{"id":1706,"date":"2010-07-15T23:30:35","date_gmt":"2010-07-16T06:30:35","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=1706"},"modified":"2010-09-04T14:26:34","modified_gmt":"2010-09-04T21:26:34","slug":"brigid-sema-yildiz","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2010\/07\/15\/brigid-sema-yildiz\/","title":{"rendered":"Sema  Yildiz"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art50\/graphics50\/SemaYildiz.jpg\" alt=\"Sema Yilidz\" width=\"300\" height=\"452\" align=\"right\" \/><\/p>\n<h2>A Star of Turkish Dance<\/h2>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/zumarrad.html\">Zumarrad\/ Brigid Kelly<\/a><br \/>\n<span class=\"footnotes\">posted June 10, 2010\t\t <\/span><\/h3>\n<p>While  watching <span class=\"artist\">Sema Yildiz<\/span> walk straight-backed into a restaurant, makeup immaculate  and her hip-length black hair draped over one shoulder, anyone would wonder \u201cis  that woman a celebrity?\u201d In the world of Turkish dance, the answer is yes \u2013 but  you don\u2019t need to know her name to guess that she\u2019s a star. <\/p>\n<p>I  spoke with Sema in Toronto during the<span class=\"company\"> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/06\/16\/samira-thurs-show-ibcc-2010\/\">International Bellydance Conference of  Canada<\/a><\/span>, in April 2010. She was compelling every time she danced, but my  favourite moment was watching her at the IBCC afterparty, high heels and slim  white trousers no obstacle to her spontaneous, effortless floorwork. <\/p>\n<p>Interviewing  Sema in her hotel room before the party proved difficult as her English is  limited and, she explained, the person who was to be her translator during the  IBCC had fallen ill. She had her laptop with her though, and periodically  rushed to it to use its Turkish-English dictionary when communications broke  down. She also had some handwritten notes  translated beautifully by one of her students back home. She was hospitable,  offering us Turkish bread, coffee and gifts while we talked and she readied  herself for the restaurant. <\/p>\n<p>Sema  (it\u2019s a stage name, but even her family use it now; Yildiz means star) was born  in Istanbul, the only daughter in a family of five children. Her father,  originally from the Balkans, was a farmer. She grew up in a house adjoining an  open air cinema. From the beginning Sema was inspired and enthralled by dance.  \u201cI would glue pieces of glass to my fingers with tree sap so that I would be  able to make the sound of zills. I loved to dance and people would ask me to  dance for them at parties. I think I knew even as a child that I had a gift of  dance.\u201d <\/p>\n<p class=\"highlight\"> She  was fortunate, she says, to grow up in a Roma (Gypsy) community rich in dance  and music \u2013 the Fatih district, which houses the Sulukule, famous for its  entertainment and considered the oldest Roma settlement in the world.<\/p>\n<p> Her  schoolmates were mostly Roma musicians\u2019 children. As a result, her skill at  Roma-styled dancing developed very early. She believes everyone can learn to  dance but says Roma dance is particularly difficult because only Roma people  can incorporate the real Gypsy feeling. Today she is involved in efforts to  help Sulukule Roma who have been&nbsp; displaced by an urban gentrification  project, which severely threatens their way of life. <\/p>\n<p>Sema  thinks of herself as a Turkish Oriental dancer influenced by Gypsy dance. Other  early influences were the Indian movies popular in Turkey during the 1960s. She  won a dance competition in the late 1960s and began dancing professionally soon  afterwards. <\/p>\n<p>\u201cI  found myself exploring the world of belly dance in many places \u2013 performing in  casinos, hotels, movies, television, restaurants and even the Topkapi Palace,\u201d  she says. \u201cWhile  pursuing a dance career is full of challenges, I always knew I was a dancer and  wanted to dance. It was my soul. Dancing was an easy career choice for me.\u201d <\/p>\n<p><span class=\"artist\"><a href=\"..\/aboutuspages\/evecernik.htm\">Eva  Cernik<\/a><\/span>, who interviewed&nbsp; Sema for<a href=\"http:\/\/www.gildedserpent.com\/archives\/printmags\/index.html#hab\"> <em>Habibi<\/em> magazine<\/a> in 1997, writes that Sema  began her solo dance career at the Istanbul <span class=\"company\">Keravanserai Dinner Club<\/span>, her \u201chome  base\u201d for 23 years, also performing at <span class=\"company\">Bebek Maksim<\/span>, <span class=\"company\">Galata Kulesi <\/span>(Tower), and <span class=\"company\">Maksim<\/span> of Taksim Square &#8211; all the most sophisticated  and fashionable clubs of the 1970s and 1980s. She travelled widely, spending  nine years in Europe, where she met and married a Belgian man. While Sema later  returned to Istanbul, she still travels on her Belgian passport because, she  says, it is not so easy to travel on a Turkish one. <\/p>\n<table width=\"450\" border=\"5\" align=\"left\" cellpadding=\"10\" cellspacing=\"0\" bordercolor=\"#FFCC33\" bgcolor=\"#000000\">\n<tr>\n<td>\n<div style=\"background:#000000;width:440px;height:272px\">\n<embed flashvars=\"playerVars=showStats=no|autoPlay=no|videoTitle=Sema YILDIZ the Bellydance DIVA\" src=\"http:\/\/www.metacafe.com\/fplayer\/1182737\/sema_yildiz_the_bellydance_diva.swf\" width=\"440\" height=\"272\" wmode=\"transparent\" allowfullscreen=\"true\" allowscriptaccess=\"always\" name=\"Metacafe_1182737\" pluginspage=\"http:\/\/www.macromedia.com\/go\/getflashplayer\" type=\"application\/x-shockwave-flash\"><\/embed>\n<\/div>\n<div style=\"font-size:12px;\"><a href=\"http:\/\/www.metacafe.com\/watch\/1182737\/sema_yildiz_the_bellydance_diva\/\">Sema YILDIZ the Bellydance DIVA<\/a> &#8211; <a href=\"http:\/\/www.metacafe.com\/\">Click here for more amazing videos<\/a><\/div>\n<\/td>\n<\/tr>\n<\/table>\n<p>She  retired from the stage in 1992, shifting her attention to teaching, although  she has taught groups of dancers from the United States and various European  countries since the late 70s. Eva writes that San Francisco dancer<a href=\"http:\/\/www.gildedserpent.com\/art30\/horaciomagana.htm\"> <span class=\"artist\">Magana Baptiste<\/span><\/a>, who was taking a group of dancers  around Turkey in 1978, hired Sema to teach them after seeing her perform. <\/p>\n<p class=\"highlight\">Sema  teaches mostly by example. Her IBCC 9\/8 workshop began with some breakdowns and  then became a \u201cdance along with Sema\u201d session \u2013 practical dance training and an  opportunity to watch her in action, all in one. <\/p>\n<p>Enraptured-looking dancers emerging from a later workshop reported that her performance was superb.<\/p>\n<p>Sema  believes many of today\u2019s dancers are highly skilled, but also feels dancers of  her generation deserve particular respect for what they were able to create  with such limited resources. \u201cIn my time there was no electricity, no YouTube,  no TV \u2013 now they can see more.\u201d<\/p>\n<p> <span class=\"highlight\">She\u2019s concerned that some festivals in Turkey  today feature few Turkish dancers. <\/span><\/p>\n<p>She  has become a popular workshop teacher in Japan, sponsored by dancers who  studied with her in Istanbul. Her profile there grew after she featured in a  documentary about pop star <span class=\"artist\">Takako<\/span>, in which the singer took dancing (and  cooking) lessons from Sema. <\/p>\n<p>Her  first visit was in 2006. \u201cIt was exciting \u2013 I was taken around proudly  introduced as the teacher,\u201d she says. \u201cAt the beginning the students thought I  was snobby because I (walked past everyone in the lobby) to sit in the bar  where I could smoke. Now they call me Sema-san. I like Japan very much. <\/p>\n<p>\u201cNow  I am happy because 20 years ago I travelled to dance, now I travel to teach,\u201d  Sema says. \u201cThrough teaching I have been able to identify and nurture the  talent of many young women. When my students learn and love the dance, I  believe I have contributed to the world of Turkish dance.\u201d <\/p>\n<h6>Resources:<\/h6>\n<ul>\n<li>\n<h6> <a href=\"http:\/\/www.semayildiz.com\/\" target=\"_blank\">Sema&#8217;s website<\/a><\/h6>\n<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/div>\n<p><!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">3-18-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/03\/18\/brigid-saiidi-new-zealand\/\">Not Last Year&#8217;s Saiidi<\/a> <span class=\"articleauthor\">by Zumarrad\/Brigid Kelly <\/span><br \/>\nRecently, a belly dance community newsletter here in New Zealand ran an editorial in which the author remarked that the current generation of dancers still perform \u201ctraditional styles \u2013 Ghwazee, Khaleegy, Saiidi\u201d but innovate with poi, fan veils and Isis wings in a sort of dance evolution that retains respect for the value of the old.<\/li>\n<li><strong><b>7-31-00 <a href=\"http:\/\/www.gildedserpent.com\/articles7\/evacernickboas.htm\">More Than You Ever Wanted to Know About Living With Constrictors<\/a> by Eva Cernik<br \/>\n<\/b><\/strong>My heart beat stronger and stronger, until something in my human reasoning kicked-in. &quot;I wonder if I&#8217;m causing all this?<\/li>\n<li><strong>5-13-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/05\/13\/melissa-reviews-eva-cernik\">&quot;Where the Middle East Meets the Frozen North&quot;, Review of Eva Cernik&rsquo;s Performance on Friday, October 2, 2009<\/a> by Melissa Wanamaker<\/strong><br \/>\nOn stage an ageless, timeless beauty, her 30 years as a professional dancer have given her poise, wisdom and a huge range of emotional expression.  Her great expressive eyes dominate an elfin face that will pull you into her pain or disgust one moment and crack you up with a sparkle, head slide and lip shimmy the next, all washed down with a wink and natural smile that says not to take that too seriously either.<\/li>\n<li><strong>7-17-09<a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/07\/17\/artemisistanbuljapan\/\"> Little Istanbul in Japan<\/a> by Artemis Mourat<\/strong><br \/>\nFor several years, belly dance has been rated as one of the top three favorite hobbies for women who are in their 20s and 30s in Tokyo.<\/li>\n<li><span class=\"articledate\">12-30-06<\/span><a href=\"..\/art38\/LeilaIdanceUfollow.htm\"> I Dance; You Follow <\/a><span class=\"articleauthor\">by Leila <\/span><br \/>\nAs Westerners interested in an Eastern dance form, we might want to ask ourselves if we are missing certain critical aspects of Raqs Sharki because we are not open to Eastern teaching methods. <\/li>\n<li><span class=\"articledate\">10-19-01 <\/span><a href=\"http:\/\/www.gildedserpent.com\/articles13\/najiabouncbutt.htm\">Follow the Bouncing Butt; in Defense of a Teaching Method<\/a> <span class=\"articleauthor\">by Najia Marlyz<\/span><br \/>\nSome of the &quot;Follow Me&quot; teachers should be more aptly described as &quot;inspirationally oriented&quot;.<\/li>\n<li><strong>3-20-09<\/strong> <strong><a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/03\/20\/artytania\/\">Tania Luiz A Romany Fusion Artist in Osaka<\/a> by Artemis Mourat<\/strong><br \/>\nAt this time I think I was longing for a well-documented dance, old and structured. I was a little sad because I saw how people who were not properly trained but who just had a costume would teach Oriental dance. Plus the deep connections of Indian dance to the Divine were very interesting to me. At the end of it all, I realized that my body, my soul and my blood are meant to do Oriental.<\/li>\n<li><strong>10-6-08 <a href=\"http:\/\/www.gildedserpent.com\/art45\/nicoledoesozgen.htm\">&quot;Just feel the music when you&#8217;re on stage!&#8221; Interview with Ozgen, Male Turkish Belly Dancer,<\/a> by Nini Baseema<\/strong><br \/>Well, I think my heart still beats for big shows and productions, as much as I know how stressful and difficult that show-life can be. I seem to not be able to live without it. <\/li>\n<li><strong>10-6-06 <a href=\"http:\/\/www.gildedserpent.com\/art38\/LunaGyspy.html\">What is Gypsy Bellydance?<\/a> by Amy Luna Manderino<br \/>\n<\/strong>&#8230;it is a sore point for representatives of the Roma community whose advocacy groups are very clear on their preference for the term Roma or Romani and consider the term &quot;Gypsy&quot; to be suspect when used outside their own community. <\/li>\n<li><strong>6-29-06 &#8220;<a href=\"http:\/\/www.gildedserpent.com\/art36\/CaitlynGypsy.htm\">Gypsy&#8221; Dance in America<\/a>, by Caitlyn, photos of author by Rachel Ong <\/strong><br \/>\nRoma dance usually brings to mind tambourines and skirt-swirling, but these images are mainly a fantasy. <\/li>\n<li><b>11-29-01 <a href=\"http:\/\/www.gildedserpent.com\/articles14\/sierranomad.htm\">Nomads of the Spirit<\/a> by Sierra Suraci <br \/>\n<\/b>Know what are you contributing &#8211; either to their dilution as a people or the strengthening of their true image.<\/li>\n<li><strong>7-15-10<a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/07\/15\/rebaba-queen-denial-paris\/\"> Queen of Denial, Chapter 2: Dancing in the \u201cCity of Lights\u201d<\/a> by Rebaba<\/strong><br \/>\nI\u2019m breathing very hard, and can tell I\u2019m very, very shiny and red, even under the stage lights, but I think he likes me. And he is completely dumbfounded that an \u201cAmerican\u201d girl is auditioning for a job as a \u201cDanseuse Oriental!\u201d I know I\u2019m way too fat, but thank God I\u2019m a belly dancer, and apparently a novelty, because I couldn\u2019t get away with this in any other dance form! Fortunately, I\u2019m only 19 years old and my excess flesh is young, tan and firm!\u201d<\/li>\n<li><strong>7-12-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/07\/13\/najia-fusion\/\">Fusion: How much is too much?<\/a> by Najia Marlyz<\/strong><br \/>\nIn America, and evidently elsewhere, we dancers seem to have a voracious appetite for new steps and movements, so like hungry chipmunks, we have grabbed all we could stuff into our cheeks of Turkish and Arabic steps and gestures, resorting to incorporating and mixing of Saidi, Kaleedgi, Blue Guedra, Ghawazi, etc. We\u2019ve chewed all of them up together and spit them out and found that they have not sufficiently nourished us. <\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>She was fortunate, she says, to grow up in a Roma (Gypsy) community rich in dance and music \u2013 the Fatih district, which houses the Sulukule, famous for its entertainment and considered the oldest Roma settlement in the world.<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/1706"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=1706"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/1706\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=1706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=1706"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=1706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}