{"id":2027,"date":"2010-10-18T17:33:43","date_gmt":"2010-10-19T00:33:43","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=2027"},"modified":"2010-10-18T17:33:43","modified_gmt":"2010-10-19T00:33:43","slug":"zumarrad-reviews-2-ranya-dvds","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2010\/10\/18\/zumarrad-reviews-2-ranya-dvds\/","title":{"rendered":"Tough to Choose What\u2019s Best from Ranya!"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/10\/ranya2dvdcollage.jpg\" alt=\"Ranya's 2 DVDs\" width=\"300\" height=\"450\" align=\"right\" \/><\/p>\n<h2>Belly Dance Egyptian Style: The Baladi<br \/>Belly Dance Egyptian Style: Modern Oriental<\/h2>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/zumarrad.html\">Zumarrad<\/a><br \/><span class=\"footnotes\">posted October 18, 2010<\/span><\/h3>\n<p><em><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/10\/ranyabaladidvd2.jpg\" alt=\"Ranya's Baladi DVD\" width=\"108\" height=\"144\" align=\"left\" \/>The Baladi<\/em>, the first of two <span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/RanyaRenee.htm\">Ranya Renee<\/a><\/span>&#8216;s teaching DVDs that I viewed for this review, had been hyped to the max online, so I was determined to find something wrong with it. I failed. It really is as good as people say it is. <\/p>\n<p class=\"highlight\">A dance friend described it aptly as something you can \u201cgeek out\u201d on. It is jam-packed with information about the music, different styles of baladi, and the movements to use in this improvisational style.<\/p>\n<p>There are three full length costumed performances \u2013 a nightclub style, men\u2019s style in galabeya with stick, and a \u201ccocktail\u201d of baladi songs. From there, Ranya takes you through body alignment and core technique, which will be useful for any student of Egyptian style dance whether they particularly lean towards baladi style or not. But the DVD begins with an in-depth examination of baladi music and feeling, and this is one of its greatest strengths.<\/p>\n<p>Ranya uses terminology I had not heard before to describe the parts of the baladi progression, drawn from her musical studies. She also brings in guests: <span class=\"artist\">Nawaby<\/span>, an accordionist from Mohammed Ali Street, talks about the men\u2019s (tet) and ladies\u2019 (awadi) styles and the different music for each, and also plays little demonstrations of baladi phrases associated with different places and peoples. After Ranya has talked us through the differences between the two styles, oudist <span class=\"artist\">Maurice Chedid<\/span> sings the two songs found in the tet (with translations shown on screen). This is excellent stuff but it also serves to make you want such experienced and knowledgeable musicians of your own, all the time, to teach you more and more.<\/p>\n<p class=\"highlight\">Baladi music plays throughout some of the talking sections in this DVD and if you are hard of hearing or easily distractible this might be a problem for you; however, I think the intention is to further reinforce the sounds of baladi music, and I liked it.<\/p>\n<p>The Baladi is a two DVD set. The second is full of drills, or more accurately, repeated sections of baladi music to which Ranya improvises over and over, designed to help you learn how to hear the musical changes and respond to them. You can watch, emulate and hear all at the same time, and they are very useful (particularly when the voiceover is enabled) but quite different to what most people think of as drills.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/10\/ranyamodorientaldvd2.jpg\" alt=\"Ranya's Modern Oriental\" width=\"105\" height=\"150\" align=\"left\" \/>On Modern Oriental, the focus is on learning a choreography, though there is still plenty of attention paid to technique, alignment and musicality. Ranya\u2019s breakdown of the way Egyptian music has changed in recent years and how that impacts on modern oriental dance is excellent. She gives an extensive posture and alignment breakdown (though not as exhaustive or as funny as the one she gives on the baladi DVD), and a gentle but thorough warmup and technique \u201creview\u201d, which is really a runthrough of much of the technique to be used in the choreography later. The movements are not broken down in great detail here \u2013 it is like being in a class. <\/p>\n<p class=\"highlight\">Then there are two versions of Ranya\u2019s appealing choreography to <em>Layalina<\/em>, one aimed at beginners and one at more advanced dancers. There\u2019s also an option to add veil.<\/p>\n<p> Each is broken down into short sections, followed by a demonstration of that section, repeated. There are also great drilling sections, in which step combinations are repeated over and over. The \u201cbeginners\u201d choreography is pretty challenging for absolute beginners, however, and I wouldn\u2019t recommend the DVD to someone who has not done any belly dance before.<\/p>\n<p>\nOverall you definitely get the feeling you\u2019re watching a quality product when viewing either of these DVDs. Both are well shot largely in a light, mirrored studio space, with attractively lit performance footage. They both have an attractively presented root menu so it\u2019s easy to return to individual sections. Ranya presents technical breakdowns and performances in several practice outfits and costumes, which adds some nice variety and inspiration. She makes a point of thanking her mentor <span class=\"artist\">Yousry Sharif <\/span>on both DVDs, which is another nice touch. Ranya is a talky teacher \u2013 which I like &#8211; and cutaways to footage of her performing or demonstrating body movement work well to break up the \u201ctalking head,\u201d but sometimes the editor has chosen shots from the side as she addresses the main camera, which feels odd.<\/p>\n<p>One additional benefit for me is related to body type. Ranya and I are built very differently, but like me &#8211; and unlike most of my dance heroes &#8211; she has a comparatively short waist. Being able to see how belly dance movements can look on a torso that is more like my own is a real bonus. <\/p>\n<p class=\"highlight\">She also appears refreshingly lacking in vanity; the body alignment\/muscle awareness sequence on the Baladi DVD is worth the purchase price for the entertainment factor alone, never mind the excellent breakdown. <\/p>\n<p>The musical focus is very strong in both DVDs but the Baladi, with talks by the musicians and Ranya talking us through the baladi structure, is by far the most in-depth and well worth having. Both DVDs are a good buy and will keep you busy both in body and in brain, but if you need to select just one I would recommend the Baladi over the Modern Oriental without hesitation. Ranya may have done herself a disservice by producing something this good, especially given it\u2019s a double DVD, to compare to any later offerings.<\/p>\n<p>Ranya has a real knack for producing effective visual metaphors and creative descriptions for the ways that movements work in the body. Her DVDs are an excellent advertisement for her as a teacher and should I ever happen to drop by New York City, I\u2019ll be checking out her classes!<\/p>\n<h4 align=\"center\">Rating:<br \/>\nBaladi: 4 zills<br \/>\n<img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/4zils.gif\" alt=\"Rating 4 zils\" width=\"150\" height=\"36\" \/><br \/>\nModern Oriental: 3 and a half zills.<br \/>\n<img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/3halfzils.gif\" alt=\"Rating: 3 1\/2 zils\" width=\"130\" height=\"36\" \/><\/h4>\n<table width=\"250\" border=\"0\" align=\"center\" cellpadding=\"10\" cellspacing=\"0\">\n<tr>\n<td><iframe src=\"http:\/\/rcm.amazon.com\/e\/cm?t=thegildedserpent&amp;o=1&amp;p=8&amp;l=as1&amp;asins=B001JGK4BO&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"No\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe>\n<\/td>\n<td><iframe src=\"http:\/\/rcm.amazon.com\/e\/cm?t=thegildedserpent&amp;o=1&amp;p=8&amp;l=as1&amp;asins=B001JGK4BE&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"No\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe>\n<\/td>\n<\/tr>\n<\/table>\n<p align=\"center\">OR&#8211; <a href=\"http:\/\/www.ranya.net\/shop.html\" target=\"_blank\">directly from the artist<\/a><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">9-27-10<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/09\/27\/brigid-momo-kadous-zill-dvd\/\"> Master Zilling with Movement,The Art of Playing Finger Cymbals with Momo Kadous<\/a>,<span class=\"articleauthor\"> DVD Review by Zumarrad<\/span><br \/>\nThings start to get really interesting when he introduces variations of tone, and I wish he had devoted more of the DVD to this technique.<\/li>\n<li><strong>9-9-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/09\/09\/brigid-dr-sawa-music-theory-course\/\">Listen and Learn Musical Expertise! Dr. George Sawa: Egyptian Music Appreciation &amp; Practice for Bellydancers<\/a> CD Review by Zumarrad<\/strong><br \/>\nThe idea is to listen, learn, and use the clips to get the rhythms, in particular, into your body through free dance practice. If used to the fullest, this resource will give you a wonderful grounding in Egyptian music.<\/li>\n<li><span class=\"articledate\">7-15-10<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/07\/15\/brigid-sema-yildiz\/\"> Sema Yildiz, A Star of Turkish Dance<\/a><span class=\"articleauthor\"> by Zumarrad<\/span><br \/>\nShe was fortunate, she says, to grow up in a Roma (Gypsy) community rich in dance and music \u2013 the Fatih district, which houses the Sulukule, famous for its entertainment and considered the oldest Roma settlement in the world.<\/li>\n<li><span class=\"articledate\">3-18-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/03\/18\/brigid-saiidi-new-zealand\/\">Not Last Year&#8217;s Saiidi<\/a> <span class=\"articleauthor\">by Zumarrad<\/span><br \/>\nRecently, a belly dance community newsletter here in New Zealand ran an editorial in which the author remarked that the current generation of dancers still perform \u201ctraditional styles \u2013 Ghwazee, Khaleegy, Saiidi\u201d but innovate with poi, fan veils and Isis wings in a sort of dance evolution that retains respect for the value of the old. <\/li>\n<li><b><strong>9-17-08 <a href=\"http:\/\/www.gildedserpent.com\/art45\/RanyaBDjapan.htm\">Belly Dance in Japan Reaches New Heights of Popularity<\/a> by Ranya Renee Fleysher<br \/>\n<\/strong><\/b>Japanese audiences are extremely receptive, supportive and interested in this form of entertainment.&#8221; Conservative elder Japanese may still disapprove of the sensual aspect of belly dance, but among the younger generation it is seen as cool and trendy. <\/li>\n<li><strong><em><b>4-23-08 to ? <a href=\"http:\/\/www.gildedserpent.com\/art43\/ibccdailyblog.htm\">From Toronto, Ontario, Canada The International Bellydance Conference of Canada<\/a> <br \/>\n<\/b><\/em><\/strong>Video reports by Gilded Serpent Staff <\/li>\n<li><strong>10-9-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/10\/09\/gregory-burke-arab-film-fest-flicks\/\">A Glimpse of the Middle East, Arab Film Fest Features: &quot;The City of Life&quot; and &quot;Wedding Song&quot;<\/a> Reviewed by Gregory Burke<\/strong><br \/>\nThe audiences\u2019 reaction to certain scenes will be priceless. In a nutshell, this film has wonderful actors pushed into an impossible wedge of history. <\/li>\n<li><strong>9-27-10<a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/09\/27\/brigid-momo-kadous-zill-dvd\/\"> Master Zilling with Movement,The Art of Playing Finger Cymbals with Momo Kadous<\/a>, DVD Review by Zumarrad<\/strong><br \/>\nThings start to get really interesting when he introduces variations of tone, and I wish he had devoted more of the DVD to this technique.<\/li>\n<li><strong>9-9-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/09\/09\/brigid-dr-sawa-music-theory-course\/\">Listen and Learn Musical Expertise! Dr. George Sawa: Egyptian Music Appreciation &amp; Practice for Bellydancers<\/a> CD Review by Zumarrad<\/strong><br \/>\nThe idea is to listen, learn, and use the clips to get the rhythms, in particular, into your body through free dance practice. If used to the fullest, this resource will give you a wonderful grounding in Egyptian music.<\/li>\n<li><strong>8-17-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/08\/17\/amina-horacio-cifuentes-book-review\/\">And I thought I Knew Him, Horacio Cifuentes: Confessions of a Male Belly Dancer<\/a> Book Review by Amina Goodyear<\/strong><br \/>\nYes, I thought I knew Horacio Cifuentes, a San Francisco dancer who moved to Berlin to be with and wed Beata Zadou. After reading his book, I realized I really did not know him. The book, \u201cConfessions of a Male Belly Dancer\u201d, is exactly that. It is a self-produced autobiography written in a very sincere, almost shockingly honest way. It is personal and personable. <\/li>\n<li><strong>8-17-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/08\/17\/davina-reviews-tribal-videos-today\/\">Tribal Videos Today, Tribal Fusions, Volume 2 from Bellydance Superstars<br \/>\nTales of Desire from Hollywood Music<\/a> Reviewed by Davina<\/strong><br \/>\nIt\u2019s my belief, that as dancers, it\u2019s good to keep up with what\u2019s happening within the greater dance community, even if it doesn\u2019t suit our taste or style.  It\u2019s especially important for dance instructors to recognize who the industry leaders are.  It doesn\u2019t matter if it\u2019s Egyptian Raks Sharki or Flamenco\/Gypsy\/Zambra Mora or in this case, Tribal Fusion\u2013knowing who is the current cr\u00e8me-de-la-cr\u00e8me will give you a stronger knowledge base from which to teach your students.  Investing in one or two high-quality professionally made Tribal DVDs will add breadth to a dancers video collection. <\/li>\n<li><strong>7-16-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/07\/16\/amina-reviews-fusing-jazz-with-middle-eastern\/\">Fusing Jazz with Middle Eastern, Souren\u2019s &quot;Taksim, It\u2019s About Time&quot; and Vince\u2019s &quot;Beginnings&quot;, Two CDs Reviewed<\/a> by Amina Goodyear<\/strong><br \/>\nHowever, in all reality, now in this world when we fuse a Belly dance with everything as well as the kitchen sink (pots, spoons, mop handles, bowls, vases, trays) why not consider seriously performing to one or both of these Jazz fusion CDs played by some of the most respected Middle Eastern musicians in the field?  If dancers perform already with fusion music, why not use music that is specifically fusion? <\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Belly Dance Egyptian Style: The BaladiBelly Dance Egyptian Style: Modern Oriental by Zumarradposted October 18, 2010 The Baladi, the first of two Ranya Renee&#8216;s teaching DVDs that I viewed for this review, had been hyped to the max online, so I was determined to find something wrong with it. I failed. It really is as [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2027"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=2027"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2027\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=2027"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=2027"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=2027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}