{"id":2513,"date":"2011-03-30T11:01:23","date_gmt":"2011-03-30T18:01:23","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=2513"},"modified":"2011-03-30T11:01:23","modified_gmt":"2011-03-30T18:01:23","slug":"joweh-guatemala-trip-part2","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2011\/03\/30\/joweh-guatemala-trip-part2\/","title":{"rendered":"Joweh\u2019s \u201cCall to Dance\u201d in Guatemala"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art53\/graphics53\/Chloe\/Susdrums4dancer.jpg\" alt=\"Susu drums for dancer\" width=\"300\" height=\"239\" align=\"right\" \/><\/p>\n<h2>Part 2 of Dream Trip to Guatemala<\/h2>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/chloe.html\">Chloe Villarreal<\/a><br \/>\n<span class=\"footnotes\">posted March 27, 2011<br \/>\nPart 1: Arrival <a href=\"http:\/\/www.gildedserpent.com\/art52\/ChloeGuatamalaP1.html\">here<\/a><\/span><\/h3>\n<p>Saturday evening would  be our first performance of the trip to Guatemala. That afternoon, we stepped  onto the stage of the <strong>Instituto Guatemalteco Americano (IGA)<\/strong> <strong>Theater<\/strong> to begin our formal dress rehearsal and last minute lighting and staging issues, not to mention  costume changes that were timed down to the second! The rehearsal ended all too  abruptly as we rushed back to the hotel to eat, complete last-minute wardrobe  reinforcements, and begin our transformation into our fabulous stage personae  (Read: apply layers upon layers of complicated stage makeup!).<\/p>\n<p>Just before showtime, we  stood in a tight circle, gripping each other\u2019s hands, while <strong>TerriAnne<\/strong> led us in our grounding ritual. We were dressed for our opening number that  swung back and forth between sections of modern Egyptian and Tribal Fusion  styles. Our Tribal dancers, <strong>Jodi <\/strong>and <strong>Teresa<\/strong>, were decked out in  dark, rich colors, dripping with coins and chains, while the rest of us wore  bright, glittering bedlahs and sleek, form-fitting skirts. Everyone looked  gorgeous, ready, and just a bit terrified!\u00a0  (Well, maybe the last bit was just me.)<\/p>\n<p class=\"highlight\">Waiting in the wings of  the nearly completely darkened stage, holding fire-colored fan-veils aloft,  listening to the first strains of Egyptian orchestral music, I couldn\u2019t help  thinking that this experience was both familiar and foreign, in the literal and  figurative sense.<\/p>\n<p> Along with all the usual worries about any large production,  I wondered how well we would connect and communicate with an audience that was  wholly new to us. These concerns began to dissipate soon after we spun, one by  one, into the swirls of stage smoke. Our audience was modest and a bit more  reserved, but number after number was met with increasingly heartfelt applause.  Audience appreciation kept our energy high through the two-hour show. Our  finale, a rousing drum and zill collaboration with <strong>Susu <\/strong>and some  wonderful guest players, ended to satisfyingly loud cheers and even some  zaghareets! We skipped back to our hotel grinning, too giddy to sleep for  hours.<\/p>\n<p>Admittedly, we were  tired the next day but felt bolstered enough by our success to do it all over  again gladly. Sunday\u2019s performance went even more smoothly&#8211;leaving some of us  to wish we could stay longer, since now, we had hit our stride! After our  finale, we came back onto the stage to sign posters and take pictures with  members of the audience. <\/p>\n<p class=\"highlight\">My favorites were a couple of awestruck little girls  who were lifted onto the stage by their parents; I now have an inkling of what  portraying a Disney princess must be like! We also reunited with some of the  wonderful students from our workshops and were once again moved by their warmth  and appreciation.<\/p>\n<p>Now that the \u201cwork\u201d part  of our adventure was finished, we could enjoy our designated vacation day. We  rose early on Monday morning to pile into a tour van to Antigua, the historic,  former capital city. Our lingering \u201cperformance high\u201d and sense of adventure  kept us from feeling our exhaustion as we eagerly explored the city\u2019s  cobblestone streets on foot. Our first stop was the amazing Santo Domingo  Monastery, which was fascinating in its beauty and history. We could have spent  several hours exploring the ruins, the shops, and the museums full of colonial,  indigenous, and modern art, but there was so much more to see in our day of  freedom!<\/p>\n<p>After Santo Domingo, we  visited the home of our friend, <strong>Kati,<\/strong> a gracious hostess who lives with  quite a menagerie of animals! Kati led us to several more points of interest  around Antigua, including the markets (We had become old pros at haggling by  now.), the Catalina Arch, beyond which we could see one of the famous  volcanoes, the Central Plaza and its beautiful cathedral, looking like a great,  majestic cake with its bright yellow and white paint.<\/p>\n<p>Listening to a solemn  hymn sung by the congregation of the cathedral, we ventured out into the waning  light of the Central Plaza. As our last evening in Guatemala began, the air  cooled and the sky darkened with rain clouds&#8211;a fitting end to our adventure.  The shelves under the windows of our shuttle van served as pillows and the  sound of the engine lulled several of us to sleep as we headed back to  Guatemala City. That night, we packed our bags sleepily, and a bit regretfully,  not wanting it all to be over quite yet.<\/p>\n<p>Tuesday was a day of  good-byes: to<span class=\"artist\"> Juan <\/span>and <span class=\"artist\">Silvia,<\/span> to the hotel and its staff, and temporarily, to  <span class=\"artist\">Jodi, TerriAnne<\/span>, and <span class=\"artist\">Susu<\/span>, who would be staying for another week of workshops  and small performances. While we were glad to be going home to our families and  all the familiar comforts of California, we couldn\u2019t help feeling a little sad  to leave the place we had all come to love in such a short period of time. On  the plane, we watched distant thunderstorms out the window and comforted each  other in our mutual plans to return one day, to perform (or even just to visit)  and explore. Personally, I\u2019ve already made several trips back to Guatemala&#8211;if  only in some delightful, lovely dreams.<\/p>\n<p align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art53\/graphics53\/Chloe\/troupeonstage.jpg\" alt=\"Troupe on stage\" width=\"500\" height=\"204\" \/><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">3-29-11 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/03\/29\/sausan-grapeleaf-restaruant\">The Magic of &quot;The Grapleaf&quot;, 1976-1997<\/a> <span class=\"articleauthor\">by Sausan<\/span><br \/>\nBack in the early \u201880s when I was performing at the Bagdad Cabaret on Broadway, a customer strolled into the Northbeach nightclub and told me about a little known restaurant<\/li>\n<li><strong>3-25-11 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/03\/25\/leyla-lanty-term-cabaret-nightclub\/#axzz1HeoGFewJ\">Is &quot;Cabaret&quot; a Dirty Word? Using the Terms Cabaret vs. Night Club<\/a> by Leyla Lanty<\/strong><br \/>\nSo, is \u201ccabaret\u201d a dirty word?  It depends on whose definition you want to use!  In Arabic, the name \u201ccabaret\u201d is interpreted differently from what it is in English, leading to the confusion about nightclubs and cabarets.  Here in the U.S., we think of a cabaret as a synonym for nightclub. <\/li>\n<li><strong>3-24-11 A <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/03\/24\/sadiyya-jillina-weeklong-intensive\/\">Transformational Week, A Fan\u2019s View of Jillina\u2019s Weeklong Intensive Report<\/a> by Sa\u2019diyya of Texas<\/strong><br \/>\nI think that\u2019s another benefit of having scholarships in the world of Bellydance because it gives dancers another goal to work towards: \u201cWhat do I have to do to rise to the occasion, to receive this other kind of award?\u201d <\/li>\n<li><strong>3-17-11 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/03\/17\/jasmine-samar-women-india-belly-dance\/\">Empowering Women in India through Belly Dance<\/a> by Jasmine June and Samar<\/strong><br \/>\nThe company works with less fortunate and troubled families and women, and pays the women a decent sum for their crafts as a way of helping them out.<\/li>\n<li><strong>3-15-11 <a href=\"http:\/\/www.gildedserpent.com\/newsgraphics\/ComKaleidoscope.htm\">MaShuqa interviews Dahlal and Tim Kent on the Cairo Revolution for the Gilded Serpent<\/a> Video report on the Community Kaleidoscope<\/strong><br \/>\nIn February 2011 while at the Belly Dancer of the Universe Competition, we catch Dahlal\/Debbie Sinclair and Tim for an interview. Discussed are the affects of the curfews, blocked streets, and lack of cell phone coverage on the production of costume orders. They also talk about the difference between Cairo  and US designed costumes. <\/li>\n<li><strong>3-15-11 <a href=\"http:\/\/www.gildedserpent.com\/art43\/gamilaniledance3candl.htm\">Shamadan or Candelabra: Dances Along the Nile Part 4<\/a> by Gamila El Masri and Lucy Smith\/ Scheherezade<\/strong><br \/>\nThe style is very earthy and includes great \u201ctricks\u201d like the splits, stomach work while on the floor, rolling over full length on the floor and posturing &#8212; complete with quivering buttocks, and various other individual talents.<\/li>\n<li><strong>3-10-11 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/03\/10\/shema-cultural-traditions-vs-sexual-stereotypes\/\">Cultural Traditions vs Sexual Stereotypes Part 2 of The Female Gaze or &quot;Medusa Dualities in Female Bellydance Performance and How the Gaze Continues to be Relevant Today&quot;<\/a> by Shema <\/strong><br \/>\nThere is a fine line between respecting cultural traditions and histories and reinforcing behaviours which are inherently damaging to the perception of the female body and its rights.<\/li>\n<li><strong>3-7-11 <a href=\"http:\/\/www.gildedserpent.com\/newsgraphics\/ComKaleidoscope.htm#sam\">Gigbag Check #29 with Samantha of the Bellydance Superstars<\/a> Video on the Community Kaleidoscope<\/strong><br \/>\nSamantha is from Brighton, England. Sam starts to tell of her start with the troupe when Rachel joins the conversation briefly to help out and testifiy to Sam&#8217;s talent and commitment. Sam was discovered in Rachel&#8217;s workshop in Birmingham. Sam also shows us her gig bag and her favorite skirt made by Madi Love. Sam suggestions bringing a sewing kit and tells of problems getting her<br \/>\nbelt ornaments tangled in her bracelets. This footage was filmed February 15, 2009 backstage at the Marin Civic Center in San Rafael, California<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Part 2 of Dream Trip to Guatemala by Chloe Villarreal posted March 27, 2011 Part 1: Arrival here Saturday evening would be our first performance of the trip to Guatemala. That afternoon, we stepped onto the stage of the Instituto Guatemalteco Americano (IGA) Theater to begin our formal dress rehearsal and last minute lighting and [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2513"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=2513"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2513\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=2513"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=2513"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=2513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}