{"id":4085,"date":"2012-05-15T21:38:19","date_gmt":"2012-05-16T04:38:19","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=4085"},"modified":"2012-05-15T21:46:32","modified_gmt":"2012-05-16T04:46:32","slug":"pam-tahia-samia-1977","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2012\/05\/15\/pam-tahia-samia-1977\/","title":{"rendered":"Meeting Tahia and Samia in 1977"},"content":{"rendered":"<h2>The First  Belly Dance Tour to Cairo, Part 2<\/h2>\n<div class=\"floatright\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art56\/graphics56\/pam\/1celebs4inch.jpg\" alt=\"Author poses with Samia and Tahia in 1977\" width=\"300\" height=\"413\" \/>\n<\/div>\n<h3><a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/PamSloane.html\">Pamela Sloane\/Hirt)<\/a><br \/>\n<span class=\"footnotes\">posted May 15, 2012<br \/>\nAdapted from the original in <a href=\"http:\/\/www.gildedserpent.com\/archives\/printmags\/index.html#hab\">Habibi Magazine<\/a><br \/>\nwith many additional photos<\/span><\/h3>\n<p><em>Veteran belly dancer  <span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/articles15\/Dahlilahtribute.htm\">Dalilah<\/a><\/span> from Las Vegas sponsored a tour to Cairo for American belly dancers so  they could learn from the cultural source of the dance.\u00a0 She would leverage her connection with  Egyptian film and dance legend <span class=\"artist\">Tahia Carioca<\/span> to arrange special dance-related  activities, including meeting <span class=\"artist\">Samia Gamal<\/span>. <\/em><em> <\/em><em>I did meet with Tahia and  Samia on September 22, 1977 \u2013 my birthday \u2013 and this version features  highlights of that exchange. We hoped that Tahia might take to the stage this night and demonstrate what   this meant. But the outspoken Tahia made it quite clear her performance days   were over.\u00a0 \u201cI want see the American girls dance!\u201d she declared in her   Arabic-accented English. Later she stepped aside with me for an interview in   which I recorded her feelings about American belly dancing and the current state   of the dance.<\/em> <\/p>\n<p class=\"sectiontitle\"> Tahia Carioca\u00a0<\/p>\n<p> In contrast to Samia\u2019s  lightheartedness, Tahia showed sharp resentment regarding the direction <em>danse  oriental<\/em> was taking.\u00a0 Determined to  ensure her unparalleled legacy as a primal force in her field, she declared, \u201cNobody  has studied with <em>me<\/em>,\u201d adding that she does not teach, nor does she ever  plan to do so. <\/p>\n<p class=\"highlight\"> I took those words to  mean that she does not recognize any current dancer as the carrier of true  Egyptian belly dance, especially considering that her only acknowledged  successor, Samia Gamal, was also retired.\u00a0  The fact that neither she nor Samia demonstrated any dance for us, as  had been promised, during our visit underscored her exclusive attitude that  only she could be recognized as portraying Egypt through her dance.\u00a0 <\/p>\n<p> She went on to excoriate  today\u2019s state of belly dancing in Egypt, calling most current dancers \u201cservants\u201d  who are not really dancers, and that there is \u201cno one actual dancer that can  represent the country.\u201d<br \/>\nTahia was very surprised  to hear that there are schools all over the country teaching oriental  dance.\u00a0<\/p>\n<p class=\"highlight\"> To her, true <em>danse oriental<\/em> is not teachable.\u00a0 Either you have it or  you don\u2019t; either you are born with it or you are not.<\/p>\n<p> By extension, because  she manifested the spirit of the country, she had won Egypt\u2019s de facto  permission to represent the people through its ethnic dance.\u00a0 This is probably the origin of the expression  \u201cTahia is Egypt and Egypt is Tahia\u201d and probably why Tahia grew into the role  of standards-bearer in Egyptian danse oriental.<\/p>\n<p>&nbsp; <\/p>\n<table width=\"300\" border=\"0\" align=\"left\" cellpadding=\"10\" cellspacing=\"0\">\n<tr>\n<td><iframe loading=\"lazy\" width=\"300\" height=\"233\" src=\"http:\/\/www.youtube.com\/embed\/MYI8h2gR9x4\" frameborder=\"0\" allowfullscreen><\/iframe><\/td>\n<\/tr>\n<\/table>\n<p>Retrospectively, more  insight about Tahia emerged several years after this tour when I took belly  dance lessons from a retired Syrian dancer in Detroit.\u00a0 In chronicling her long career in Middle  Eastern dance, the dancer told me that she had danced in the same venue as  Tahia several times in Egypt, and that she had gotten to know the famous  star.\u00a0 Tahia took on a maternal attitude  toward fledgling dancers.<\/p>\n<p> Backstage when admiring  younger dancers invariably sought her out, Tahia would admonish them to  maintain high principles; to \u201cact like a lady\u201d and carry themselves with pride  at all times both on and off the dance floor. <\/p>\n<p class=\"highlight\">To Tahia, \u201ceven the way you walk\u201d  as a dancer is vitally important to represent their country\u2019s dignity through  its dance.<\/p>\n<p> I perceived Tahia to be  a vigilant guardian of her established niche.\u00a0  Once early in her career, a young dancer wore a beaded belt with her  boyfriend\u2019s name inscribed in the beadwork.\u00a0  Seeing this, Tahia rebuked her roundly, telling her it was \u201cnot ladylike\u201d  to broadcast her boyfriend\u2019s name on her dance costume.\u00a0 The chastised dancer never wore the belt  again.<\/p>\n<p> Back at the theater in  Cairo, Tahia informed me that <span class=\"artist\">Nahed Sabry<\/span> is in the hospital for 15 days, and  that she endorses Nahed as the only dancer that comes close to \u201cthe old days.\u201d\u00a0 Tahia groused bitterly that the \u201cold days are  gone because no one today comes from a good family.\u00a0 Today <em>everybody <\/em>dances.\u201d<\/p>\n<p> It became quite apparent  as I faced Tahia that evening that I was conversing with the embodiment an era  coming to an end.\u00a0 Those American  oriental dance enthusiasts gracing her theater in central Cairo this afternoon  from the United States were poised to pick up the torch of Egyptian <em>danse  oriental \u2013 <\/em>so lovingly handed down bythe dance goddesses Tahia and  Samia &#8211; and evolve their own version to share with the world. <\/p>\n<p align=\"center\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art56\/graphics56\/pam\/2dalilahcelebs.jpg\" alt=\"Dalilah, Samia and Tahia\" width=\"500\" height=\"382\" \/><\/p>\n<p class=\"sectiontitle\">Samia  Gamal <\/p>\n<p> After 17 years of  retirement,<span class=\"artist\"> Samia<\/span> appeared alarmingly youthful and active \u2013 still possessing  that admired tiny waistline and slim, rounded hips.\u00a0 The brunette Samia of the 40s, however, had  become the blonde Samia of 1977.\u00a0 Dressed  in a regal, two-piece ensemble of white silk, richly trimmed in deep turquoise  arabesque cording, she was still as slim as the romantic, nymph- like  characters she portrayed in her black and white movies of Egypt\u2019s Golden Age of  Dance and Cinema. <\/p>\n<p class=\"highlight\"> All smiles, Samia  circulated unabashedly amongst everyone present.\u00a0 Samia expressed herself with as much vivid  theatricality in English as she did in Arabic. Her exuberant laughter,  friendliness, wit, and cheerful playfulness provided ample reasons for her  legendary notoriety as an artistic ambassador of the Egyptian people.<\/p>\n<table width=\"300\" border=\"0\" align=\"left\" cellpadding=\"10\" cellspacing=\"0\">\n<tr>\n<td><iframe loading=\"lazy\" width=\"300\" height=\"233\" src=\"http:\/\/www.youtube.com\/embed\/pxW6PJAArWs\" frameborder=\"0\" allowfullscreen><\/iframe><\/td>\n<\/tr>\n<\/table>\n<p>As she gadded about, I  couldn\u2019t help but note the striking similarity between what she is like in  person and the fantasy character she portrayed in her heyday movie, \u201c<a href=\"http:\/\/en.wikipedia.org\/wiki\/Afrita_hanem\" target=\"_blank\">Little  Miss Devil.<\/a>\u201d\u00a0 The character, Karamana, emerges  from a magic lamp at the bidding of the protagonists\u2019 guardian angel to help  catalyze the sluggish process of fate in his love affair.\u00a0 <\/p>\n<p> As it turns out, she had  once been the protagonist\u2019s sweetheart in a past life, and she decides to turn  matters back into her favor rather than his.\u00a0  As a love-struck, invisible imp, she wreaks diabolical havoc on all  involved.\u00a0 With a flippant clap of her  hands and nod of her head, scenes are suddenly turned topsy turvy and amusing  confusion results.\u00a0 There is no end to  her good-hearted mischief except to pause for the inevitable production numbers  in which her famous dancing further entertains.<\/p>\n<p> Her buoyant personality  shows through in the dance scene.\u00a0 The  danseuse is still the same Samia with the effervescent spirit and inclination  toward playful pranks.\u00a0 Weaving her way  effortlessly through the music, the twinkling eyes and beckoning smile never  diminish.\u00a0 Never still, her fluid  movements are as integrated as the parts of a clock; perfectly rhythmical and  synchronized.\u00a0 Even through the movie  land polish, the prescribed choreography and the contrived jinni character, the  true source of the cinematic energy is in the person of Samia Gamal.<\/p>\n<p> This unique animation  showed itself in Tahia\u2019s theater that day in Cairo.\u00a0\u00a0 So many ghostly remnants of Karamana were  reflected through Samia that I wondered which came first \u2013 the actor or the  character.\u00a0 <\/p>\n<p> When we sat down to  talk, Samia could hardly contain the enthusiasm she felt for oriental dance,  commenting that the American\u2019s interest in the dance \u201c\u2026is a good thing \u2013 to  help them understand Arab culture better, and the dance makes you feel  beautiful.\u201d<\/p>\n<p class=\"highlight\"> I asked her about the  origin of her technique.\u00a0 She looked at  me with a sly smile and cocked her head wistfully.\u00a0 \u201cWell, you see, the origin of a dancer\u2019s  dance is not something one discusses,\u201d she informed me, then went on to draw a  verbal picture of the dance\u2019s essence and roots.<\/p>\n<p> In a dreamlike rapture,  Samia described how \u201ctechnique should be fueled with the feeling of the Nile.\u201d\u00a0\u00a0 With the flowing gestures for which she is  famous, she imitated its reeds swaying listlessly in the breeze on a hot  afternoon, and envisioned the wandering desert sand against the emerald  farmland along the Nile.\u00a0 Of paramount  importance to Samia\u2019s bucolic imagery were the Egyptian people living out lives  of unfaltering joy.\u00a0 <\/p>\n<p> I thought of some of  these images as I later watched her play with a light green chiffon veil  supplied by Tahia, which was, by the way, the closest we were going to get of a  Samia Gamal live performance. Her love for the homeland flowed freely through  her fingertips and into the veil, commanding its unbroken flying waves and  graceful swoops as she interacted with it in one unified gesture after another.<\/p>\n<p> Afterwards, I asked this  beloved film legend what she is doing in her retirement.\u00a0 \u201cOh, I keep very active all the time, dancing  around the house and taking up swimming.\u201d\u00a0  Plagued by muscle cramps, she went to the doctor who told her that more  activity would relieve the cramps. So, in light of the current popularity of  oriental dance, Samia informed me she is planning to make a comeback including a  trip to the United States.<\/p>\n<p> Reviving a legend is  very risky, even inadvisable, but, according to Tahia, there is no one great  dancer any longer who aptly represents Egypt as a national figure.\u00a0 Tahia herself may have considered a comeback,  but health and present commitments prevent her.\u00a0  It may be that only Samia could fill the void, and that it may be  incumbent upon her to do so.<\/p>\n<p> At age 54, Samia is  still energetic and talented enough to withstand the rigors of a renewed show  business career.\u00a0 But this time, the  surroundings, requirements, dedicated fans, and general receptive atmosphere  for the dance will have changed after two decades.\u00a0 What impact her revival may have on oriental  dance, especially in the United States, will be quite interesting to watch.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">3-30-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/03\/30\/pam-sloane-1st-bellydancer-trip-egypt\/\" class=\"articleauthor\">Revisiting \u201cA Belly Dancer\u2019s Dream Come True\u201d, The First Ground-breaking Belly Dance Tour to Cairo of September 1977<\/a> <span class=\"articleauthor\">by Pam Sloane<\/span><br \/>\nMissing Tahia\u2019s warm welcome got the tour off to a disappointing start.  Her huge red smile would have reassured us that the promise of this tour was on track.  It was but the first of many hiccups and unfulfilled promises that was to characterize this tour and reveal essential truths about Egyptian culture and society.<\/li>\n<li><span class=\"articledate\">12-18-11 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/18\/shema-edward-tahia-cultural-appropriation\/\">Edward and Tahia; Breaking Down Cultural Appropriation Myths <\/a> <span class=\"articleauthor\">by Shema\/ EmmaLucy Cole<\/span><br \/>\nBut what is \u201cculture,\u201d and how (if at all) have we appropriated it? Who is the implied speaker here, and what makes us believe that there is disapproval being voiced? <\/li>\n<li><span class=\"articledate\">12-11-11 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/11\/sausan-egypts-golden-age\/\" class=\"articlelink\">Egypt&#8217;s Golden Age, Timeline and Synopsis<\/a><span class=\"articleauthor\"> by Sausan<\/span><br \/>\nFrom around 1850 to 2000, Egypt saw the birth, rise, and transformation of its cultural expression through dance.  With each period, a new energy in the dance was introduced and, with it, new dancers with new dance movements and new costumes. <\/li>\n<li><span class=\"articledate\"> 4-14-08 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/art43\/sausanTK.htm\">Taheyia Karioka, Queen of Oriental Cabaret Dance<\/a><span class=\"articleauthor\"> by Sausan<\/span><br \/>\nIn the 1980&#8217;s, the spread of Islam and its fundamental militancy proved to be a big blow for Egypt&#8217;s belly dance industry. As a result, several dancers publicly renounced their pasts and donned the Islamic veil.<\/li>\n<li><span class=\"articledate\">5-14-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/05\/14\/c-barros-egypt-stars-los-angeles\/\" class=\"articlelink\">Egyptian Stars Shine in Los Angeles, Stars of Spring, March 9\u201311, 2012 in Los Angeles, Featuring Aida Nour, Khaled Mahmoud and Camelia<\/a> <span class=\"articleauthor\">report by Catherine Barros<\/span><br \/>\nWhen I decided to attend Stars of Spring, it wasn\u2019t just to support my friend, Dee Dee Asad. I know this will appear to make me a bit biased in some people\u2019s eyes if I am writing a review of a friend\u2019s event. How can a person be a good reviewer if they are viewed as giving a slanted review in support of a friend?<\/li>\n<li><span class=\"articledate\">5-1-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/05\/01\/reporting-from-ibcc-2012\/\" class=\"articlelink\">IBCC video reports<\/a> <span class=\"articleauthor\">by GS Staff<\/span><br \/>\nThis is the fourth, and we hear, the last International Bellydance Conference of Canada held May 2-6, 2012 in Toronto Canada, produced by Yasmina Ramzy and staff. As in past years, we will be reporting on this page as internet coverage and time allows. Video reports will be added when possible. Expect interviews, performance clips, demonstrations, and more.<\/li>\n<li><span class=\"articledate\">4-30-12<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/04\/30\/najia-bert-teach-australia-1988\/\" class=\"articlelink\">Teaching Down Under in 1988, A Bert Balladine Reminiscence: Australia &amp; New Zealand<\/a> <span class=\"articleauthor\">by Najia Marlyz<\/span><br \/>\nInternational seminars make you do more than you think you can when you see the dedication and sacrifices people make just to attend. <\/li>\n<li><span class=\"articledate\">4-29-12<\/span> <span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/newsgraphics\/ComKaleidoscope.htm#db\">Video Collage Report from Dangerous Beauties Show at the Last Day Saloon<\/a><\/span> <span class=\"articleauthor\">on the Community Kaleidoscope<\/span><br \/>\nPerformers for this show included\u00a0Murat&#8217;s band &quot;Native Brew&quot;-Janus-Bhargav-Corey,\u00a0Surreyya,\u00a0Princess Farhana, Teresa,\u00a0Nyla Crystal, Farasha, Terrianne, Dusty, Susu, and\u00a0Talia\u00a0with her partner.\u00a0<\/li>\n<li><span class=\"articledate\">4-28-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/newsgraphics\/ComKaleidoscope.htm#pf\" class=\"articlelink\">Video Interview with Princess Farhana and Surreyya, Part 1<\/a><span class=\"articleauthor\"> on the Community Kaleidoscope.<\/span><br \/>\nThis series of interviews was filmed April 26, 2012. Surreyya and Princess Farhana came to the Gilded Serpent office for a visit. This is the first of 3 parts. Discussion of their current show called &quot;Dangerous Beauties, and working with their &quot;virtual&quot; troupe members and costumers around the world using the various tools of the web. <\/li>\n<li><span class=\"articledate\">4-26-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/04\/26\/ling-music-turkey\/\" class=\"articlelink\">Helm Istanbul&#8217;da Making Music in Turkey<\/a> <span class=\"articleauthor\">by Ling Shien Bell<\/span><br \/>\nWe discovered Turkish classical music through our friend Sinan Erdemsel. To the dellight of many music lovers, he has been coming to teach at Lark Camp in Mendocino, California, for the past 10 years.<\/li>\n<li><span class=\"articledate\">4-22-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/04\/22\/belly-dance-fest-moved-islamic-pressure\/\" class=\"articlelink\">Packin&#8217; up and Moving! Moroccan Dance Festival Relocated Under Pressure<\/a>,<span class=\"articleauthor\"> report assembled by Lynette<\/span><br \/>\nShe is moving her festival in time and place due to the threats she has received from certain Islamic factions because of the involvement of Israeli dancers. It was to be held in just a couple of weeks from now in Marrakech.<\/li>\n<li><span class=\"articledate\">4-18-12<\/span> <span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/04\/18\/charlotte-beyond-the-restaurant\/\">Beyond the Restaurant: How Can We Bring Bellydance to a Wider Audience?<\/a><\/span> <span class=\"articleauthor\">by Charlotte Desorgher<\/span><br \/>\nBut I\u2019m under no illusions. That audience wouldn\u2019t be present if wives, daughters or friends weren\u2019t performing. And despite people saying we\u2019ve opened their eyes to the beauty and spectacle of bellydance, the truth is that ours is still very much a niche and hobbyist dance genre.<\/li>\n<li><span class=\"articledate\">4-18-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/04\/18\/fayruz-compensation-dollars-to-donuts\/\" class=\"articlelink\">Dollars to Donuts: Thoughts about Proper Compensation<\/a> <span class=\"articleauthor\">by Fayruz<\/span><br \/>\nI want to demonstrate a different perspective of compensation that one does not often hear these days. I dance because I love to dance.<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The First Belly Dance Tour to Cairo, Part 2 Pamela Sloane\/Hirt) posted May 15, 2012 Adapted from the original in Habibi Magazine with many additional photos Veteran belly dancer Dalilah from Las Vegas sponsored a tour to Cairo for American belly dancers so they could learn from the cultural source of the dance.\u00a0 She would [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[27,46,54,45,1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/4085"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=4085"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/4085\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=4085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=4085"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=4085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}