{"id":1485,"date":"2010-05-17T18:18:24","date_gmt":"2010-05-18T01:18:24","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=1485"},"modified":"2010-05-17T19:50:45","modified_gmt":"2010-05-18T02:50:45","slug":"tracy-3-music-cd-reviews","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2010\/05\/17\/tracy-3-music-cd-reviews\/","title":{"rendered":"<h3>3 Music CD Reviews: The Dancer&#8217;s Choice<\/h3>"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/10\/tracy3cdcollageMay2010.jpg\" width=\"300\" height=\"450\" align=\"right\" \/><\/p>\n<h2>Amera &#8211; Asal: Music for Arabic Dance<br \/>\nSoul Nahawnd &#8211; Music for Kitty<br \/>\nLeila presents Sukara: Egyptian Bellydance Music Vol. 2<\/h2>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/tracybenton.html\">Tracy Benton<\/a><br \/>\n<span class=\"footnotes\">posted May18, 2010<\/span><\/h3>\n<p>It&#8217;s always intriguing to find music presented by or influenced by a particular  dancer. What does it mean for the album in question: was the music composed for  the dancer? Did the dancer participate in the composition or recording of the  music? Perhaps she worked with the musicians to select the arrangements&#8230;  perhaps she chose already-recorded tracks&#8230; without inside information it&#8217;s  difficult to say, except to conclude that certainly the dancer&#8217;s taste is on  display. Here are three such CDs for your consideration:<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/09\/AmiraAsaltn.jpg\" alt=\"Amera Asal\" width=\"171\" height=\"150\" align=\"left\" \/><\/p>\n<p class=\"sectiontitle\">Amera &#8211; Asal: Music for Arabic Dance<\/p>\n<p><span class=\"artist\">Amera<\/span> of Australia has been dancing for more than two decades and has performed  all over the Arab world; this CD probably reflects what she likes to see in an  Arabic music album. First of all, most of the songs have translations in the  liner notes! The first track, a <em>majensi<\/em>, is an instrumental version of  &quot;Min Gher Leh&quot; &#8212; but she includes the song lyrics anyway, with the  note<\/p>\n<p class=\"highlight\"> &quot;This is the actual wording of the song, though not sung as a vocal  track on this CD, it is always good to know what the original&nbsp;lyrical version  conveyed.&quot; Amera knows dancers need to understand what the music is about.<\/p>\n<p>This CD has a variety of types of music on it: the opening majensi, the perky  &quot;Ya Wad Ya Eskanderany&quot;, a driving drum solo, and the title track,  the classic Sabah song &quot;Zay al Asal&quot; (Like Honey). The CD also offers  three Khaleegy numbers: two modern-sounding songs and a drum solo that will  start you moving! (I believe the CD is a companion to Amera&#8217;s &quot;Learn to  Dance Khaleegy&quot; DVD.) The tracks are of varying lengths, from under two  minutes to just over seven. The music does sound synthesized, but the  &quot;instruments&quot; were not tweaked into sounding too unnatural. While the  CD doesn&#8217;t offer a standout &quot;star track,&quot; it&#8217;s a solid addition to a  collection, particularly for those wanting to add more khaleegy music to the  library.<\/p>\n<h4 align=\"center\">Rating: three zils<br \/>\n<img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/3zils.gif\" alt=\"Zil Rating- 3\" width=\"110\" height=\"36\" \/><\/h4>\n<p align=\"left\"><strong>Purchase directly from the artist here: <a href=\"http:\/\/www.ameraspalace.com.au\" target=\"_blank\">www.ameraspalace.com.au<\/a><\/strong><\/p>\n<p class=\"sectiontitle\">&nbsp;<\/p>\n<table width=\"124\" border=\"0\" align=\"right\" cellpadding=\"10\" cellspacing=\"0\">\n<tr>\n<td>\n<iframe src=\"http:\/\/rcm.amazon.com\/e\/cm?t=thegildedserpent&#038;o=1&#038;p=8&#038;l=as1&#038;asins=B003JUZ224&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=0000FF&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe>\n<\/td>\n<td>\n<iframe src=\"http:\/\/rcm.amazon.com\/e\/cm?t=thegildedserpent&#038;o=1&#038;p=8&#038;l=as1&#038;asins=B00005NZE1&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=0000FF&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe><\/p>\n<\/td>\n<\/tr>\n<\/table>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/09\/OrientalDanceMusicCDtn.jpg\" width=\"150\" height=\"145\" align=\"left\" \/><\/p>\n<p class=\"sectiontitle\">Soul Nahawnd<a href=\"#ast\">*<\/a> &#8211; Music for Kitty<\/p>\n<p>This <span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/09\/16\/sonjayousry\/\">Yousry Sharif<\/a> <\/span>production was assembled for dancer <span class=\"artist\">Kitty Lam<\/span>, a longtime  protege of his who performs and teaches in Hong Kong. Yousry Sharif&#8217;s CDs over  the years have added many a &quot;standard&quot; to bellydancers&#8217; sets, most  notably with the <strong><em>Wash ya Wash<\/em><\/strong> series. This album has a similar feel, jumping  right in to the &quot;Raqset Kitty! Oriental.&quot; Composed by <span class=\"artist\">Reda Saad<\/span>  specifically for Kitty, it includes several tempo changes and solos by various  instruments, a wonderful entrance for your restaurant set. It&#8217;s followed by an  upbeat &quot;Medley&quot; featuring smooth vocals, then &quot;Taqsim  Rainbow&quot; including ney and violin solos. <\/p>\n<p class=\"highlight\">The taqsims were a little  disappointing; they did not need to be laid over peppy synthesized drums during  the last third of the track&#8211;I thought they would have stood alone nicely. <\/p>\n<p>A  rumba track is thrown in as a bonus before the sparkling &quot;Raqset Kitty  Finale.&quot;<\/p>\n<p>The usual short drum solo, &quot;Samah Huss!&quot; throws variety in the face  of the usual by layering some very deep drum sounds against the doumbek, and  later adding vocal sounds and cymbal crashes. It is certainly memorable. The  last four tracks present another set of music that could be used together;  &quot;Amar el Layali&quot; is another orientale composed for Kitty, this one by  <span class=\"artist\">Mounir Abdel Aziz<\/span>. In this set I found the Nubian folk tune &quot;Trilla&quot;  to be particularly catchy and fun. At 4:35 it would make a great basis for a  class choreography, but one might wish for a translation of the lyrics.  Overall, this album offers some fine options for the solo dancer if she is a  fan of the Yousry Sharif production style.<\/p>\n<h4 align=\"center\">Rating: three zills<br \/>\n<img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/3zils.gif\" alt=\"Zil Rating- 3\" width=\"110\" height=\"36\" \/><\/h4>\n<table width=\"124\" border=\"0\" align=\"right\" cellpadding=\"10\" cellspacing=\"0\">\n<tr>\n<td>\n<iframe src=\"http:\/\/rcm.amazon.com\/e\/cm?t=thegildedserpent&#038;o=1&#038;p=8&#038;l=as1&#038;asins=B000O76EMW&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=0000FF&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe>\n<\/td>\n<\/tr>\n<\/table>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/09\/leilaSukaratn.jpg\" width=\"150\" height=\"150\" align=\"left\" \/><\/p>\n<p class=\"sectiontitle\">Leila presents Sukara: Egyptian Bellydance Music Vol. 2<\/p>\n<p><span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/LeilaCairo.htm\">Leila of Cairo<\/a><\/span> started her bellydance career in Seattle . She has danced in Cairo since 2002 and  this is one of two CDs she has sponsored. The opening majensi, &quot;Leila  Sukara,&quot; was written for her by <span class=\"artist\">Reda Saad<\/span> (whose work appears on many  modern CDs &#8212; no coincidence that he composed for Kitty&#8217;s album as well). <\/p>\n<p class=\"highlight\">The  remainder of the tracks on this album are big, lush full-orchestra arrangements  of favorites &#8211;&nbsp;old and new &#8212; just as if you were to see Leila in a fancy hotel in  Cairo!<\/p>\n<p> While the liner notes give an idea of the song lyrics, I did wish that  the play times appeared somewhere. This version of &quot;Esmaooni,&quot; for  example, turned out to be over seven minutes long, and the <span class=\"artist\">Abdel Halim Hafez<\/span> classic &quot;Mo&#8217;aood&quot; is eleven.<\/p>\n<p>The sound on this album is perhaps not as crisp as it could be. It&#8217;s almost as  if the orchestra was recorded in one of those huge hotel ballrooms, despite the  fact that it was recorded in the same studio as Soul Nahawnd. But if you&#8217;re  looking for big-sounding recordings of very traditional dance music, from  &quot;Beledi al Wad&quot; to <span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/art36\/YasminOmK.htm\">Oum Kalthoum<\/a><\/span><a href=\"http:\/\/www.gildedserpent.com\/art36\/YasminOmK.htm\">&#8216;<\/a>s &quot;Ansak,&quot; you are likely  to find something to like on this album. My favorite was actually the original  &quot;Leila Sukara&quot; with its encyclopedia of rhythm and mood changes.<\/p>\n<p align=\"center\" class=\"sectiontitle\">\nRating: two zills<br \/>\n<img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/2zils.gif\" alt=\"Zil Rating- 2\" width=\"73\" height=\"36\" \/><\/p>\n<p>No matter how deeply a dancer is involved with album production, the resulting  CD bears her name (and usually photo!) for all to see. Even if your taste and hers  do not agree, you may rest assured that the music on the CD will be danceable  &#8212; and that&#8217;s not always the case. <\/p>\n<h6><em><a name=\"ast\" id=\"ast\"><\/a>*We found this spelled variously &#8220;Nahawnd&#8221; and &#8220;Nahawand.<\/em><br \/>\n<\/h6>\n<p>\n<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">3-17-10<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/03\/17\/tracy-benton-reviews-3cds\/\"> Magicians of Music, Three Excellent New Music CDs<\/a><span class=\"articleauthor\"> by Tracy Benton<\/span><br \/>\nDancers owe a huge debt to the artists who produce music of the very highest quality, music that isn\u2019t merely a background for dancing but a star of the performance in its own right. Consider the albums listed here as potential classics that you may treasure for years. <\/li>\n<li><span class=\"articledate\">2-4-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/02\/04\/tracybreviews3cds\/\">Three New Music CDs: New York, Lebanon, and Worldwide: Sayyah, BDSS 6, BD New York<\/a> <span class=\"articleauthor\">Reviewed by Tracy Benton<\/span><br \/>\nThree good albums came to me for review: one a fine choice for a student, one a good choice for lovers of original music, and another for the dancer who wants everything!<\/li>\n<li><span class=\"articledate\">11-6-09 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/11\/06\/tracyb3cds\/\">Roads Less Traveled: 3 Unusual Audio CDs- Experiments in Bellydance by Rebecca Wolf-Nail, Passages by Middle-Earth Ensemble, Desert Winds by Transition<\/a><span class=\"articleauthor\">, Review by Tracy Benton<\/span><br \/>\nHere\u2019s a collection of music for those searching for something off the beaten path! <\/li>\n<li><b>4-27-02 <a href=\"http:\/\/www.gildedserpent.com\/articles17\/AmeraCDWahyatak.htm\">\u201cAmera \u201cWahyatak Habibi: Music for Middle Eastern Dance\u201d<\/a> CD Review by Najia Marlyz<br \/>\n<\/b>&#8230;the production is meant to be &quot;dancer-friendly&quot; &#8230;<\/li>\n<li><strong>2-16-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/02\/16\/bonitakhaleegydvd\/\">Rainbow Dancers of the Dunes; Amera&#8217;s Khaleegy DVD<\/a> Reviewed by Bonita<\/strong><br \/>\nAmera, a legendary Australian dancer who worked in the Middle East, begins with a brief poetic, documentary presentation of Khaleegy basic background history and how it personally touched her heart.<\/li>\n<li><strong>12-30-06<a href=\"http:\/\/www.gildedserpent.com\/art38\/LeilaIdanceUfollow.htm\"> I Dance; You Follow <\/a>by Leila <\/strong><br \/>\nAs Westerners interested in an Eastern dance form, we might want to ask ourselves if we are missing certain critical aspects of Raqs Sharki because we are not open to Eastern teaching methods.<\/li>\n<li><strong>11-17-06<a href=\"http:\/\/www.gildedserpent.com\/art38\/LeilaINTSafaa.htm\"> Interview\twith Safaa Farid<\/a> by Leila<br \/>\n<\/strong>These days there are times I feel I&#8217;ve seen everything an Egyptian dancer can do in the first five minutes of her show. She doesn&#8217;t change. But foreigners study the dance very hard and they put much time into their show so that is it interesting for a whole hour.<\/li>\n<li><strong>8-16-07 <a href=\"http:\/\/www.gildedserpent.com\/art36\/LeilaMEaudiences.htm\">What Middle Eastern Audiences Expect from a Belly Dancer <\/a>by Leila<br \/>\n<\/strong>Audiences in the Middle East, especially Egyptians, see bellydancing as something to be participated in, critiqued, and loved (or hated) with gusto. <\/li>\n<li><span class=\"articledate\">9-16-09<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/09\/16\/sonjayousry\/\">Yousry\tSharif Makes a Stop in Tennessee<\/a><span class=\"articleauthor\"> by Sonja Oswalt<\/span><br \/>\nYousry sat on the front row during the performance, and is rumored to have remarked &ldquo;that is me dancing up there!&rdquo; when Virginia made her appearance. <\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Amera &#8211; Asal: Music for Arabic Dance Soul Nahawnd &#8211; Music for Kitty Leila presents Sukara: Egyptian Bellydance Music Vol. 2 by Tracy Benton posted May18, 2010 It&#8217;s always intriguing to find music presented by or influenced by a particular dancer. What does it mean for the album in question: was the music composed for [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/1485"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=1485"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/1485\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=1485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=1485"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=1485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}