{"id":3624,"date":"2011-12-19T18:16:06","date_gmt":"2011-12-20T01:16:06","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=3624"},"modified":"2011-12-19T18:16:06","modified_gmt":"2011-12-20T01:16:06","slug":"alima-ramzy-egyptian-classics","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/19\/alima-ramzy-egyptian-classics\/","title":{"rendered":"Ramzy\u2019s Take on Egyptian Classics for Dancers"},"content":{"rendered":"<h2>\u201cBest of Om Kolthoum and Mohammed Abdul Wahab\u201d<br \/>\n\u201cBest of Abdul Halim Hafiz, Hossam Ramzy and his Egyptian Ensemble\u201d <\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/ramzy\/collageBestofClassics.jpg\" alt=\"Best of Classics\" width=\"300\" height=\"408\" align=\"right\" \/><\/p>\n<h3>CD Reviews by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/Alima.html\">Alima<\/a><br \/>\n<span class=\"footnotes\">posted December 19, 2011<\/span><\/h3>\n<p>If you are adding to your music library or one of your New Years Resolution is to learn more about Egyptian Dance, either or both of these music selections are an excellent place to start.  Our zills are ringing out for Hossam Ramzy once again  as he exhibits his versatile knowledge of Classical Egyptian Music.  Lets Dance!<\/p>\n<p class=\"sectiontitle\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/ramzy\/bestOmKMAWtn.jpg\" alt=\"Cd cover\" width=\"113\" height=\"112\" align=\"left\" \/>\u201cBest of Om Kolthoum and Mohammed Abdul Wahab\u201d<\/p>\n<p>The two-CD set, EUCD 2259 produced by ARC Music, and arranged by <span class=\"artist\">Hossam Ramzy<\/span> is a splendid offering of two of Egypt\u2019s great singers. The compositions were arranged by Hossam and performed by his Egyptian Ensemble. The music is beautiful and lyrical, suitable for the dancer and the lover of classical Arab music. \u00a0<\/p>\n<p class=\"highlight\">A small booklet written in English, Dutch, French, and Spanish is an added bonus. It contains historical information and lyrics of each song. <\/p>\n<p><span class=\"artist\">Om Kolthoum<\/span>, from the village of Tammay Al-Zahayra, rose to stardom in the 1930s and died in 1975. Over four million mourners filled the streets in Cairo to honor her passing. Her greatest rival was <span class=\"artist\">Mohammad Adul Wahab<\/span>, born in 1897 and died in 1990. His long career was not only as a singer, actor, and composer; he wrote music for other artists, such as Om Kolthoum and <span class=\"artist\">Abdul Halim Hafiz<\/span>. In 1967 Om Kolthoum and Mohammed Abdul Wahab received an honor from Egypt\u2019s <span class=\"artist\">President Nasser<\/span>; so, it is fitting that the two of them share this melodic and vivid CD set.<\/p>\n<p>Each CD is comprised of seven esteemed selections and range from shortest, \u201cGhannili Sheway Sheway\u201d, (4:13) to \u201dYamsahharny\u201d, (13:05). <\/p>\n<p class=\"highlight\">I find this to be the best of all possible worlds, if you have a short workshop performance or an Arab event there is a selection suitable for you. <\/p>\n<p>\u201cEnta Omri\u201d (You are My Life), originally sung by Kolthoum, with music written by Wahab, generally was performed for 40 min. We often find this difficult to cut to shorter, more appropriate performance times. Hossam has solved our dilemma; on CD 1, \u201cEnta Omri\u201d has been masterfully divided into three strong sections! Each track can be performed as one selection or used together for a masterful comment on the true expression of the piece. \u00a0<\/p>\n<p>On CD 2, the familiar \u201cZeina\u201d (Delightfully Pleasant Lady), brings back melancholy memories of <span class=\"artist\">Samia Gamal<\/span>. An excellent baladi, with a zaar selection (featuring the ayyoub rhythm) is still buzzing in my head. Track 2, \u201cSet Elhabayib Ya Habiba\u201d ( Lady of all the Beloved) is a tribute to mothers, for Mothers Day. It very touching that Hossam dedicates it to his mother.<\/p>\n<p>One of my personal favorites is Track 6 \u201cAziza\u201d, composed by Wahab for <span class=\"artist\">Naaima Aakif<\/span>, from the film of the same name. \u00a0This selection is an upbeat, good paced dance with an accordion solo at the end. <\/p>\n<p>I heartily recommend this CD to the seasoned performer and the new student of Egyptian dance. \u00a0<\/p>\n<p class=\"highlight\">I am hopeful that more historical pieces will be presented in the future; it is important for us to learn and experience the classical format of our dance form. <\/p>\n<h4 align=\"center\"><strong>Rating: 4 zils<\/strong> <br \/>\n<img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/4zils.gif\" alt=\"Zil Rating- 4\" width=\"150\" height=\"36\" \/><\/h4>\n<p align=\"center\">&nbsp;<\/p>\n<p class=\"sectiontitle\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/ramzy\/BestAHHtn.jpg\" alt=\"CD cover\" width=\"113\" height=\"111\" align=\"left\" \/>\u201cBest of Abdul Halim Hafiz, Hossam Ramzy and his Egyptian Ensemble\u201d <\/p>\n<p><span class=\"artist\">Abdul Halim Hafiz<\/span>, one of the four most famous Egyptian Singers in the 20th century, was born in 1929 El-Halawat in Ash Sharqiyah, north of Cairo, Egypt. \u00a0He died at age 48, due to parasitic liver failure on March 30, 1977. \u00a0He was the fourth child of <span class=\"artist\">Sheikh Ali Ismail Shagan<\/span> and was orphaned as a young boy and sent to a poor orphanage for a short time. \u00a0Later he was raised by his aunt and uncle in Cairo.<\/p>\n<p><span class=\"highlight\">Often in life, due to hardship, many of us seek an avenue in art or music to escape or express our innermost feelings. <\/span>\u00a0 <\/p>\n<p>Hafiz\u2019 musical abilites were the vehicle that allowed him to abandon his life of sadness and poverty. His brother, <span class=\"artist\">Ismail Shaban<\/span>, first assisted him in music during primary school, and at age 11, he joined the Arabic Music Institute in Cairo, becoming known for singing the songs of Mohammed Abdel Wahab. \u00a0He graduated from the Higher Theatrical Music Institute as an oboe player. He worked as a singer in Cairo nightclubs and sang on the radio. At that time, Mohammed Abdel Wahab was the supervisor of musical programming for <span class=\"company\">Egyptian National Radio<\/span>. \u00a0Trivia buffs will be delighted to learn that in recognition of Wahab, Abdul \u00a0Halim changed his name to add the first name of \u201cWahab\u201d to his name (Hafiz). \u00a0\u00a0\u00a0<\/p>\n<p>During his career, he played many different instruments and was known as the \u201cKing of Arabic Music\u201d, \u201cThe Voice Of The People\u201d, \u201cThe Son Of The Revolution\u201d, and \u201cKing of Emotions\u201d. \u00a0In viewing his pictures, it is apparent that he was a pale, handsome man and was noted for his good looks. \u00a0He was never married, even though rumor was he was secretly married to actress <span class=\"artist\">Soad Hosny<\/span>. \u00a0<\/p>\n<p class=\"highlight\">Due to the death of the woman he wished to wed in his youth, he was left with great sadness, and it is reported she was his only love. \u00a0Many of his songs are dedicated to her memory. <\/p>\n<p>This CD has 6 tracks, all over 6.50 minutes in length. \u00a0If your time is limited in a workshop performance, you will have to edit a track to use it for your performance.<\/p>\n<p>I have a few criticisms about this CD: \u00a0One involves Track 2, \u201cOqbalal Yom Miladak\u201d (May You Attain the Same Happiness) (13.08). Overall, it is energetic dance music, with a jazzy opening and full percussion of drums and zills. \u00a0I find the taxim section a little long for my taste. \u00a0Track 3, \u201cOlulu\u201d (Please Tell Her the Truth), (7:53) is from the film, \u201cSharre El Hob\u201d (The Street of Love\u201d). This film holds a special footnote&#8211;<span class=\"artist\">Nagwa Fouad<\/span> made her debut in the film. This track opens with hand clapping which is lagging and awkward, but otherwise, it is stable rhythmically and danceable&#8211;with beautiful phrasing. <\/p>\n<p>On the favorable side, I particularly enjoyed these two tracks: Track 5 and 6. \u00a0Track 5, \u201cKhusara Khusara\u201d (What a Loss) (6:47) has good clarity of changes of tempo and opportunities for dripping undulations and flowing movements. \u00a0It is my favorite track of this album. \u00a0Track 6, \u201cAsmar Yasmarani\u201d (My Beloved Dark One.) (11:12) has a dramatic opening and outstanding use of the Quanoon. <\/p>\n<p>In conclusion, Hossam Ramzy truly understands the voice of the violin. It is the closest to the human voice, and even though no human sings, I hear the joyous and soulful voice of the heart on this CD. I do regret that the memorable song \u201cAhwak\u201d (I love you) is not on this CD! Perhaps, we can look forward to this and other songs of Hafiz in the future from Hossam Ramzy. <\/p>\n<table width=\"250\" border=\"0\" align=\"right\" cellpadding=\"0\" cellspacing=\"0\">\n<tr>\n<td><iframe src=\"http:\/\/rcm.amazon.com\/e\/cm?t=thegildedserpent&#038;o=1&#038;p=8&#038;l=as1&#038;asins=B002Y0XCAO&#038;ref=tf_til&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=0000FF&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe>\n<\/td>\n<td><iframe src=\"http:\/\/rcm.amazon.com\/e\/cm?t=thegildedserpent&#038;o=1&#038;p=8&#038;l=as1&#038;asins=B000001IFA&#038;ref=tf_til&#038;fc1=000000&#038;IS2=1&#038;lt1=_blank&#038;m=amazon&#038;lc1=0000FF&#038;bc1=000000&#038;bg1=FFFFFF&#038;f=ifr\" style=\"width:120px;height:240px;\" scrolling=\"no\" marginwidth=\"0\" marginheight=\"0\" frameborder=\"0\"><\/iframe>\n<\/td>\n<\/tr>\n<\/table>\n<h4 align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/productreviewgraphics\/3zils.gif\" width=\"110\" height=\"36\" alt=\"3 zil rating\" \/><br \/>\nRating:&nbsp;  3 zils<\/h4>\n<p>Over the years Hossam Ramzy&#8217;s talents and passion for music have presented mufti-faceted offerings for the novice and professional dancer. It is exhilarating to experience the heartfelt and inspiring evolution of Bedouin, Baladi, Classical and Contemporary music carpet ride. As we proceed to the future, let us also pay homage to our past shining stars of Classical Egyptian Music. Thank you, Hossam for bringing our history to us in music and translations of the love songs of Egyptian and Arabic music.<\/p>\n<p>&nbsp;<\/p>\n<h4>Product Purchase Information<\/h4>\n<p>Artist site<\/p>\n<ul>\n<li><a href=\"http:\/\/www.hossamramzy.com\/store\/home.php?cat=249\" target=\"_blank\">Hossam Ramzy&#8217;s site<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">5-11-05<\/span> <a class=\"articlelink\" href=\"http:\/\/gildedserpent.com\/art30\/debbieramzydvd.htm\">Visual Melodies produced by Serena and Hossam Ramzy<\/a> <span class=\"articleauthor\">DVD Review by Debbie Lammam<\/span><br \/>\nThe essence of Oriental dance is in a dancer&#8217;s ability to interpret Arabic music.<\/li>\n<li><span class=\"articledate\">7-12-09<\/span> <a class=\"articlelink\" href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/07\/12\/aminaintro4cdrevie\/\">Heartbeat of the Dance: Review of 4+ Drum Solo CDs Reviewed<\/a> <span class=\"articleauthor\">by Amina Goodyear<\/span><br \/>\nSabla Tolo 1 &amp; 2 by Hossam Ramzy, Drum Attack by Tony Chamoun, Pulse of the Sphinx by Henkesh Brothers<\/li>\n<li><span class=\"articledate\">3-15-02<\/span> <a class=\"articlelink\" href=\"http:\/\/gildedserpent.com\/articles16\/QanunTarabReview.htm\">Review of &#147;Qanun El Tarab&#148; By H. Ramsy and M. Serour<\/a> <span class=\"articleauthor\">Reviewed by Najia El Mouzayen<\/span><br \/>\nRamzy has fired yet another musical salvo across the bow of your tall ship&#8230;<\/li>\n<li><span class=\"articledate\">10-28-01<\/span> <a class=\"articlelink\" href=\"http:\/\/gildedserpent.com\/articles14\/Faddahsilverreview.htm\">&quot;Faddah&quot; (Silver) by Hossam Ramzy<\/a>, <span class=\"articleauthor\">A Review and Commentary by Najia El-Mouzayen<\/span><br \/>\nDancers who have enjoyed many of Hossam Ramzy&#8217;s 16 other CDs will doubtlessly be thrilled by this<br \/>\nbeautifully produced collection of new music.<\/li>\n<li><span class=\"articledate\">12-17-11<\/span><span class=\"articlelink\"> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/17\/catherine-barros-ramzy-sax-cd-reivews\/\">A Whole Lot of Sax Going On!  A Review of 2 CDs from Hossam Ramzy Featuring Saxophone Music, Afrah Baladi with Mostafa Sax<\/a>,<\/span> <span class=\"articleauthor\">by Cathrine Barros<\/span><br \/>\nThe saxophone was popularized in beledi music starting in the 1970s. Although I wasn\u2019t introduced to Middle Eastern music until the \u201880s, I believe the first recordings I happened upon featured Samir Sourour.<\/li>\n<li><span class=\"articledate\">12-19-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/19\/sarah-droid-bellydance-dvd-review\/\" class=\"articlelink\">Are These the Droids You&#8217;ve Been Looking For? Two Pop &amp; Lock Fusion DVDs Reviewed<\/a> <span class=\"articleauthor\">by Sarah Schneider Koning<\/span><br \/>\nI\u2019ve seen some very groundbreaking, mindblowing blends of belly dance with modern, hip hop and world dances. But more often than not, I see dancers in an easily definable costume, dancing to easily definable music, without stylized movement. I believe it takes a balance of all three elements to achieve good fusion, with stylized movement being the strongest ingredient in any form of dance.<\/li>\n<li><span class=\"articledate\">12-19-11<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/19\/learning-to-belly-dance-the-u-k-way\/\" class=\"articlelink\"> Learning to Dance the U.K. Way, Hilary\u2019s &quot;Beginners\u2019 Egyptian Dance&quot; and Charlotte\u2019s &quot;Learn to Bellydance&quot;<\/a> <span class=\"articleauthor\">DVD Reviews by Sadira\/Sierra<\/span><br \/>\nStrange names for movements used in the U.K. such as \u201csnaky arms\u201d, and the most repeated \u201cwobbly walk\u201d and \u201cwobbly movement\u201d in describing shimmies, as well as \u201cquiver in your bellybutton\u201d are off-putting. <\/li>\n<li><span class=\"articledate\">11-16-11<\/span> <span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/11\/16\/elianae-dvd-bahaia-galit-combos\/\">Dance Combinations \u2013 Uneven, Misnamed Productions Still Worthwhile, \u201cCool Combos \u2018a La Galit\u201d and \u201cCombin-Ography by Bahaia<\/a><\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/11\/16\/elianae-dvd-bahaia-galit-combos\/\">&quot;<\/a> <span class=\"articleauthor\">DVD reviews by Elianae<\/span><br \/>\nThrough the process of comparing and contrasting these two DVDs, I learned that in our technical age, although there are many people out there that have knowledge that can and should be shared, production value really does count for something.<\/li>\n<li><span class=\"articledate\">10-17-11<\/span> <span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/10\/17\/martha-duran-reviews-bozenka-dvd\/\">Metamorphosis of a Latin Belly Dancer, DVD review of Bozenka\u2019s \u00a8Journey of a Dancer<\/a>\u00a8<\/span> <span class=\"articleauthor\">by Martha Duran<\/span><br \/>\nThis caused me wonder: she states she improvises 99.9% of the time she performs, but how does she improvise her work while she performs on stage (if she likes it, she memorizes it?) and teaches it later in her workshops?<\/li>\n<li><span class=\"articledate\">10-11-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/10\/11\/tracey-farmer-reviews-jenna-dvd\/\" class=\"articlelink\">And Here\u2019s a Work from\u2026the Lovely Jenna DVD: &quot;Bellydance, The Next Level&quot;<\/a> <span class=\"articleauthor\">DVD Review by Tracey Farmer<\/span><br \/>\nWhen I\u2019ve gone to Jenna\u2019s classes, I noticed she had a knack for making the students comfortable with themselves while learning new steps. This persona still comes across on DVD. <\/li>\n<li><span class=\"articledate\">9-18-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/09\/18\/amina-reviews-3-cds-movie-music\/\" class=\"articlelink\">Three CDs: Movie Music! &quot;Domtekastan&quot; The Darbuki Kings, &quot;Cairo Blue&quot; Sands of Time, &quot;Cinematic&quot; Zikrayat<\/a><span class=\"articleauthor\">, Reviews by Amina Goodyear<\/span><br \/>\nIn the case of their inserts, however, all three leave a little something to be desired. It often occurs to me that I\u2019d like to know more about the artists and also would like more information about the music and songs they are playing. <\/li>\n<li><span class=\"articledate\">9-5-11<\/span> <span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/09\/05\/zumarrad-review-cory-said-dvds\/\">Bottoms up! Two Belly Dance Starters, Bottoms Up! Two Belly Dance Starters<\/a> Cory\u2019s &quot;Learn Belly Dancing&quot; &amp; Said\u2019s &quot;Get Ready to Dance&quot;<\/span> <span class=\"articleauthor\">DVD Reviews by Zumarrad<\/span><br \/>\nReviewers of Cory\u2019s other DVDs have often complained that the quality of filming and lighting were not good. I didn\u2019t find this to be a problem with Learn Belly Dancing. Although it\u2019s not a slick production, you can see and hear everything you need to perfectly well. Cory has a clear, pleasant manner of speaking that is easy on the ear. <\/li>\n<li><span class=\"articledate\">5-27-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/05\/27\/lovina-aswat-concert-arabs\/\" class=\"articlelink\">Listening with the Arabs, ASWAT&#8217;s February 2011 Concert<\/a> <span class=\"articleauthor\">Reviewed by Lovina<\/span><br \/>\nThe concert consolidated a much needed expression of hope, excitement, and pride. I felt lucky to be in the audience, to share solidarity, and to be exposed to songs novel to me. <\/li>\n<li><span class=\"articledate\">4-29-11 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/04\/29\/aubre-karim-workshop-review\" class=\"articlelink\">A True Arabic Experience, November 2010 Arab Dance Seminar in New York City<\/a> <span class=\"articleauthor\">Workshop Review by Aubre<\/span><br \/>\nHis seminar emphasizes the cultural roots and context of this dance form; it is a form that is experiencing a disconnect as more dancers are entering the community through fusion and often not developing an understanding of its historical origins. Each seminar is themed to focus on a variety of elements within the culture, dance, and music of the Arab world.<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201cBest of Om Kolthoum and Mohammed Abdul Wahab\u201d \u201cBest of Abdul Halim Hafiz, Hossam Ramzy and his Egyptian Ensemble\u201d CD Reviews by Alima posted December 19, 2011 If you are adding to your music library or one of your New Years Resolution is to learn more about Egyptian Dance, either or both of these music [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/3624"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=3624"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/3624\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=3624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=3624"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=3624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}