{"id":3768,"date":"2012-02-05T16:49:57","date_gmt":"2012-02-05T23:49:57","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=3768"},"modified":"2012-02-20T21:04:50","modified_gmt":"2012-02-21T04:04:50","slug":"caroline-interview-nelly-fouad","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2012\/02\/05\/caroline-interview-nelly-fouad\/","title":{"rendered":"Nelly, Beloved Star of Egypt"},"content":{"rendered":"<h2>An Interview with Nelly Fouad<\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art56\/graphics56\/NellyFouadport.jpg\" alt=\"Nelly Fouad\" width=\"300\" height=\"382\" align=\"right\" \/><\/p>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/CarolineEvanoff.html\">Caroline Evanoff<\/a><br \/>\n<span class=\"footnotes\">posted February 4, 2012<\/span><\/h3>\n<p><em>As   a dancer who loves Egyptian style Raqs Sharqi \u00a0you probably have come across   many famous &quot;Schwaya Baladi&quot; clips, including the adorable dancer <span class=\"artist\">Nelly Fouad<\/span>   with the megawatt smile: \u00a0her skill, her creativity, her sheer joy of   performing, and not to forget those cute \u00a0little caps! \u00a0When I first met Nelly   13 years ago it was as if those clips had come to life! She hadn&#8217;t changed a   bit. \u00a0\u00a0And even now when I see dancers meet her for the first time I know they   are thinking the same thing and can&#8217;t help being starstruck.<\/em><\/p>\n<p> Nelly   Fouad, born in Alexandria (under another name), joined an &quot;Awalim&quot; troupe whilst   still in high school at the tender age of 13. The group, led by &quot;Alma&quot; <span class=\"artist\">Sinaya<\/span>,   taught the young Nelly all the basics of how to dance. Nelly was a quick learner   and was soon sent off to perform in weddings at night. In order to keep her two   lives separate, schoolgirl by day, performer at night, she \u00a0took on her famous   name of &quot;Nelly&quot; after her Armenian grandmother.<\/p>\n<p class=\"highlight\"> I asked Nelly if there was any   comparison to the Awalim of Mohamed Ali street and she said no, they were   different; the Alexandrian Awalim had a real school for teaching the arts &#8212;   they were strict and corrected your mistakes.<\/p>\n<p> The   pivotal point in her career came as she filled in for <span class=\"artist\">Souheir Zaki <\/span>one night in   a musical stage production. Nelly caught the eye of director <span class=\"artist\">Mohamed Selim<\/span> who   had promotional photos taken of the young Nelly. This led her to Cairo,where she   had once dreamed of studying \u00a0design and decor at college. <\/p>\n<p class=\"highlight\">Incredibly, it was   Nelly&#8217;s mother, in fact, who had encouraged Nelly to follow a dance career   instead! <\/p>\n<p>This is highly unusual in the Middle East, but it turned out that   Nelly&#8217;s mother was a neighbour of Souheir Zaki and admired her greatly. (Souheir   Zaki is one of the few Egyptian dancers in history who is referred to as a lady   or \u00a0&quot;mokhtarrama,&quot; meaning \u00a0respectable .) &quot;What about your father?&quot; I asked Nelly as   she smirked and said &quot;My mother was very strong.&quot; \u00a0End of   argument.<\/p>\n<p> Whilst   in Cairo, Nelly met the famous singer, composer, oud player and actor, <span class=\"artist\">Farid   al-Atrash<\/span>. One of the most influential artists of 20th century Arab culture he   was a valuable contact to have. Farid owned a nightclub in Beirut (his mother   was Lebanese) and invited Nelly to perform there which she did everyday for a   year. He also helped put Nelly in the spotlight through promotional articles in   Lebanon. She returned to Cairo on the wings of success and quickly started her   career becoming one of the famous dancers in Egypt. Her career on stage and film   spanned from the late 1970s, reaching her peak in the 1980s. She worked in all   the top nightclubs: <span class=\"company\"><a href=\"http:\/\/www.gildedserpent.com\/calendarpages\/cairoClubs.htm#ser\">Semiramis<\/a>, Cairo Hilton, Concorde el Salam, <a href=\"http:\/\/www.gildedserpent.com\/calendarpages\/cairoClubs.htm#zam\">Marriott<\/a><\/span>, etc.   She also worked in <span class=\"company\"><a href=\"http:\/\/www.gildedserpent.com\/calendarpages\/cairoClubs.htm#harem\">Haram Street nightclubs<\/a><\/span> such as <span class=\"company\">Andalous<\/span> and <span class=\"company\">Arizona<\/span>, which   <span class=\"artist\">Nani Sabry <\/span>(also present at this interview) was quick to point out that &quot;Haram   street was not like now, the nightclubs were all five-star back   then.&quot;<\/p>\n<p> During   this time, Nelly continued to improve her skills, studying with teachers and   choreographers \u00a0such as <span class=\"artist\">Salwa Thaleb, Hassan Affifi, Dowlet<\/span> and her husband,   <span class=\"artist\">Mohamed Khalil<\/span>. However, it was with <span class=\"artist\">Mme Raqia Hassan<\/span> that she studied the   longest and they remain best of friends to this day. \u00a0\u00a0(During the interview   they &quot;argue&quot; over the best way to make &quot;maracona bil forn&quot;and other Egyptian   \u00a0recipes with the ease and fun that only comes from a long term friendship.)   Such friendship also led Nelly to finally teach. \u00a0Raqia had been pushing Nelly   for years to teach but Nelly held back (as her fans waited patiently as well) .   Nelly was a little shy at first but now is proud to be a teacher at <span class=\"company\">Ahlan wa   Sahlan festival<\/span> for the last two years, in addition to teaching privately. She   also appears in <em>Raqia Hassan&#8217;s DVDs Volumnes 10 and 11<\/em>, \u00a0\u00a0showing that she hasn&#8217;t lost a   thing in her &quot;time out.&quot; \u00a0I had been waiting \u00a0for years to find out how she   executed some of her signature moves, and when I remind her she immediately   jumps \u00a0up to demonstrate with all the vigour and ease of someone who just loves   the dance! <\/p>\n<p class=\"highlight\">Her signature stomach move &#8212; which she describes as a &quot;stomach   shimmy&quot; as she breaks it down again for me: subtle use of the pelvis pulling in   &#8211;and her famous &quot;shuffle&quot; (choo choo) shimmy on demi pointe.<\/p>\n<p> Nelly&#8217;s   impromptu performance reminds Raqia of when she first met Nelly and says that   &quot;all the dancers from Alexandria have good hips and movements, they dance well.   \u00a0Nelly just\u00a0\u00a0needed some guidance and refining of the moves&quot;. \u00a0Raqia also   exclaims that it was the first time she had seen the movement which she calls   &quot;maya&quot; and Nelly jumps up again to demonstrate her version of the outward figure   8 move. \u00a0<\/p>\n<p class=\"highlight\">Raqia says\u00a0that that move must have come from Alexandria as dancers in   Cairo were not doing that move at that time.<\/p>\n<p> I  asked Nelly what she thought about dancers today to which she replied &quot;I love   <span class=\"artist\">Dina<\/span>,&quot; and regards to foreign dancers, &quot;Beautiful and technically   fantastic&#8230;..but they lack the feeling of Egyptian dancers.&quot; <\/p>\n<p class=\"highlight\">So I ask if she   has any advice for the foreign dancer and both Raqia and Nelly concede &quot;Yes,   they have to come here, to Egypt, to live and learn Arabic; that is the only way   to capture the feeling.\u201d<\/p>\n<p> Nelly   is one of the most down to earth, generous, \u00a0beautiful-spirited dancers and   \u00a0teachers out there. Over the course of her career she also travelled to perform   in London, Tokyo, Iraq, Dubai, Syria and the USA. Surprisingly, she has only   taught workshops once abroad in Paris with Mme Raqia. <\/p>\n<p> Personal   facts about Nelly: <\/p>\n<ul>\n<li>Her   favourite dancers are Souheir Zaki and <span class=\"artist\">Naima Akef<\/span><\/li>\n<li>Her   costumes were designed by <span class=\"artist\">Mme Abla<\/span> and <span class=\"artist\">Mme Rowya <\/span><\/li>\n<li>She   loves dogs and currently \u00a0has 3 <\/li>\n<li>She   has one daughter who studied in the U.S.<\/li>\n<li>Nelly   danced in three Egyptian films: <em>Aghala min Hayeti, AlBaad Yezaheb ela el Mazzoon   Marrateen<\/em> and <em>Akhuwait al Banat<\/em>.<\/li>\n<\/ul>\n<p> Resources:<br \/>\nNelly&nbsp;is&nbsp;one of the star teachers at  Ahlan Wa Sahlan Festival as well as the Winter Intensive Course for Teacher  Training both in Cairo. <br \/>\nSee  <a href=\"http:\/\/www.raqiahassan.net\/\" target=\"_blank\">www.raqiahassan.net<\/a> for details.<\/p>\n<p>&nbsp;<\/p>\n<table width=\"420\" border=\"5\" align=\"center\" cellpadding=\"10\" cellspacing=\"0\" bgcolor=\"#000000\">\n<tr>\n<td>\n<iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/KZEBh-fKyJI\" frameborder=\"0\" allowfullscreen><\/iframe>\n<\/td>\n<\/tr>\n<\/table>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">7-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/07\/07\/caroline-cairo-dance-permits\/\" class=\"articlelink\">Permits, IDs, Licensing, Foreign Dancers in Cairo<\/a>, <span class=\"articleauthor\">by Caroline Evanoff<\/span><br \/>\nIt dawned on me that some dodgy nightclub manager, whom I didn\u2019t know personally, had complete control over my passport and my freedom to leave!  So, I had no alternative other than to end my contract in order to get my passport back which also meant halting the lengthy paper process. <\/li>\n<li><span class=\"articledate\">2-2-12 <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/02\/02\/leyla-lanty-report6-cairo\/\">Last Round of Visits, Family Dinner Party and Wrap Up, A Month In Cairo, Report #6<\/a> by Leyla Lanty<\/span><br \/>\nI\u2019ve seen this often here, that men and boys will readily play with the little ones in an involved and endearing way.<\/li>\n<li><span class=\"articledate\">1-30-12<\/span> <span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/01\/30\/najia-bully-for-you\/\">Bully for You! The Science of Dance<\/a><\/span><span class=\"articleauthor\"> by Najia Marlyz<\/span><br \/>\nI have observed a cycle in which, periodically, emerging dancers who have obtained slightly more prominence in the craft begin to make recycled attempts to regulate it through instructional devices in order to control it to their own personal ends.<\/li>\n<li><span class=\"articledate\">1-27-12 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/01\/27\/stasha-interview-anne-lippe\/\"><span class=\"articleauthor\">\u201cNo Path is Straight!\u201d says Anne Lippe, One of the First Westerners to Dance in Egypt<\/span><\/a> <span class=\"articleauthor\">by Stasha<\/span><br \/>\n\u201cSabri worked everywhere, especially the Nile Hilton. He did a lot of weddings, so we worked at all the hotels. We subbed for Nagwa Fouad at the Meridien hotel on her night off. We went all over Cairo and Alex too, so it was a good way to get around and know the area. <\/li>\n<li><span class=\"articledate\">1-23-12 <\/span><a href=\"http:\/\/www.gildedserpent.com\/archives\/gigbagvideos.htm#33\" class=\"articlelink\">Gigbag Check #33 with Sa&#8217;diyya of Texas!<\/a> <span class=\"articleauthor\">Video on the Gigbag Check Page<\/span><br \/>\nGilded Serpent catches Sa&#8217;diyya backstage at the Belly Dancer of the Universe Competition in February 2011. She shows us her tools of the trade, including:safety pins (of course), mirror, curling iron, carpet tape, and all of her jewelry organized in a binder full of zip lock bags. She also tell us about using a fedora in a modern folk dance from Iran or Persia. Her mother helps her with her costumes. <\/li>\n<li><span class=\"articledate\">1-20-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/newsgraphics\/ComKaleidoscope.htm\" class=\"articlelink\">Sahra&#8217;s Drum Solo Class with Amir Sofi at the Bellydancer of the Universe Competition in 2011<\/a>,<span class=\"articleauthor\"> video on the CK<\/span><br \/>\nSahra is also given the lifetime achievement award. Lovina gives testimonial to how much she enjoyed the class<\/li>\n<li><span class=\"articledate\">1-19-12<\/span> <span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/01\/19\/leila-farid-facing-truth-working-dancer-egypt\/\">Facing the Truth, Working as a Dancer in Egypt<\/a><\/span> <span class=\"articleauthor\">by Leila Farid<\/span><br \/>\nSometimes the dirty facts of dancing in Cairo can be more interesting than the pristine Oriental fantasy\u2026 at least, it is when you tell the story later! PHOTOS!<\/li>\n<li><span class=\"articledate\">1-17-12<\/span> <span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/01\/17\/antoinette-awayshak-part-2\/\">A Dancer&#8217;s Destiny, Part 2: A New Dancer Emerges<\/a><\/span> <span class=\"articleauthor\">by Antoinette Awayshak\/Khoury<\/span><br \/>\nLou Shelby had told me to begin that Friday night. (The Fez only had entertainment on the weekends at that time.)   An Egyptian dancer, Maya, and a Las Vegas dancer, Cozette, were working there; so I was the third dancer on the program.  I came in early for a rehearsal; Lou\u2019s idea was to have a real Hollywood-like production: I was to emerge in a flood of colored lights amidst smoke from a smoke machine and open his show.<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>An Interview with Nelly Fouad by Caroline Evanoff posted February 4, 2012 As a dancer who loves Egyptian style Raqs Sharqi \u00a0you probably have come across many famous &quot;Schwaya Baladi&quot; clips, including the adorable dancer Nelly Fouad with the megawatt smile: \u00a0her skill, her creativity, her sheer joy of performing, and not to forget those [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[27,46,45,1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/3768"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=3768"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/3768\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=3768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=3768"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=3768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}