{"id":1470,"date":"2010-05-16T22:52:28","date_gmt":"2010-05-17T05:52:28","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=1470"},"modified":"2013-10-20T13:42:15","modified_gmt":"2013-10-20T20:42:15","slug":"yasmia-bust-to-be-proud-of","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2010\/05\/16\/yasmia-bust-to-be-proud-of\/","title":{"rendered":"A Bust to be  Proud Of &#8230;"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art50\/graphics50\/yas5cleavage.jpg\" width=\"300\" height=\"310\" align=\"right\" \/><\/p>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/YasmineSerpentine.htm\">Yasmin Henkish<\/a><br \/>\n<span class=\"footnotes\">posted May 13, 2010 <\/span><\/h3>\n<p><em> &nbsp;&quot;YOUR TITS LOOK LIKE [MANURE] IN THAT COSTUME!&quot;<\/em><\/p>\n<p>\n<a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/artemismourat.htm\">Arty (aka Artemis Mourat)<\/a> will never let me live that comment down. When she  introduces me to her dance friends, it\u2019s the first story out of her mouth &#8211;  eighteen years after the fact. We still laugh about it. She recently found a  photograph of herself in the famous costume and got a third party opinion \u2026 Ask  her about it the next time you see her. Joking aside, I think that\u2019s what  friends are for, to tell you stuff others are afraid to. So let me share some  friendly tips with you, so you never have to hear a comment like mine \u2013 or  worse, have people think it but say nothing. <\/p>\n<p>\nYou do not have to be endowed by Heaven to look that way. Nor do you have to  resort to plastic surgery. Fixing a costume bra is an art, but it is not  difficult. There are a few simple tricks that only require thick thread, a  needle and lots and lots of cotton. Surgical cotton is best, but even make-up  remover puffballs will do in a pinch. In France, where I learned this  time-honored skill, cotton comes in large bags to wipe babies with, so it is  easy to find. In the US you may have to look harder. Yet this costume slight of  hand was not developed by the French. I learned it from the Egyptians there who  sold me my first <span class=\"artist\">Madame Abla<\/span> bedlah. <\/p>\n<p>\nI\u2019m getting ahead  of myself. Stuffing cotton is the last step to sculpting a beautiful bust.  Three other things need to be adjusted first. <\/p>\n<ol>\n<li><strong>The front<\/strong> \u2013 this measurement should ideally be  considered before you buy the costume, along with the cup size. If the cups are  too close together, too far apart or too big, you are better off not buying the  costume to begin with. These defects are hard to fix. Is the bra your size? In  general, one letter over your normal cup size is as large as you should go.  More than that and you will look top heavy. Do your breasts squeeze out the  side of the cup, a condition known as \u201cunderarm tit\u201d syndrome? This, too,  should be a deal breaker. Make these important decisions first, before you  attack your brand new costume with a stitch-ripper. <\/li>\n<li><strong>The back<\/strong> \u2013 measure the hook placement so the  wire of the undercup sits just under your breast flesh. It should fit snuggly,  but not so tight that you burst the hook when you lift your rib cage. The only  thing worse than seeing breast tissue slip out from underneath the cup is  flashing nipple. We\u2019ve all seen it, thanks to YouTube. It\u2019s not pretty. <\/li>\n<li><strong>The straps<\/strong> \u2013 Breasts should be perky, not hang  down to the waist like cow udders. They should form a shelf, that ideally you  can rest a cane or a sword on. Pull up the straps at the shoulders until you  get the desired height. Measure the excess. Open the back lining and strap  attachment and re-sew it to take up the slack (with heavy button thread &#8211; #4).  If you are going to resell the costume, fold up the excess and use the same  color thread to sew it under. Otherwise just cut it off (I took the short cut).  It is more comfortable if you adjust a strap equally front and back, but most  costumes have beading on the front seam that can\u2019t be touched. <\/li>\n<li><strong>The stuffing<\/strong> \u2013 This is the fun part! In my  experience, most newbie dancers do not pad their bras enough, if at all. This  leads to cup-gap, where the breast separates from the top of the cup and gives  audiences far more for their money than they expected &#8211; nipple flash. Or worse,  the breast bounces out of the cup entirely for a <span class=\"artist\">Janet Jackson<\/span> photo op.  Shimmies and backbends are notorious \u201coops\u201d moments. Many professionals use  two-sided tape to prevent such embarrassing faux-pas. Did you know that dancers  with D cups and above pad their costumes, too? It gives them a nice rise to the  top of the breast and an even cleavage. So, whether you have an A cup or G cup,  grab your stitch-ripper, thread and cotton and let&#8217;s get started. <\/li>\n<\/ol>\n<p>\u00a0\u00a0\u00a0\u00a0 <\/p>\n<p>I have included pictures  of a Madame Abla costume that I stuffed in the 1980s. I know, times have  changed, materials too. But the principle of where to place padding remains the  same. It goes underneath the breast for lift and along the wire under the arm  for cleavage. The point (nipple &#8211; #1) is sewn to keep the padding from  shifting. Carefully open the lining seam of each cup under the arm. Gently push  the cotton to position it according to the diagram (#2). Leave a \u201cshelf\u201d  without padding on the upper inner section of each cup (#3). That is where your  breast tissue will rest. Adjust the amount of padding until it feels  comfortable, then sew the lining back up.<\/p>\n<p align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art50\/graphics50\/yas1.jpg\" width=\"300\" height=\"225\" \/><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art50\/graphics50\/yas2.jpg\" width=\"300\" height=\"225\" \/><\/p>\n<p align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art50\/graphics50\/yas3.jpg\" width=\"300\" height=\"225\" \/><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art50\/graphics50\/yas4.jpg\" width=\"300\" height=\"225\" \/><\/p>\n<p> There are other ways to create beautiful cleavage. I  have had students who pinned pads to the cups, to remove them later for washing  or to sell the costume. If you sweat profusely, this may be the way to go. I  have seen others stuff bras with handkerchiefs, socks and even toilet paper in  a pinch. This is NOT the way to go. What happens when they fall out during a  performance? A skit worthy of Saturday Night Live. Besides, makeshift solutions  never give as good a profile as padding sewn to fit. Nowadays, the upper-end  designers use pre-fabricated synthetic cup enhancers, which are lovely if you  are comfortable sweating in nylon. But for those who can not abide swimming in  their own unabsorbed perspiration, stuffing with cotton is the way to go. No  matter what you chose to do however, do something. A snug fitting bra is  essential for a professional presentation. Besides, who wants the audience to  think her tits look like manure?\n<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or<a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/div>\n<p><!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">1-27-10<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/01\/27\/yasminshooshooamin\/\"> Shoo Shoo Amin, A Forgotten Treasure of the 80s<\/a><span class=\"articleauthor\"> by Yasmin<\/span><br \/>\nTwenty years ago when I told people I had worked with Shoo Shoo Amin in Cairo, the response was  &ldquo;Wow!&rdquo; Now, people go &ldquo;Who?&rdquo; Today no one seems to know who she is. For belly dance purists, this is a tragedy. Every so often, someone my age or older will wax lyrical about her on-line, but for the most part, she&rsquo;s an enigma &ndash; even to young Egyptians.<\/li>\n<li><strong>3-30-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/03\/30\/davina-bra-conversion\/\">Be Your Own Design Diva, Costume Bra Alteration: How-To Change Halter to Conventional Straps<\/a> by Davina<\/strong><br \/>\nHowever, the halter styling of the bra had straps that were far too short to fit around her neck limiting her ability to lift her arms over her head. <\/li>\n<li><span class=\"articledate\">9-17-09<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/09\/17\/yasminsex\/\">Sex, Belly Dance and the Afterlife<\/a> <span class=\"articleauthor\">by Yasmin Henkesh<\/span><br \/>\nTo these people, sex was not dirty, shameful, frightening or forbidden. It was a natural part of daily life and the essential prerequisite for birth &#8211; on earth or in the Afterlife.<\/li>\n<li><strong><a href=\"http:\/\/www.gildedserpent.com\/art29\/susancostumechoices.htm\">Making Wise<br \/>\n        Choices in the Belly-Dance Wear Market-place<\/a> by Susan Good<br \/>\n<\/strong>So<br \/>\n        how does one find a good costume amongst all the piles on vendors tables,<br \/>\namongst all the .jpg files on-line? <\/li>\n<li><span class=\"articledate\">7-30-08 <\/span><a href=\"http:\/\/www.gildedserpent.com\/art44\/yasminraqiafest08.htm\">Ahlan Wa Sahlan 2008, Not So Welcoming this Year<\/a><span class=\"articleauthor\"> by Yasmin<\/span><br \/>\nPrices have gone up everywhere, and Egypt is no exception. The reality hit me as soon as I walked into the Mena House. Bottled water was $4.00, where out in the street the same bottle was $.50. A bottle of beer was $10.00. Internet connection was $30.00 \/ hour. At those prices, life&#8217;s little pleasures didn&#8217;t seem important anymore. <\/li>\n<li><strong>1-25-07 <a href=\"http:\/\/www.gildedserpent.com\/art39\/TashaOneBanat.htm\">One Banat: An Exploration of Some Belly Dance Costuming Origins<\/a> by Tasha Banat <br \/>\n<\/strong>Since the establishment of Israel, the definition of the term &#8220;Middle East&#8221; seems to have changed and now has come to refer to a conglomeration of a number of unrelated countries in the Asian and African parts of the hemisphere. <\/li>\n<li><span class=\"articledate\">3-27-08<\/span> <a href=\"http:\/\/www.gildedserpent.com\/art43\/YasminDVD.htm\">To Buy or Not to Buy &#8211; A Guide to Mass Market Belly Dance Instructional DVDs<\/a> <span class=\"articleauthor\">by Yasmin<\/span><br \/>\nMost producers ask or hire others to write glowing reviews. You will often see the same people reviewing a producer&#8217;s entire line of product. Those are suspect. Look for the one-off comments. They will give a better overview, along with anything less than 5 stars. <\/li>\n<li><strong>5-10-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/05\/02\/ibcc-2010\/\">IBCC 2010, Wednesday April 21, Opening Gala Report From The International Bellydance Conference of Canada<\/a> by Gilded Serpent Staff <\/strong><br \/>\nBecause Gilded Serpent didn\u2019t quite make it to the hall until the show was over, we are very grateful that<br \/>\nBrigid Kelly     consented to give us her report from the Wednesday evening performancec. The dance photos overlayed on this video are by Samira Hafezi. <\/li>\n<li><strong>5-6-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/05\/06\/rebaba-queen-of-denial\/\">Queen of Denial, A Tale about Life and Belly Dancing, Part 1: The Safety of the Stage<\/a> by Rebaba or Rita Alderucci<\/strong><br \/>\nFor many years, the most secure and safe place for me was on stage\u2013dancing and acting.  Performing gave me the security and love for which I yearned  (both with and without drugs). <\/li>\n<li><strong>5-5-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/05\/05\/ketisharifbellydance-in-utero\/\">Bellydance in Utero<\/a> by Keti Sharif<\/strong><br \/>\nWhen pregnant, I practiced Belly dance moves each day in preparation for giving birth, mainly focusing on the circular, soothing and stretching movements but avoiding shimmies and moves that were contra-indicated by midwives and sports professionals.<\/li>\n<li><strong>5-3-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/05\/03\/charlotte-british-bellydance\/\">A Very British Kind of Bellydance<\/a> by Charlotte Desorgher<\/strong><br \/>\nThis incongruity is something that characterizes the English bellydance scene. Many of our festivals are held in historic sites, such as castles or ancient towns, and we are used to the surprising sound of Arabic music floating across an English lawn.<\/li>\n<li><strong>5-2-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/05\/02\/ibcc-2010\/\">IBCC 2010, Thursday Activities Report From The International Bellydance Conference of Canada<\/a> by Gilded Serpent Staff <\/strong><br \/>\nWe begin our video reports with the Thursday Activities: dance workshops by Amel Tafsout, Sema Yildiz, Delilah, and Aurora Ongaro lectures on The Anatomy of Bellydance, Dr Sawa on Rhythmic Notation for Bellydancers, Shira on Mass Media, Mass Stereotypes and a Panel on Feminism &amp; BD led by Andrea Deagon, <\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p> &#8220;YOUR TITS LOOK LIKE [MANURE] IN THAT COSTUME!&#8221;<\/p>\n<p>Arty (aka Artemis Mourat) will never let me live that comment down. When she introduces me to her dance friends, it\u2019s the first story out of her mouth \u2013 eighteen years after the fact. We still laugh about it.<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/1470"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=1470"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/1470\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=1470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=1470"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=1470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}