{"id":3551,"date":"2011-12-11T23:08:07","date_gmt":"2011-12-12T06:08:07","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=3551"},"modified":"2011-12-14T18:12:08","modified_gmt":"2011-12-15T01:12:08","slug":"sausan-egypts-golden-age","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/11\/sausan-egypts-golden-age\/","title":{"rendered":"Egypt\u2019s Golden Age"},"content":{"rendered":"<h2>a Timeline &amp; Synopsis<\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art55\/graphics55\/AsmahanbyCEBarros.jpg\" alt=\"Asmahan plays Nefertiti\" width=\"300\" height=\"394\" align=\"right\" \/><\/p>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/sausan.htm\">Sausan<\/a><br \/>\n<span class=\"footnotes\">posted December 9, 2011<\/span><\/h3>\n<p>We have always danced. \u00a0As a people, a nation, a country, a culture, we have assembled and we have danced, be it for weather, war, fertility, socializing, prosperity, or self. \u00a0We, in a word, dance. \u00a0Dance gives us a means of expression, a connection to our culture, and within the different countries of the world, dance has evolved within the structures of its culture and according to the culture from which it was born.<\/p>\n<p>Egypt\u2019s cultural expression through dance comes to us with many names. \u00a0Presently known in many parts of the world today as \u201cBelly dance\u201d, Egypt has given us one of the most dynamic, yet misunderstood, expressions in the world today&#8211;\u201cRaqs Sharqi\u201d.<\/p>\n<p class=\"sectiontitle\">The Pre-Classic Dance Era: \u00a0Before 1849 <\/p>\n<p>As far back as 1400 BCE, girls are depicted dancing on the walls of tombs. \u00a0One of the most popular illustrations of ancient Egyptian dance in any medium is a painted fresco from the tomb of Nebamun, an Egyptian &quot;scribe and counter of grain&quot; who lived during the New Kingdom and died sometime around 1400 BCE. \u00a0Then <span class=\"artist\">King Amenhotep<\/span>, who later renamed himself as <span class=\"artist\">King Akhenaten<\/span>, the Heretic King, ruled with wife and <span class=\"artist\">Queen Nefertiti<\/span> in the 1300s BCE. \u00a0This was a time of artistic change and contribution and of productive building. \u00a0It was also a time of religious change. \u00a0As the pharaoh who declared that there was to be only one god, it is speculated that his wife Queen Nefertiti brought together all temple dancers and an Egyptian universal dance was born. \u00a0These dances would continue to evolve throughout the ages passing down its core movements in a cultural expression to the native people of Egypt. \u00a0Today, the West knows this dance as \u201cBelly dance\u201d.<\/p>\n<p>From around 1850 to 2000, Egypt saw the birth, rise, and transformation of its cultural expression through dance. \u00a0With each period, a new energy in the dance was introduced and, with it, new dancers with new dance movements and new costumes. \u00a0Below listed are the three major periods of the Golden Age of Egypt\u2019s Dance Era with the three most famous dancers in each who reigned supreme. Of course, the dancers listed as the three most famous ones are only a few, but they comprise the total of nine of the most remembered and celebrated of all Egyptian dancers of their time known to the West.<\/p>\n<p class=\"sectiontitle\">The Pre-Classic Period: \u00a01850 &#8211; 1929 <\/p>\n<p>During this sixty-nine year period, artists, authors, and adventurers traveled to the Middle East and wrote about the exotic sights and sounds of the places to which they traveled. \u00a0As well, the occupation by the English in 1882 brought out British troops who would later spend their time in local nightclubs watching the exotic dancers of Egypt. \u00a0Out of this period came three celebrated dancers, <span class=\"artist\">Kuchuk Hanem, Shafika Al Cobtiya<\/span>, and <span class=\"artist\">Badia Al Masabni<\/span>. <\/p>\n<ul>\n<li><strong>Kuchuk Hanem<\/strong><br \/>(Famed beauty and Ghawazee dancer of Esna, \u00a0fl.1850-1870) is mentioned in two unrelated nineteenth-century accounts of travel to Egypt by the French novelist <span class=\"artist\">Gustave Flaubert <\/span>and the American adventurer <span class=\"artist\">George William Curtis<\/span>. \u00a0Flaubert reports that she was from Damascus. \u00a0She is remembered as a dancer with dance step known as \u201cThe Bee\u201d or \u201cThe Wasp\u201d where she is seen standing musing in a pensive posture until a buzzing insect flies into her clothing and she \u201cflees\u201d in terror, dancing rapidly, and removing articles of clothing in the manner of a provocative strip-tease. \u00a0Described within the literature of this period and the sensationalized, eroticism written about her, Kuchuk Hanem &#8212; or \u201cLittle Lady\u201d &#8212; underscores early misrepresentations of non-western women in the imagination of the West.<\/li>\n<li><strong>Shafika Al Cobtiya<\/strong>, <br \/>\n(Shafika the Copt, 1851-1926) is remembered as the icon of the Oriental dance who became the most famous dancer in Egypt, after her teacher, <span class=\"artist\">Shooq<\/span>, passed away during the turn of the century. \u00a0She danced in the famous <span class=\"company\">El Dorado Nightclub<\/span> in Cairo and later opened her own, <span class=\"company\">Alf Leyla Wa Leyla<\/span>. \u00a0She was the first to have danced with a candelabra on her head while playing finger cymbals (sagat). \u00a0Sadly, Shafika Al Cobtiya suffered personal tragedies and \u00a0eventually died of a drug overdose. \u00a0A film released in 1963 starring <span class=\"artist\">Hend Rostom<\/span> and <span class=\"artist\">Hussein Riad<\/span> was made in Egypt, depicting the rise and tragic fall of the life of Shafika Al Cobtiya.<\/li>\n<li><span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/art47\/jalilahbadia.html\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/aboutuspages\/aboutusgraphics\/golden-age-dancers\/badiam.jpg\" alt=\"Badia\" width=\"63\" height=\"100\" hspace=\"10\" align=\"right\" \/>Badia Al Masabni<\/a><\/span> <br \/>\n(Mother of Oriental Dance, 1878-1970) is remembered as the owner and operator of <span class=\"company\">Casino Badiya<\/span> located on Imad El Din Street in in Cairo in the early 1900s during the influx of military personnel who began to patronize her establishment, enjoying the exotic dancing and music of Egypt. \u00a0She was always a business-minded woman with an eye on the Hollywood movie magazines, often brought in to her by her Western and European clientele. Her keen sense and understanding of their Western Orientalist hunger, and an ear for her client\u2019s wishes to witness what they thought a dancer should look like according to these magazine pictures (out of Hollywood), Badia Al Masabni gave her clientele what they wanted and designed the costume herself; thus was born what we now see as the traditional two-piece \u201cbedlah\u201d or Belly dance costume. <\/li>\n<\/ul>\n<p> Dancers in this era were not documented but one named Shooq was recorded. \u00a0\u00a0<\/p>\n<p class=\"sectiontitle\">The Classic Period: \u00a01930 &#8211; 1959 <\/p>\n<p>During this period, Egypt was introduced to the film industry. Dance and music talent soon dominated the silver screen with many of the dancers we know of today. \u00a0The three most celebrated dancers of this period were <span class=\"artist\">Taheyia Karioka, Samia Gamal<\/span>, and <span class=\"artist\">Na\u2019eema Akef<\/span>.<\/p>\n<table width=\"290\" border=\"0\" align=\"right\" cellpadding=\"10\" cellspacing=\"0\">\n<tr>\n<td><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/aboutuspages\/aboutusgraphics\/golden-age-dancers\/TahiaC.jpg\" alt=\"Taheyia\" width=\"67\" height=\"100\" \/><span class=\"artist\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/aboutuspages\/aboutusgraphics\/golden-age-dancers\/Samia.jpg\" alt=\"Samia Gamal\" width=\"74\" height=\"100\" \/><\/span><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/aboutuspages\/aboutusgraphics\/golden-age-dancers\/Naema.jpg\" alt=\"Na'eema Akef\" width=\"69\" height=\"100\" \/><\/td>\n<\/tr>\n<\/table>\n<ul>\n<li><span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/art43\/sausanTK.htm\">Taheyia Karioka<\/a><\/span> (Queen of Oriental Dance, 1919-1999) is remembered for elevating the dance to the level we enjoy today and for being the first dancer to appear with significant story lines and dance performances in numerous Egyptian films. Thus, she opened the doors to other aspiring dancers and made it possible for them to enjoy the same success she attained as a movie actress and star, as well as a highly respected and sought-after dancer.<\/li>\n<li><span class=\"artist\">Samia Gamal<\/span><br \/> (National Dancer of Egypt, 1924-1994) is remembered for bringing flair and energy to the dance by establishing and setting a trend for fashion design in her dance. She performed in costumes unlike the ones that were traditionally worn at that time, and was the first to dance with high heels during her performances (setting yet another trend for footwear outside the traditional slippers or bare feet).<\/li>\n<li><span class=\"artist\">Na\u2019eema Akef <br \/><\/span>(Premiere Star of the Egyptian Musical Cinema, 1929-1966) is remembered for the grace and beauty she presented in her innovative performances, coupled with her angelic voice, (influenced by her circus upbringing) that provided a strong foundation for her unique, theatrical, and sometimes, balletic dance choreography. Thereby, she introduced yet other elements of performance to the dance arena including the elements of ballet and theatrical choreography&#8211;entirely new concepts for her time.<\/li>\n<\/ul>\n<p>Dancers included (but not limited to in this era) are: \u00a0<span class=\"artist\">Na\u2019amet Mokhtar, Samiha Tawfiq, Zinaat Aloui, Katie, Hoda Shams El Din,<\/span> and <span class=\"artist\">Nebawiya Moustafa<\/span>. <\/p>\n<p class=\"sectiontitle\">The Post-Classic Period: \u00a01960 &#8211; 1989 <\/p>\n<p>The Egyptian revolution of 1952 brought changes to Egypt, and thus, subtle changes to the dance. \u00a0In the 1960s, <span class=\"artist\">Nagwa Fouad, Suhair Zaki<\/span>, and <span class=\"artist\">Fifi Abdo<\/span> led the charts in the dancing entertainment world.<\/p>\n<table width=\"300\" border=\"0\" align=\"right\" cellpadding=\"10\" cellspacing=\"0\">\n<tr>\n<td><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/aboutuspages\/aboutusgraphics\/golden-age-dancers\/nagwa.jpg\" alt=\"Nagwa Fouad\" width=\"65\" height=\"100\" \/><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/aboutuspages\/aboutusgraphics\/golden-age-dancers\/suheirZaki.jpg\" alt=\"Suhair Zaki\" width=\"80\" height=\"100\" \/><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/aboutuspages\/aboutusgraphics\/golden-age-dancers\/fifi.jpg\" alt=\"Fifi Abdo\" width=\"72\" height=\"100\" \/><\/td>\n<\/tr>\n<\/table>\n<ul>\n<li><span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/01\/24\/najianagwa\/\">Nagwa Fouad<\/a><\/span><br \/>\n(Princess of Cairo, 1943-Present) is remembered for her graceful arms, flowing chiffon veils and outlandish performances. \u00a0Her biggest fan was <span class=\"artist\">Henry Kissinger<\/span> who visited Egypt 11 times and always requested Nagwa to perform for him during his visits as did America\u2019s <span class=\"artist\">President Carter<\/span> who visited Egypt with his wife.<\/li>\n<li><span class=\"artist\">Suhair Zaki<br \/>\n<\/span> (The <span class=\"artist\">Oum Koulthoum<\/span> of Dance, 1944-Present) is remembered for having become the first Oriental dance artist to do a performance to a song that had been made popular by the great singer Oum Koulthoum. Following her lead, every Oriental dance artist today is expected to have at least one Oum Koulthoum song in her repertoire, among others. \u00a0She is remembered also for her distinctive hip and hand movements.<\/li>\n<li><span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/07\/29\/yasminacfifi\/#axzz1g12sY8Ft\">Fifi Abdo<\/a><br \/>\n<\/span> (The Queen of Shimmy, 1952-Present) is remembered most for her strong shimmy, exciting cane technique, and her energetic performances for the famous actors and musicians award dinners in Egypt. \u00a0She is the first to have used a hooka (or shisha) in her performances.<\/li>\n<\/ul>\n<p>Dancers included (but not limited to) in this era are: \u00a0<span class=\"artist\">Nellie Fouad, Hanan<\/span>, and <span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/art29\/CEBMonaSaid.htm\">Mona El Said<\/a>, Hayatem, Hala El Safy, <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/01\/27\/yasminshooshooamin\/\">ShooShoo Amin<\/a>, <a href=\"http:\/\/www.gildedserpent.com\/art35\/AidaInterview.htm\">Aida Noor<\/a>, Azza Shireef, Lebleba, Zizi Moustafa<\/span>. <\/p>\n<p class=\"sectiontitle\">A Classic Golden Age of Egypt Raqs Sharqi Performance:<\/p>\n<p>Belly dance during the the three major periods of the Golden Age of Egypt was flamboyant, expressive, and lively. \u00a0In fact, the dancers who danced in the chorus lines behind a solo dancer danced with individuality, unlike what we are used to seeing in the West. \u00a0Egyptian group performances did not resemble the chorus line of \u00a0a Las Vegas show or of the Ziegfeld Follies, but rather, a vivacious group of women dancing with energy in a like manner (but with evident individuality and gusto) employing a general choreographed dance. \u00a0<\/p>\n<p class=\"sectiontitle\">Pre-Modern Era: \u00a01990 &#8211; 1999 <\/p>\n<p><span class=\"sectiontitle\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/aboutuspages\/aboutusgraphics\/golden-age-dancers\/lucywhiteoval.jpg\" alt=\"Lucy\" width=\"79\" height=\"100\" align=\"right\" \/><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/aboutuspages\/aboutusgraphics\/dinaport.jpg\" alt=\"Dina\" width=\"75\" height=\"100\" hspace=\"10\" vspace=\"10\" align=\"right\" \/><\/span>Around 1990, with the onset of technology (and the ability to access it easily and readily) the energy began to shift again, and new dancers emerged, vying for the limelight. \u00a0In 1992, <span class=\"company\">National Geographic<\/span> set out to produce a program called \u201cCairo Unveiled\u201d on a day in the life of one of Egypt\u2019s Belly dancers and the world was introduced to <span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/art36\/YoIluvLucy.htm\">Lucy<\/a><\/span>. \u00a0It is said that Fifi Abdo\u2019s publicist was asleep at his post and was soon fired after this interview was released. \u00a0Although Lucy attained notoriety almost overnight, Fifi Abdo continued to light up the marquee up until the end of the Twentieth Century along with a new young dancer named <span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/art34\/graphics34\/slideshow\/CEBDina05f.htm\">Dina<\/a><\/span>. \u00a0The three dancers became known as the \u201cThe Big Three\u201d with Fifi Abdo leading the team as \u201cThe Best of the Big Three\u201d.<\/p>\n<p class=\"sectiontitle\">Modern Era: \u00a02000 &#8211; Present <\/p>\n<p>At the turn of the century, the dance began to evolve, incorporating a more Western look and feel, but still maintaining the cultural Egyptian feeling. \u00a0Dina\u2019s reign on the dance floor began in earnest during the 2000s. \u00a0She is still a major dancer in Egypt today, with new celebrated dancers including <span class=\"artist\">Asmahan, Saroya, Randa Kamal<\/span>, and <span class=\"artist\">Dandesh<\/span> and others who enjoy the limelight and perform for tourists and travelers alike.\n<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/div>\n<p><!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">11-1-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/11\/01\/sausan-ballet-ification-belly-dance\/\"><span class=\"articlelink\">Ballet-ification of Belly Dance<\/span><\/a> <span class=\"articleauthor\">by Sausan<\/span><br \/>\nWhen did Ballet become a requisite for Belly dance, and why is it stated that it should be an essential part of a Belly dancer\u2019s daily regimen? <\/li>\n<li><span class=\"articledate\">6-3-08 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/art44\/sausanedc.htm\">The Egyptian Dance Code: Technique to the Perfect Dance <\/a><span class=\"articleauthor\"> by Sausan<\/span><br \/>\nTwenty-eight years after my first class in Belly dance, I looked at all the dancers once again and realized what they were doing to look Egyptian. I had discovered the Egyptian Dance Code. That was back in 2000. <\/li>\n<li><span class=\"articledate\"> 4-14-08 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/art43\/sausanTK.htm\">Taheyia Karioka, Queen of Oriental Cabaret Dance<\/a><span class=\"articleauthor\"> by Sausan<\/span><br \/>\nIn the 1980&#8217;s, the spread of Islam and its fundamental militancy proved to be a big blow for Egypt&#8217;s belly dance industry. As a result, several dancers publicly renounced their pasts and donned the Islamic veil.<\/li>\n<li><span class=\"articledate\">1-18-07 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/art39\/SausanEgyptgavedance.htm\">Who Really Gave Us This Dance?<\/a> <span class=\"articleauthor\"> by Sausan<\/span><br \/>\nAnd, in their quest for self-expression, they, too, would fall prey to the sweet expressive motions of a timeless dance\tonly to find a cure for their soul in the performance of this expression in front of an appreciative audience. <\/li>\n<li><span class=\"articledate\"> 10-19-09 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/10\/19\/deagonnakedbdpart1\/\">Naked Belly Dance in Ancient Egypt, Part 1: Are They Really Belly Dancing?<\/a><span class=\"articleauthor\">by Andrea Deagon PhD<\/span><br \/>\nThe real first question is, &quot;What is belly dance?&quot; Many elements of the modern practice of belly dance emerged in the 20th century. Our emphasis on the female soloist, the structure of the typical show in both the East and the West, the style of music we dance to, our costuming, our specific styles of relationship with the audience, and so on, are modern developments.<\/li>\n<li><span class=\"articledate\"> 11-16-09 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/11\/16\/deagonnakedbdpart2\/\">Naked Belly Dance in Ancient Egypt, Part 2: Are They Really Naked?<\/a><span class=\"articleauthor\">by Andrea Deagon PhD<\/span><br \/>\nWhat does nudity mean in a dance scene like this? And does this nudity reflect an actual practice of naked dancing as banquet entertainment?<\/li>\n<li><span class=\"articledate\">12-8-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/08\/terry-undercutting\/\" class=\"articlelink\">Undercutting the Competition, A Problem of Ethics or Practicality?<\/a> <span class=\"articleauthor\">by Terry Del Giorno<\/span><br \/>\nThe Internet presence has created a whole new style of \u201celitism\u201d in the dance world.<\/li>\n<li><span class=\"articledate\">12-6-11<\/span><a href=\"newsgraphics\/ComKaleidoscope.htm\" class=\"articlelink\"> Interview with Nawarra of the UK and Morocco<\/a> <span class=\"articleauthor\">Video on the Community Kaleidoscope.<\/span><br \/>\nWe met Nawarra in Marrakech, at Simona&#8217;s Mediterranean Delight Festival held there in June 2011. Nawarra grew up  in Casablanca graduating from the university there. She now lives in Leed, near Manchester in Northern England. She has a troupe there, teaches and also takes several tour groups per year back to Morocco. She explains to us the term &quot;sha&#8217;abi&quot; and how it is used in the Moroccan dialect of the Arabic language.<\/li>\n<li><span class=\"articledate\">12-1-11 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/01\/leyla-lanty-month-cairo-report-4\/\" class=\"articlelink\">A Month in Cairo, Egypt, Classes, Performing with Safaa Farid Band, Closing Gala, Classes at AWS <\/a> <span class=\"articleauthor\">by Leyla Lanty<\/span><br \/>\nShe finished off the teaching part of the class with a cane dance filled with a variety of cane movements that were playful and fun.  At the end, she had a real treat for us: She performed a short Oriental number in her unique style for us to watch and enjoy. <\/li>\n<li><span class=\"articledate\">11-30-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/newsgraphics\/ComKaleidoscope.htm\" class=\"articlelink\">Gigbag Check #32 &#8211; Tito Seif<\/a> <span class=\"articleauthor\">on the Community Kaleidoscope<\/span><br \/>\nIn October, 2011, we found Tito Seif backstage at Hala&#8217;s Show in Redwood City, California. Tito is currently the most famous male dancer in the world. He shows us several of his costumes all of which he designed. Also included is a clip of one of his dances at Hala&#8217;s wonderful show. Thank you to Hala and Tito for your time and sharing.<\/li>\n<li><span class=\"articledate\">11-28-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/11\/28\/rebaba-queen-denial-ch6-syria\/\" class=\"articlelink\">From Syria with Love! Queen of Denial, Chapter 6: My Arrival<\/a> <span class=\"articleauthor\">by Rebaba<\/span><br \/>\nYou may think that the life of a traveling Belly dancer is filled with intrigue and love affairs, but this couldn\u2019t be further from the truth! <\/li>\n<li><span class=\"articledate\">11-23-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/11\/23\/shushanna-know-your-bellydance-audience\/\" target=\"_blank\" class=\"articlelink\">Know Your Bellydance Audience<\/a> <span class=\"articleauthor\">by Shushanna<\/span><br \/>\nA part of us may feel like we\u2019ve earned an audience because we\u2019ve worked so hard and perform a quality show. But the truth is that you have to win an audience every single time.<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>a Timeline &amp; Synopsis by Sausan posted December 9, 2011 We have always danced. \u00a0As a people, a nation, a country, a culture, we have assembled and we have danced, be it for weather, war, fertility, socializing, prosperity, or self. \u00a0We, in a word, dance. \u00a0Dance gives us a means of expression, a connection to [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/3551"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=3551"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/3551\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=3551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=3551"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=3551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}