{"id":4748,"date":"2013-02-18T12:19:58","date_gmt":"2013-02-18T19:19:58","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=4748"},"modified":"2013-02-18T15:55:04","modified_gmt":"2013-02-18T22:55:04","slug":"does-your-teacher-have-your-best-interest-at-heart","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2013\/02\/18\/does-your-teacher-have-your-best-interest-at-heart\/","title":{"rendered":"Does Your Teacher Have Your Best Interest at Heart?"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art58\/graphics58\/Bert-teaching2005.jpg\" class=\"floatright\" width=\"300\" height=\"450\" alt=\"Placeholder\" \/><\/p>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/sadiyya.html\">Sa&#8217;diyya<\/a><br \/>\n<span class=\"footnotes\">posted February 18, 2013 <\/span><\/h3>\n<blockquote>\n<p><em>\u201cA candle loses nothing by lighting another candle.\u201d \u2015 Erin Majors <\/em><\/p>\n<\/blockquote>\n<p>How do you know if your Belly Dance teacher has your best interest at heart?  Here are some important questions to ask yourself and, perhaps, others:<\/p>\n<ul>\n<li><strong><br \/>\n    Is your teacher qualified to give you a proper foundation for technique as well as cultural references?<\/strong><br \/>\n    When searching out a Belly Dance teacher, don&#8217;t be shy about asking for the teacher&#8217;s credentials.  If you are going to spend time and money learning to Belly dance, make sure you start the journey off with the right teacher so you won&#8217;t have to back-track later.<\/p>\n<\/li>\n<li><strong> Does your teacher give you honest critiques and feedback?<\/strong><br \/>\nDo you have to constantly wonder  what your teacher really thinks about your ability?  If you can&#8217;t get an honest answer out of your teacher, even in a &quot;one-on-one&quot; situation, then it may be time to look elsewhere if you expect to progress.  Sometimes, teachers  can&#8217;t bring themselves to risk hurting a student&#8217;s feelings, even if the student is asking for the truth and even if it means the student will benefit from hearing honest feedback.<\/p>\n<\/li>\n<li> <strong>Are your teacher&#8217;s classes and troupe a positive and healthy environment?<\/strong><br \/>\nMost teachers of Belly Dance truly love to teach so they can pass their knowledge on to others. However, teachers exist who thrive on belittling and controlling their students.  This type of environment may not be apparent at first glance, which is why it is important to occasionally take the time to analyze your dance classes and troupe experience.  If your Belly Dance teacher tries to manipulate you, control you, put you down, especially in front of others, or if she tries to make you feel guilty or unworthy about anything, especially for having any ambitions regarding your Belly Dance goals, then you should consider finding a more loving and healthy dance teacher\/troupe\/studio.<\/p>\n<\/li>\n<li><strong> Does your Belly Dance teacher encourage you to learn from other teachers, even from other local teachers and at other local events that offer workshops?<\/strong><br \/>\nIf your teacher is threatened by the idea of you enrolling in workshops and lessons from other people, then you have a clear sign that she does not  have your best interest at heart.  However, if she does, then she would be happy to hear that you are expanding your skills.  A healthy-minded teacher should be confident enough to not worry about losing students as long as she is constantly updating her curriculum and performance opportunities that she offers to her students.<\/p>\n<\/li>\n<li> <strong>Does your teacher offer performance opportunities, or at least routes for you to gain them on your own?<\/strong><br \/>\nIf you answered \u201cNo\u201d to the question above, you may want to consider finding a teacher who encourages performing experience for those students who are interested. <\/p>\n<\/li>\n<li><strong> Is your teacher helping you develop your own style?<\/strong><br \/>\nIf you have progressed past a certain point and are desiring to perform as a soloist, then you need a teacher who wants to see you become \u201cyour own dancer\u201d, meaning that you will probably no longer want to emulate the exact style of your teacher.  If you are put down or restrained for experimenting with your own style and for branching out, then you should find a teacher who can assist you in your journey to find your unique style.<\/p>\n<\/li>\n<li><strong> Is your teacher helping you accomplish your personal dance goals?<br \/>\n    <\/strong><br \/>\nThis question becomes really important when students get to an advanced level and they start to develop ambitions to perform, teach, and produce events.  Sometimes, teachers can feel threatened when students express that they want to do what their teacher is doing, whether that is performing professionally, teaching Belly Dance classes, or even to produce their own events. Teachers who have your best interest at heart will feel genuinely happy and proud when students achieve goals! Talk about leaving a legacy!  If you have a teacher who discourages you from your ambitions for whatever reason (the real reason is often hidden behind other excuses) then you need to find another teacher or a mentor who will put you on the right track. It is to be noted that some students who desire to perform professionally, teach, or produce events may not be ready, but it is the teacher&#8217;s duty to train correctly students who have these goals, or to lead them to a teacher who will help them.  Even if a teacher feels that an insistent student is not ready for a particular endeavor, the student should never be put down or discouraged.  There is a always a positive way to handle any situation. <br \/>\n<strong><br \/>\n  <\/strong><\/li>\n<li><strong> Lastly, does your teacher make you feel that if you leave her classes\/troupe\/studio, you will have no opportunities without him or her?<\/strong><br \/>\nTeachers should realize that when accomplished students reach a certain level, they will need to &quot;leave the baby bird&#8217;s nest.&quot;  It is a natural cycle and should be viewed as such.  Many students will stay with a teacher for years upon years simply for social and recreational purposes, but oftentimes, advanced students will want to move on in order to progress further.  If your teacher makes you feel bad or guilty for leaving the classes\/troupe\/studio, then you know that teacher doesn\u2019t have your best interest at heart.<\/li>\n<\/ul>\n<p>Remember that you are your own person and you can use your talents any way you want.  Nobody owns anybody else.  And nobody owns Belly Dance.  Belly Dance is an exciting world that gives women and men many artistic and entrepreneurial opportunities.  Everyone is benefited by the success of others within a community!\n\t\t  <\/p>\n<h6 class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art58\/graphics58\/Sadiyyatroupe.jpg\" width=\"500\" height=\"352\" alt=\"Sa'diyya and troupe\" \/><br \/>\n\t 1- Wendy Valera, 2- Joanna Devoto, 3- Tricia Slocum, 4- Saritza Velilla, 5- Margot Steffenhagen, 6- Cindy Edgin, 7- Lilliana, 8- Sa&#8217;diyya  <\/h6>\n<h5>Resources:<\/h5>\n<ul>\n<li>\n<h6><a href=\"..\/aboutuspages\/sadiyya.html\">Author&#8217;s bio page<\/a><\/h6>\n<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li><span class=\"articledate\">1-23-12 <\/span><a href=\"http:\/\/www.gildedserpent.com\/archives\/gigbagvideos.htm#33\" class=\"articlelink\">Gigbag Check #33 with Sa&#8217;diyya of Texas!<\/a> <span class=\"articleauthor\">Video on the Gigbag Check Page<\/span><br \/>\n\t\t\t\t\t  Gilded Serpent catches Sa&#8217;diyya backstage at the Belly Dancer of the Universe Competition in February 2011. She shows us her tools of the trade, including:safety pins (of course), mirror, curling iron, carpet tape, and all of her jewelry organized in a binder full of zip lock bags. She also tell us about using a fedora in a modern folk dance from Iran or Persia. Her mother helps her with her costumes. <\/span><\/li>\n<li><span class=\"articledate\">3-24-11 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/03\/24\/sadiyya-jillina-weeklong-intensive\/\">A Transformational Week, A Fan\u2019s View of Jillina&#8217;s Weeklong Intensive Report<\/a> <span class=\"articleauthor\">by Sa\u2019diyya of Texas<\/span><br \/>\n                      I think that\u2019s another benefit of having scholarships in the world of Bellydance because it gives dancers another goal to work towards: \u201cWhat do I have to do to rise to the occasion, to receive this other kind of award?\u201d<\/li>\n<li><span class=\"articleauthor\">6-11-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/06\/11\/najia-teacher-or-coach\/\">Teacher or Coach: What\u2019s the Difference? Why All Performing Dancers Need a Dance Coach<\/a> <span class=\"articleauthor\">by Najia Marlyz<\/span><br \/>\n                      Most performers have a great deal of untapped potential; additionally, many consider it cheating to engage a professional coach and yet, that is exactly what they would look for if this were the Olympics and they were competing for the gold!<\/li>\n<li><span class=\"articleauthor\">8-23-09<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/08\/23\/najiaimprov\/\"> Improvisation: Method Behind the Madness<\/a> <span class=\"articleauthor\">by Najia Marlyz<\/span><br \/>\n                      One of the biggest mistakes we western Bellydancers have made is presuming that the dancing to which Arabs refer as the \u201cEastern Dance\u201d is a theatrical dance that ought to be choreographed as if it were a ballet, or that its steps and movements are traditional like those of the Greek Hasapiko, an Arabic Depke, or a Hawaiian Hula.<\/li>\n<li><span class=\"articledate\">6-19-09<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2009\/06\/19\/najiateacher\/\">The Dance Teacher: By Divine Design or Default?<\/a> <span class=\"articleauthor\">by Najia Marlyz<\/span><br \/>\n                      &#8230;nearly everywhere, dancers in this particular form seem to have found it necessary to \u201cdo it all\u201d in order to earn a living by dance career alone<\/li>\n<li><span class=\"articledate\">9-7-10<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/09\/07\/comic-bellydance-class-or-cult\/\">Cult or Bellydance Class? Cartoon<\/a> <span class=\"articleauthor\">by Leela Corman<\/span><br \/>\n&quot;Pity those who do not study on our path, for they know not what they do not know!&quot;<\/li>\n<li><span class=\"articledate\">7-18-05<\/span> <a href=\"http:\/\/www.gildedserpent.com\/art31\/MaryEllenart2.htm\">Rhythm and Reason Series, Article 3, Community Warfare<\/a> <span class=\"articleauthor\">by Mary Ellen Donald<\/span><br \/>\nTime and again I hear dancers deplore the fact that in many parts of the country there are warring camps among dancers; that is, groups that openly oppose each other and that try to keep all useful information and all jobs to themselves.<\/li>\n<li><span class=\"articledate\">2-12-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/02\/12\/renee-rothman-armando-mafufo-memorial\/\" class=\"articlelink\">Everyone&#8217;s Uncle, In Celebration of the Life of Drummer Armando Mafufo<\/a> <span class=\"articleauthor\">by Renee Rothman<\/span><br \/>\n                    In fact, so many artists wanted to perform in his honor that many had to be turned down or else we might have had to stay all night.<\/li>\n<li><span class=\"articledate\">2-11-13<\/span> <span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/02\/11\/miles-copeland-response\/\">Make New Friends &amp; Keep the Old, Response:  A Dance Perspective for Today<\/a><\/span><span class=\"articleauthor\"> by Miles Copeland<\/span><br \/>\n                    After living in the Middle East for 25 years and continuing to work in the region for music and dance, I have a pretty good idea of what talent and creative ideas exist in the region. <\/li>\n<li><span class=\"articledate\">1-31-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/01\/31\/lauren-evolution-of-jillina\/\" class=\"articlelink\">The Evolution of Jillina, An Interview Regarding Change, Flexibility and Lessons Learned<\/a><span class=\"articleauthor\"> Interview by Lauren Boldt<\/span><br \/>\n                    Working with Jillina for the last six years or so, I\u2019ve been a fly on the wall for a lot of this transition. I\u2019ve been there for marathon rehearsal weeks, brainstorming sessions, the stress of taking a show on the road, the flops, and the standing ovations. <\/li>\n<li><span class=\"articledate\">1-29-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/01\/29\/rebaba-ch12-queen-denial-iraq\/\" class=\"articlelink\">Have I Left Yet? Queen of Denial, Chapter 12<\/a> <span class=\"articleauthor\">by Rebaba<\/span><br \/>\n                    Baghdad was the first place I had worked in where a complete communication blackout was ordered (no post, no newspapers, no telegrams, and no telephone access to the general public), and  a mere two weeks after my arrival.  For the very first time since I started traveling and dancing abroad, I was unable to call my parents (and vice versa) to assure them that I was fine regardless of what they were reading in the local newspapers.<\/li>\n<li><span class=\"articledate\">1-20-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/01\/20\/yasmin-henkesh-3rd-coast-tribal\/\" class=\"articlelink\">Behind the Scenes, 3rd Coast Tribal Festival<\/a> <span class=\"articleauthor\">Photo and text by Yasmin Henkesh<\/span><br \/>\n                    I had never been to a tribal dance convention before, even though I have been a professional (Egyptian style) belly dancer for 40 years. From my \u201cglitz and tits\u201d perspective, this belly dance offshoot wasn\u2019t something I recognized as mine.<\/li>\n<li><span class=\"articledate\">1-18-13 <\/span><span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/01\/18\/cairo-revisited\/\">Cairo Revisited: Dancing into the \u201890s<\/a><\/span> <span class=\"articleauthor\">by Najia Marlyz<\/span><br \/>\n                    Originally written for Caravan Magazine 1992- The one thing on which you depend about dance in Egypt from year to year is that everything slowly changes. I\u2019ve returned to Cairo each year now for nine consecutive years, and last year my visit was just before the short war we had with Iraq in which Egypt was our US ally.  Cairenes seemed sad last year, because Cairo had lost most of its income from tourism, and many Egyptian nationals were returning from Iraq and Kuwait, where they no longer had employment.  I did not know what to expect this year, except the inevitable fact of surprising, yet subtle, change.                    <\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>by Sa&#8217;diyya posted February 18, 2013 \u201cA candle loses nothing by lighting another candle.\u201d \u2015 Erin Majors How do you know if your Belly Dance teacher has your best interest at heart? Here are some important questions to ask yourself and, perhaps, others: Is your teacher qualified to give you a proper foundation for technique [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[31,82,51,56,1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/4748"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=4748"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/4748\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=4748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=4748"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=4748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}