europe<\/a> that feature either \u201cMiddle Eastern dance\u201d scenes or scenes   of women lolling about in costumes that the public would perceive as being   associated with our dance form. Maria also compiled a list of over 150   television shows with such scenes. In addition to Maria\u2019s work, I have   discovered <a href=\"http:\/\/www.shira.net\/about\/movies-cartoons.htm\" target=\"_blank\">19 cartoons, some dating back to 1926, which depict \u201cMiddle Eastern dance\u201d<\/a>.<\/p>\n<p class=\"highlight\">To understand how the entertainment industry\u2019s fascination with harems and belly dancers began, and  why such scenes appeared in even the earliest moving pictures from the 1890\u2019s, it is helpful to look at the larger context of European and North American culture of the 19th and early 20th centuries.<\/p>\n<p> The earliest  motion picture technologies were developed in the 1890\u2019s by the <span class=\"artist\">Lumi\u00e9re brothers<\/span>   in France and <span class=\"artist\">Thomas Edison<\/span> in the U.S.\u00a0 By this time, Europe and North America   had already spent a century cultivating a fascination with the exotic East. This   fascination was generated by: <\/p>\n<table width=\"25%\" border=\"0\" align=\"right\" cellpadding=\"10\" cellspacing=\"0\">\n<tr>\n<td>\n<div align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art50\/graphics50\/shira\/EdisonFatima1897.jpg\" alt=\"Thomas Edison's movie of Fatima\" width=\"360\" height=\"265\" align=\"right\" \/><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td>\n<p align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art50\/graphics50\/shira\/DaisyDuck.jpg\" alt=\"Daisy Duck\" width=\"358\" height=\"267\" \/><\/p>\n<p align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art50\/graphics50\/shira\/BugsBunny.jpg\" alt=\"Bugs Bunny\" width=\"359\" height=\"265\" \/><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<ul>\n<li>Governments and commercial enterprises used the Sinai Peninsula as a gateway to colonial   holdings in India and other Asian countries.<\/li>\n<li>Treasure hunters became interested in tomb raiding \u2013 the beginnings of what we know today as \u201carcheology\u201d.<\/li>\n<li>Tourists saw the Middle East as an exotic place to visit. \u00a0Diaries of some travelers, such as <span class=\"artist\">Gustav   Flaubert<\/span>, were widely read.<\/li>\n<li>European painters   exploited the attitude that it was okay to create images of nude \u201cbarbarian\u201d women to serve as the pornography of its day, whereas such images of European   women would have been unacceptable in their society.<\/li>\n<li>Accustomed to corset-clad European women who could barely breathe, let alone move their   midriffs, Europeans became fascinated with the torso-based dance styles they observed being done by women of the region.<\/li>\n<\/ul>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art50\/graphics50\/shira\/GeromePurchaseofaSlave1857.jpg\" alt=\"Gerome's painting of a slave purchase\" width=\"230\" height=\"350\" align=\"left\" \/><\/p>\n<p>Thus began an obsession with \u201cthe Orient\u201d that lasted for well over a century. In the 1890\u2019s   and early 20th century, several additional events fueled this fad   further, including <span class=\"artist\">Oscar Wilde<\/span>\u2019s play <em>Salom\u00e9<\/em> with its salacious dance of   the seven veils, the 1893 Columbia Exposition in Chicago with its associated   scandals, and the debut of the opera\u00a0 <em>Salom\u00e9<\/em> based on Wilde\u2019s   play.<\/p>\n<p class=\"highlight\">Therefore, it   is no surprise that when technologies to create and project moving pictures were   invented in the late 19th century, Oriental themes became prominent.   Thomas Edison\u2019s <em>actualit\u00e9s<\/em> (mini-documentaries) included Near Eastern   entertainers.<\/p>\n<p>\u00a0 Several early movies utilized themes of Salom\u00e9 and Cleopatra. The   1916 movie <em>Intolerance<\/em> included a segment set in ancient Babylon. \u00a0The   1920\u2019s brought us <span class=\"artist\">Rudolph Valentino<\/span> starring in <em>The Sheik<\/em> and <em>The Son   of the Sheik<\/em>. Tales inspired by <em>1001 Nights<\/em>, particularly those of   Aladdin, Ali Baba, and Sinbad, have enjoyed enduring   popularity.<\/p>\n<p>Over the course of the   20th century, many movies, cartoons, and television shows portrayed   \u201cMiddle Eastern\u201d themes which presented opportunities to display bare female   midriffs or provoke cheap laughs. Interestingly, many of the early cartoons and   movies provide tantalizing insights into what \u201cbelly dancing\u201d and its spin-offs   of the \u201choochy coochy\u201d and \u201cthe shimmy\u201d looked like in the decades immediately   following the infamous Columbia Exposition of 1893.<\/p>\n<p>With 100 years of such   material having been promoted by a profit-hungry entertainment industry, it is   no wonder that certain stereotypes of the Middle East have persisted to this   day. As we watch these programs, we can see Disney\u2019s Daisy Duck doing the dance   of the seven veils,\u00a0 a cute \u201charem girl\u201d mouse dancing for the Sultan in a   Mighty Mouse cartoon, Bugs Bunny wearing a turban surrounded by female rabbits   in harem girl costumes, and more. In a <em>Star Trek<\/em> episode, Captain Kirk   and his companions lasciviously eye the dancer and nudge each other, a theme   which is repeated in an episode of <em>The Simpsons<\/em>.<\/p>\n<p>In my lecture <em>Hares in the Harem and Fantasies of Seduction<\/em> which I developed to   present at the <span class=\"company\"><a href=\"http:\/\/www.gildedserpent.com\/art43\/ibccdailyblog.htm\">International Bellydance Conference of Canada<\/a> <\/span>on April 22, 2010,   I explore many of these images that I have gathered in my research over the   years and I show how they have contributed to the continued misconception held   by the North American public that \u201cMiddle Eastern dance\u201d is somehow part of the   sex industry.\u00a0 By understanding how our dance has been depicted in the media, we   realize that the imagery the North American public grew up with often has very   little to do with the reality behind the dance form we know today as \u201cbelly   dancing\u201d. \u00a0<\/p>\n<p>As dancers in North   America, we are often very frustrated when the public\u2019s stereotypes about our   dance form limit our opportunities. Middle Eastern dance artists have been denied the   use of a church basement for classes, banned from performing in a city festival,   or rejected from obtaining an arts grant to fund an event. Often, our first   reaction is to complain about the ignorance of those who made these decisions.   However, when we examine the pervasive stereotypes about our dance that have   been created by more than 100 years of mass media misrepresentation, we realize   that these people\u2019s mistaken ideas actually did come from somewhere. <\/p>\n<h4 align=\"center\"><em><a href=\"http:\/\/www.bellydanceconference.com\/2010\/lectures.php\" target=\"_blank\">Don&#8217;t miss Shira&#8217;s lecture on this subject at IBCC on Thursday April 22, 2010. <\/a><br \/>\nGilded Serpent will be reporting from the event.<\/em><\/h4>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or<a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">8-22-06<\/span> <a href=\"http:\/\/www.gildedserpent.com\/art37\/ShiraWhiteCity.htm\">Expo: Magic of the White City The Chicago World&#8217;s Fair of 1893<\/a> DVD Review by Shira<br \/>\nAlas, there is a dark side to what could have been a superb documentary &#8211;  the way it handles nearly every subject related to women, including the Middle Eastern dance performers. <\/li>\n<li><span class=\"articledate\"> 1-29-05 <\/span><a href=\"http:\/\/www.gildedserpent.com\/art29\/shirachicagohafla.htm\">Photos from Sumaya&#8217;s Chicago South Side Hafla<\/a> by Shira<br \/>\nBeing new to the Midwest, I thought it would be fun to attend one of Sumaya&#8217;s haflas and meet other members of the greater Midwestern dance community. <\/li>\n<li><span class=\"articledate\">4-7-05 <\/span><a href=\"http:\/\/www.gildedserpent.com\/art30\/Shiraconfdtrshrzd.htm\">Daughters of Shahrazad: Face to Face Cultural Encounters Through<\/a><\/span> the Expressive Arts <br \/>\nof Middle Eastern Women<\/a> On March 5, 2005, a unique conference in Iowa honored International Women&#8217;s Month.<\/li>\n<li><span class=\"articledate\">5-5-05<\/span> <a href=\"http:\/\/www.gildedserpent.com\/art30\/carnivalpanel.htm\">Initiating Dance Dialogue: Current Trends, The Panel Discussion at Carnivals of Stars Festival<\/a>, transcribed from video by Andrea, Panel members included: Heather as moderator, Monica Berini, Shira, Barbara Bolan, Amina Goodyear, Debbie Lammam.<\/li>\n<li><span class=\"articledate\">7-28-05<\/span> <a href=\"http:\/\/www.gildedserpent.com\/art31\/shiradesmoinesevent.htm\">Rainbows of the Desert Sponsor Aziza Sa&#8217;id to Des Moines, Iowa<\/a><br \/>\nIt was clear from the overall setup that the Rainbows are very experienced at sponsoring large workshops. <\/li>\n<li><strong>5-30-06 <a href=\"http:\/\/www.gildedserpent.com\/art36\/CharmaineVintageLPs.htm\">Fresh Old Sounds <\/a>by Charmaine Ortega Getz <br \/>\n<\/strong>Seeking fresh sounds in belly dance music? Consider a trip back to the 1950s up to the groovy &#8216;70s when a new style of music was bringing the East to the West. <\/li>\n<li><strong>6-15-07 <a href=\"http:\/\/www.gildedserpent.com\/art40\/CharmaineSolBloom.htm\">Seeking Sol Bloom<\/a> by Kharmine<br \/>\n<\/strong>Unbeknownst to Bloom, the troupe had a hired Algerian guide, &#8220;a giant Kablye,&#8221; who had lived in London and was able to chide Bloom sternly in an accent &#8220;normally heard in an English drawing room.<\/li>\n<li><b><strong>8-12-08 <a href=\"http:\/\/www.gildedserpent.com\/art44\/thaliaorientreview.htm\">Review: &quot;Allure of the East: Orientalism in New York, 1850-1930&quot; at the New York Historical Society<\/a> by Thalia <br \/>\n<\/strong><\/b>This small one-room exhibit with its narrow geographic focus&#8211;the city O. Henry dubbed &#8220;Baghdad-on-the-Subway&#8221;&#8211;presents much for dancers to consider. As belly dance continues to gain popularity, what is this continuing &quot;allure&quot; of the Orientalist inspired arts? When is attraction to this aesthetic drawn from a desire to understand other cultures and when is it driven by desire to market ourselves?<\/li>\n<li><span class=\"articledate\">5-21-08<\/span> <a href=\"http:\/\/www.gildedserpent.com\/art44\/ibccsatpart1.htm\">Saturday Gala Peformance Part 1 of the International Bellydance Conference\tof Canada<\/a> <span class=\"articleauthor\">video and photo report by GS staff<\/span><br \/>\nPerformers include: Lopa Sarkar, Sacred Dance Company of Victoria, Nath Keo, Roshana Nofret &amp; Maria Zapetis of Bozenka&#8217;s BD Academy, Ensemble El Saharat of Germany- <br \/>\nMayyadah &amp; Amir of Germany, Ferda Bayazit of Turkey, Arabesque Dance Company &amp; Orchestra of Toronto <\/strong><\/li>\n<li><strong>7-17-08 <a href=\"http:\/\/www.gildedserpent.com\/art44\/ibccsatpart2.htm\">Saturday Gala Peformance Part 2 of the International Bellydance Conference of Canada<\/a> video\tand photo report by GS staff<\/strong><br \/>\nPerformers in Act 2 : Aisha Ali of Southern California, Bozenka of Florida, Amy Sigil &amp; Kari Vanderzwaag of Unmata from Sacramento, California, Tito Seif of Egypt, Aida Nour of Egypt<\/li>\n<li><strong>4-14-10<a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/04\/15\/nicole-nights-out-in-cairo\"> Nights Out in Cairo, Part 1: Wednesday Through Saturday<\/a> by Nicole<\/strong><br \/>\nThe beauty of Cairo is often in the every day things, the small things that we wouldn\u2019t consider so worthwhile, but in fact, make up the real substance of what it\u2019s like to live here. I don\u2019t go to museums or monuments or see famous Belly dancers every day, but I am here in Cairo every day and that is special in and of itself.<\/li>\n<li><strong>4-10-10<\/strong> <strong><a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/04\/10\/carl-fesitval-photos-r-z\/\">Carl&#8217;s Photos from Rakkasah East Festival 2009, Page 4: R-Z <\/a> by Carl Sermon<\/strong><br \/>\nRaks Helm, Raks Sheva, Ranya, Raqs Caravan, Rasa, Sahara Shimmer, Salit, Samra, Scheheresade, Sera &amp; Solstice, Shaula, Shayda, Shushanna &amp; Sean, Soverign Reign, Surayyah, Suzanna, Tanya, Tapestry Tribe, Tasha, Tempest, The Nixies, Troupe Little Egypt, Troupe Solice, Troupe Zoryanna, Valerie Rushmere, Wild Gypsy Fired, Yame, Yasmine, Za-Beth <\/li>\n<li><strong>4-6-10<a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/04\/06\/malia-belly-dance-part-1\/\"> The Pirate, the Psychic and the Mummies in the Basement, Malia&#8217;s Story Part 1<\/a> by Malia DeFelice<\/strong><br \/>\nSo, at age 4, my world was good.  I had a rich imagination sparked by images of Egyptians in the crawlspace and  iron ore waiting to be turned into gold. I had a family that consisted of pirates, genies, fortune tellers, wanderers and minstrels.  Most of all I had been captivated by the bejeweled beauty in the dancing tattoo.  It was 1957 and I knew, like my Uncle Omar and great Aunt Katie, I would one day grow up to be someone who would follow a special calling.  I decided, at age 4, that it was my destiny to become a Belly dancer!<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>From the very beginning of moving pictures technology, moviemakers have used \u201cMiddle Eastern dance\u201d as a means of adding sexual innuendo and sexy eye candy to their productions. <\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/1377"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=1377"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/1377\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=1377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=1377"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=1377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}