{"id":1585,"date":"2010-06-10T20:13:26","date_gmt":"2010-06-11T03:13:26","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=1585"},"modified":"2010-06-10T20:13:26","modified_gmt":"2010-06-11T03:13:26","slug":"tasha-banat-debke","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2010\/06\/10\/tasha-banat-debke\/","title":{"rendered":"<h3>Debke<\/h3>"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art50\/graphics50\/Debke.jpg\" alt=\"Debke\" width=\"300\" height=\"402\" align=\"right\" \/><\/p>\n<h2>A Brief History<\/h2>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/TashaBanat.htm\">Tasha Banat<\/a><br \/>\n<span class=\"footnotes\">posted June 7, 2010<\/span><\/h3>\n<p class=\"sectiontitle\">General  Information:<\/p>\n<p>The word Debke<a href=\"#footnote\">*<\/a> in Arabic means &quot;stamping  the feet&quot; and it is the popular folk dance in the Asian Arab world. As a  line dance, it is seen at weddings, graduations, birthdays, and any other party  or Haflis <\/p>\n<p>The most common types of Debke are <strong><em>Debka Shamaliya<\/em><\/strong> (country  dance) and <strong><em>Debka Jabali<\/em><\/strong> (Mountain dance), but each village has its own  little style.&nbsp; The leader is called <strong>Raas <\/strong>(&quot;head&quot;) and he or she twirls a handkerchief or string of beads  called <strong>masbha <\/strong>(similar to a rosary),  while the rest of the dancers keep the rhythm. In some Debke songs, the singer begins with a <strong>Mawwal<\/strong> (solo).&nbsp; Examples of some popular Debke Songs are <em>Ya  Ein Muletin, Wein Al Ramallah, Fog el&nbsp;Naghal<\/em>. <\/p>\n<p>How does one combine Debke with Bellydance?  What does that mean? In order to combine two beautiful dances, we have to first  separate them and understand the different types of Arabic music. <\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art50\/graphics50\/ArabMapWorld.jpg\" alt=\"Arab world\" width=\"150\" height=\"113\" align=\"left\" \/>The Arab extends influence of culture  throughout 2 continents and beyond.&nbsp; The 2 continents influenced the most  are Africa and Asia.&nbsp; That is why we separate ourselves into <strong>African<\/strong> <strong>Arabs<\/strong> and <strong>Asian<\/strong> <strong>Arabs<\/strong>.&nbsp; I would surmise that if  you have been exposed to the belly dance scene for more than 5 years, you know  most of the dance styles that&nbsp;come from the continent of <strong>Africa<\/strong>,  which includes Egypt.&nbsp; Also with that inclusion, comes the folk dances of  Egypt, Tunisia, Libya, Algeria, Morocco, and on into the southern regions of  Spain to include the dances of the Andulusia. The <strong>Asian<\/strong> <strong>Arab<\/strong> world  includes the region known as B\u2019lad E\u2019Shaam (Lebanon, Palestine, Jordan, Syria,  Iraq, part of the Khaliji areas.&nbsp; In addition to those countries, the  influences are found in Iran, Turkey, and beyond there. <\/p>\n<p>Of course, when I  talk about these 2 continents, I am choosing to disregard politics and who  controlled who, when, and where, in the past 2 centuries &#8211; this is an article  about music and dance. Having said that, I suggest that you begin to understand  where my dance comes from by dividing your music into the same 2 categories:  Africa and Asia. Then separate your music into 2 more categories: Cabaret Belly  Dance and everything else. <\/p>\n<p class=\"highlight\">Belly Dance is  only one type of dance in the Middle East so it cannot be called Middle Eastern  Dance &#8211; that is completely wrong so please, do not use the term &quot;Middle  Eastern Dance&quot; to replace Belly Dance. <\/p>\n<p>It is as vague in  the Arab world as anything called American Dance would be in our world. For  example, which dance in the United States is American Dance?&nbsp; There are so  many examples, &nbsp;like Country Western, Disco, Rock n Roll.&nbsp; The Middle  East is no different.&nbsp; There is Middle Eastern Lebanese Belly Dance,  Egyptian Belly Dance, Turkish Belly Dance, but each of these areas have many  other dances as well.&nbsp; <\/p>\n<p>Belly dance is  the dance of the entire Arab world which includes North Africa, Arab Asia (the  Middle East), on into Turkey and beyond. <\/p>\n<p class=\"highlight\">It is popular to believe that Belly Dance  originated in Egypt, but Cabaret Belly dance Style actually originated with the  French invaders who controlled North Africa, and Lebanon.&nbsp;<\/p>\n<p> They were a lot  less restrictive and the French style Cabaret was so popular.&nbsp; Countries  occupied by France became republics.&nbsp; Most Arabs know that Cabaret Belly  Dance started with the Casinos and Cabarets set up by the French to entertain  the French.&nbsp; The Cabarets and Casinos were fashioned after the Casinos and  Cabarets in France where the \u201cCan Can\u201d was the main attraction.&nbsp; I believe  this is true\u2026.Simply because the British have no dances of their own, or food  (except maybe fish and chips). In Arabic, Belly Dance is called \u201cRaks B\u2019tn\u201d  (Stomach Dance).&nbsp; In French it is called Danz Orientale or Daneues du  Ventre.&nbsp; <a href=\"http:\/\/www.gildedserpent.com\/art47\/jalilahbadia.html\"><span class=\"artist\">Badia Masabni<\/span><\/a>, of Lebanese Heritage is credited with coming up  with the Cabaret Belly Dance Costume, as well as schools.&nbsp; In addition,  she opened the first Cabarets in Egypt fashioning them after the Cabarets in  France and Beirut. <\/p>\n<p class=\"sectiontitle\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art50\/graphics50\/tashafriend.jpg\" alt=\"Author Tasha and friend Michel\" width=\"150\" height=\"248\" align=\"right\" \/>Lebanese Style Belly Dance and Middle Eastern Debke: My Story <\/p>\n<p>Many of the observations I make are based on  my own personal success with merging these 2 styles of dance into a great  career and is based on the my desire to present Arabic Culture in a positive  fashion. The Lebanese Style of Belly Dance and the Debke describes my personal  dance success.&nbsp; I began my 40 year dance career in College when I heard  Arabic musicians rehearsing in a nightclub one day.&nbsp; I went inside and  began to sing the songs they were playing.&nbsp; The owner, a Syrian said he  would pay me if I would do some Debke between my Belly Dancing.&nbsp; To make  some college money, I did it.&nbsp; It was that simple but I became a little  jealous that the belly dancers were making a lot more money, so <span class=\"artist\">Om Tarik<\/span>, the  owner\u2019s wife, made me my first belly dance costume.&nbsp; I knew how to belly  dance from the haflis (Arab parties) that I attended, but it was the Debke  steps that I threw into my dance that make me popular with my own people. <\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art50\/graphics50\/portsaidlp.jpg\" alt=\"Port Said LP\" width=\"150\" height=\"150\" align=\"left\" \/>Everyone in the Arab nightclub audiences where I danced tended to be  from B\u2019lad E\u2019shaam (Middle East) so it was a natural progression for me to mix  up my Dabka with Belly Dance; especially in the late 60\u2019s throughout the 70s  and 80s.&nbsp; Even most of the musicians were, usually an oud player from the  Middle East or an Armenian from the Middle East.&nbsp; And the songs were  Debka, from <span class=\"artist\">Mohammed Al Bakkar<\/span> (Port Said album) to<span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/art43\/artieddiek.htm\"> Eddie the Sheik<\/a><\/span> and many  others.&nbsp; <\/p>\n<p class=\"highlight\">Egyptian Choreographies didn\u2019t really hit the scene until the 80s  and early 90s when Lebanon was invaded and turmoil which still exists occurred  in the Asian Arab world. <\/p>\n<p>At the time, I  did not define Lebanese Style Belly Dance as such, but my cabaret belly dance  style was definitely influenced by the dancers from that part of the Arab world  because they were the ones I was familiar with and therefore emulated.&nbsp; <\/p>\n<p class=\"highlight\">The  biggest difference was that the movement in Lebanese Cabaret Belly Dance was  achieved with much straighter legs and body movement was much more  emphasized.&nbsp; The costuming was definitely more formal and included high  heel shoes and nylons. <\/p>\n<p>Since the Debke  has definite styles  when it comes to footwork, I use Debke steps as traveling steps, even to drum  solos and songs that are not necessarily Debke.&nbsp; The way I see it, every  nightclub performer I know who has been in this business for awhile, say more  than 25 years belly danced to Debke songs.&nbsp; That was true all the way back  to Mohhamed Al Bakkar and the old Port Said album, to Eddie the Sheik, to  <strong>George Abdo<\/strong> and on to <strong>Raghab Alami<\/strong>.&nbsp;&nbsp; <\/p>\n<p>The belly dance music back then was much more orchestrated than that of Egypt  as per the <span class=\"artist\">Nadia Jamal <\/span>albums and the ones with <span class=\"artist\">Hanan<\/span> on the covers.&nbsp; Even  the classics were played with a lot more musicians &#8211; violins, ouds, qanoons,  derbekes, zills, guitars, etc.&nbsp; <\/p>\n<p>Here in America,  the musicians consisted mainly of oud, and durbeke, tambourine and the  musicians were either Armenians who fled to Arab countries and then to America  or Arabs who fled Arab countries and came to America.&nbsp; In other words,  they were mainly Middle Eastern Debke songs or Armenian Folk Songs.&nbsp; The  costuming was less formal than in Lebanon, but certainly very different from  Egypt and North Africa.&nbsp; Then began the many wars which drove Arab Artists  out of the Arab world and music and dance blended into something else. <\/p>\n<h6><a name=\"footnote\" id=\"footnote\"><\/a>*Also spelled &quot;Dabke&quot;<\/h6>\n<h6><a href=\"http:\/\/www.youtube.com\/watch?v=cmJ7jV3zmP0\" target=\"_blank\">off site: Debke infused Oriental Dance by Margo O&#8217;Dell<\/a><\/h6>\n<table width=\"445\" border=\"5\" align=\"center\" cellpadding=\"10\" cellspacing=\"0\" bordercolor=\"#FF9900\" bgcolor=\"#000000\">\n<tr>\n<td>\n<object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/HYxQMbsmPaw&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0xe1600f&amp;color2=0xfebd01\" \/><\/param><param name=\"allowFullScreen\" value=\"true\" \/><\/param><param name=\"allowscriptaccess\" value=\"always\" \/><\/param><embed src=\"http:\/\/www.youtube.com\/v\/HYxQMbsmPaw&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0xe1600f&amp;color2=0xfebd01\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object><\/td>\n<\/tr>\n<tr>\n<td>\n<object width=\"425\" height=\"344\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/MNMeLL4l9zI&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0xe1600f&amp;color2=0xfebd01\" \/><\/param><param name=\"allowFullScreen\" value=\"true\" \/><\/param><param name=\"allowscriptaccess\" value=\"always\" \/><\/param><embed src=\"http:\/\/www.youtube.com\/v\/MNMeLL4l9zI&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;color1=0xe1600f&amp;color2=0xfebd01\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"425\" height=\"344\"><\/embed><\/object>\n<\/td>\n<\/tr>\n<\/table>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or<a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/div>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">7-12-07<\/span> <a href=\"http:\/\/www.gildedserpent.com\/art40\/TashaBassessment.htm\">Belly Dance:Time for Personal Assessment or How old are your Shoes?<\/a><span class=\"articleauthor\"> by Tasha Banat<\/span><br \/>\nWhat do you personally want from the dance? In order to answer this honestly, you must make a personal assessment of your goals and include your achievements. <\/li>\n<li><strong>1-25-07 <a href=\"http:\/\/www.gildedserpent.com\/art39\/TashaOneBanat.htm\">One Banat: An Exploration of Some Belly Dance Costuming Origins<\/a> by Tasha Banat <br \/>\n<\/strong>Since the establishment of Israel, the definition of the term &#8220;Middle East&#8221; seems to have changed and now has come to refer to a conglomeration of a number of unrelated countries in the Asian and African parts of the hemisphere. <\/li>\n<li><b>8-18-05 <a href=\"http:\/\/www.gildedserpent.com\/art32\/tashanamedebate.htm\">Re-defining Belly Dance and Middle Eastern Dance<\/a> by Tasha Banat<br \/>\n<\/b>The fact is that &#8220;Middle Eastern Dance&#8221; is not an acceptable definition for Belly Dance and let me explain why. <\/li>\n<li><strong>12-5-06 <a href=\"http:\/\/www.gildedserpent.com\/art38\/NaajidahEthicsFusion.htm\">The Ethics of Fusion<\/a> by Naajidah<br \/>\n<\/strong>If the culture that you&#8217;re borrowing your moves from objects to your fusion, does it matter? Are you being respectful or exploitative if you borrow steps from a culture that doesn&#8217;t want their music and dance used that way? <\/li>\n<li><b><strong>12-13-05 <a href=\"http:\/\/www.gildedserpent.com\/art33\/YasminZar.htm\">The Zar<\/a> by Yasmin<br \/>\n<\/strong><\/b>We do know that today thousands of women in Africa and the Middle East use this music to cure all kinds of illnesses. They literally dance until they drop. <\/li>\n<li><b>5-13-02 <a href=\"http:\/\/www.gildedserpent.com\/articles17\/sadiraaishaalighawasi.htm\">Aisha Ali &amp; The Birth of the Ghawazee<\/a> by Sadira<br \/>\n<\/b>&quot; This could not possibly be a dance to take seriously&quot;, people whispered <\/li>\n<li><strong><b>5-24-04 <a href=\"http:\/\/www.gildedserpent.com\/articles27\/tempestdancedarkly.htm\">Dancing Darkly: The Phenomenon of Gothic Belly Dance<\/a> by Laura Tempest Schmidt <br \/>\n<\/b><\/strong>This may come as a shock to many, but Gothic Belly Dance isn&#8217;t really a new phenomenon, and it&#8217;s not just centered in California. First of all, it&#8217;s simply a merger of two entities that<br \/>\ngo well together, like peanut butter and chocolate. <\/li>\n<li><strong>10-6-06 <a href=\"http:\/\/www.gildedserpent.com\/art38\/LunaGyspy.html\">What is Gypsy Bellydance?<\/a> by Amy Luna Manderino<br \/>\n<\/strong>&#8230;it is a sore point for representatives of the Roma community whose advocacy groups are very clear on their preference for the term Roma or Romani and consider the term &quot;Gypsy&quot; to be suspect when used outside their own community. <\/li>\n<li><b><strong>2-6-08 <a href=\"http:\/\/www.gildedserpent.com\/art42\/KetishariSaudiband.htm\">The Secret of Saiidi Song and Dance-Straight from the Horse&#8217;s Mouth<\/a> by Keti Sharif<br \/>\n<\/strong><\/b>&quot;Saiidi&quot;.Say this word anywhere in Egypt (including El Saiid) and colloquially it implies someone who is funny, backward &#8211; a loveable, gullible character with salt-of-the-earth village simplicity. To call someone &#8220;Saiidi&#8221; is a local term or endearment for a likeable buffoon! <\/li>\n<li><strong>6-19-06 &quot;<a href=\"http:\/\/www.gildedserpent.com\/art35\/margFoodrecipe.htm\">It IS About the Food!<\/a>&quot;by Margo Abdo O&#8217;Dell<\/strong><br \/>\nThe matriarchs were teaching me about a cultural art from my Lebanese heritage. <\/li>\n<li><strong><b>4-26-06 <em><a href=\"http:\/\/www.gildedserpent.com\/art35\/margoBDpoem.htm\">Much, Much More<\/a><\/em> by Margo Abdo O&#8217;Dell<\/b><br \/>\n<\/strong>Please do not call me a belly dancer. Because for me, it is not just a flip of the hip, the wink of an eye. It is not just the sparkle of jewels, the want of applause.<\/li>\n<li><strong>6-8-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/06\/08\/martha-interview-yamil-annum\/\">Interview with Yamil Annun, An Argentinian Belly Dancer<\/a> by Martha Duran<\/strong><br \/>\nYamil Annum has created his own dance style and has evolved his specific style of Oriental dance by using the well established foundations of classical Ballet, Ukrainian dance, Ballroom dancing, Celtic dances, Jewish folk-dance, Bhangra, Armenian and Argentinian Tango. His elegance on the stage has revolutionized stages all over Argentina and Latin America.<\/li>\n<li><strong>6-7-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/06\/07\/ashiya-naajidah-being-a-professsional\/\">There&#8217;s More to Being a Professional?<\/a> by Ashiya and Naajidah<\/strong><br \/>\nMany are the times we have heard belly dancers bemoaning the fact that there are so few venues, especially paying ones, for our art form. They long to be professional dancers, and are understandably frustrated at the lack of opportunities afforded us for acceptable venues for performances. But, does the lack of venues keep dancers from being professional, or does being unprofessional create the lack of venues? <\/li>\n<li><strong>6-4-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/06\/04\/ibcc-2010-wednesday-stage\/\">IBCC 2010- Wednesday Stage, Opening Night Gala Performance Photos<\/a> by Samira<\/strong><br \/>\nThe Opening Night Gala Performance was held April 21, 2010 at the Hungarian Canadian Cultural Centre. Video report reposted here as an introduction to the photos.<\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>How does one combine Debke with Bellydance? What does that mean? In order to combine two beautiful dances, we have to first separate them and understand the different types of Arabic music. <\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/1585"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=1585"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/1585\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=1585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=1585"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=1585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}