{"id":4996,"date":"2013-07-03T16:14:45","date_gmt":"2013-07-03T23:14:45","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=4996"},"modified":"2013-07-03T16:16:14","modified_gmt":"2013-07-03T23:16:14","slug":"tinah-bellydance-at-county-fair","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2013\/07\/03\/tinah-bellydance-at-county-fair\/","title":{"rendered":"A Carousel of  Challenges"},"content":{"rendered":"<h2>Bellydancing at the  County Fair<\/h2>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art59\/graphics59\/countyfair-fwheel-lynette.jpg\" class=\"floatright\" width=\"300\" height=\"400\" alt=\"Placeholder\" \/><\/p>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/Tinah.html\">Tinah<\/a><br \/>\n\t\t\t\t<span class=\"footnotes\">posted July 3, 2013<\/span><\/h3>\n<p>Ah! The smell of buttered popcorn, the  blare of &lsquo;80s rock in roll, the burning sensation of your watering eyes; it  must be county fair time again!\u00a0 Every  year, county fairs, large and small, occur, attracting millions of people  across the United States to enjoy a day of good ol&rsquo; fashioned fun. For many  belly dancers, the county fair is their only reliable performance venue. Always  unpredictable, sometimes entertaining, they can be a good place to learn the  ropes of belly dancing for the general public. Performing at county fairs  requires certain skills and the venue is not for everybody, but I recommend  dancing in the fairs&#8211;as long as you bring along your  antihistamine.<\/p>\n<p>To perform at a county fair requires  forethought and tenacity. Often, you must contact a fair representative at  least a year in advance to have your name and address placed on an email list  for an application. <\/p>\n<p class=\"highlight\"><strong>Using correct  terminology is important; belly dancers are community performers who are  requesting to perform on a community stage.<\/strong><\/p>\n<p>No, this is not a paid performance,  but it is not unusual to receive applications six months prior to the county  fair. At this point, you must look at your crystal ball and decide if you will  be available. Some county and state fairs have byzantine application forms that  require you to choose from a variety of days and times as well as supply the  signatures of all potential participants. If you are accepted, you will be issued  a time slot and free passes.\u00a0 From my  experience, fair organizers want to know in advance if you need to cancel, and  sometimes, you will be required to return the passes you were given. I know of  a large urban county fair that will blackball you if you do not cancel within  whatever is deemed an appropriate time frame. At all times, remember that the  fair&rsquo;s representative is most likely a volunteer, so be patient!\u00a0 Once you have performed, you will be on their  email list, and you will be contacted automatically for the next year. Always  respond, even if you are not interested, and tell them to keep you on their  list. If you do not do this, you will have to start the process over again. <\/p>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art59\/graphics59\/Tina-fair.jpg\" alt=\"Tinah performs\" width=\"300\" height=\"375\" align=\"left\" \/>On the day of your county fair  performance, I recommend highly that you bring a print copy of any emails or  forms that indicate you are scheduled to perform. Once again, you will be  dealing with volunteers who have no idea who or why you are there! I expect to  go through a rigmarole to gain entrance to the fair as a matter of course.  Arrive at least an hour prior to your designated time slot. Expect to walk  (sometimes a great distance), expect dust and dirt, and assume the worst. This  is where patience, and often, the ability to improvise are important. I have  arrived at fairs to discover the so-called stage is merely a grassy spot  beneath a tree. Unfortunately, the absence of a sound system is common. If you  ask &ldquo;What do I do for dance music?&rdquo; I have been told, &ldquo;Don&rsquo;t belly dancers play  those clacker thingies?&rdquo; Good point! Yes we do. At that point, you can either  do an acapella routine or fetch your boom box from the car. Community stage  presentations can vary from karate demonstrations to local church choirs, and I  have found that officials of fairs have no idea what these types of acts need  to present a good exhibition, and sadly, sometimes they do not care.\u00a0 About this time, you begin wonder why you are  doing this. <\/p>\n<p>When you see your proposed dressing  area, try not to cry. I have dressed in my car, random unoccupied offices,  porta-potties, plastic pop-up tents, and (my all-time favorite) a tool shed.  Needless to say, I try to wear most of my costume into the fair, fearing the  dressing room dilemma. To add to it all, fairs are held in the summertime.  Trying to dress and apply makeup in a tool shed in 100 degree weather should  qualify you for sainthood, but wait, there is more! If you have a sound system,  you should count your lucky stars!\u00a0 I  always have my boom box in the car along with batteries&#8211;just in case. The &ldquo;sound  guy&rdquo; is a volunteer or your husband or maybe yourself. There really is no  graceful way to segue from fiddling with your boom box to sashaying onstage to  dance, so just do it with a smile! <\/p>\n<p>During your performance, you will have  to work to attract and keep an audience. Community stages can be located next  to livestock or even inside noisy carnival ride zones. I have performed on  stages next to mechanical bull rides, robotic dinosaurs, and racing pigs. It is  not unusual to be unable to hear your music over the sound of wild carnival  rides. There is nothing like vamping through a dramatic veil routine only to  have the roar of a robotic T-Rex disrupt the mood. Worse yet is to realize that  your performance coincidences and competes with frantic pig racing commentary.  At one point during every fair, I just have to laugh! <\/p>\n<p>Audience members can add to the  surreal atmosphere. Remember, they serve alcohol at many fairs. I have dealt  with hooting drunks, angry women, proselytizing people, dancing drunks, and  sticky children. I have never had a problem that I could not diffuse, but I do  recommend taking somebody along with you&#8211;especially if you are performing at  night. What makes these performances worth it to me is the fact that I am  performing for people who may never have seen a belly dancer. For every drunk I  have had to dodge there have been far more people who have enjoyed my show,  asking questions, and taking my business cards. <span class=\"artist\"><a href=\"http:\/\/www.gildedserpent.com\/archives\/other-videos.html#rachelb\" target=\"_blank\">Rachel Brice<\/a><\/span> tells a story of  seeing a belly dancer at a fair and being inspired to try belly dance. You  represent the art of bellydancing, so be mindful of that.<\/p>\n<p>Always bring a positive, flexible, and  open attitude. I am a cabaret belly dancer who has worn folkloric costuming  because the fair wanted a &ldquo;family-oriented&rdquo; presentation. I was not offended.  Having volunteers joke about belly dance and realizing they think you&rsquo;re a  stripper is not unusual. I find the best tactic is to perform, not lecture. <\/p>\n<p class=\"highlight\">The general  public really, really does not know what belly dance is. Show them! <\/p>\n<p>As summer  approaches, I am gearing up to once again to belly dance through county fairs  until the first chill of fall.\u00a0\u00a0 Shows  held in fairgrounds are not glamorous but are always entertaining, and they are  an important venue for promoting belly dance to the general public. Just don&rsquo;t  forget that the most important thing in your gig bag will be patience, and the  ability to improvise. <\/p>\n<p class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art59\/graphics59\/countyfair-prizes.jpg\" width=\"500\" height=\"375\" \/><\/p>\n<p>\n\t\t\t<\/p>\n<h5>Resources:<\/h5>\n<ul>\n<li>\n<h6>Author&#8217;s bio page<\/h6>\n<\/li>\n<\/ul>\n<p><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/graphics\/acommentbox.jpg\" alt=\"use the comment box\" align=\"right\" \/><\/p>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<ul>\n<li>\n\t\t\t\t\t  <span class=\"articledate\">7-1-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/07\/01\/zorba-beauty-has-its-price\/\" class=\"articlelink\">Beauty Has Its Price, The Quest for Beauty, Part 4<\/a> <span class=\"articleauthor\">by Zorba<\/span><br \/>\n\t\t\t\t      Being involved with an art form that is all about beauty, I too feel the need to present myself as best and as beautiful as possible. Beauty costs in time, pain, and money; and as philosophers have pointed out for millennia: its only fleeting. <\/li>\n<li><span class=\"articledate\">6-18-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/06\/18\/carl-mendocino-camp-photos-pg1\/\" target=\"_blank\"><span class=\"articleauthor\">Mendo Camp Life Photos 2012, Page 1 of Photos from Mendocino Middle Eastern Music and Dance Camp<\/span><\/a> <span class=\"articleauthor\">by Carl Sermon<\/span><br \/>\n                      A week long immersion into Middle Eastern music and dance while camping in the Mendocino redwood forest. Expect live music every night and classes with many music and dance teachers each day. Many of the names are linked to video interviews we have conducted with individuals or to their bio pages here on Gilded Serpent. <\/li>\n<li><span class=\"articledate\">6-17-13<\/span> <span class=\"articlelink\"><a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/06\/17\/gabriel-photos-munique-spain-photos\/\" target=\"_blank\">Munique brings Egypt to Spain Again, 7th International Festival of Egypt in Barcelona 2013<\/a><\/span> <span class=\"articleauthor\">photos by Gabriel Monserrat Lopez<\/span><br \/>\nBarcelona welcomed teachers and lucky participants for a festival that brought Egypt to Spain with well attended  lectures, workshops, and galas during four days of fun and learning, January 31st until February 3rd, 2013. This event provided a unique opportunity to learn the art of Oriental dance from the best names in Egypt. span class=\u201dartist\u201d&gt;Randa Kamel (Egypt), Mo Geddawi (Egypt), Gamal Seif (Egypt), Bozenka (Cuba\/USA), Amar Gamal (Cuba\/USA), Amaru Sabat (Spain), who together with Munique Neith ran workshops throughout an intensive weekend.<\/li>\n<li><span class=\"articledate\">6-11-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/06\/11\/zaina-bahrain-bellydance-scene\/\" class=\"articlelink\">Changes in the Island Kingdom, The Bahrain Bellydance Scene<\/a> <span class=\"articleauthor\">by Zaina Brown<\/span><br \/>\n                      Returning to Bahrain to work after four years felt like going back to my roots. This little island kingdom is where I did my first Middle East contract, busted my bra on New Year\u2019s Eve, and returned several times in the following year. Those were the days. Now it had been a while. Had Bahrain changed? You betcha. <\/li>\n<li><span class=\"articledate\">6-10-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/06\/10\/nisaa-20thcentury-bellydance-crossroads\/\" class=\"articlelink\">At the Crossroads, Discovering Professional Belly Dance at the Dawn of the Twentieth Century<\/a>, <span class=\"articleauthor\">by Heather D. Ward \u201cNisaa of St. Louis\u201d<\/span><br \/>\n                      The transition from awalem and ghawazee dance styles to theatrical raqs sharqi began during the last decades of the nineteenth century and the first decades of the twentieth in Egypt. Unfortunately, scant film footage exists of dancers from that period to reveal exactly what professional belly dance looked like during that critical moment in Egyptian dance history. However, still photos and travelers\u2019 descriptions from the time do allow a few conclusions to be drawn about the nature of belly dance in Egypt at this important transition. <\/li>\n<li><span class=\"articledate\">5-20-13<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/05\/30\/sophia-bellydancer-year-2013-photos\/\" class=\"articlelink\"> Soloists, Belly Dancer of the Year 2013 Photos<\/a> <span class=\"articleauthor\">by Sophia Harris<\/span><br \/>\n                      The goal of BDOY is to give qualified dancers a fair and equal opportunity to exhibit their skills, as well as promote and elevate the art of belly dance and support its amazing community. Khalilah wins!<\/li>\n<li><span class=\"articledate\">5-20-13<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/05\/20\/yasmela-shelley-hafla-schmafla\/\" class=\"articlelink\"> Hafla Schmafla, Buidling Communithy in Our Dance World.<\/a> <span class=\"articleauthor\">by Shelley Muzzy<\/span><br \/>\n                      Per my understanding, a hafla, in its most basic sense, is a party. It can be a party centered around family events, a circumcision, birthday, engagement, promotion, whatever, and it is a term that comes from the Arabic speaking world.<\/li>\n<li><span class=\"articledate\">5-13-13<\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/05\/13\/najia-costuming-trends-1987\/\" class=\"articlelink\"> Costuming Trends of 1987, At the Rakkasah Festival<\/a><span class=\"articleauthor\"> by Najia Marlyz<\/span><br \/>\n\t\t\t\t\t  Although the trend at Rakkasah &lsquo;87 was definitely toward better dancing than we have seen in the past; the costuming I saw would be high on anyone&rsquo;s list of worn-out ideas.\u00a0 Nowadays, we have more and more of almost everything; it is immediately apparent that there is more material in the skirts\u2014such as double skirts, ruffles, tatters, tiers, beads, and even elaborate sequined patterns, and embroidery.<\/li>\n<li><span class=\"articledate\">5-6-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/05\/06\/rebaba-queen-denia-ch13-back-in-us\/\" class=\"articlelink\">I&#8217;m Back in the U-S-S-A! Queen of Denial, Chapter 13<\/a> <span class=\"articleauthor\">by Rebaba<\/span><br \/>\n                      My first quarter at Cal-Poly wasn\u2019t nearly as easy for me as finding work belly dancing. I had no idea what I was getting myself into academically when I registered as a business major.<\/li>\n<li><span class=\"articledate\">5-1-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/05\/01\/iana-orientalism-early-modern-dance\/\" class=\"articlelink\">Dreaming of the East, Orientalism in Early Modern Dance<\/a> <span class=\"articleauthor\">by Iana Komarnytska<\/span><br \/>\n                      As a belly dancer and a modern dance student at York University, my attention was captured by the fact that a number of early modern dancers performed variations on Oriental themes. I became interested in how they interpreted the Orient through their modern dance technique, and how they represented the Orient in their choreographies, since their performances could have been loosely associated with actual Middle-Eastern dances.<\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Bellydancing at the County Fair by Tinah posted July 3, 2013 Ah! The smell of buttered popcorn, the blare of &lsquo;80s rock in roll, the burning sensation of your watering eyes; it must be county fair time again!\u00a0 Every year, county fairs, large and small, occur, attracting millions of people across the United States to [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[124,98,84,1],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/4996"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=4996"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/4996\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=4996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=4996"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=4996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}