{"id":2012,"date":"2010-10-13T19:11:12","date_gmt":"2010-10-14T02:11:12","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=2012"},"modified":"2010-11-11T17:51:51","modified_gmt":"2010-11-12T00:51:51","slug":"nytbc-part-3-more-performance-photos","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2010\/10\/13\/nytbc-part-3-more-performance-photos\/","title":{"rendered":"<h3 align=\"center\">Part 3 of 2: More Performance Photos<\/h3>"},"content":{"rendered":"<h2 align=\"center\">The NY Theatrical Belly Dance Conference 2010<\/h2>\n<h3 align=\"center\">Photos by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/SalRomanoPhotog.html\">Sal Romano<\/a>, Stacey and Clement Lespinasse, <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/BrianFeisterPhotog.html\">Brian Feister<\/a> and <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/brianlin.htm\">Brian Lin<\/a> <br \/>\n<span class=\"footnotes\">posted October 13, 2010<\/span><\/h3>\n<p>Our stage shows took place   Thursday, Friday and Saturday nights at <span class=\"company\">Dance New Amsterdam<\/span>, a beautiful studio   and performance space just north of City Hall. Performers included featured   soloists and troupes selected by a panel of teachers, as well as all of the   conference teachers themselves. A diversity of styles and approaches were   represented onstage, from traditional to fusion to fantasy. The shows were stage-managed by <span class=\"artist\">Sophia Ma<\/span> and <span class=\"artist\">Kai-Ti Kao<\/span>. <\/p>\n<p align=\"center\"><em>-Page 1 of this group of photos from the DNA shows appeared with <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/10\/12\/thalia-part-2-nytbc-the-performances\/\">Thalia&#8217;s review here<\/a>,<br \/>\nMore photos coming of the dinner shows, workshops, the shopping trip-<\/em><\/p>\n<table width=\"90%\" border=\"0\" align=\"center\" cellpadding=\"10\" cellspacing=\"0\" bgcolor=\"#000000\">\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/AlchemyBrianL.jpg\" alt=\"Alchemy by Brian L\" width=\"500\" height=\"280\" \/><br \/>\nThe Alchemy Tribal Collective perform &quot;Durga,&quot; inspired by the Hindu goddess Durga, an embodiment of creative feminine force. <br \/>\nFrom left: Sarah Johansson Locke, Irina Kom, Abby Harley, Janina Ferbinteanu, Megan Fitzgerald, and Sophia Ma.<br \/>\nphoto by Brian Lin<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/AngelikaNemethDNA.jpg\" alt=\"Angelika\" width=\"353\" height=\"500\" \/><br \/>\nAngelika Nemeth of Southern California performs &quot;Smile at Your Fate&quot; to the music of Tarkan.<br \/>\n Photo by Stacey and Clement Lespinasse<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/AlexiabySal.jpg\" alt=\"Alexia by Sal\" width=\"500\" height=\"350\" \/><br \/>\nLisa Botalico and Kim Leary (Alexia) in &quot;Felag Mengu,&quot; a piece about Moorish influence on Spanish culture. <br \/>\nPhoto by Sal Romano.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/BlancaBrianL.jpg\" alt=\"Blanca by Brian L\" width=\"356\" height=\"500\" \/><\/p>\n<h5>Blanca performs &quot;Conjurer of Tricks,&quot; about an abandoned child who becomes the victim of a magician. <br \/>\nphoto by Brian L<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/AnasmaLoveletter.jpg\" alt=\"Anasma in Love Letter\" width=\"500\" height=\"338\" \/><br \/>\nAnasma performs &quot;The Love Letter.&quot; <br \/>\nPhoto by Sal Romano.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/AnasmaRanyahiphopfus.jpg\" alt=\"Anasma and Ranya in Hip Hop Fusion\" width=\"500\" height=\"354\" \/><br \/>\n<a href=\"..\/aboutuspages\/RanyaRenee.htm\">Ranya<\/a> and Anasma perform hip hop\/bellydance fusion in a spoof. They opened each DNA show with different &quot;shtick.&quot; <br \/>\nPhoto by Stacey and Clement Lespinasse.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/AszmaraBrianL.jpg\" alt=\"Anasma by Brian L\" width=\"361\" height=\"500\" \/><br \/>\n<a href=\"..\/aboutuspages\/aszmara.htm\">Aszmara<\/a> of New York City in &quot;I Am Here,&quot; inspired by the resilience of the oppresed Rom people in Turkey.<br \/>\nphoto by Brian Lin<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/DaliaCarellaDanceCo.jpg\" alt=\"Dalia Carella Dance Company\" width=\"500\" height=\"496\" \/><br \/>\nThe Dalia Carella Dance Collective performs &quot;Shakti,&quot; bringing the feeling of an Indian temple to the DNA stage.<br \/>\n<br \/>\nFrom front: Alanah, Mariyah, Layla Isis, Diane Hutchinson, Gretchen Ludwig, Melissa Hall, Amantha May, Stephanie Vartanian, and Kaitlin Hines. <br \/>\nPhoto by Sal Romano.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/DaliaBrianL.jpg\" alt=\"Dalia by Brian L\" width=\"283\" height=\"500\" \/><br \/>\nDalia Carella of NYC performs &quot;To Souren&quot; to a taqsim by Souren Baronian. <br \/>\nphoto by Brian Lin<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/EugeniabyStacey.jpg\" alt=\"Eugenia\" width=\"333\" height=\"500\" \/><\/p>\n<div>\n<h5>Eugenia   Hu from Boston performs 00101101&#8230;2, in which a battered and abused robot   learns to express itself. <br \/>\nPhoto by Stacey and Clement   Lespinasse.<\/h5>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/GrooveMerchant.jpg\" alt=\"Groove Merchant\" width=\"500\" height=\"333\" \/><\/p>\n<div>\n<h5>Groove   Merchant Drum &amp; Dance Ensemble from New Jersey perform &quot;Barefoot Baile.&quot;   Choreography by Alexia (Kim Leary) Bottom: Danielle Goldovitz, Marie   Temple, Lisa Dragoset Middle: Donna Manalo, Naylon Larane, Suzanne Onesti, Back:   Donna Sullivan, Kirsten Mascioli. <br \/>\nPhoto by Brian Feister.<\/h5>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/JeniViva.jpg\" alt=\"Jeniviva\" width=\"500\" height=\"401\" \/><br \/>\nJeniViva giving great face in &quot;Flapper   Fatale.&quot; <br \/>\nPhoto by Stacey and Clement Lespinasse.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/LightCharmersSalRomano.jpg\" alt=\"Light Charmers\" width=\"494\" height=\"500\" \/><br \/>\nAndrea the Enchantress of   Bioluminosity and Sparks in the Dark perform &quot;Light Charmers.&quot; From left:   Amantha, Andrea Anwar, and Tava. <br \/>\nPhoto by Sal Romano.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/LotusNiraja.jpg\" alt=\"Lotus Niraja\" width=\"500\" height=\"336\" \/><br \/>\nLotus Niraja of Washington, DC   performs &quot;Splendor.&quot; <br \/>\nPhoto by Stacey and Clement Lespinasse.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/NadiaGroup.jpg\" alt=\"Nadia Group\" width=\"500\" height=\"296\" \/><br \/>\nNadia Maria Michaels and Dancers perform   &quot;Tumbao,&quot; fusing elements of percussion, Indian, African, <br \/>\nMiddle Eastern   and modern dance. From left: Caron Eule, Erin Jennings, Nadia Maria Michaels,   Faith Kimberling.<br \/> <br \/>\nPhoto by ?<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/NDCCityNeverSleeps.jpg\" alt=\"NDC Never Sleeps\" width=\"500\" height=\"355\" \/><br \/>\nMakeda and Ameenah of the Niraja Dance   Company take bellydance out on the town in &quot;A City that Never Sleeps.&quot; <br \/>\nPhoto by   Stacey and Clement Lespinasse.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/PuelaBrianF.jpg\" alt=\"Puela\" width=\"290\" height=\"500\" \/><br \/>\nPuela Lunaris performs Zambra: La Ni\u00f1a   de Fuego. The piece is inspired by Puela Lunaris childhood memories, growing up   by the ruins of a Morisco castle in Spain. <br \/>\nPhoto by Brian Feister.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/Purehandsup.jpg\" alt=\"PURE\" width=\"500\" height=\"333\" \/><\/p>\n<div>\n<h5>Yael   Becker and members of P.U.R.E. New York tell the story of a woman battling an   eating disorder. From front: Yael Becker, Maria Vaz and Kaeshi Chai. <br \/>\nPhoto by   Brian Feister.<\/h5>\n<\/div>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/RanyaMermaid.jpg\" alt=\"Ranya Mermaid\" width=\"500\" height=\"295\" \/><br \/>\nRanya the Mermaid gets flirty on the   &quot;shell&quot; phone in &quot;Under the Sea.&quot; Also pictured: Flounder. <br \/>\nPhoto by Sal   Romano.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/Samara.jpg\" alt=\"Samara\" width=\"500\" height=\"366\" \/><br \/>\nNew York&#8217;s Samara dances to &quot;Leyali   Rouqash.&quot; <br \/>\nPhoto by Sal Romano.<br \/>\n<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/Tara.jpg\" alt=\"Tara\" width=\"425\" height=\"589\" \/><br \/>\nTara from San Francisco in &quot;Longing for   Love,&quot; a dance about a woman who drives away her lover. <br \/>\nPhoto by Sal   Romano.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/theatricalnotjamaltwins.jpg\" alt=\"NOT the Jamal Twins\" width=\"500\" height=\"333\" \/><br \/>\nNot the Jamal Twins: Roula Said and   Ranya Renee shoot &#8217;em up in &quot;Rhapsody on Death,&quot; to the music of Mohammed Abdel   Waahab&#8217;s &quot;Amar 14.&quot; <br \/>\nPhoto by Clement and Stacey Lespinasse.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/ThursDNAduet.jpg\" alt=\"Thurs DNA duet\" width=\"500\" height=\"333\" \/><br \/>\nYasmine and Sira in &quot;Dionysian   Mysteries,&quot; a piece exploring the duality of human nature and inspired by   ancient Greek ritual.<br \/> <br \/>\nPhoto by Sal Romano.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/UyumBrianL.jpg\" alt=\"Uyum\" width=\"497\" height=\"500\" \/><br \/>\nNYC duo Uyum Dans perform &quot;The Bats.&quot;   From front: <a href=\"..\/aboutuspages\/elisheva.htm\">Elisheva<\/a> and Kittarina. <br \/>\nPhoto by Brian Lin.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/YaelBecker.jpg\" alt=\"Yael Becker\" width=\"483\" height=\"500\" \/><br \/>\nAfter emerging from a giant suitcase,   Yael Becker (Israel) tells the story of her discovery of Oriental Dance. <br \/>\nPhoto   by Sal Romano.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"whitetext\">\n<div align=\"center\">\n<h5><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art51\/graphics51\/tbdc10\/DNA\/ZahavahBrianL.jpg\" alt=\"Zahavah\" width=\"500\" height=\"422\" \/><br \/>\nZahava of NYC. <br \/>\nPhoto by Brian   Lin.<\/h5>\n<\/div>\n<\/td>\n<\/tr>\n<\/table>\n<p><\/p>\n<h4 align=\"center\"><a href=\"ThaliaTBDNYp1.html\">Part 1: The Panel Discussions<\/a><br \/>\nPart 2: The Performances &#8211; Review by Thalia and Part 1 of the photos from the DNA shows<\/h4>\n<h4 align=\"center\">-More photos coming of the dinner shows, workshops, the shopping trip-<br \/>\n<\/h4>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">9-1-10 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/09\/01\/thalia-panel-theatrical-belly-dance\/\">Expanding Traditional and Innovative Approaches, Report from the Theatrical Belly Dance Conference, Part 1: The Panel Discussions<\/a><span class=\"articleauthor\">, by Thalia <\/span><br \/>\nAs with any new label applied to the genre, a question of definition consistently arises from fans and skeptics of the burgeoning theatrical belly dance category. Wisely, the organizers have incorporated panel discussions in the Conference\u2019s roster of events since its formation.<\/span><\/li>\n<li><span class=\"articledate\">10-12-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/10\/12\/thalia-part-2-nytbc-the-performances\/\">Part 2 of 2: The Performances, The New York Theatrical Belly Dance Conference 2010, A Five Day Exploration of Dance Styles, Intention, and Content<\/a><span class=\"articleauthor\">. Review by Thalia, Photos by Sal Romano, Stacey and Clement Lespinasse, Brian Feister and Brian Lin <\/span><br \/>\nSome of these &quot;theatrical&quot; works focused more on staging and aesthetics; some used narrative; others focused overtly on intention and meaning; and, a minority stayed true to traditional cabaret or folkloric modes.<\/span><\/li>\n<li><span class=\"articledate\">1-16-10<\/span> <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/01\/16\/thaliamuwashahat\/\">The Muwashahat with Mohamed Shahin and Karim Nagi<\/a><span class=\"articleauthor\"> Workshop review by Thalia<\/span><br \/>\nThe Muwashahat genre is inspired by tenth century court poetry of Arab-Andalusia, developed when Arab intellectual and artistic culture flourished in Spain. The rhythms are complex.<\/li>\n<li><span class=\"articledate\">8-12-08<\/span><\/span> <a href=\"http:\/\/www.gildedserpent.com\/art44\/thaliaorientreview.htm\">Review: &quot;Allure of the East:Orientalism in New York, 1850-1930&quot; at the New York Historical Society<\/a> <span class=\"articleauthor\">by Thalia <\/span><br \/>\nThis  small one-room exhibit with its narrow geographic focus&#8211;the city O. Henry dubbed &#8220;Baghdad-on-the-Subway&#8221;&#8211;presents much for dancers to consider. As belly dance continues to gain popularity, what is this continuing &quot;allure&quot; of the Orientalist inspired arts? When is attraction to this aesthetic drawn from a desire to understand other cultures and when is it driven by desire to market ourselves?<\/li>\n<li><span class=\"articledate\">2-13-09<\/span><\/span> <a href=\"http:\/\/www.gildedserpent.com\/art47\/JenniferNeonTarot.html\">Tarot:A Fantasy Belly Dance Concert<\/a><span class=\"articleauthor\"> by Thalia<\/span><br \/>\nThe large, well rehearsed cast&#8211;musicians, temple maidens, acolytes, and servants with a variety of props&#8211;deftly played up the campy quality of the piece, contrasting the work&#8217;s darker messages about the fickle cycles of gain, loss, and impermanence<\/li>\n<li><span class=\"articledate\">10-6-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/10\/06\/christine-belly-dance-jakarta\/\">Overcoming Public Assumptions, The Birth of Bellydance in Jakarta<\/a><span class=\"articleauthor\"> by Christine<\/span><br \/>\n\t\t\t\tOne thing I often encounter is the public\u2019s assumption that \u2018bellydance\u2019 will tone your stomach and muscles and that it is for weight loss. Another is that bellydance is a vulgar, erotic dance used for seducing men. I am still trying to get the message to the public that both are untrue.<\/li>\n<li><span class=\"articledate\">10-5-10 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/10\/05\/neferteri-reptile-illness\/\">Reptile Illness, What is Wrong with My Snake?<\/a><span class=\"articleauthor\"> by Neferteri Baiddou<\/span><br \/>\nReptiles are good at hiding their illness because in the wild they would be easy prey. This makes it challenging for those of us who have them in our homes. <\/li>\n<li><span class=\"articledate\">10-4-10<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/10\/04\/amina-shaabi-music-history\/\"> From the Street to the Virtual Cafe, The History of Shaabi<\/a><span class=\"articleauthor\"> by Amina Goodyear<\/span><br \/>\nThere were several movements throughout the world that seemed to simultaneously create music in the genre called &quot;cassette culture&quot;. Most notably this type of music was evident in England and the U.S. with punk music, in Jamaica with Reggae, in Algeria with Rai and in Egypt with Shaabi music.<\/li>\n<li><span class=\"articledate\">10-1-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/10\/01\/ask-yasmina-14\/\">Ask Yasmina #14: Pro Dancer vs Religion, Importance of Training, Khaleegy Music<\/a><span class=\"articleauthor\"> by Yasmina Ramzy <\/span><br \/>\nThen, I would speak to them about being authentic. If Bellydance was chosen with conviction, love and integrity, then their relationship with God would remain real and honest and maybe one day they might win back the respect of her family.  It was still a huge risk, but at least, they could have comfort in living an authentic life.<\/li>\n<li><span class=\"articledate\">9-26-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/09\/26\/iman-yahalla-2010\/\">A Dancer&#8217;s Perspecitive: 2010 Yaa Halla Y\u2019all Belly Dance Competition<\/a><span class=\"articleauthor\"> by Iman, Photos by Carl Sermon and MsShuqa<\/span><br \/>\nYaa Halla Y\u2019all is an action-packed, four-day event for all styles of<br \/>\nBelly dance: Tribal, Alternative, and Cabaret.<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The NY Theatrical Belly Dance Conference 2010 Photos by Sal Romano, Stacey and Clement Lespinasse, Brian Feister and Brian Lin posted October 13, 2010 Our stage shows took place Thursday, Friday and Saturday nights at Dance New Amsterdam, a beautiful studio and performance space just north of City Hall. Performers included featured soloists and troupes [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2012"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=2012"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2012\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=2012"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=2012"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=2012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}