{"id":2927,"date":"2011-07-12T19:19:36","date_gmt":"2011-07-13T02:19:36","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=2927"},"modified":"2011-07-12T19:23:42","modified_gmt":"2011-07-13T02:23:42","slug":"ask-yasmina-new-baby-dance-taqsim-shimmies-cane-music","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2011\/07\/12\/ask-yasmina-new-baby-dance-taqsim-shimmies-cane-music\/","title":{"rendered":"New Baby Dance, Taqsim Shimmies, and Cane Music"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art54\/graphics54\/sophiaatbreast.jpg\" alt=\"Sophia dances with Lynette\" width=\"300\" height=\"447\" align=\"right\" \/><\/p>\n<h2>Ask Yasmina #16<\/h2>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/yasminaRamzy.htm\">Yasmina Ramzy<\/a><br \/>\n<span class=\"footnotes\">posted July 12, 2011<\/span><\/h3>\n<p><strong>Question  #1:&nbsp;I would like to know some specific traditions relating Bellydance to  the celebration of a new baby.&nbsp;What is the connection of birthing rites to  Bellydance?<\/strong><\/p>\n<p><strong>Answer:<\/strong>&nbsp;Interesting question! I think a lot of people  would like this answered, including myself. In my 30 years of Bellydancing, I  have yet to find any concrete evidence of any connection. I will tell you what  I do know. <\/p>\n<p class=\"highlight\">Having a Bellydancer perform at baptisms in the Middle East is very  common. In fact, the highlight of the performance is when the Bellydancer holds  and dances with the baby. <\/p>\n<p>On a  similar note, many a time, an Arab mother has hired me to perform the Zaffah  (wedding procession) at her daughter\u2019s wedding. She warns me that her daughter  does not want a Bellydancer present because her daughter has been \u201cWesternized\u201d  and as a result, the bride is embarrassed in front of her friends about aspects  of her culture. I have never asked why it\u00a0  would be so important to the mother that I perform, in fact, so  important that she would initiate this undertaking against the bride\u2019s wishes.  However, I always got the feeling that these mothers were worried (or possibly  superstitious) that it would be bad luck for the daughter if her wedding did  not include a Bellydancer. Whether this is because of luck in love,  love-making, fertility or all of the above, I am not sure. Perhaps, it was just  to appease the aunts and uncles of the previous generation. Even so, why this  important?<\/p>\n<p>Sometimes,  I have seen Bellydance classes advertised as beneficial for labor and  childbirth. I have not had the honor and pleasure of giving birth to a child,  but many of my students attest to the speed and ease with which they were able  to deliver due to strong pelvic muscles.<\/p>\n<p class=\"highlight\"> However, there are many who had to  resort to Cesarean after a long and arduous labor as well. It might be  negligent to throw around such claims. <\/p>\n<p>Bellydance  makes you more agile and fit, more comfortable with your body and sexuality.  These claims are definitely proven across the board. Therefore, post  childbirth, Bellydance must be beneficial. Is it good for pregnant moms? I  would like to see more doctors attest to this before we dancers continue  claiming it. <\/p>\n<p>One more  thing<strong>:<\/strong> an Arab woman told me many, many years ago that the act of  shimmying while in the presence of a woman giving birth helps the new mother to  loosen the womb so the baby can come out easily. I have always thought that if  you couple that with an undulation, you would have great birthing technique. I  wish that I had had the chance to try it out. Well, that is all I can think of  right now. I hope that helps. <\/p>\n<p align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/graphics\/snakequestionmark.jpg\" alt=\"Snake Question\" width=\"41\" height=\"75\" \/><\/p>\n<p><strong>Question  #2:&nbsp;In a workshop in Texas, you said that while dancing during a taqsim, a  dancer should resist the urge to shimmy, especially for instruments that are  plucked. &nbsp;I was wondering why you said that. Why no shimmy, and the  significance and\/or difference with the plucked instruments?<\/strong><\/p>\n<p><strong>Answer:<\/strong>&nbsp; I was referring to the fact that often dancers  feel the urge to shimmy during taqsims with plucked instruments such as an oud  or qanun. While shimmying is\u00a0 an  appropriate interpretation of these instruments, it should not be the only  interpretation. It can be satisfying to follow the undulating ebb and flow of  the melody as well with other circular, long or rippling  movements.Additionally, there is <strong>Fifi Abdou<\/strong> who shimmies to  everything!&nbsp;<strong><\/strong><\/p>\n<table width=\"425\" border=\"0\" align=\"center\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td><iframe loading=\"lazy\" width=\"425\" height=\"349\" src=\"http:\/\/www.youtube.com\/embed\/LweZOAUPUSU\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<h6>\nFifi Abdou in 1986<\/h6>\n<\/td>\n<\/tr>\n<\/table>\n<p align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/graphics\/snakequestionmark.jpg\" alt=\"Snake Question\" width=\"41\" height=\"75\" \/><\/p>\n<p><strong>Question  #3:&nbsp;Is the song \u201c<em>Taht El Shebak<\/em>\u201d appropriate to use for dancing  with the Cane?&nbsp;&nbsp;I understand the assaya is only used with Saiidi  music.<\/strong><\/p>\n<p><strong><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/graphics\/musicalinstruments\/simsimiyya.jpg\" alt=\"Semsemeya\" width=\"113\" height=\"162\" align=\"right\" \/>Answer: \u201c<em>Taht  El Shebak<\/em>\u201d<\/strong> is Beledi music. Of  all the Beledi styles of dance, the Raqs Assaya (cane dance) is the most  quintessential. One of the more popular recordings of <strong>\u201c<em>Taht El Shebak<\/em>\u201d<\/strong> is sung by<strong> Fatma Serhan<\/strong> who used to sing for <strong>Nagua Fouad,<\/strong> then  for <strong><a href=\"http:\/\/www.gildedserpent.com\/art34\/graphics34\/slideshow\/CEBDina05f.htm\">Dina<\/a>,<\/strong> and now Fatma records her own CDs. <strong>\u201c<em>Taht El Shebak<\/em>\u201d<\/strong> is not a Saiidi song, but then the Raqs Assaya is not limited to the Saiid or  Upper Egypt. There is an Alexandrian Assaya, Lebanese, etc. The assaya is used  throughout Egypt and, in fact, throughout the Middle East, including Saudi  Arabia. I have seen many night club performances in Cairo back in the \u201880s in  which dance stars (including <span class=\"artist\">Fifi Abdou<\/span>) entered with Milaya Liff, high- heeled  shoes, short Alexandrian dress and picked up an assaya to twirl.<\/p>\n<ol>\n<li>Tahtiib sticks  are particular to the Saiid. Some Saiidi musicians take classic melodies from <strong>Warda <\/strong>or <strong><a href=\"http:\/\/www.gildedserpent.com\/art36\/YasminOmK.htm\">Oum Kalthoum<\/a>,<\/strong> play the melodies with a mizmar and a Saiidi rhythm  and a dancer twirls a Tahtiib stick. (I saw this in Aswan.) <\/li>\n<li>\u00a0A dance term was coined in the Bellydance  community about 15 years ago called <strong>\u201cUrban Beledi\u201d<\/strong> to accommodate music  (similar to the style of some songs by <strong>Nancy Ajram<\/strong>) that had Saiidi  rhythm and some Saiidi instrumentation but with pop sensibilities. This kind of  music gave room for interpretation, thus Urban Beledi was born. <\/li>\n<li>Another example  is <strong>Tamr Hosni&#8217;s<\/strong> <strong>\u201c<em>Arab Habibi<\/em>\u201d <\/strong>which uses the Semsemeya (a  lyre-type instrument particular to Port Said) but is not real Port Said music.  The song <strong>\u201c<em>Shamundara<\/em>\u201d <\/strong>by <strong>Mohamed Mounir<\/strong> has a similar  rhythm, scale, language and nuances to Nubian music, but it is hardly very  traditional. <\/li>\n<\/ol>\n<p>It is  always wise to learn and understand first the original and traditional forms of  music and dance. Then, one can know what he is doing when playing with hybrids  and fusion. When teaching, it is important to pass on this knowledge so when an  artist decides to interpret fusion or hybrid styles in the future, she is aware  of that style with which she is working, and thus, the audience can relate to  something that may be new but holds weight and still makes sense.<\/p>\n<table width=\"425\" border=\"0\" align=\"center\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td><iframe loading=\"lazy\" width=\"425\" height=\"349\" src=\"http:\/\/www.youtube.com\/embed\/-Sb6HGc11pQ\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<h6>\nTahtil Shibbak &#8211; Fatme Serhan<\/h6>\n<\/td>\n<\/tr>\n<\/table>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/div>\n<p><!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\"> 7-18-10 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/07\/18\/andrea-deagon-belly-dance-in-patriarchy\/\">Belly Dance in Patriarchy, Escaping the Switzerland of the Soul<\/a><span class=\"articleauthor\"> by Andrea Deagon PhD<\/span><br \/>\nHowever, I do believe that belly dance is able to attain such vitality and complexity in the modern world precisely because it&#39;s embroiled in serious cultural and personal contestations. It is precisely clashes of aesthetic values, conflicting paradigms of sexuality and gender, and economic as well as political inequities that strike the dance&#39;s most beautiful notes.<\/li>\n<li><span class=\"articledate\">1-5-11 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/01\/05\/yasmina-respect-bellydance-artists\/\">Gaining Respect for Bellydance Artists, Ask Yasmina #15<\/a> by Yasmina Ramzy<\/span><br \/>\nThe following is a kind of \u201cmanifesto\u201d or set of guidelines that Bellydancers could follow that might help contribute to our community of artists in gaining respect<\/li>\n<li><span class=\"articledate\">10-1-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/10\/01\/ask-yasmina-14\/\">Ask Yasmina #14: Pro Dancer vs Religion, Importance of Training, Khaleegy Music<\/a><span class=\"articleauthor\"> by Yasmina Ramzy<\/span><br \/>\nThen, I would speak to them about being authentic. If Bellydance was chosen with conviction, love and integrity, then their relationship with God would remain real and honest and maybe one day they might win back the respect of her family.  It was still a huge risk, but at least, they could have comfort in living an authentic life.<\/li>\n<li><span class=\"articledate\">7-1-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/07\/01\/ask-yasmina-13-teach-nonarab\/\">Ask Yasmina #13, FInd a Good Teacher, First Workshop, Non-Arab Dancers<\/a><span class=\"articleauthor\"> by Yasmina Ramzy<\/span><br \/>\nFirst and foremost, take a class or two from many teachers in your area so you can make a better informed decision. Please note that slick advertising and a good website indicate good organization and good marketing skills, not necessarily good Belly dance skills, knowledge, or even teaching skills.<\/li>\n<li><span class=\"articledate\">3-10-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/03\/10\/yasmina-kids-undercutting-kalthoum\">Ask Yasmina #12: The Importance of Oum Kalthoum, Undercutting, and Kid Bellydancers<\/a><span class=\"articleauthor\"> by Yasmina Ramzy<\/span><br \/>\nWhen a client hiring a performer or a student looking for a teacher is at a point where they want quality, they know they have to pay a fair price.<\/li>\n<li><span class=\"articledate\">1-4-2010<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/01\/04\/yasmina11\/\"> Sticky Situations: Ask Yasmina #11- Inappropriate Audience Members, Competitive Teachers, Fickle Students<\/a> by Yasmina Ramzy<br \/>\nTrying to please and appease those who already disrespect you leads to a miserable dead end. My advice is to say &quot;NO&quot; and give the inappropriately behaved person a good wack across the face.<\/li>\n<li><span class=\"articledate\">11-3-09 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/11\/03\/yasminar10\/\">Ask Yasmina #10: Bellydance Business, Finding Musicians, Certification<\/a> by<br \/>\nYasmina Ramzy<br \/>\nThis experience has made me very wary ever since of people with\tcertificates.<\/li>\n<li><span class=\"articledate\">7-9-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/07\/09\/sawa-egyptian-percussion-instruments\/\" class=\"articlelink\">Egyptian Percussion Instruments<\/a> <span class=\"artist\">by Dr George Dimitri Sawa<\/span><br \/>\nFrom the medieval era to our own time, Arabic music has been predominantly rhythmic. For this reason, much effort has been spent to write a theory of Arabic rhythms.<\/li>\n<li><span class=\"articledate\">7-7-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/07\/07\/caroline-cairo-dance-permits\/\" class=\"articlelink\">Permits, IDs, Licensing, Foreign Dancers in Cairo<\/a>, <span class=\"articleauthor\">by Caroline Evanoff<\/span><br \/>\nIt dawned on me that some dodgy nightclub manager, whom I didn\u2019t know personally, had complete control over my passport and my freedom to leave!  So, I had no alternative other than to end my contract in order to get my passport back which also meant halting the lengthy paper process. <\/li>\n<li><span class=\"articledate\">7-6-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/07\/06\/nadira-dancing-with-tigers-china\/\" class=\"articlelink\">Dancing with Tigers, In China with Fleurs d\u2019Egypte <\/a> <span class=\"articleauthor\">by Nadira<\/span><br \/>\nWe had no idea what to expect of the actual location. However, with ticket and costumes in hand, we rode the wave. Arriving late at night, we were ushered to our rooms and straight to bed to sleep off our jet lag. We had no concept of the overwhelming size of the park and over-the-top eye-candy awaiting us the next morning!<\/li>\n<li><span class=\"articledate\">7-5-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/07\/05\/stasha-perfumes-araby-diane-webber\/\" target=\"_blank\"><span class=\"articlelink\">Becoming the Object of Your Own Fantasy, &quot;Perfumes of Araby&quot; in the 1970s, Part 1<\/span><\/a> <span class=\"articleauthor\">by Stasha Vlasuk<\/span><br \/>\nThe Belly dance scene in 1970s Los Angeles:  It is difficult to spotlight succinctly even one portion of a vibrant, vast and quickly growing community of Middle Eastern dancers, their enthusiasts, and the ethnic communities, musicians, festivals and supper clubs that supported the dance arts.  The abundance of inspiration in that era was almost beyond understanding; yet once upon a time before the Internet, music, imagery and information was less readily available.<\/li>\n<li><span class=\"articledate\">7-4-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/07\/04\/brandon-washdc-fest\/\" class=\"articlelink\">Inaugural &quot;Art of the Belly&quot; Festival Rings in Spring in Style, Bellydance comes to Ocean City, Maryland<\/a> <span class=\"articleauthor\">by Brandon Johnson<\/span><br \/>\nInside the hotel, waves of positive energy radiated all around. People were not just glad to be at this festival, they were honored. If you were from Maryland, this was your  belly dance festival. Dancers were representing both themselves and the elements of various fusions. They wanted this to be done right.<\/li>\n<li><span class=\"articledate\">6-29-11 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/06\/29\/carl-rakkasah-west-fest-2011-sunday\/\">Photos from Rakkasah West 2011, Pg 4: Sunday M-Z<\/a> by Carl Sermon<\/span><br \/>\nMaria, Nadika, Naiya-Hayal, Onyx Moon, Oreet, Raks Al Khalil, Raks Terayz, Raks the Casbah, Reda Darwish, Ruby, Sabiba, Sassafras, Shimmy Amour, Tatseena&#8217;s Troupe, Terry, Titanya, Troupe Aneena, Yolanda, Zahara<\/li>\n<li><span class=\"articledate\">6-26-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/06\/26\/najia-dancer-cancer-melanoma\/\" class=\"articlelink\">Dancer Cancer, Part One: &quot;Hopping on One Foot<\/a> <span class=\"articleauthor\">by Najia Marlyz<\/span><br \/>\nStill, I was confident that there would be no further problem and that I was letting my vanity get the best of me. By wanting to look good, I had caused all my own discomfort, I reassured myself. He said I would have the biopsy report in a few days and to call my referral doctor to hear what the UC San Francisco laboratory report said. <\/li>\n<\/ul>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Ask Yasmina #16 by Yasmina Ramzy posted July 12, 2011 Question #1:&nbsp;I would like to know some specific traditions relating Bellydance to the celebration of a new baby.&nbsp;What is the connection of birthing rites to Bellydance? Answer:&nbsp;Interesting question! I think a lot of people would like this answered, including myself. In my 30 years of [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2927"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=2927"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/2927\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=2927"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=2927"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=2927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}