{"id":2063,"date":"2010-11-09T18:06:41","date_gmt":"2010-11-10T01:06:41","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=2063"},"modified":"2010-11-09T18:16:45","modified_gmt":"2010-11-10T01:16:45","slug":"tammi-yasmine-reviews-2-dvds","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2010\/11\/09\/tammi-yasmine-reviews-2-dvds\/","title":{"rendered":"Be Amazed and Dedicated in Your Dance!"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/10\/2dvdcollageTammi.jpg\" alt=\"Said and Aziza's DVDs\" width=\"300\" height=\"450\" align=\"right\" \/><\/p>\n<h2>Hands,  Arms &amp; Poses by Aziza<br \/>\nAND  Turn In, Turn Out &amp; Turn Around \u2013 Vol. 1 by Said El Amir<\/h2>\n<h3>Comparison  DVD Review by <a href=\"#\">Tammi \u201cYasmine\u201d Fabris<\/a><br \/>\n<span class=\"footnotes\">posted November 9, 2010<\/span><\/h3>\n<p>When  Lynette asked me to review two DVDs and assigned me these titles and artists, I  was excited at the prospect. After watching both of the DVDs in depth, I would  describe Aziza &amp; Said El Amir as amazing and dedicated instructors.<\/p>\n<p><strong>Hands,  Arms &amp; Poses by Aziza<\/strong> starts off with a brief introduction, an  all body warm-up, drilling exercises (introducing and drilling ballet arm  positions, foot patterns, and hand\/arm isolations), combinations, and a  thorough cool down. This DVD also includes bonus performances, \u00a0career spanning photographs,  and an intimate interview with Aziza. <\/p>\n<p><strong>Turn  In, Turn Out &amp; Turn Around, Volume 1 by Said El Amir<\/strong> starts  similarly with helpful details as warm-ups (brief instruction on classic ballet  positioning and moves:<em> port de bra,<\/em> arabesque, promenade,\u00a0 pencil, pivot and tipp turns (tipp  turns are explained in the DVD) combinations, full choreography and ends with  credits and messages.\n<\/p>\n<p class=\"highlight\">Both  DVDs are geared towards ballet fundamentals, adding them to the art of Belly  dance. The fusing of these classic forms seems easily accomplished by the  instructor\u2019s strong posture, controlled movements, complete intention in every  move, and graceful extensions from the head to the toe.<\/p>\n<p>Aziza  speaks live or in real time, with a clear and crisp voice, whereas Said\u2019s voice  is recorded over the instruction and seems, therefore, a little detached. The  video angles and views are complimentary to the body positions and movement.  Aziza brings you in for a closer view many times throughout the instruction,  and Said keeps a full-length view primarily. Said adds the element of instrumentation  with a live drummer, infusing depth and culture. Aziza\u2019s music is softly faded  into the drills after the initial verbal instruction has finished. Aziza\u2019s  video takes place in a ballroom and Said\u2019s is recorded in a studio. The studio  and the grand ballroom settings are both well suited for their instruction.  Absolutely, Aziza\u2019s performance section (set in different portions of what  appears to be a grand hotel) is striking and compliments the mood perfectly.  The instructors\u2019 attire, used as a visual aid, in the instruction portion of  their DVDs are classic and geared towards showing the movement, and does not  detract from the dance. Aziza wears brown dance pants and a blue bra top that  subtly match the the room d\u00e9cor. Said wears active-wear and the strips on the  pants are a great visual focal point for his leg work, foot work, and rotations  of his hips. <\/p>\n<table width=\"120\" border=\"0\" align=\"left\" cellpadding=\"10\" cellspacing=\"0\">\n<tr>\n<td width=\"120\"><iframe src=\"http:\/\/rcm.amazon.com\/e\/cm?t=thegildedserpent&amp;o=1&amp;p=8&amp;l=as1&amp;asins=B0032JMKHM&amp;fc1=000000&amp;IS2=1&amp;lt1=_blank&amp;m=amazon&amp;lc1=0000FF&amp;bc1=000000&amp;bg1=FFFFFF&amp;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"No\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe><\/td>\n<\/tr>\n<\/table>\n<p class=\"highlight\">A highlight difference in these works was Aziza\u2019s format,  comprised of bringing it full circle, showing the performance aspects of her  moves as she teaches in full costume.\u00a0 I  would liked to have seen a short performance of some sort from Said to bring  his work all together.<\/p>\n<p>The  combination sections of both instructors are friendly and easily brought into  your body. They both use a conscious amount of time drilling the combinations  before moving onto the next, without loosing your attention. They allow your  body to adopt the movements thoroughly . Aziza\u2019s combinations are very  feminine, graceful, and diverse in visual focus and affects. The movements are  inviting and speak to you. Said\u2019s combis (as labeled in his DVD) are detailed,  use a lot of preparation, and progress from one to another very evenly. I  appreciated both combination sections of these artists and feasibly, could add  them to my dance education. However, Aziza brought it more to a performing  level; whereas, Said brought it to an instructing level for me. It was  difficult to visualize the full choreography of Said\u2019s work in front of an  intimate audience incorporated into a performance or stand  alone, on a stage. Aziza\u2019s addition of the \u201cposing in your dance\u201d section was  top-notch for me, as it can add such a full body essence to the dance.<\/p>\n<p>These  two DVDs have similarities but also have wonderful differences. Aziza impresses  upon her students greatly, her \u201cBe Amazed\u201d motto throughout her journey in <em>Hands,  Arms &amp; Poses.<\/em> She shares the concept of being amazed with every move,  every pose, every muscle you engage;\u00a0  therefore, this will express greatness through your dance. Aziza says, \u201cIf  you practice with amazement and intensity, you will perform with amazement and  intensity\u201d. The concept that every ounce matters is a precious one. Said shows,  through his work in <em>Turn In, Turn Out &amp; Turn Around,<\/em> that<strong> dedication <\/strong>to executing and practicing the movements from the core or the  root of their beginning is extremely valuable. Simply teaching a combination is  not Said\u2019s way; he is precise and persistent in the building blocks of making  every movement excellent.<\/p>\n<p>These  are both thoughtful master instructors portrayed on these DVDs. I recommend  them to all levels in the dance.<\/p>\n<h4 align=\"center\">Hands,  Arms &amp; Poses by Aziza\u00a0<br \/>\nRating 4  zils<br \/>\n<img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/4zils.gif\" alt=\"Rating: 4 zils\" width=\"150\" height=\"36\" \/><br \/>\n<a href=\"http:\/\/www.azizashop.com\/\">purchase information<\/a><\/h4>\n<p align=\"center\">&nbsp;<\/p>\n<h4 align=\"center\">Turn  In, Turn Out &amp; Turn Around \u2013 Vol. 1 by Said El Amir<br \/> <br \/>\nRating 2.5 zils<\/h4>\n<h4 align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/2halfzils.gif\" alt=\"Rating: 2.5 zils\" width=\"91\" height=\"36\" \/><br \/>\n<a href=\"http:\/\/www.webmart.de\/\/wmshop.cfm?ID=53089&amp;ProductID=480282&amp;CID=87269&amp;do=detail\" target=\"_blank\">purchase information<\/a><\/h4>\n<table width=\"609\" border=\"0\" align=\"center\" cellpadding=\"10\" cellspacing=\"0\">\n<tr>\n<td width=\"7\">\n<object width=\"318\" height=\"200\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/DIgbz_JvY0g?fs=1&amp;hl=en_US&amp;color1=0xe1600f&amp;color2=0xfebd01\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/DIgbz_JvY0g?fs=1&amp;hl=en_US&amp;color1=0xe1600f&amp;color2=0xfebd01\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"318\" height=\"200\"><\/embed><\/object>\n<\/td>\n<td width=\"562\"><object width=\"317\" height=\"201\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/U2w4bBKiFLI?fs=1&amp;hl=en_US&amp;color1=0xe1600f&amp;color2=0xfebd01\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed src=\"http:\/\/www.youtube.com\/v\/U2w4bBKiFLI?fs=1&amp;hl=en_US&amp;color1=0xe1600f&amp;color2=0xfebd01\" type=\"application\/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"317\" height=\"201\"><\/embed><\/object><\/td>\n<\/tr>\n<\/table>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/div>\n<p><!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">8-27-09<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/08\/27\/yasminedividestudio\/\"> You Can Take the Dance With You! <\/a> <span class=\"articleauthor\">by Yasmine of Siren In Sanity<\/span><br \/>\nIt has been a year since we have made our big move\u2014Sirens In Sanity has changed from being a one-beautiful-studio-in-Benicia, California, to a multi-location studio.<\/li>\n<li><span class=\"articledate\">2-22-03<\/span> <a href=\"http:\/\/www.gildedserpent.com\/articles24\/yasminereviewsitneen.htm\">&#8220;Itneen- Tribal Dance, Tribal Drums&#8221; by Helm<\/a> <span class=\"articleauthor\">Review by Yasmine, Sirens In Sanity<\/span><br \/>\nDrumming like this is a gift. <\/li>\n<li><span class=\"articledate\">12-9-05<\/span> <a href=\"http:\/\/www.gildedserpent.com\/art29\/siscontest.htm\">New Dance Contest\/Theme Party &#8221;A Night at Casablanca!&#8221;<\/a> <span class=\"articleauthor\">Photos by Lynette<\/span><br \/>\nOctober 2, 2004 at the Benicia Clocktower Benicia, California Sponsored by Siren In Sanity<\/li>\n<li><span class=\"articledate\">12-12-00<\/span> <a href=\"http:\/\/www.gildedserpent.com\/articles10\/HalloweenShowreview.htm\">Sirens In Sanity&#8217;s 2nd Annual Halloween Belly Dance Bash <\/a><span class=\"articleauthor\">by\tSaiedeh and Yasmine<\/span><br \/>\nThe evening was filled with belly dance routines in a variety of themes; some Halloween, some traditional, and some alternative.<\/li>\n<li><strong>11-14-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/11\/04\/tracy-benton-reviews-3-cds\/\">In the Land of Big Sound: The Masters of Bellydance Music, Vol 2,The Farha Tour, Sydney 2008, The Essence of Bellydance,<\/a> CD reviews by Tracy Benton<\/strong><br \/>\nAll three of these CDs I am reviewing here are for the fans of big, full, sound, with lots of variation in instrumentation, changes in volume and tempo, and plenty of drama\u2013in short, the music you might want for your big show! When you want to fill the room with music, these CDs are exceptional choices. <\/li>\n<li><strong>10-18-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/10\/18\/zumarrad-reviews-2-ranya-dvds\/\">Tough to Choose What\u2019s Best from Ranya! Belly Dance Egyptian Style: the Baladi,Belly Dance Egyptian Style: Modern Oriental<\/a> by Zumarrad<\/strong><br \/>\nA dance friend described it aptly as something you can \u201cgeek out\u201d on. It is jam-packed with information about the music, different styles of baladi, and the movements to use in this improvisational style. <\/li>\n<li><strong>10-9-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/10\/09\/gregory-burke-arab-film-fest-flicks\/\">A Glimpse of the Middle East, Arab Film Fest Features: &quot;The City of Life&quot; and &quot;Wedding Song&quot;<\/a> Reviewed by Gregory Burke<\/strong><br \/>\nThe audiences\u2019 reaction to certain scenes will be priceless. In a nutshell, this film has wonderful actors pushed into an impossible wedge of history. <\/li>\n<li><strong>9-27-10<a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/09\/27\/brigid-momo-kadous-zill-dvd\/\"> Master Zilling with Movement,The Art of Playing Finger Cymbals with Momo Kadous<\/a>, DVD Review by Zumarrad<\/strong><br \/>\nThings start to get really interesting when he introduces variations of tone, and I wish he had devoted more of the DVD to this technique.<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Hands, Arms &amp; Poses by Aziza AND Turn In, Turn Out &amp; Turn Around \u2013 Vol. 1 by Said El Amir Comparison DVD Review by Tammi \u201cYasmine\u201d Fabris posted November 9, 2010 When Lynette asked me to review two DVDs and assigned me these titles and artists, I was excited at the prospect. After watching [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2063"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=2063"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2063\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=2063"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=2063"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=2063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}