{"id":3072,"date":"2011-08-26T16:42:16","date_gmt":"2011-08-26T23:42:16","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=3072"},"modified":"2011-08-26T16:42:16","modified_gmt":"2011-08-26T23:42:16","slug":"brian-lin-tanna-venus-uprising","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2011\/08\/26\/brian-lin-tanna-venus-uprising\/","title":{"rendered":"

“Objects of Desire”<\/h3>"},"content":{"rendered":"

Photos from "Venus Uprisings" April Fantasy Production<\/h2>\n

text by Tanna Valentine<\/a>, photos by Brian Lin<\/a>
\nposted August 26, 2011<\/span><\/h3>\n\n\n
\n

The 7th fantasy bellydance concert produced by the New York City artistic salon Venus Uprising<\/span> took place at the Merce Cunningham Studio<\/span> on April 15th and 16th, 2011. Invited dancers were asked to create new works based upon the theme "Objects of Desire". The performers responded with an interesting array of interpretations, ranging from the literal to the highly abstract.<\/p>\n

\"Sisters<\/p>\n

The most narrative piece was was Sarah Skinner<\/a><\/span> and the Sisters of Salome<\/span>‘s "Little Mermaid", who desired the handsome prince so much she eventually sacrificed her earthly life for him. This was the largest ensemble in the show, including an evil sea-witch, a competitive princess, a helpful sea-witch and of course a handsome prince.<\/p>\n

 <\/p>\n

\"Sisters<\/p>\n

\"Autumn<\/p>\n

Another familiar tale was Autumn Ward<\/span>‘s innocent yet beguiling "Eve" having the flames of her desire for the apple fanned by the darkly seductive serpent (Amador S. Juarez<\/span>). <\/p>\n

 <\/p>\n

\n

\"Layla\"<\/p>\n

Still more literal (at least visually) was Layla<\/span>‘s campy, crowd-pleasing "Cruella de Vil", complete with baskets of stuffed puppies and a dalmation-accented costume. <\/p>\n

\"Tanna<\/p>\n

\nTanna Valentine<\/span>‘s "Duty or Desire" portrayed the infamous object of desire Helen of Troy, whose personal desires remain unknown.<\/p>\n

 <\/p>\n

\"Shazad<\/p>\n

Other variations on the desirable female theme included Dena<\/span> & the Shazadi Dancers<\/span>‘ playful "Inside the Haram", Neon<\/a><\/span>‘s intriguing "Odalisque" and Elisheva<\/span><\/a>‘s booty-kicking "Dominatrix (D)".<\/p>\n

\"Neon\"<\/p>\n

Neon<\/p>\n

\"Elisheva\"<\/p>\n

Elisheva<\/span><\/a>‘s booty-kicking "Dominatrix (D)"<\/p>\n

\"Zobeida\"<\/p>\n

In "Le Papillon de Nuit" Zobeida<\/span> utilized double veils to embody a wistful butterfly desiring light.<\/p>\n

\"Ayshe<\/p>\n

Elena Lentini<\/span>‘s ensemble (Alanah, Andrea Anwar, Bashirah, Kerri O’Neill, Yoshina<\/span>) filled the stage with color and movement and huge silk wings in "The Genesis of the Butterfly". Utilizing black and white wings respectively, Ayshe<\/span> and Zobeida<\/span> gave a nod to contemporary film culture with their version of the good versus bad desires found in "The Black Swan".<\/p>\n

 <\/p>\n

\"Neon,<\/p>\n

A more abstract interpretation was offered by Neon with Angelys<\/span> and Jenna Rey<\/span> in their ultra-modern "In Love With a Time Bomb", enhanced by amazing couture costumes from Gamila Elmasri<\/a><\/span>. <\/p>\n

\"Fayzah\"<\/p>\n

Fayzah<\/span>‘s minimalist "Love Line" and Alchemy Dance Theater’<\/span>s dreamy and poetic "Sadhana" evoked less tangible objects of desire – love, enlightenment and peace.<\/p>\n

\"Alchemy<\/p>\n

\"Alchemy<\/p>\n

 <\/p>\n

\"Big<\/p>\n

That universal object of desire (money!) was celebrated in the final number with a sassy and rousing version of "Big Spender".<\/p>\n

 <\/p>\n

\"Big<\/p>\n

As always, Venus Uprising was fortunate to have photographer Brian Lin<\/span> on hand to capture many moments from the show.<\/p>\n

 <\/p>\n

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