{"id":4056,"date":"2012-04-30T11:00:26","date_gmt":"2012-04-30T18:00:26","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=4056"},"modified":"2012-04-30T11:00:26","modified_gmt":"2012-04-30T18:00:26","slug":"najia-bert-teach-australia-1988","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2012\/04\/30\/najia-bert-teach-australia-1988\/","title":{"rendered":"Teaching Down Under in 1988"},"content":{"rendered":"<h2>A Bert Balladine Reminiscence: Australia<\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art56\/graphics56\/bertcovermiragegoat.jpg\" alt=\"Bert and baby goat\" width=\"300\" height=\"431\" align=\"right\" \/><\/p>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/najia\/index.htm\">Najia Marlyz<\/a><br \/>\n<span class=\"footnotes\">posted April 28, 2012<br \/>\nOriginally published in <a href=\"http:\/\/www.gildedserpent.com\/archives\/printmags\/index.html#hab\">Habibi Magazine<\/a>, volume 10, number 8,  August 20, 1988.\u00a0 <br \/>\nRewritten for GS April  1012.<\/span><\/h3>\n<p><a href=\"http:\/\/www.gildedserpent.com\/archives\/printmags\/index.html#hab\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art56\/graphics56\/habibiCov10-8.jpg\" alt=\"Habibi columne 10-8\" width=\"225\" height=\"153\" align=\"left\" \/><\/a><em>A  drive out to <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/bert.htm\" class=\"artist\">Bert Balladine<\/a>&#8216;s home on the farm in Petaluma (across the road  from a commercial California vineyard) was always beautiful and relaxing. Bert  had a generous heart in exchanging his ideas and experience with me concerning  suitable teaching music and sharing his views on dance every time I went to  visit.\u00a0 He invited me to bring a student  or dance friend along with me on each trip, making the long drive less  daunting. He was always full of ideas and poured them out for me to get me  started along a new path to renew and expand my teaching repertoire.<\/em><\/p>\n<p><em>On  this particular trip to the \u201cBS Ranch\u201d, my eyes fell upon a greeting card  displayed on his coffee table.\u00a0 It had  dancing koala bears on the front.\u00a0 He  said, &quot;Look inside; you&#8217;ll see why I love to travel so far just to teach  Bellydance in Australia!&quot;\u00a0 I saw  that his card was full of individual thank-you comments written by members of  his last seminar there.\u00a0 &quot;We haven\u2019t  heard much about the state of Bellydance in Australia these days.&quot;\u00a0 I mused.\u00a0  &quot;Why don&#8217;t you tell me something about it, and I will take a few  notes so I can write a new article or interview about your experience; that  way, people will know that there is more to Australia than dancing koala  bears.&quot;\u00a0 Between cups of strongly  brewed Peet\u2019s coffee I had brought to him from Berkeley and the continuous and  insistent nuzzling from the soggy nose of Bert\u2019s old dog, <span class=\"artist\">Wolfgang<\/span>, we  discussed both his trip to Australia, and his teaching experiences in New  Zealand.<\/em><\/p>\n<p><em>Bert&#8217;s  memories almost always rolled out in a torrent&#8211;one idea, slipping quickly into  another.\u00a0 Each time I left his house, my  mind whirled with stories of funny incidences, new concepts, and a variety of  dance and teaching tips.\u00a0 Sometimes, the  trip home seemed shorter than the trip out to Petaluma (the \u201cchicken capital\u201d  of the world) because my student and I would be lost in conversation,  processing the new things we had seen and heard on the farm.\u00a0 (Several times we were so deep into our  conversations that I missed my turnoff for the East Bay and ended up being  forced to cross the Golden Gate Bridge into San Francisco before I could get  back on the right path toward home.) Since Bert was already on a roll,  reminiscing about his most recent trip, I decided not to interrupt his stream  of thought&#8211;except to clarify points.\u00a0  What follows is Bert&#8217;s account of dance and teaching in Australia in  1988&#8211;the land often referred to as &quot;down under.&quot;\u00a0<\/em><\/p>\n<p>&quot;In the first  place, you can only arrange international seminars with people you&#8217;ve already  met.\u00a0 The risk is great; there is no way  back after the investment.\u00a0 Nobody wants  disappointment.\u00a0 No, nothing bad ever  happened to me, but it is common sense.\u00a0  I am not so conceited that I think I am everybody&#8217;s cup of tea, and I  feel you have to know the person with whom you&#8217;re working.<\/p>\n<p> I&#8217;ve met <strong>Diane James<\/strong> of New Zealand in 1982 here, when I taught a smaller workshop.\u00a0 We have corresponded ever since&#8230;. Until the  right opportunity came along, with a trip to Australia, I had had Australia on  the back burner for a long time.\u00a0 It was  the only continent I had not visited or worked (which is synonymous for  me).\u00a0 I always have numerous commitments  here and abroad.\u00a0 Meanwhile, <strong><a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/amaya.htm\">Amaya<\/a><\/strong> went twice to both places.\u00a0 Finally, I  could not procrastinate any longer.\u00a0 Even  so, I have myself in a bit of a bind, because I have to leave for Germany soon.\u00a0 \u2026I\u2019ll be off to Germany, a place near  Heidelberg, where I teach for a week each year.<\/p>\n<p>Really, I had not met  the Australians before, even though one of their top teachers and dancers, <strong>Marjolin,<\/strong> came here for the <span class=\"company\">Rakkasah Festival <\/span>a few months ago.\u00a0 She wanted to check me out and see if I was  really qualified, because they have had unfortunate experiences in which people  write puffed-up reviews of themselves in all the dance magazines, and then they  don\u2019t deliver.<\/p>\n<p> If I had had any  reservations about going, it was then. Australia seemed so far away, and for me  it represented the &quot;final frontier&quot;.\u00a0  It turned out to be the most enjoyable experience I&#8217;ve had so far!\u00a0 People there were eager and motivated.\u00a0 They showed a loving attitude towards me too,  so I can hardly wait to go back.\u00a0 Their  dance level is equal to ours here in the US&#8211; some good and some not.\u00a0 People there have the same music and  information we have, but it is more difficult for them to obtain.\u00a0 Australian people seem more enthusiastic;  they haven&#8217;t been so overly-saturated with master classes, seminars and  festivals, either.\u00a0 What is different is  that they are people who started later than our 1960s fad, and so they missed  that strange pseudo-ethnic style that we saw born here in America.\u00a0 There are almost no musicians there, but they  have a few nightclubs.\u00a0 They have fewer  role models than we do.\u00a0 Nevertheless,  through travel and video, dancers are pretty well \u2018up on things\u2019.\u00a0 I met a beautiful dancer from Perth, <strong>Lindy<\/strong>,  who spent two days on a bus to come to my seminar.\u00a0 She was an excellent dancer, had traveled  extensively in the Middle East and was very knowledgeable.\u00a0 I found that the area of Adelaide really  looks much like California, and when you are surrounded by dancers, you feel  like you&#8217;re at home anyway.\u00a0<\/p>\n<p class=\"highlight\">The  real difference was that it was big.\u00a0 \u2026Impressive\u2026  Multi-colored parrots were flying around freely!\u00a0 <\/p>\n<p> Another difference, at  first quite unnerving to me, was driving on the left-hand side of the road &#8212;  especially when chauffeured by a dancer who was using a lot of body language as  she drove!&quot;<br \/>\nI asked him about  communications and that fascinating Australian accent.\u00a0 He answered, &quot;Well, I didn&#8217;t notice it  because I have an accent too.\u00a0 As long as  I can communicate, I&#8217;m really unaware of it at all.\u00a0 Now, look at next week!\u00a0 I will have all different varieties of the  German dialect, along with Turkish and Slavic accents thrown in to boot!&quot;<\/p>\n<p> <img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art56\/graphics56\/B&amp;NVallejoMood_sm.jpg\" alt=\"Bert &amp; Najia\" width=\"300\" height=\"236\" align=\"left\" \/>\u201cHow long is the trip  from Australia to New Zealand?&quot;\u00a0 I  asked him.\u00a0 &quot;It\u2019s too long!\u00a0 I had to sit in Sydney for 6 hours and fly  another 4 hours to New Zealand, and also there is the time change!\u00a0 I left at the crack of dawn and arrived at  midnight.\u00a0 It is difficult to arrive at  that time of night.&quot;\u00a0 &quot;What did  you do about your arrival at that hour?&quot;\u00a0  I asked.\u00a0 &quot;Well, I was met by  my sponsor, Diane James, and was billeted in her home.\u00a0 Her husband had built a studio downstairs for  her, and I spent many hours there teaching private and semi-group classes.\u00a0 The emphasis there is on quality rather than  quantity.\u00a0 Another pleasant surprise: it  turned out that Diana&#8217;s mother was a former classical ballerina, and I greatly  enjoyed reminiscing on the dance scene as it once was when I was in ballet too.<\/p>\n<p class=\"highlight\">At  one point, she was demonstrating a particular hand position and ballet movement  while cooking our breakfast.\u00a0 What fun!<\/p>\n<p> There were a number of  Australian dancers, who had studied off-and-on in America.\u00a0 One lady even participated in one of those  mega-seminars we used to produce in America in the late seventies.\u00a0 We didn&#8217;t have a large turnout in New  Zealand, so it seemed like half the population was there.&quot;<\/p>\n<p> &quot;Talk more about  the seminar,&quot; I requested.\u00a0 &quot;I  don&#8217;t like to, because too many people have indulged in  self-glorification,&quot; he answered.\u00a0  &quot;One thing I can tell you though:<\/p>\n<p class=\"highlight\">International  seminars make you do more than you think you can when you see the dedication  and sacrifices people make just to attend.\u00a0 <\/p>\n<p> Both of my sponsors,  Lassa and Diane, took great risks financially, and put their reputations on the  line&#8211; especially <strong>Lassa<\/strong>, because she had not even met me before.\u00a0 They opened their homes to me and treated me  like a member of their families, making me feel comfortably welcome.\u00a0 The stay itself was three weeks long, but it  seemed longer, because I saw so much in such a short time.\u00a0 At the moment, I feel like going right back,  but it is not possible.<\/p>\n<p><span class=\"highlight\">Also,  I think people need to have ample recovery time to digest the new information  they have received.<\/span><strong>\u00a0 <\/strong><\/p>\n<p> I know when I leave here  to go to Australia and New Zealand again, I&#8217;ll have something new, and I&#8217;ll  feel anxious to see all those lovely, dedicated dancers again.&quot;<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">9-9-08<\/span> <a href=\"http:\/\/www.gildedserpent.com\/art44\/najiabertnme.htm\">Bert &amp; Me: Vignettes From Our Partnership<\/a> <span class=\"articleauthor\">by Najia Marlyz<\/span><br \/>\nThough Bert might like to think of himself as a simple man, in fact, he is a very complex and private person whose lifetime is filled with famous and colorful characters and experiences.<\/span><\/li>\n<li><span class=\"articledate\">1-12-07<\/span> <a href=\"http:\/\/www.gildedserpent.com\/art37\/Graphics37\/NajMag4\/slideshowmag4.html\"><u>The Magnificent Fundraiser Part IV: The Berkeley Fire Department and Act 3, Bert and Najia&#8217;s Duet<\/u>, Slideshow coding by Tammy Yee<\/a> <span class=\"articleauthor\">by Najia Marlyz<\/span><br \/>\nNear the end of our Second Act, the curtain began to smolder badly filling the air with an acrid stench and blue smoke&#8230;<\/li>\n<li><span class=\"articledate\">2-17-01<\/span> <a href=\"http:\/\/www.gildedserpent.com\/articles11\/najia2ndptoviewfels.htm\">Zil Thrills in the &#8217;70s, Memories from another Viewpoint<\/a> <span class=\"articleauthor\">by Najia Marlyz<\/span><br \/>My experience with Bert was the opposite, however; the cymbals were hardly a secret.<\/li>\n<li><span class=\"articledate\">3-15-09<\/span> <a class=\"articlelink\" href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/03\/15\/memorial-to-bert-balladine\/\">Tribute to Bert: Photos from the GS files<\/a><br \/>Bert&#8217;s memorial page, please add your comments, thank you.<\/li>\n<li><span class=\"articledate\">5-18-10<\/span> <a class=\"articlelink\" href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/05\/17\/monica-sula\/\">Sula, An Artisic Life<\/a> <span class=\"articleauthor\">by Monica<\/span><br \/>Sula continued to study with Bert through the early 1970s, though by 1972 she called him &quot;my ex-teacher and now equal partner&quot;.  Bert was extremely proud of Sula, as she was among the first students he trained who began teaching seriously.<\/li>\n<li> <span class=\"articledate\"> 8-15-07 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/art40\/Aminachapter6.htm\">Amina&#8217;s North Beach Memories Chapter 6: Bert<\/a> <span class=\"articleauthor\">by Amina Goodyear<\/span><br \/>On my first Monday at the Casa Madrid, Bert came to support the place and me. Well, what he saw was equivalent to a San Francisco earthquake. <\/li>\n<li> <span class=\"articledate\"> 2-28-05 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/art30\/BertStyle.htm\"> A Question of Style<\/a> <span class=\"articleauthor\">by Bert Balladine<\/span><br \/>\nSince most of us have chosen Oriental Dance for the pleasure of doing it, being a zealot about purity and ethnicity will just hamper getting the fullest enjoyment out of the dance. <\/li>\n<li> <span class=\"articledate\"> 3-3-04 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/articles26\/leeabertamayaphotos.htm\">Bert and Amaya Workshop<\/a> <span class=\"articleauthor\">Photos by Ed Lampo and Report by Monica<\/span><br \/>&#8220;He makes you feel special and sexy!&#8221;, one participant was overheard to exclaim. <\/li>\n<li> <span class=\"articledate\"> 1-17-03 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/articles20\/gladyseastbert.htm\">Weight Loss, The Bert Balladine Way<\/a> <span class=\"articleauthor\">by Gladys Harrison aka Al Qahira<\/span><br \/>That was not the first time I had nearly starved to death &#8220;on the road with Bert&#8221;. <\/li>\n<li> <span class=\"articledate\"> 9-5-02 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/articles19\/Sorayainterview.htm\">Interview- Soraya of Oklahoma City<\/a> <span class=\"articleauthor\">by Lynette<\/span><br \/>Bert and I look good and work well together! We were complementary heights. We read each other while dancing with a mutual instinct. We each knew what the other was going to do. Bert would give me a brief over-view of the choreographic outline and then we would just do it. And it always worked! <\/li>\n<li> <span class=\"articledate\"> 11-4-01 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/articles15\/Dahlilahtribute.htm\">Tribute to Dalilah! <\/a> <br \/>\nDalilah began dancing in the 1950s&#8230;passed on September 18, 2001 <\/li>\n<li> <span class=\"articledate\"> 3-20-01 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/articles12\/bertdoingmyway.htm\">Doing it my way<\/a> <span class=\"articleauthor\">by Bert Balladine<\/span><\/li>\n<li><span class=\"articledate\">4-28-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/newsgraphics\/ComKaleidoscope.htm#pf\" class=\"articlelink\">Video Interview with Princess Farhana and Surreyya, Part 1<\/a><span class=\"articleauthor\">on the Community Kaleidoscope.<\/span><br \/>\nThis series of interviews was filmed April 26, 2012. Surreyya and Princess Farhana came to the Gilded Serpent office for a visit. This is the first of 3 parts. Discussion of their current show called &quot;Dangerous Beauties, and working with their &quot;virtual&quot; troupe members and costumers around the world using the various tools of the web. <\/li>\n<li><span class=\"articledate\">4-26-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/04\/26\/ling-music-turkey\/\" class=\"articlelink\">Helm Istanbul&#8217;da Making Music in Turkey<\/a> <span class=\"articleauthor\">by Ling Shien Bell<\/span><br \/>\nWe discovered Turkish classical music through our friend Sinan Erdemsel. To the dellight of many music lovers, he has been coming to teach at Lark Camp in Mendocino, California, for the past 10 years. <\/li>\n<li><span class=\"articledate\">4-22-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/04\/22\/belly-dance-fest-moved-islamic-pressure\/\" class=\"articlelink\">Packin&#8217; up and Moving! Moroccan Dance Festival Relocated Under Pressure<\/a>,<span class=\"articleauthor\"> report assembled by Lynette<\/span><br \/>\nShe is moving her festival in time and place due to the threats she has received from certain Islamic factions because of the involvement of Israeli dancers. It was to be held in just a couple of weeks from now in Marrakech. <\/li>\n<li><span class=\"articledate\">4-18-12<\/span> <span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/04\/18\/charlotte-beyond-the-restaurant\/\">Beyond the Restaurant: How Can We Bring Bellydance to a Wider Audience?<\/a><\/span> <span class=\"articleauthor\">by Charlotte Desorgher<\/span><br \/>\nBut I\u2019m under no illusions. That audience wouldn\u2019t be present if wives, daughters or friends weren\u2019t performing. And despite people saying we\u2019ve opened their eyes to the beauty and spectacle of bellydance, the truth is that ours is still very much a niche and hobbyist dance genre.<\/li>\n<li><span class=\"articledate\">4-18-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/04\/18\/fayruz-compensation-dollars-to-donuts\/\" class=\"articlelink\">Dollars to Donuts: Thoughts about Proper Compensation<\/a> <span class=\"articleauthor\">by Fayruz<\/span><br \/>\nI want to demonstrate a different perspective of compensation that one does not often hear these days. I dance because I love to dance.<\/li>\n<li><span class=\"articledate\">4-17-12 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/04\/17\/ask-yasmina-18-bellydance-downward-spiral\/\" class=\"articlelink\">Is Bellydance in a Downward Spiral? Ask Yasmina #18<\/a> <span class=\"articleauthor\">by Yasmina Ramzy<\/span><br \/>\nWhen compiling the information for the programme, some of the dance artists in the company asked us not to use their real name for fear of complications with their main employment.<\/li>\n<li><span class=\"articledate\">4-16-12 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/04\/16\/when-victoria-was-queen-and-the-ghawazi-ruled\/\" class=\"articlelink\">When Victoria was Queen \u2014 And the Ghawazi Ruled, Amusing, Illuminating, and Disturbing Tales of 19th-Century Encounters with the Ghawazi<\/a> <span class=\"articleauthor\">by Edwina Nearing<\/span><br \/>\nThe first dancing of all ghawazi is simply moving about to the music and undulating the body. Then waves of motion are made to run from head to foot, and over these waves pass with incredible rapidity the ripples and thrills, as you have seen a great billow in a breeze look like a smaller sea ribbed with a thousand wavelets. All is done in perfect time with the music.<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>A Bert Balladine Reminiscence: Australia by Najia Marlyz posted April 28, 2012 Originally published in Habibi Magazine, volume 10, number 8, August 20, 1988.\u00a0 Rewritten for GS April 1012. A drive out to Bert Balladine&#8216;s home on the farm in Petaluma (across the road from a commercial California vineyard) was always beautiful and relaxing. Bert [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[92,108,107,31,82,1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/4056"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=4056"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/4056\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=4056"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=4056"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=4056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}