{"id":4423,"date":"2012-09-07T11:30:29","date_gmt":"2012-09-07T18:30:29","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=4423"},"modified":"2012-09-07T11:36:27","modified_gmt":"2012-09-07T18:36:27","slug":"attending-workshops","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2012\/09\/07\/attending-workshops\/","title":{"rendered":"Attending Workshops"},"content":{"rendered":"<h2> 7 Tips for Getting the Most Out of Them<\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art57\/graphics57\/AdrianeSahraAubre.jpg\" class=\"floatright\" width=\"300\" height=\"312\" alt=\"Sahra, Adriane and Aubre\" \/><\/p>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/adriane.html\">Adriane<\/a><br \/>\n<span class=\"footnotes\">posted September 7,\t2012 <\/span><\/h3>\n<p>We\u2019ve all been there.\u00a0 You get home exhausted from dancing for four hours\u00a0at a belly dance\u00a0workshop with some outrageously talented belly dance\u00a0artist, but then, you cannot remember a bit\u00a0of what you were supposed to have learned.\u00a0<\/p>\n<p class=\"highlight\">Sure, it was worth\u00a0it to\u00a0just soak in the presence of a Belly dance\u00a0master for a few hours, get a good workout, and network with your\u00a0Belly dance\u00a0friends, but how can you\u00a0make\u00a0that time and money spent upon a workshop with a master teacher benefit you in the long run?<\/p>\n<p> Here are seven tips for getting the most out of your Belly dance workshops:<\/p>\n<ol>\n<li><span class=\"sectiontitle\">Take Notes\u00a0<\/span><br \/>\nBring a Belly dance\u00a0notebook in which you can take notes at all of the Belly dance workshops that you attend.\u00a0 Take quick breaks throughout your workshop to take notes on what you\u2019re learning (even if everyone else is still dancing!).\u00a0 Try to write down as much you can remember during your water and lunch breaks.\u00a0 You will have these notes to which you may refer years down the road and they will jog your memory concerning what you learned that day.\u00a0\n<\/li>\n<li><span class=\"sectiontitle\">Ask Questions<\/span><br \/>\nMost instructors appreciate students who are engaged with the material and ask questions.\u00a0 If you don\u2019t understand how to do a particular move or didn\u2019t quite get a transition during a combination, ask your instructor!\u00a0 If the instructor does not have enough time to answer your questions fully,\u00a0he or she may\u00a0be able to help you after the workshop.\u00a0\u00a0Especially if\u00a0your workshop teacher is an expert in a particular style, don\u2019t be shy to ask questions and learn as much as you can\u00a0in the little time you have together.\n<\/li>\n<li><span class=\"sectiontitle\">Film with Permission<\/span><br \/>\nMany instructors will permit their students to film the choreography that they are teaching at the end of a workshop\u00a0if they promise not to post it on the Internet.\u00a0 Ask your workshop instructor for permission to film beforehand and respect his or her wishes.\u00a0 I think it is most helpful to film the choreography from behind so that it is easy to follow at home.\u00a0 Having a video of what you learned at a workshop is the ultimate tool for mastering the material down the road!<br \/>\n\n<\/li>\n<li><span class=\"sectiontitle\">Buy the Workshop Instructor\u2019s Music<\/span><br \/>\nSome of the best Belly dance CDs I have are ones that I have purchased from a workshop instructor.\u00a0 Not only do workshop instructors tend to have good taste in music, but it is critical for you to get the music that the instructor used in the workshop&#8211;if she or he taught a choreography.\u00a0 Try to purchase the music from your instructor (if you can afford it)\u00a0because it supports your instructor and the musicians who have recorded the music.\u00a0 If you can\u2019t afford to purchase the music right there and then, make sure you find out the name of the song your instructor used so that you can download it from the Internet later.\n<\/li>\n<li><span class=\"sectiontitle\">Practice at Home as soon as possible! <\/span><br \/>\nIt is most effective to practice \u00a0at home what you learned as soon as possible while it is still fresh in your muscle memory.\u00a0 Even if you aren\u2019t able to return to the workshop material for awhile, if you have the workshop material filmed, you\u2019ve got it made!\u00a0 The ideal way to retain what you learned in a workshop, especially if it was a choreography workshop, is to break down what you filmed into bite-size chunks.\u00a0 One strategy I use is to\u00a0analyze a\u00a0combination from the choreography that I videoed and then write it down in my notebook in my own words.\u00a0\u00a0Through the process of writing it down, I\u2019m figuring it out in my own body to make sure I understand the technique and transitions.\u00a0 This also helps me see nuances in the instructor\u2019s movement that I didn\u2019t catch the first time.<br \/>\nI proceed, combination by combination, analyzing the instructor\u2019s movement, writing it down, practicing the combination alone, then practicing the choreography from the beginning.\u00a0 It may seem like a painstaking process, but I find it to be a satisfying and effective way to completely saturate myself in what I have learned.\n<\/li>\n<li><span class=\"sectiontitle\">Perform What You Have Learned <\/span><br \/>\nOnce you have fully analyzed the choreography you have learned at a workshop, you are two steps away from being able to perform it!\u00a0 The next step is to drill any technique or transitions from the choreography that were challenging to you.\u00a0\u00a0Don\u2019t shortcut this step or your performance will look sloppy and unpolished.Then, start rehearsing the choreography over and over for weeks and weeks until your technique and transitions are clean and the choreography flows automatically without thought.\u00a0 Now you\u2019re ready to perform what you have learned!\u00a0 (Be sure to credit the original\u00a0choreographer if you perform the piece in a show.)\u00a0 If you have learned movements and combinations at a workshop, find ways to integrate what you have learned into your own dancing and choreography for performance.<\/li>\n<li><span class=\"sectiontitle\">Review<\/span><br \/>\n  Why abandon what you learned after you have worked so hard to get it just right?\u00a0 Run through any choreography, combinations, and movements that you learned from a workshop at your home practice sessions.\u00a0\u00a0 Keep it alive in your muscle memory and continue to improve on what you have learned during practice and in performance.<\/p>\n<\/li>\n<\/ol>\n<p>By following\u00a0these seven tips for getting the most out of your Belly dance\u00a0workshops, I hope that you will be able to retain more of what you learn at workshops so that your skill and enjoyment of Belly dance\u00a0will grow.\u00a0 Let me know how your next workshop goes!<\/p>\n<p align=\"center\"> <img decoding=\"async\" loading=\"lazy\" src=\"\/art57\/graphics57\/AdrianeJillina.jpg\" alt=\"Adriane and Jillina\" width=\"300\" height=\"335\" class=\"aligncenter\" align=\"center\"><br \/>\n<br \/><span class=\"artist\"><a href=\"\/aboutuspages\/jillina.html\">Jillina<\/a><\/span> in her Malibu  studio in September 2011 and<br \/>\n(top photo) <em>Journey through Egypt I<\/em> in Sierra Madre with <span class=\"artist\"><a href=\"\/aboutuspages\/Sahra.html\">Sahra<\/a><\/span> and<br \/>\n<span class=\"artist\"><a href=\"\/aboutuspages\/Aubre.html\">Aubre<\/a><\/span> from July 2009<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">12-1-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/12\/01\/adriane-practice-makes-perfect\/\">Practice Makes Perfect, or Does it?<\/a> <span class=\"articleauthor\">by Adriane<\/span><br \/>\nIt is because mediocre or non-existent practice makes for a mediocre performer and perfectly consistent practice makes for a perfect performer.<\/li>\n<li><span class=\"articledate\">4-29-11 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/04\/29\/aubre-karim-workshop-review\" class=\"articlelink\">A True Arabic Experience, November 2010 Arab Dance Seminar in New York City<\/a> <span class=\"articleauthor\">Workshop Review by Aubre<\/span><br \/>\nHis seminar emphasizes the cultural roots and context of this dance form; it is a form that is experiencing a disconnect as more dancers are entering the community through fusion and often not developing an understanding of its historical origins. Each seminar is themed to focus on a variety of elements within the culture, dance, and music of the Arab world.<\/li>\n<li><span class=\"articledate\">9-27-11 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/09\/27\/jillina-lauren-competition-strategies\/\" class=\"articlelink\">Competition Strategies, A Judge&#8217;s Suggestions<\/a> <span class=\"articleauthor\">by Jillina and Lauren<\/span><br \/>\nChoosing a costume that fits and flatters your choreography is equally important. If you want to highlight your amazing hip work, be sure to choose a costume with lots of fringe and tassels on the hips so the judges cannot fail to see that hip work.<\/span><\/li>\n<li><span class=\"articledate\">5-8-08<\/span> <a href=\"http:\/\/www.gildedserpent.com\/art43\/debsahra.htm\">The Dance Zones of Egypt: Sahra Kent&#39;s Journey Through Egypt Basic 1 Workshop<\/a> <span class=\"articleauthor\">Report and photos by Debbie Smith<\/span><br \/>\nAlthough not strictly speaking a \u001cdance\u001d workshop, for each zone we got up to learn some characteristic steps and posture, and gestures associated with each dance zone\/style, a good way to blend the theoretical with the experiential.<\/li>\n<li><span class=\"articledate\">9-7-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/newsgraphics\/ComKaleidoscope.htm#nakishvideo\" class=\"articlelink\">Video sample of Nakish! on the Community Kaleidoscope<\/a>, <span class=\"articleauthor\">submitted by Yasmela<\/span><br \/>\n  Don&#8217;t miss this video! Nakish talks about joining Bal Anat and the race issues. This is a sample of the film that is being made by Black Dog Productions.<\/li>\n<li><span class=\"articledate\">9-6-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/09\/06\/my-perfect-hiding-place\/\" target=\"_blank\" class=\"articlelink\">My Perfect Hiding Place, Queen of Denial, Chapter 11<\/a> <span class=\"articleauthor\">by Rebaba<\/span><br \/>\n  Funny as it sounds, the incredible amounts of money we were earning nightly eventually became a burden. <\/li>\n<li><span class=\"articledate\">9-2-12<\/span> <span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/09\/02\/marwa-dance-community-chile\/\">An Emerging Dance Community, Chile&#8217;s Belly Dance Scene<\/a><\/span> <span class=\"articleauthor\">by Marwa<\/span> <em>&#8211;in Spanish and English!<\/em><br \/>\n  The Palestinians immigrants began arriving at the end of the 19th century; additionally, a great wave of immigration was registered between 1910 and 1920, and it has kept growing until even our current days.<\/li>\n<li><span class=\"articledate\">8-27-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/08\/27\/catherine-luxor-egypt-photos\/\" class=\"articlelink\">A Dance Challenge in an Ancient Land, Farha Festival 2012 in Luxor, Egypt<\/a>, <span class=\"articleauthor\">by Catherine Barros<\/span><br \/>\n  Besides, I needed a personal challenge this year and dancing an improvisation solo for the final night performance with the musicians seemed to fit the bill for me.<\/li>\n<li><span class=\"articledate\">8-25-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/08\/25\/azura-regina-raks\/#axzz24VplsEZv\" class=\"articlelink\">Regina Raks! Canadian Dance Community Flourishes on the Prairies<\/a> <span class=\"articleauthor\">by Azura<\/span><br \/>\n  The increasing professionalization of dance has been the second major change over the past decade. There is more competition for students and paid performance opportunities, which has affected attendance at shows and may have reduced the cohesiveness of the dance community to some extent.<\/li>\n<li><span class=\"articledate\">8-24-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/08\/24\/gab-helwa-amani-fest-2012\/\"><span class=\"articlelink\">Our Art\u2019s Flame is Alive in Lebanon, The Amani Oriental Festival 2012 photos<\/span><\/a> <span class=\"articleauthor\">by Gabriel Monserrat Lopez, Text by Helwa<\/span><br \/>\n  The charming Lebanese city of Beirut welcomes people from all the world to the Amani Oriental Festival.<\/li>\n<li><span class=\"articledate\">8-23-12 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/08\/23\/going-bi-coastal\/\" class=\"articlelink\">Going Bi-Coastal, &quot;A Night in the Oasis&quot;<\/a><span class=\"articleauthor\"> by Mina<\/span><br \/>\n  Our event evolved from a tiny community happening into a popular quarterly event, growing each year. When I migrated to Atlanta, Georgia, the one thing I knew I wanted to do was continue the tradition of producing \u201cA Night in the Oasis.\u201d<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>7 Tips for Getting the Most Out of Them by Adriane posted September 7, 2012 We\u2019ve all been there.\u00a0 You get home exhausted from dancing for four hours\u00a0at a belly dance\u00a0workshop with some outrageously talented belly dance\u00a0artist, but then, you cannot remember a bit\u00a0of what you were supposed to have learned.\u00a0 Sure, it was worth\u00a0it [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[124,84,82,83,1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/4423"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=4423"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/4423\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=4423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=4423"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=4423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}