{"id":4725,"date":"2013-02-12T15:36:55","date_gmt":"2013-02-12T22:36:55","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=4725"},"modified":"2013-02-12T15:43:43","modified_gmt":"2013-02-12T22:43:43","slug":"renee-rothman-armando-mafufo-memorial","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2013\/02\/12\/renee-rothman-armando-mafufo-memorial\/","title":{"rendered":"Everyone&rsquo;s Uncle:"},"content":{"rendered":"<h2>In Celebration of the Life of Drummer Armando Mafufo <\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art58\/graphics58\/ArmandoMafufo\/ArmandoCrystal-reneeR.jpg\" alt=\"Uncle Mafufo with Crystal\" width=\"300\" height=\"475\" align=\"right\" \/><\/p>\n<h3>by<strong> <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/reneerothman.html\">Ren\u00e9e Rothman<\/a><\/strong><br \/>\n<span class=\"footnotes\">posted February 12, 2013\t<\/span><\/h3>\n<p class=\"highlight\"><em>&ldquo;And remember, my sentimental friend, that a heart is not  judged by how much you love, but by how much you are loved by others.&rdquo; (The Wizard of Oz  to the Tinman<\/em>). From <em>The Wizard of Oz<\/em> by L. Frank Baum.<\/p>\n<p>\n  <span class=\"artist\">Armando Mafufo<\/span> had such  a heart. He was beloved by everyone as a favorite uncle, brother, father,  husband, friend, teacher. His eyes twinkled with delight; his smile sent  giggling waves of joy outward tickling all those in his presence. His joking  stories\u2014enigmatic, silly, wise\u2014delighted all, even if we didn&rsquo;t always  understand them. To be in his presence was a balm to the difficulties of daily  life. To hear him play a drum could lift one&rsquo;s spirit to transcendent heights.  Yes, Armando was much loved by others.<\/p>\n<p>\n  Knowing the breadth of  his influence, his family kindly arranged for a public memorial celebration at  Santa Cruz&rsquo;s famed Kuumbwa Jazz Club. With a courtyard, stage, seating for 200,  and a small kitchen, this was a perfect venue for the special events prepared  for the day. These would include performances by many of the musicians and  dancers who worked with and learned from Armando over the course of thirty  years.<\/p>\n<p class=\"highlight\"> In fact, so many artists wanted to perform in his honor that many had to  be turned down or else we might have had to stay all night.<\/p>\n<p>\n  I didn&rsquo;t know Armando as  intimately as others did, but he did teach me to play dumbek, one of my  favorite experiences. Armando was omnipresent in the Santa Cruz Belly dance  scene, playing music with any number of local and visiting musicians, teaching  or accompanying a dance class, or simply watching from the audience in support.  Armando, by the way, accompanied every generation of Belly dancers in Santa  Cruz since the 1970s. He was everywhere and always.<\/p>\n<p>\n  Crowds of family and  friends congregated, arriving from all over the San Francisco region and  beyond. Those who couldn&rsquo;t make it in the flesh sent letters and notes by way  of Facebook, all of them exclaiming the sheer pleasure of knowing Armando. He  made everyone feel like his best friend, as one wrote.<\/p>\n<p>\n  The stage that day was  filled with Flamenco, Middle Eastern, Balkan, and Salsa artists spanning  Armando&rsquo;s life in music. I couldn&rsquo;t count nor can I name all the musicians and  dancers who appeared on stage to pay tribute to Armando, but I can say that  they were inspired. Each song, each dance was a prayer, an offering, and<span class=\"artist\"> Hanya<\/span>,  Armando&rsquo;s lovely wife of 55 years, graciously accepted each and every one.<\/p>\n<p>\n  The memory of Uncle  Mafufo&rsquo;s heart will not soon be forgotten. His spirit resides in everyone of us  who had the honor of meeting him\u2014and that&#8217;s a lot of people. What greater  legacy could be left by a man? Blessed be, gentle Armando.<\/p>\n<h5>Resources:<\/h5>\n<ul>\n<li>\n<h6><a href=\"http:\/\/www.unclemafufo.com\" target=\"_blank\">www.unclemafufo.com<\/a><\/h6>\n<\/li>\n<li>\n<h6><a href=\"..\/aboutuspages\/reneerothman.html\">author&#8217;s GS bio page<\/a><\/h6>\n<\/li>\n<li>\n<h6>Photo is from author&#8217;s archives of Armando and Crystal Silmi<\/h6>\n<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">12-9-11<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/12\/09\/renee-rothman-fcbd-tribal-home\/\" class=\"articlelink\"> An ATS Family Reunion, FCBD\u2019s Annual Production of Devotion<\/a><span class=\"articleauthor\"> by Renee Rothman, Photos by Raymond Van Tassel<\/span><br \/>\n\t\t\t\t\t  FatChanceBellyDance\u2019s 2011 production of its Devotion was presented on Friday, June 17 at the Julia Morgan Theater in Berkeley, California. This year\u2019s theme, \u201cThe Home\u201d, was explored by six troupes and soloists and accompanied by FCBD\u2019s home musicians, Helm.<\/li>\n<li><span class=\"articledate\">12-7-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/12\/08\/memorial-to-armando-mafufo\/\" class=\"articlelink\">Memorial to Armando Mafufo, Drummer, Teacher, Friend<\/a> <span class=\"articleauthor\">by Crystal Silmi<\/span><br \/>\n\t\t\t\t\t  Armando Mafufo, known to most of us in the music and dance community as &quot;Uncle Mafufo&quot; was, as someone posted today, &quot;a man everyone loved.&quot; He was a person who could light up the room with his smile and radiated love.<\/span><\/li>\n<li><span class=\"articledate\">10-27-00<\/span> <a class=\"articlelink\" href=\"http:\/\/gildedserpent.com\/articles9\/mafuforeview.htm\">Tribal Tales<\/a> <span class=\"articleauthor\">review by Kajira Djoumahna<\/span><br \/>\n\t\t\t\t\t  The moods and flavors of the varied songs on this CD are sure to be useful for dancers and listeners who like something out of the ordinary to challenge and delight. <\/li>\n<li><span class=\"articledate\">12-12-00<\/span> <a class=\"articlelink\" href=\"http:\/\/gildedserpent.com\/articles10\/armandovideo.htm\"><b>Armando&#8217;s Drumming Dazzles the Dancer <\/b><\/a> <span class=\"articleauthor\">by Claire<\/span><br \/>\nVideo review of &quot;Uncle Mafufo&#8217;s Riqs &amp; Defs: a practical approach to Middle Eastern Frame Drums&quot;<\/li>\n<li><span class=\"articledate\">3-15-03<\/span> <a class=\"articlelink\" href=\"http:\/\/gildedserpent.com\/articles21\/drumcdsreviewedsierra.htm\">Review and Rating of 2002&#8217;S MIDDLE EASTERN DRUM CD\/TAPES<\/a> <span class=\"articleauthor\">by Sierra\/Sadira <\/span><br \/>\nThis is a review of eight of the most popular Middle Eastern Drum recordings produced this year. Incuding works by Reda, Susu, H Ramsy, Zaid, Mafufo, and more&#8230;<\/li>\n<li><span class=\"articledate\">10-1-02<\/span> <a class=\"articlelink\" href=\"http:\/\/gildedserpent.com\/articles19\/mafufozigzagreview.htm\">&quot;Zig n Zag&quot;, a Music Review<\/a> <span class=\"articleauthor\">CD Review by Claire<\/span><br \/>\nAll of the instruments used for this recording are acoustic, providing a warm and genuine sound; nothing is looped, sampled or synthesized.<\/li>\n<li><span class=\"articledate\">11-18-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/11\/18\/lynette-photos-rakkasah-1984-1986\/\" class=\"articlelink\">A Gilded Serpent Time Capsule Presentation, Rakkasah 1984 and 1986 (25 years ago)<\/a> <span class=\"artist\">Photos by Lynette Harris<\/span><br \/>\nWhile taking a nostalgic look through my photo albums recently, I realized that if I was ever going to share these photos, I had better go ahead and scan them into the computer now before they deteriorate even more than they already have. Yes, they are discolored and blurred, but I think they will be of some value to those who pay attentions to costume styles or those who were there and simply enjoy re-visiting the memories<\/li>\n<li><span class=\"articledate\">10-15-12<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/10\/15\/memorial-to-john-comptom\/\" class=\"articlelink\">Memorial to John Compton<\/a><br \/>\nPlease add your comments and send in your photos for posting on this page. Thanks! <\/li>\n<li><span class=\"articledate\">2-11-13<\/span> <span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/02\/11\/miles-copeland-response\/\">Make New Friends &amp; Keep the Old, Response:  A Dance Perspective for Today<\/a><\/span><span class=\"articleauthor\"> by Miles Copeland<\/span><br \/>\n\t\t\t\t    After living in the Middle East for 25 years and continuing to work in the region for music and dance, I have a pretty good idea of what talent and creative ideas exist in the region. <\/li>\n<li><span class=\"articledate\">1-31-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/01\/31\/lauren-evolution-of-jillina\/\" class=\"articlelink\">The Evolution of Jillina, An Interview Regarding Change, Flexibility and Lessons Learned<\/a><span class=\"articleauthor\"> Interview by Lauren Boldt<\/span><br \/>\n                    Working with Jillina for the last six years or so, I\u2019ve been a fly on the wall for a lot of this transition. I\u2019ve been there for marathon rehearsal weeks, brainstorming sessions, the stress of taking a show on the road, the flops, and the standing ovations. <\/li>\n<li><span class=\"articledate\">1-29-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/01\/29\/rebaba-ch12-queen-denial-iraq\/\" class=\"articlelink\">Have I Left Yet? Queen of Denial, Chapter 12<\/a> <span class=\"articleauthor\">by Rebaba<\/span><br \/>\n                    Baghdad was the first place I had worked in where a complete communication blackout was ordered (no post, no newspapers, no telegrams, and no telephone access to the general public), and  a mere two weeks after my arrival.  For the very first time since I started traveling and dancing abroad, I was unable to call my parents (and vice versa) to assure them that I was fine regardless of what they were reading in the local newspapers.<\/li>\n<li><span class=\"articledate\">1-20-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/01\/20\/yasmin-henkesh-3rd-coast-tribal\/\" class=\"articlelink\">Behind the Scenes, 3rd Coast Tribal Festival<\/a> <span class=\"articleauthor\">Photo and text by Yasmin Henkesh<\/span><br \/>\n                    I had never been to a tribal dance convention before, even though I have been a professional (Egyptian style) belly dancer for 40 years. From my \u201cglitz and tits\u201d perspective, this belly dance offshoot wasn\u2019t something I recognized as mine.<\/li>\n<li><span class=\"articledate\">1-18-13 <\/span><span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/01\/18\/cairo-revisited\/\">Cairo Revisited: Dancing into the \u201890s<\/a><\/span> <span class=\"articleauthor\">by Najia Marlyz<\/span><br \/>\n                    Originally written for Caravan Magazine 1992- The one thing on which you depend about dance in Egypt from year to year is that everything slowly changes. I\u2019ve returned to Cairo each year now for nine consecutive years, and last year my visit was just before the short war we had with Iraq in which Egypt was our US ally.  Cairenes seemed sad last year, because Cairo had lost most of its income from tourism, and many Egyptian nationals were returning from Iraq and Kuwait, where they no longer had employment.  I did not know what to expect this year, except the inevitable fact of surprising, yet subtle, change. <\/li>\n<li><span class=\"articledate\">1-18-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/01\/18\/fabulous-hip-drops\/\" class=\"articlelink\">Fabulous Hip Drops in 30 Seconds or Less!<\/a> <span class=\"articleauthor\">by Alay&#8217;nya<\/span><br \/>\n                    A principle is a single unifying and guiding idea that when we apply it to our alignment or movement, helps us move more effectively. An advantage of using a principles-based approach to dance or martial arts mastery is that it lets us use a single visualization or body sense to achieve a desired result, instead of having to remember lots of little details.<\/li>\n<li><span class=\"articledate\">1-17-13 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/01\/17\/princess-farhana-creating-belly-dance-community\/\"><span class=\"articlelink\">Creating a Healthy Belly Dance Community<\/span><\/a> <span class=\"articleauthor\">by Princess Farhana<\/span><br \/>\n                    A vibrant dance community affords benefits to all of its members. In a healthy dance community, each and every person is relevant. For learning purposes or gathering a certain show cast, there is a large pool of talent from which to choose.  Those with specialties and unique areas of expertise can share their knowledge, enriching the individual skill sets of everyone.\t\t\t\t    <\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>In Celebration of the Life of Drummer Armando Mafufo by Ren\u00e9e Rothman posted February 12, 2013 &ldquo;And remember, my sentimental friend, that a heart is not judged by how much you love, but by how much you are loved by others.&rdquo; (The Wizard of Oz to the Tinman). From The Wizard of Oz by L. [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[124,112,45,183,1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/4725"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=4725"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/4725\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=4725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=4725"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=4725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}