{"id":3564,"date":"2011-12-13T16:19:51","date_gmt":"2011-12-13T23:19:51","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=3564"},"modified":"2011-12-13T16:19:51","modified_gmt":"2011-12-13T23:19:51","slug":"najia-saudis-in-america","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/13\/najia-saudis-in-america\/","title":{"rendered":"Saudis in America"},"content":{"rendered":"<h2>Encounters of a  Dancing Kind<\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art55\/graphics55\/beermoneycleavage.jpg\" alt=\"Beer-money-cleavage\" width=\"297\" height=\"447\" align=\"right\" \/><\/p>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/najia\/index.htm\">Najia Marlyz<\/a><br \/>\n<span class=\"footnotes\">posted December, 13, 2011<br \/>\nPreviously published November 24 1987 in <a href=\"http:\/\/www.gildedserpent.com\/archives\/printmags\/index.html#hab\">Habibi<\/a>, Vol. 10, no. 4.\u00a0<br \/>\nRevised and expanded for Gilded Serpent December 12, 2011<\/span><\/h3>\n<p>Where have all the Saudi princes gone? As an observer  looking back in time, it seems to me that once we dancers in San Francisco  began to see less of the fabulously wealthy Saudi youths who were studying in  the United States during the late \u201870s and early \u201880s. We also began seeing  many of our common music and dance watering-holes here in the United States dry up  because of the loss of their generous support.\u00a0  I had heard also, via the grapevine, that because of the Saudis,  significantly more songs and dances were played upon the heartstrings of our  dancers, happening behind the scenes (back in the day) than happening onstage  or in public.\u00a0 I was privy to some of  those minor stories and incidents; perhaps you would like to share the  wealth&#8230;<\/p>\n<p>My first encounter with a Saudi prince happened back  in the mid \u201870s when I went to <a href=\"http:\/\/www.gildedserpent.com\/articles5\/northbeach\/newnbhallway.htm\">Broadway<\/a>, San Francisco, to enjoy a cabaret  evening, watching professional Belly dancers dance to live Arabic music.\u00a0 That particular evening, the nightclub\u2019s  waitress approached me and said in serious tones, &quot;The Prince wants you to  go sit with him.&quot; \u00a0I looked at my  students, rolled my eyes and snickered, disbelieving what I had just heard,  thinking that it was some kind of standard cabaret joke.\u00a0 I answered, &quot;Oh, certainly!\u00a0 Well, tell Mr. Prince, if he wants to speak  with me, he&#8217;ll just have to come here and ask me in person!&quot;\u00a0 I fully expected her to laugh and that would  be the end of the story.\u00a0 <\/p>\n<p class=\"highlight\">However, no.  Instead, Prince X sent a drink to everyone at my table, except me, just to  underscore his apparent disapproval of my offensive behavior\u2026 <\/p>\n<p>Many months later, I had occasion to encounter the  same person and he engaged me in polite small-talk while I waited for my  dancer-friend to return from the club\u2019s dressing room.\u00a0 I was hard-pressed for anything relevant to  say to him and did not remember him from our former encounter. Not knowing that  he was a member of the Saudi royal family, but appreciating that he was a  foreign visitor to the USA, I asked, &quot;Are you enjoying your stay in the  United States?&quot;\u00a0 and for lack of  inspiration, I followed up with, &quot;Do you have any brothers and sisters  back home?&quot;\u00a0 (Yes, it would have  been a stupid question, if I had known that I was speaking with one of the many  Saudi princes that existed at that time.)\u00a0  He answered, &quot;Yes. I have 17 brothers and 13 sisters.&quot;\u00a0<\/p>\n<p class=\"highlight\"> I am embarrassed to admit that I giggled, and  commented in my California carefree style, &quot;No.\u00a0 I mean,<strong> <em>really<\/em><\/strong>!&quot;\u00a0 He patiently explained that his father had  had several wives and that this was quite common in his situation.\u00a0 Oh&#8230;<\/p>\n<p>As time went by, I was able to recognize him and I  kept my distance, but it was my habit to accompany a group of my students to  the San Francisco nightclubs for an evening of live Arabic music once a month  in a place that he frequented when he was in town.\u00a0 On one of those evenings, one of my students  who was particularly attractive (and quite buxom), passed by the prince on her  way to say good-bye to me.\u00a0 As she passed  him, he quickly wadded-up a $100 bill and stuffed it into her ample cleavage.\u00a0 I think that one of the funniest silent  communications I have ever witnessed in a nightclub was her seamless  reaction:\u00a0 She stopped walking and an  annoyed expression crossed her face.\u00a0 She  looked down into her cleavage, retrieved the hundred dollar bill, opened it,  and holding it as if it were a dead mouse tail held between her index finger  and her thumb, she swung around, dropping it directly into his mug of beer  without any comment, and continued on her way. (Yes, the prince had been  drinking alcohol\u2026)<\/p>\n<p>My next encounter with anything related to the Saudi  Arabian culture was in 1977, when my first husband was preparing to go there on  business.\u00a0 I became quite miffed because  he said I could not go along on the trip with him. He explained that he  couldn&#8217;t take me with him, because the Saudis did not, at that time, give out  any tourists visas, and he showed me the handbook of comportment that was  required reading for his three-week stay.\u00a0  I quickly read it and decided that he was correct.\u00a0 It seemed to me that an American woman like  me would have a difficult time adapting properly to the requirements of the  Saudi society, and the result would certainly be no delightful movie-like  fantasy of Oriental culture.\u00a0 <\/p>\n<p class=\"highlight\">When I  viewed the slides he brought back, showing the huts provided for foreign  workers and the huge block-compounds of the Saudis, I felt satisfied that I had  not pressed him any further to go with him.<\/p>\n<p>However, approximately two years later, I met through  a musician friend of mine, a young Saudi family that was visiting the United  States for the first of what became their annual, and sometimes, semi-annual  visits to San Francisco.\u00a0 My first  husband had become part of my history by that time, but my second husband and I  hosted the little family frequently, and we were invited many times in return. <\/p>\n<p>It was interesting to see their family as it changed  over the years.\u00a0 The children grew and  matured, and I shared continuing love of music and dance with them.\u00a0 They brought me videotapes of Saudi dance,  and their teenaged daughter exchanged dance lessons with me at my home: I  taught her to dance the Egyptian style, and she taught me the Saudi dance done  at women\u2019s parties. One year, the girl gifted me with a fabulous black, sheer <em>thobe <\/em>(dance gown) heavily embroidered with gold thread that I still treasure. I  have been pleased to dance in it many times, especially for teaching the  Khaleedge dance in workshops.\u00a0 <\/p>\n<table width=\"140\" border=\"0\" align=\"left\" cellpadding=\"10\" cellspacing=\"0\">\n<tr>\n<td><iframe src=\"http:\/\/rcm.amazon.com\/e\/cm?t=thegildedserpent&#038;o=1&#038;p=8&#038;l=as1&#038;asins=0393324176&#038;ref=tf_til&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=0000FF&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe><\/td>\n<\/tr>\n<\/table>\n<p>Several times, they brought us dates from their own  date-palms that grew around their home, which I was surprised to learn grow in  as many varieties as peaches or plums.\u00a0  One year, the Saudi mother exclaimed that I must be the dancer to  dance at her daughter&#8217;s wedding. (They had not, at that point, even designated  a groom for that event.)\u00a0 Perhaps I will,  I thought to myself, if it happens in Egypt or America, but I seriously doubted  that Saudi Arabia had changed enough for me to want to go there for any  reason&#8211;including what was sure to be an unforgettable event. However, the  issue became a moot point because, by the time their daughter had her wedding,  I had retired from public performances of my dancing.<\/p>\n<p>Here is another irony from my stories of my dance  life mixing with my personal life:\u00a0 A few  years later, my first husband, (wily character that he was) decided to combine  business with pleasure.\u00a0 When he was  marrying for the third time and thought he could \u201ckill two birds  with one stone\u201d, he secured visas for himself and his new bride (No. 3), for  their honeymoon and business trip to Saudi Arabia! (Apparently, he had forgotten  that once he had refused to take me there&#8211;or perhaps, Saudi rules for visa  granting had changed.) The newly weds\u2019 visas were written in Arabic and were  each valid for a two month stay. He took his bride to Damam and left her there  (with my family of Saudi friends to whom I had introduced him in San Francisco)  while he went overnight to Kuwait to complete his business transaction.\u00a0 However, upon his return to bride number  three in Saudi Arabia, he was not allowed entrance for a second time, because  his visa, although allowing a two month stay, was valid for one entry only.\u00a0 It said so, right there on the visa, in clear  Arabic writing&#8211;that my ex-husband could not read. So, that is the delightful  explanation of why my first husband, spent his third honeymoon&#8211;alone&#8211;in  Greece, while his third bride spent a solo week as a guest of my friends, the  Saudi family, at their home in Damam!<\/p>\n<p>If you are interested in learning more about one of  the exotic Arabian countries, I would recommend a book written by <strong>Sandra  Mackey<\/strong>, titled &quot;The Saudis, Inside the Desert Kingdom&quot;.\u00a0 In it, you will discover where all the Saudi  princes have gone and why. You will learn, (probably more than you ever needed  to know) about the royal family of Saudi Arabia.\u00a0 The book was published by the Houghton Mifflin  Company, Boston, 1987.\u00a0 It was written  secretly by the wife of a foreign worker inside Saudi Arabia and smuggled out  piece by piece.\u00a0 It discusses what it  means to be a foreigner and a woman inside a society that, to this day,  strictly controls both.\u00a0 It has chapters  on the Bedouin people, Islam, sex, the Royals, and the press.\u00a0 You may want to skim over much of the dated  explanations of Saudi politics, unless you are a true history and political bluff.\u00a0 At any rate, it is a fascinating read and  will enhance your understanding of part of the Middle East just a little more  than you might expect.<\/p>\n<p align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/articles5\/northbeach\/nbgraphics\/azizayoursef.jpg\" alt=\"Aziza! performs with Yousef on violin and Manny Petros on guitar- ~late 60s?\" width=\"500\" height=\"386\" \/><br \/>\n<img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\"> 3-3-09<\/span><a href=\"http:\/\/www.gildedserpent.com\/art47\/najiafilthylucre.htm\"> Recieving Filthy Lucre: Justifying Payment for Your Art<\/a> <span class=\"articleauthor\">by Najia Marlyz<\/span><br \/>\nBelly dance can be a respectable art and teaching it should be a respected employment. Often it isn\u2019t, and that is why you have to set your career goals\u2014and don\u2019t forget to consider the money!<\/li>\n<li><span class=\"articledate\">1-16-09 <\/span><a href=\"http:\/\/www.gildedserpent.com\/art46\/cssnajiathorn.html\">Thorn of the Rose: Making Friends with Criticism<\/a> <span class=\"articleauthor\">by Najia Marlyz <\/span><br \/>\nThorns make the rose ever more precious; though one\u2019s ego rarely treasures moments of having felt the sharp thorn of stinging criticism. If the dancer is open to criticism\u2014valid or invalid\u2014it can open the door to the process of re-evaluation that otherwise might never happen<\/li>\n<li><span class=\"articleauthor\"> 6-11-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/06\/11\/najia-teacher-or-coach\/\">Teacher or Coach: What\u2019s the Difference? Why All Performing Dancers Need a Dance Coach<\/a> <span class=\"articleauthor\">by Najia Marlyz<\/span><br \/>\nMost performers have a great deal of untapped potential; additionally, many consider it cheating to engage a professional coach and yet, that is exactly what they would look for if this were the Olympics and they were competing for the gold!<\/li>\n<li><span class=\"articleauthor\">8-23-09<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/08\/23\/najiaimprov\/\"> Improvisation: Method Behind the Madness<\/a> <span class=\"articleauthor\">by Najia Marlyz<\/span><br \/>\nOne of the biggest mistakes we western Bellydancers have made is presuming that the dancing to which Arabs refer as the \u201cEastern Dance\u201d is a theatrical dance that ought to be choreographed as if it were a ballet, or that its steps and movements are traditional like those of the Greek Hasapiko, an Arabic Depke, or a Hawaiian Hula.<\/li>\n<li><span class=\"articledate\">6-19-09<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/06\/19\/najiateacher\/\">The Dance Teacher: By Divine Design or Default?<\/a> <span class=\"articleauthor\">by Najia Marlyz<\/span><br \/>\n&#8230;nearly everywhere, dancers in this particular form seem to have found it necessary to \u201cdo it all\u201d in order to earn a living by dance career alone<\/li>\n<li><span class=\"articledate\">12-12-11 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/12\/edwina-nearing-ghawazi-research-part11\/\" class=\"articleauthor\">Sirat Al-Ghawazi, Part 11- 1977, Research Strengthens the Impression that Until Recently, the Majority of Professional Dancers in Mid East Were Gypsies<\/a><span class=\"articleauthor\"> by Edwina Nearing<\/span><br \/>\n&quot;She is a professional singer and dancer, being taught by her mother from her earliest youth, and with the menfolk beating the taboor (drum) and twanging the kamanga (zither) she gives turns at the Beduin encampments for which the &quot;hat&quot; is passed round afterwards. <\/li>\n<li><span class=\"articledate\">12-11-11 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/11\/sausan-egypts-golden-age\/\" class=\"articlelink\">Egypt&#8217;s Golden Age, Timeline and Synopsis<\/a><span class=\"articleauthor\"> by Sausan<\/span><br \/>\nFrom around 1850 to 2000, Egypt saw the birth, rise, and transformation of its cultural expression through dance.  With each period, a new energy in the dance was introduced and, with it, new dancers with new dance movements and new costumes. <\/li>\n<li><span class=\"articledate\">12-9-11<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/09\/renee-rothman-fcbd-tribal-home\/\" class=\"articlelink\"> An ATS Family Reunion, FCBD\u2019s Annual Production of Devotion<\/a><span class=\"articleauthor\"> by Renee Rothman, Photos by Raymond Van Tassel<\/span><br \/>\nFatChanceBellyDance\u2019s 2011 production of its Devotion was presented on Friday, June 17 at the Julia Morgan Theater in Berkeley, California. This year\u2019s theme, \u201cThe Home\u201d, was explored by six troupes and soloists and accompanied by FCBD\u2019s home musicians, Helm.<\/li>\n<li><span class=\"articledate\">12-8-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/08\/terry-undercutting\/\" class=\"articlelink\">Undercutting the Competition, A Problem of Ethics or Practicality?<\/a> <span class=\"articleauthor\">by Terry Del Giorno<\/span><br \/>\nThe Internet presence has created a whole new style of \u201celitism\u201d in the dance world.<\/li>\n<li><span class=\"articledate\">12-6-11<\/span><a href=\"newsgraphics\/ComKaleidoscope.htm\" class=\"articlelink\"> Interview with Nawarra of the UK and Morocco<\/a> <span class=\"articleauthor\">Video on the Community Kaleidoscope.<\/span><br \/>\nWe met Nawarra in Marrakech, at Simona&#8217;s Mediterranean Delight Festival held there in June 2011. Nawarra grew up  in Casablanca graduating from the university there. She now lives in Leed, near Manchester in Northern England. She has a troupe there, teaches and also takes several tour groups per year back to Morocco. She explains to us the term &quot;sha&#8217;abi&quot; and how it is used in the Moroccan dialect of the Arabic language.<\/li>\n<li><span class=\"articledate\">12-1-11 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/01\/leyla-lanty-month-cairo-report-4\/\" class=\"articlelink\">A Month in Cairo, Egypt, Classes, Performing with Safaa Farid Band, Closing Gala, Classes at AWS <\/a> <span class=\"articleauthor\">by Leyla Lanty<\/span><br \/>\nShe finished off the teaching part of the class with a cane dance filled with a variety of cane movements that were playful and fun.  At the end, she had a real treat for us: She performed a short Oriental number in her unique style for us to watch and enjoy. <\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Encounters of a Dancing Kind by Najia Marlyz posted December, 13, 2011 Previously published November 24 1987 in Habibi, Vol. 10, no. 4.\u00a0 Revised and expanded for Gilded Serpent December 12, 2011 Where have all the Saudi princes gone? As an observer looking back in time, it seems to me that once we dancers in [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/3564"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=3564"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/3564\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=3564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=3564"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=3564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}