{"id":2703,"date":"2011-05-27T13:58:52","date_gmt":"2011-05-27T20:58:52","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=2703"},"modified":"2011-05-27T13:58:52","modified_gmt":"2011-05-27T20:58:52","slug":"lovina-aswat-concert-arabs","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2011\/05\/27\/lovina-aswat-concert-arabs\/","title":{"rendered":"Listening with the Arabs"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art53\/graphics53\/ASWATposter.jpg\" alt=\"ASWAT poster\" width=\"300\" height=\"460\" align=\"right\" \/><\/p>\n<h2>ASWAT&#8217;s February 2011 Concert<\/h2>\n<h3>Review by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/Lovina.html\">Lovina<\/a><br \/>\n<span class=\"footnotes\">posted May 26, 2011<\/span><\/h3>\n<p>My first Middle Eastern  dance teacher, <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/Sandra.htm\" class=\"artist\">Sandra<\/a>, routinely encouraged us saying: \u201cIf  you want to learn how to move like them, dance with them!\u201d<\/p>\n<p>It was in trying to  understand the Arabic culture that I came to attend the Aswat concerts.\u00a0 Aswat\u2019s concerts present a unique opportunity  to listen to live Arabic music with a multi-piece orchestra. Furthermore, it is  an opportunity to learn about the people and music beyond the focused lens of  Oriental dance. Arabs are complex with a multiplicity of identities, in touch  with expressing pain and hope. This was the tone of the most recent Aswat  concert, which occurred on February 27, 2011, celebrating the demonstrations in  Egypt and Tunisia and the possibilities for the future of the Arab people.<\/p>\n<p class=\"sectiontitle\">What is Aswat?<\/p>\n<p>Aswat is an Arabic  orchestra that is part of <strong>Zawaya<\/strong>, an Arab American cultural organization  whose goal is to promote and retain the Arab heritage via musical and cultural  arts.\u00a0 It was founded in 2000 by two  women, <strong>Nabila Mango<\/strong>, a pillar of the San Francisco Palestinian-American  community, and <strong>Haya Shawwa Ben Halim<\/strong>. Musically, the orchestra is  anchored by professional musicians who provide the foundation to support the  development amateur Arabic vocalists. Aswat seeks especially to encourage  involvement by youth and teach the participants Arabic culture, the music and  the language.They learn classical music, folk songs, and cultural pieces  spanning the Arab world. <\/p>\n<p class=\"highlight\">Aswat hires a different professional conductor every  couple of years to add his own flavor and to unify the sound. Oftentimes  the\u00a0 director is brought over from the  Middle East especially to conduct the group.<\/p>\n<p>The \u201cSalute to the  Youth of the Arab World\u201d was a special program that was conceptualized  and produced within a two-week period in response to the complex emotions that  surfaced while watching the demonstrations happening across the world. The  program uniquely emphasized several national anthems and nostalgic folk pieces.  It was the debut concert of the newest guest musical director, <strong>Omar Abbad<\/strong>,  a gifted and professionally trained Palestinian-Jordanian musician. He had just  arrived from Jordan the previous week. They had also invited a special guest  vocalist, <strong>Mohannad Mchallah<\/strong>, a gifted singer and rising star of the Arab  world.<\/p>\n<p>The mood in the  beautiful theatre space at College of San Mateo Theatre was palpable with  excitement and enthusiasm. While waiting for the concert to start, an  inspirational Egyptian revolutionary song played in the background while a  jubilant scene of protesters in Tahrir square projected on a screen above the  stage. Once the program started, the audience comprised mostly of well dressed  Arabs and their young families, sang familiar songs robustly along with the  performers. Aswat, conscious of its non-Arab audience and in line with its  educational mission, projected translations of the lyrics so that the rest of  us could follow along. Sometimes the mood would become emotional as voices  choked up with nostalgia. The program closed with hauntingly beautiful singing  by Mr. Mchallah of <strong><u>\u201cIl-ard Btitkallim \u2018Arabi\u201d<\/u><\/strong> (<em>the earth  speaks Arabic<\/em>) and <strong><u>\u201cBaklub Ismak ya Bladi\u201d<\/u><\/strong> (<em>I write your  name, my country<\/em>).<\/p>\n<p class=\"highlight\">The concert consolidated  a much needed expression of hope, excitement, and pride. I felt lucky to be in  the audience, to share solidarity, and to be exposed to songs novel to me.<\/p>\n<p> Are  you interested in singing with Aswat? Zawaya is warm and welcoming to those  interested in learning Arab vocals and more information can be found on their  website, zawaya.org. For those of us who are not able to  attend Aswat concerts, they do a lovely job of providing professional  recordings, and you can also find those at zawaya.org. <\/p>\n<table width=\"560\" border=\"0\" align=\"center\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td>\n<iframe loading=\"lazy\" width=\"560\" height=\"349\" src=\"http:\/\/www.youtube.com\/embed\/HJ24Wzw1eWg\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<iframe loading=\"lazy\" width=\"560\" height=\"349\" src=\"http:\/\/www.youtube.com\/embed\/vyasJSSeadE\" frameborder=\"0\" allowfullscreen><\/iframe>\n<\/td>\n<\/tr>\n<\/table>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/div>\n<p><!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">3-27-09<\/span> <a class=\"articlelink\" href=\"http:\/\/www.gildedserpent.com\/art47\/aswatdebrebfire.html\">ASWAT: Arabic Music Concert<\/a> <span class=\"articleauthor\">by Rebecca Firestone, held Saturday, January 25, 2009 Skyline College, San Francisco, California <\/span><br \/> They&#8217;d hired a different director this time, all the way from Cairo,&nbsp;Dr.\tSari Dowidar. Dr. Dowidar got professional results even out of amateur performers &#8211; probably by pushing them hard. That kind of pressure isn&#8217;t always fun, but it really pays off. Maqams (maqamaat) are hard enough for the uneducated ear to distinguish without muddying the waters further with inaccurate pitch and tone.&nbsp;<\/li>\n<li><span class=\"articledate\">4-23-11<\/span> <a href=\"newsgraphics\/ComKaleidoscope.htm\" class=\"articlelink\">Sahra gives us a reports on her friends in Cairo since the Jan 25 revolution.<\/a> <span class=\"articleauthor\">Cairo News Video on the Community Kaleidoscope<\/span><br \/>\nSahra Kent with the help of Roxanne Shelby reports on what she has heard from her friends in Cairo since the protests began less than a month before this interview on February 20, 2011. It was conducted at the Belly Dancer of the Universe Competition in Long Beach, California<\/li>\n<li><span class=\"articledate\">4-11-11<\/span> <a class=\"articlelink\" href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/04\/11\/leila-musicians-bios\/\">As the Music Fades, Egypt&#8217;s January 25 Revolution&#8217;s Impact on the Muscians and Dancers<\/a> <span class=\"articleauthor\">by Leila Farid<\/span><br \/>\nWe can&#8217;t attain what they had in the past because we are not free. Our minds are full of work and what we should and shouldn&#8217;t do. There&#8217;s no time for good art. Politics mixed with religion does not make for an atmosphere where the arts can flourish.<\/li>\n<li><span class=\"articledate\">4-6-11<\/span> <a class=\"articlelink\" href=\"newsgraphics\/ComKaleidoscope.htm\">Video Interview with Shadi of Diamond Pyramid<\/a> on the Community Kaleidoscope<br \/>\nGilded Serpent interviews Shadi of Diamond Pyramid regarding the business scene since the Egyptian Revolution less than a month before this interview. This interview was conducted at the Belly Dancer of the Universe Competition in Long Beach, California on February 20, 2011 <\/li>\n<li><span class=\"articledate\">3-2-11<\/span> <a class=\"articlelink\" href=\"http:\/\/www.gildedserpent.com\/newsgraphics\/ComKaleidoscope.htm\">Video Report of Barbara&#8217;s recent trip Cairo<\/a>, <span class=\"articleauthor\">VIdeo on the Community Kaleidoscope<\/span><br \/>\nWe caught Barbara at the Belly Dancer of the Universe Competition in Long Beach in February 2011. She tells us of her trip to Cairo trying to attend the Nile Festival. Included are descriptions of getting to her hotels, rode blocks, checkpoints, neighborhood militias, attending classes, cell phone video, curfew, teachers  including Aida Nour, How caring Mohamed was of his group. Barbara is a vendor of belly dance costumes.<\/li>\n<li><span class=\"articledate\">2-23-11<\/span> <a class=\"articlelink\" href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/02\/23\/ozma-bellydance-japan\/\">Shaking Up Shibuya&quot; The Belly Dance Scene in Japan<\/a> <span class=\"articleauthor\">by Ozma<\/span><br \/>\nWhile belly dance in Japan originally came from American roots, it quickly grew to include Egyptian, Turkish Oriental, Turkish Roma, and various Tribal styles.<\/li>\n<li><span class=\"articledate\">5-25-11<\/span> <span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/05\/25\/shema-inverting-gaze-part3\/\">The Transformation of Beauty, Inverting the Gaza, Part 3<\/a><\/span><span class=\"articleauthor\"> by Shema<\/span><br \/>\nAs women and performers, why cannot we see beyond physical representation, when we, too, are trying our hardest to achieve such beauty in our own lives? Such hypocrisy ensures that we can never escape the limitations that society and, thus, we place these same limitations upon our own bodies.<\/li>\n<li><span class=\"articledate\">5-24-11 <\/span> <span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/05\/24\/belly-dancer-year-2011-contestants\/\">Belly Dancer of the Year 2011 Contestants! Who Will Win This Coming Weekend?<\/a><\/span> <br \/>\nSneak preview of who you will see this weekend at this year&#8217;s contest <\/li>\n<li><span class=\"articledate\">5-20-11 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/05\/20\/samia-nasser-iraqi-dancer\/\"><span class=\"articlelink\">Iraqi Ra\u2019qisa\u2019s Life in America, North Beach Memories and More!<\/span><\/a> <span class=\"articleauthor\">by Samia Nasser<\/span><br \/>\n\u201cWhen I was watching you dance, I thought I was watching an Egyptian movie!\u201d<\/li>\n<li><span class=\"articledate\">5-19-11<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/05\/19\/amina-walk-egyptian\/\" class=\"articlelink\"> Walk Like an Egyptian<\/a> <span class=\"articleauthor\">by Amina Goodyear<\/span><br \/>\nBefore I learned to &quot;walk like an Egyptian&quot;, I wanted to drum like an African! Since my early teens, I  had been collecting African drum LPs (as well as conga and bongo drums) and was either dancing like a possessed child or trying to make rhythms happen on drum skins.<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>ASWAT&#8217;s February 2011 Concert Review by Lovina posted May 26, 2011 My first Middle Eastern dance teacher, Sandra, routinely encouraged us saying: \u201cIf you want to learn how to move like them, dance with them!\u201d It was in trying to understand the Arabic culture that I came to attend the Aswat concerts.\u00a0 Aswat\u2019s concerts present [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2703"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=2703"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2703\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=2703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=2703"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=2703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}