{"id":2283,"date":"2011-01-16T16:29:20","date_gmt":"2011-01-16T23:29:20","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=2283"},"modified":"2011-01-16T16:29:20","modified_gmt":"2011-01-16T23:29:20","slug":"tasha-sword-disasters","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2011\/01\/16\/tasha-sword-disasters\/","title":{"rendered":"Sword Disasters, A Lighter Outlook on Belly Dance"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art52\/graphics52\/swordarch.jpg\" alt=\"Weird Sword Arch photo by Kathryn Dykman\" width=\"300\" height=\"445\" align=\"right\" \/><\/p>\n<h2>Part 2 of The Dumb and the Restless<\/h2>\n<h3>by <a href=\"#\">Tasha Banat<\/a><br \/>\n<span class=\"footnotes\">posted January 16, 2010<br \/>\nRevised from Tasha  Banat\u2019s Arabic Guide to Belly Dance<br \/>\nOriginally published in 1983<\/span><\/h3>\n<p>Actually,  there are several incidents regarding Swords that I have been dumb about so I  will break them down, but not necessarily in the order that they happened.\u00a0\u00a0 This is to confuse the innocent and ME.<\/p>\n<p class=\"sectiontitle\">Amarillo,  Texas:\u00a0<\/p>\n<p> This job was a  first rate belly dance contract produced by Bednar Productions, where I and two  other belly dancers were paid a nice salary including our apartment, electric,  gas, and telephone.\u00a0 <\/p>\n<p class=\"highlight\">Yes, these were good  old days where, under the right conditions, a Belly Dancer could afford to be a  prima-donna.\u00a0 <\/p>\n<p>We only  had one problem \u2013 The stage was too hard for our precious little dancing feet,  even with shoes, which I wore most of the time. So after much discussion, I was  the one chosen to complain and tried to convince the owner that we needed a  much better floor to dance on.<\/p>\n<p>After  much whining, Carl, the owner of <span class=\"company\">CJ\u2019<\/span>s nightclub personally laid a beautiful  floating softwood raised floor.\u00a0 He set  the floor board by board on his hands and knees, and if you knew the size of  Carl, that was no easy chore. He varnished or lacquered it many times until it  shone like a diamond.\u00a0 He worked    almost 24 hours a day and he had it finished in 3 days just to please us.\u00a0 He was that kind of boss.<\/p>\n<p>Since  he was so proud of himself, his only comment was \u201cTasha; if anything happens to  this floor you are DEAD, so NO SHOES, scuff marks or holes in that floor;  PLEASE.<\/p>\n<p class=\"highlight\">I  laughed at him, but that very night during my grand finale Sword Act&#8230; you  know \u2013 that dramatic spin where you stop and the sword continues to spin on  your head like a helicopter blade?<\/p>\n<p>Well,  to make a long story short, the sword flew from my head and landed on Carl\u2019s  brand new floor.\u00a0 BOING \u2013 the point  sticking into his brand new stage.\u00a0 The  audience was impressed; I was told by the other belly dancer<span class=\"artist\"> Shahira<\/span> (aka <span class=\"artist\">Joy  Germack<\/span>), who stared wide eyed at the sword sticking out of Carl\u2019s stage, that  they applauded wildly.<\/p>\n<p>I could only see Carl\u2019s face turn a beet red and this man, who was  usually a pussy cat, did not speak to me for three days while he examined that  floor again and again on his hands and knees, looking for the hole the sword  made in his floor.\u00a0 He never found the  spot, so we could only assume that it landed between the seams of two  boards.\u00a0 We did complete our contract and  Carl eventually forgave us, but to this day, I can still see him searching that  stage on his hands and knees. <\/p>\n<p class=\"sectiontitle\">Khyber  Pass, Denver, Colorado:<\/p>\n<p>  <span class=\"artist\">Rooshana<\/span>, a beautiful belly dancer wanted to take a sword class from me  (I guess she never knew about my reputation with a sword!) and since I was  teaching in the club several days a week before our shows each night, it was  convenient to use the stage we performed on.<\/p>\n<p>Rooshana,  who still performs in the Denver area today, will confirm this story.\u00a0 She was a very delicate dancer, small and  fragile looking like a glass doll \u2013 not the truck driving Italian from New  Jersey that she was in a much younger life.\u00a0 <\/p>\n<p>She had  a pretty bad cold and every time I had her do a back bend to the floor,  balancing the sword on her head, she would cough.\u00a0 After being unable to do this move without  coughing, we both decided that she was not ready for the sword\u00a0 in her show yet.<\/p>\n<p>So, she  went back to the dressing room to get ready for her show and I went home.\u00a0 A little later that evening, <span class=\"artist\">Ahmed<\/span>, the owner  of the<span class=\"company\"> Khyber<\/span>, called me as he said hysterically;\u00a0 \u201cWhat did you do to Rooshana?\u00a0 Tasha, what did you do to her.\u201d\u00a0 I said \u201cI didn\u2019t do anything to Rooshana.  What are you talking about?\u201d His reply shocked me. \u201cShe just left with a broken  rib.\u00a0 She said she must have gotten it  during your class.\u201d <\/p>\n<p><span class=\"highlight\">I  assumed that, during one of her back bends with the sword on her head, she  coughed and broke a rib.\u00a0<\/span><\/p>\n<p> So did many  other dancers.\u00a0 I couldn\u2019t believe it and  it was not funny at all.\u00a0 It taught me a  very valuable lesson about health and pushing oneself beyond the body\u2019s ability  to handle certain situations, no matter how professional we think we are.\u00a0 It wasn\u2019t until much later that I found out  that she actually heard a pop and felt her rib break while she was putting on  her makeup.\u00a0 At the time I really felt  responsible for her injury.<\/p>\n<p>\u00a0The  only ironic part was that I knew Rooshanna had wanted to take a vacation for  awhile but was afraid of losing her position on our belly dance roster.\u00a0 The Khyber Pass paid very well, including  tips and was not an easy club to get into.\u00a0  However, now she had her excuse, but she often said, jokingly of course;  \u201cTasha, if you needed to dance more nights, you could have just asked.\u201d\u00a0 <\/p>\n<p>MINI  MORAL:\u00a0 I guess that\u2019s why they only say \u201cBREAK  A LEG\u201d in our business.<\/p>\n<p class=\"sectiontitle\">Fort  Lauderdale, Florida:<\/p>\n<p> I was scheduled to audition in a Greek club  which later became <span class=\"company\">Kim\u2019s Cabin<\/span> on the 17th street Causeway.\u00a0 I know what my students and friends are  saying as they read this.\u00a0 Tasha doesn\u2019t  usually dance in GREEK clubs.\u00a0 Now they,  and you, will find out why \u2013 a previous secret now revealed here in the Gilded  Serpent<\/p>\n<p>The  stage in this particular club was typical for Greek establishments.\u00a0 The band sat on a high, two level stage while  the dancer performed on a pull-out lower stage, that when slid back under the  band\u2019s stage, left a dance floor for customers.<\/p>\n<p>My  audition was scheduled in the early afternoon, so thankfully there were no  customers in the house, to witness this fiasco.\u00a0  The audition was going very well.\u00a0  I managed to shimmy through the band\u2019s race track version of an Arabic  song leading up to the dramatic slow part. Instead of a veil, I pulled out my  sword, a new prop for belly dancers and obviously a never before experience for  this Bouzouki player.<\/p>\n<p>There I  was, dancing with my old rusty, trusty, not too sharp anymore cavalry sword; I  was totally oblivious to the fact that the Bouzouki player had come onto the  lower stage just as I went into my (now less than famous) dramatic spin.\u00a0<\/p>\n<p class=\"highlight\"> I am not sure what happened next, but I felt  the sword slipping so I grabbed it with one hand and continued my spin towards  my finale ending.<\/p>\n<p>The  next thing I knew was I heard a ping \u2013 ping \u2013 ping &#8211; plunk as Mother of Pearl  flew everywhere.\u00a0 The music and I stopped  at the same time as I stared at a stunned Bouzouki player who was looking  shocked at his sliced Bouzouki.\u00a0 Ooh \u2013  Tasha \u2013I thought \u2013This is very bad.<\/p>\n<p>Needless  to say, I was faced with a mad Greek owner and band who was yelling at me in  Greek and English that I was a stupid girl who will pay dearly for this.\u00a0 And I was screaming that he should have not  come onto my stage; especially not knowing what I was going to do with the  sword. <\/p>\n<p class=\"highlight\">\nSomewhere  in the shouting I heard \u201cShe will pay for my ruined Bouzouki and I will  guarantee that she will never dance in this city again \u2013 and on and on and on  and on&#8230;<\/p>\n<p>So, as  I turned on my heel and stamped into the dressing room being followed by the  Greek Mafia, I said \u201cListen to me:\u00a0 I am  going to change into my regular clothes if you don\u2019t mind.\u00a0 Then I will put my costumes into the  car.\u00a0 Then and only then we can sit down  like adults and discuss this.\u201d\u00a0\u00a0 And I  slammed the dressing room door in their faces.<\/p>\n<p>Now, I  know that I am basically an honest person and have a great deal of that Arab  pride (that sometimes gets into the way of logic).\u00a0 I have even been known to be extremely  stubborn when it comes to defending a situation I know I am right about.\u00a0 However I also believe that I cannot go into  a Lion\u2019s Den if I am a lamb, so I put my things into the car and I took  off.\u00a0 Yes, I left the scene of the crime  and never returned to that or any other Greek establishment for many, many  years.<\/p>\n<p class=\"highlight\">\nMORAL:\u00a0 He\u2019s lucky it was only his Bouzoukis that he  lost<\/p>\n<p>\u00a0<\/p>\n<p><span class=\"sectiontitle\">Update:\u00a0<\/span> I believe it was around 2002 in Miami,  Florida.\u00a0 I was at a show when suddenly a  voice from my past said \u201cExcuse me, but you do not remember me, do you?\u201d\u00a0 It was the Bouzouki player!\u00a0 I turned around slowly to explain that I was  sorry for what I did, expecting to see an angry person, but instead he was  smiling ear to ear. <\/p>\n<p>He then  laughed and said that it was actually very smart of me to leave.\u00a0 And for a long time the band and the owner  made fun of him every time he pulled out his Bouzouki; but after awhile, as the  lead singer told the story of his Bouzouki over and over again, he would get so  much money thrown on the band, that it more than made up for the damaged  Bouzouki.\u00a0 He also said in a much lower  voice that underneath it all, he knew he was wrong to go onto the lower stage  and in my situation,\u00a0 he probably would  have done the same thing.\u00a0 Of course, I  finally offered to pay for the Bouzouki and he said he couldn\u2019t take money  after all these years and it was a cheap Bouzouki anyway.<\/p>\n<p>I guess  we both learned the same lesson during that last exchange.\u00a0<\/p>\n<p>\nFINAL  MORAL:\u00a0 LOOK BEFORE YOU LEAP!<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">11-10-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/11\/10\/tasha-banat-fire-dance-disaster\/\">The Dumb and the Restless: Fire! A Lighter Outlook on Belly Dance<\/a><span class=\"articleauthor\"> by Tasha Banat <\/strong><\/span><br \/>\nYes, the audience was eating out of my hand when someone from the back of the room yelled \u201cHey lady! Your hair is on fire!\u201d<\/li>\n<li>8-1-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/08\/01\/tasha-french-connection\/\">The French Connection<\/a> by Tasha Banat<br \/>\nRemember that the cabaret style of Belly Dance itself was considered a western cultural event and the night clubs of those days were only there to entertain invaders and their families, not the local people.<\/li>\n<li><strong>6-10-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/06\/10\/tasha-banat-debke\/\">Debke, A Brief History<\/a> by Tasha Banat<\/strong><br \/>\nHow does one combine Debke with Bellydance? What does that mean? In order to combine two beautiful dances, we have to first separate them and understand the different types of Arabic music<\/li>\n<li><strong>7-12-07 <a href=\"http:\/\/www.gildedserpent.com\/art40\/TashaBassessment.htm\">Belly Dance:Time for Personal Assessment or How old are your Shoes?<\/a> by Tasha Banat<br \/>\n<\/strong>What do you personally want from the dance? In order to answer this honestly, you must make a personal assessment of your goals and include your achievements.<\/li>\n<li><strong>1-25-07 <a href=\"http:\/\/www.gildedserpent.com\/art39\/TashaOneBanat.htm\">One Banat: An Exploration of Some Belly Dance Costuming Origins<\/a> by Tasha Banat <br \/>\n<\/strong>Since the establishment of Israel, the definition of the term &#8220;Middle East&#8221; seems to have changed and now has come to refer to a conglomeration of a number of unrelated countries in the Asian and African parts of the hemisphere.<\/li>\n<li><b>8-18-05 <a href=\"http:\/\/www.gildedserpent.com\/art32\/tashanamedebate.htm\">Re-defining Belly Dance and Middle Eastern Dance<\/a> by Tasha Banat<br \/>\n<\/b>The fact is that &#8220;Middle Eastern Dance&#8221; is not an acceptable definition for Belly Dance and let me explain why. <\/li>\n<li><strong>1-15-11 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/01\/15\/carl-photos-bduc10-universal-egyptian-finalists\/\">The Universal and Egyptian Category Finalists, Photos from the 20th Annual BDUC 2010<\/a> Photos by Carl Sermon<\/strong><br \/>\nKendra, Maria, Rachel, Samara, Dilek, Grinnelly, Katya, Masha<\/li>\n<li><strong>1-13-11 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/01\/13\/marion-fusion-lost-in-translation\/\">Lost in Translation, Fusion Confusion<\/a> by Marion Nowak<\/strong><br \/>\nMoria says, \u201cMasking sloppy technique with cheap costuming and putting it all to break-beat music does not make you a fusion dancer. Fusion is like a good marriage; both components have to be very strong before the two work as a combination. \u201d<\/li>\n<li><strong>1-11-11 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/01\/11\/fatima-farida-fahmy\/\">Farida Fahmy Set the Record Straight, Innovation and Costuming of the Reda Troupe<\/a> Interview by Fatima<\/strong><br \/>\nThe current troupe is an abomination of a wonderful enterprise. <\/li>\n<li><strong>1-10-11<a href=\"http:\/\/www.gildedserpent.com\/archives\/ForeignDancersCairoTimeline.html\"> Foreign Dancers in Cairo Timeline<\/a> New Resource Page<\/strong><br \/>\nAmera Eid, Asmahan, Astryd, Feiruz, Jalilah, Keti Sharif, Leila, Leyla Amir, Nesma, Nour, Outi, Sahra, Shareen el Safy, Yasmina of Cairo, Yasmina Ramzy, Yasmin Henkesh, Zeina, and many more<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Part 2 of The Dumb and the Restless by Tasha Banat posted January 16, 2010 Revised from Tasha Banat\u2019s Arabic Guide to Belly Dance Originally published in 1983 Actually, there are several incidents regarding Swords that I have been dumb about so I will break them down, but not necessarily in the order that they [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2283"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=2283"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2283\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=2283"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=2283"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=2283"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}