{"id":3479,"date":"2011-11-16T16:32:06","date_gmt":"2011-11-16T23:32:06","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=3479"},"modified":"2011-11-25T07:13:54","modified_gmt":"2011-11-25T14:13:54","slug":"elianae-dvd-bahaia-galit-combos","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2011\/11\/16\/elianae-dvd-bahaia-galit-combos\/","title":{"rendered":"Dance Combinations – Uneven, Misnamed Productions Still Worthwhile"},"content":{"rendered":"

\u201cCool Combos \u2018a La Galit\u201d and \u201cCombin-Ography by Bahaia"<\/h2>\n

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DVDs reviewed by Elianae<\/a>
\nposted November 16, 2011<\/span><\/h3>\n

When I was asked to review two DVDs for the Gilded Serpent, I was excited. It was especially fun since both CDs that GS chose for me to review were by artists I knew very little about, from different parts of the globe. I was not disappointed, and the variance between the two was intriguing!<\/p>\n

\"Galit's<\/a>"Cool Combos \u2018A La Galit\u2013The Art Of Layering", self produced by Galit<\/p>\n

The first DVD I reviewed was \u201cCool Combos \u2018A La Galit\u2013The Art Of Layering\u201d, a homemade labor of love brought to the public by a British Oriental dancer and instructor, Galit Mersand<\/span>. I would consider the material presented to be best suited for intermediate Cabaret or Egyptian style Belly dancers.<\/p>\n

There is a lot of instructional material covered throughout–over 15 combinations presented, as well as 4 drill segments and dance practice sessions. There is a lot of hip work, such as figure 8s in every direction, \u201cChonking\u201d (a cute name to describe hip-drops) and Belly rolls. The technique culminates into a full dance practice segment, –a loose choreography set to a song titled \u201cHassibak\u201d by Jad Nakhle<\/span>.<\/p>\n

Unfortunately, although there is plenty of useful material in this DVD, its production quality is sub-par. <\/p>\n

Although the main menu is well done and chapters are easy to navigate, the actual video is grainy and the sound fluctuates quite a bit. Galit, with the exception of the final dance session, only teaches from the front view, leaving the viewer to mirror her or figure out rights and lefts on her own. Galit also teaches the movements with no musical accompaniment, adding instead \u00a0live drumming in the drilling sections. Although live music is wonderful, the echo inside the studio as well as the lack of proper sound equipment made it a bit noisy, and I found myself turning my volume button up to hear her speak, and down when the music came on.<\/p>\n

The bonus features are very entertaining however and include two live performances as well as two live dance comedy performances! You just have to see them to see Galit\u2019s special spark.<\/p>\n

This DVD would be a great companion to any student of Galit\u2019s or a dancer who doesn\u2019t care for frills in video production but would like a fun, easy dance piece that looks presentable. Any dancer might benefit from drilling these important moves.<\/p>\n

Rating: 2 zills
\n\"Zil<\/span><\/p>\n

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\"Bahaia's<\/a>\u201cCombin-Ography With Bahaia!\u201d by Cheeky Girls Productions<\/p>\n

My second DVD to review was \u201cCombin-Ography With Bahaia!\u201d by Cheeky Girls Productions. It is an attractive DVD, in both cover and design, that promises to \u201cbridge the gap between improvisation and choreography\u201d. Upon viewing the DVD, I do believe it accomplishes that, though in a more informal, friendly way than I expected. \u00a0I found the title somewhat misleading because there are no technical combinations presented in this production. <\/p>\n

Instead, Bahaia challenges the viewer to see the dance from different angles, taking in concepts such as pacing yourself, knowing your power moves, thinking about body line, spacial awareness, and presentation. <\/p>\n

Bahaia herself is engaging, friendly, and concise in her wording and expression.<\/p>\n

I found this DVD to be a refreshing change of pace from most fitness or technique-inspired DVDs. So many dancers work hard to mimic technique, combinations, and choreography, while<\/a> Bahaia\u2019s approach is more spatial and personal.<\/p>\n

She challenges the viewer to make lists of all the moves in their repertoire and arrange them in ways that accentuate the music, flow easily, and highlight what each dancer does best. I found Bahaia\u2019s graceful style and cheerful smile encouraging.<\/p>\n

This is not a fitness video, but an exercise in becoming familiar with the creative process. The film is shot with the instructor facing the front throughout; however, I did not find this to be a problem. My favorite part of the instruction was when Bahaia said a dancer should not approach the stage \u201cLike a crazy excited Cocker-Spaniel!\u201d \u00a0Humorous visual images such as this make this a video to which I would return.<\/p>\n

Rating: 4 zils<\/strong>
\n\"Zil<\/p>\n

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Through the process of comparing and contrasting these two DVDs, I learned that in our technical age, although there are many people out there that have knowledge that can and should be shared, production value really does count for something. With a few technical additions, a DVD can be more attractive, accessible, and quite frankly, sell better, but here’s a tip of my hat to the both of these artists for taking on and completing such a big project!<\/p>\n

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Purchasing Information:<\/h5>\n