{"id":2287,"date":"2011-01-17T23:48:27","date_gmt":"2011-01-18T06:48:27","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=2287"},"modified":"2011-01-18T13:32:16","modified_gmt":"2011-01-18T20:32:16","slug":"joette-reviews-yasmina-dvds","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2011\/01\/17\/joette-reviews-yasmina-dvds\/","title":{"rendered":"Get Down to the Root of it!"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art52\/graphics52\/YasaminaDVDs.jpg\" alt=\"Yasmina's Asala DVDs\" width=\"300\" height=\"450\" align=\"right\" \/><\/p>\n<h2>Yasmina Ramzy&#8217;s  Asala I &amp; II<\/h2>\n<h3>DVD Review by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/joette.htm\">Joette<\/a><br \/>\n<span class=\"footnotes\">posted January 17, 2011 <\/span><\/h3>\n<p>Of the many things I have learned through my years of studying, researching, and teaching dance is that I seldom know what to expect out of a single performance. In this instance, that is simply not the case. I have had several opportunities over the last few years to review <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/yasminaRamzy.htm\" class=\"artist\">Yasmina Ramzy<\/a>&#8216;s work of the <span class=\"company\">Arabesque Academy<\/span> in Toronto, and I seem to find it consistent, note worthy, and pleasant on various levels. Asala (meaning root or origin) is the work of Ramzy and the Arabesque Dance Company and Orchestra, performed in December 2006, that takes the audience on a journey of folklore and to the streets of Cairo with live music, flowing costumes, and artistic sensibility.<\/p>\n<p>The show itself is staged in a modern dance theatre of lights, drama, and comedy with live musicians on stage throughout the performance. I myself, being an artistic director, can  appreciate the amount of resources that took to put together a stage composition like Asala. <\/p>\n<p class=\"highlight\">Ramzy\u2019s ability to show movements of grace and femininity comes across strongly by presenting the dance as respectable and as a valid form of dance expression.<\/p>\n<p> In addition, the movements fit the skill level of the dancers. Expressions and styles that were represented included the soulfulness of <span class=\"artist\">Bobby Farah<\/span> to the extension of the ballet of <span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/art32\/rockyredainterviewp1.htm\">Mahmoud Reda<\/a><\/span>. Asala  aims to portray the dance as unique and expressive as  the other more mainstream dance arts.<\/p>\n<p>Middle Eastern dance styles performed included baladi, whirling dervish, khaleegy, drum solo, tahtib &amp; saiidi, hagallah, oriental, port said, and meleya leff, and featured solo\u2019s from Ramzy. In addition, music arrangement by <span class=\"artist\">Bassam Bishara<\/span> included songs such as Inta Omri, El Binti Beida, Hezzie, Nawaem, and Ya Booy. Lead vocals by <span class=\"artist\">Najwa Tannus<\/span> were beyond beautiful and mesmerizing.  Each number was thoughtfully hand-designed by brilliant costume designers. The effect was elegant, tasteful and each design allowed the dancers\u2019 bodies- not the sequins-  to take center stage. Many hats off to the costume designers and use of fabric to create arresting imagery of fluid bodies on stage.<\/p>\n<p class=\"highlight\">The dance choreography for the most part truly represented the soul of the Egyptian people. Although, I did find lacking the ability of many of the dancers to express this as they struggled with the steps that comes with experience and musicality.<\/p>\n<p> For instance, the Simsimayya male dancers representing the Suez Canal region lacked skill in this style, but the enthusiasm overshadowed the ability. The Suez Canal region was influenced in the World Wars by the British and Irish dances of the time and this is still reflected today in the very strong feet, arms, and leaps with a strong upper chest. The male dancers deserved a high five not for their ability, but simply for their expression of fun. Sometimes even the amateur dancer can have a BRAVO moment in a professional production.<\/p>\n<p>Overall, I found Asala I &amp; II is an item to add to your collection as a dancer, artistic director, or just simply for enjoyment. The DVD set is hard to follow because the show has been spliced to fit two DVDs instead of one. I would have liked to have viewed Asala as if I was in the audience, but instead I had to figure out what it actually looked like in its integrity.  I recommend purchasing Asala I of the set if you can\u2019t fit both in your budget. Overall, the production was a beautiful undertaking and its rating is 3 zils.<\/p>\n<p><em><a href=\"http:\/\/www.arabesquedance.ca\/boutique-02.php\" target=\"_blank\"><strong>Purchase information on Artist&#8217;s Site<\/strong><\/a><\/em><\/p>\n<h4 align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/3zils.gif\" width=\"110\" height=\"36\" alt=\"3 zil rating\" \/><br \/>\nRating:&nbsp;  3 zils<br \/>\n<\/h4>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/div>\n<p><!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><strong>2-15-09<\/strong><a href=\"http:\/\/www.gildedserpent.com\/art47\/Joetteacademicbooks.html\"> Academia?\tLike it or Trash it!2 Books Reviewed: Dancing Communities &amp; Dancing\tFear and Desire<\/a><strong> by Joette Sawall<\/strong><br \/>\nOne thing that I have found within our community is the\tgeneral lack of scholarship and a feminine voice within the research.<\/li>\n<li><strong>11-14-08 <\/strong><a href=\"http:\/\/www.gildedserpent.com\/art45\/Joettereviews3CDs.htm\">Unveiled\tMusical Gems,\t3 CD Review<\/a><a href=\"art45\/Joettereviews3CDs.htm\">s<\/a> <strong>by\tJoette Sawall  <\/strong><br \/>\n<\/strong>Raqs\tEl Qamar by Chris Marashlian, Rhythms of Turkey by Tayyar Akdeniz,\tAngelika Unveiled, by Angelika Nemeth and Raul Ferrando<\/li>\n<li><span class=\"articledate\">1-5-11 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/01\/05\/yasmina-respect-bellydance-artists\/\">Gaining Respect for Bellydance Artists, Ask Yasmina #15<\/a> by Yasmina Ramzy<\/span><br \/>\nThe following is a kind of \u201cmanifesto\u201d or set of guidelines that Bellydancers could follow that might help contribute to our community of artists in gaining respect<\/li>\n<li><span class=\"articledate\">10-1-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/10\/01\/ask-yasmina-14\/\">Ask Yasmina #14: Pro Dancer vs Religion, Importance of Training, Khaleegy Music<\/a><span class=\"articleauthor\"> by Yasmina Ramzy<\/span><br \/>\nThen, I would speak to them about being authentic. If Bellydance was chosen with conviction, love and integrity, then their relationship with God would remain real and honest and maybe one day they might win back the respect of her family.  It was still a huge risk, but at least, they could have comfort in living an authentic life.<\/li>\n<li><span class=\"articledate\">7-1-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/07\/01\/ask-yasmina-13-teach-nonarab\/\">Ask Yasmina #13, FInd a Good Teacher, First Workshop, Non-Arab Dancers<\/a><span class=\"articleauthor\"> by Yasmina Ramzy<\/span><br \/>\nFirst and foremost, take a class or two from many teachers in your area so you can make a better informed decision. Please note that slick advertising and a good website indicate good organization and good marketing skills, not necessarily good Belly dance skills, knowledge, or even teaching skills.<\/li>\n<li><strong>12-30-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/12\/30\/janine-ryle-review-amel-dvd\/\">Dances of the Mahgreb, Tamazgha, or Berbers, Amel Tafsout in Performance<\/a>, DVD revioew by Janine Ryle<\/strong><br \/>\nI\u2019m glad Amel included her singing and drumming along with her dance performances. Her Berber Chaoui song is especially strong and powerful. <\/li>\n<li><strong>12-15-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/12\/15\/amina-goodyear-review-tamalyn-maher-kamal\/\">Where There is Music, There is Dance. Ahla Andalusi, 40 Days &amp; 1001 Nights<\/a> Review by Amina Goodyear<\/strong><br \/>\nThey are islands of beauty and as the two albums dance in my head, I am lost in a dream of visions \u2013 colors, light and dark, pure and hazy, and smells of incense and flowers wafting in the breeze of temperate temperature which encircle me and the choreographies of my mind.<\/li>\n<li><strong>12-14-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/12\/14\/zumarrad-review-leila-dhyanis-begin-dvd\/\">Ready, Set, Go! Leila&#8217;s &quot;Belly Dance for Beginners&quot; &amp; Dhyanis&#8217;s &quot;Absolute Bellydance Basics: Fundamentals for All Styles&quot;<\/a> Review by Zumarrad\/Brigid Kelly <\/strong><br \/>\nI stopped being the target market for beginner DVDs a long time ago, though, and I\u2019d be happy if somebody purchased this DVD aiming for a gentle, sexy-feeling workout and fell in love with Belly dance through its influence.<\/li>\n<li><strong>11-16-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/11\/16\/surreyya-reviews-neon-dvd\/\">Strong and Sweet: Neon Serves Up a Dance Fitness Video Hard Candy, The Bellydance Workout by World Dance New York<\/a> DVD Review by Surreyya<\/strong><br \/>\nRegardless of your particular fitness poison, I am not surprised that Neon has managed to challenge the viewer and integrate useful and challenging movements that are actually helpful to your skill as a dancer.<\/li>\n<li><strong>11-9-10 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/11\/09\/tammi-yasmine-reviews-2-dvds\/\">Be Amazed &amp; Dedicated in Your Dance! Hands, Arms &amp; Poses by Aziza and Turn In, Turn Out &amp; Turn Around \u2013 Vol. 1 by Said El Amir<\/a>,  DVD Review by Tammi \u201cYasmine\u201d Fabris<\/strong><br \/>\nAfter watching both of the DVDs in depth, I would describe Aziza &amp; Said El Amir as amazing and dedicated instructors. <\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Yasmina Ramzy&#8217;s Asala I &amp; II DVD Review by Joette posted January 17, 2011 Of the many things I have learned through my years of studying, researching, and teaching dance is that I seldom know what to expect out of a single performance. In this instance, that is simply not the case. I have had [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2287"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=2287"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2287\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=2287"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=2287"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=2287"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}