{"id":5197,"date":"2013-10-20T17:02:43","date_gmt":"2013-10-21T00:02:43","guid":{"rendered":"http:\/\/www.gildedserpent.com\/cms\/?p=5197"},"modified":"2013-10-20T19:09:25","modified_gmt":"2013-10-21T02:09:25","slug":"amel-tafsout-sufi-spiritual-world-of-north-africa-trance","status":"publish","type":"post","link":"http:\/\/www.gildedserpent.com\/cms\/2013\/10\/20\/amel-tafsout-sufi-spiritual-world-of-north-africa-trance\/","title":{"rendered":"Entering the Sufi  Spiritual World of North Africa"},"content":{"rendered":"<h2>Sufi Brotherhoods and Trance Ceremonies in the Maghreb<\/h2>\n<div class=\"topphoto\">\n<h6 class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/Zaouia_sidi_mesaoud4inch.jpg\" width=\"300\" height=\"466\" alt=\"Zawiya in Souk Ahras in East Algeria\" \/><br \/>\nThis zawiya is in Souk Ahras in East  of Algeria, sometimes<br \/>\npeople call the zawiya  a marabout &#8211; they really mean the<br \/>\nsaint. It happens that meals  are offered to the poor<br \/>\nevery Friday of the week, here we see in the middle of<br \/>\nthe picture people sitting and eating bread, on the left<br \/>\nof the picture a man is standing, he is the caretaker.<\/h6>\n<\/p><\/div>\n<h3>by <a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/ameltafsout.htm\">Amel Tafsout<\/a><br \/>\n\t\t\t\t<span class=\"footnotes\">posted October\t20,\t2013 <\/span><\/h3>\n<p>  Since  antiquity the Maghreb has been a crossroad for people, ideas, movements,  humanity and spirituality, where Africa meets the Orient. Although Sufism began  to be recognized as a distinctive spiritual path in the 9th Century, separate  orders or <em>Tariqat <\/em>didn&rsquo;t begin to emerge until the end of the 11th  Century, and flourished in the region in the 13th Century. Each <em>Tariqa,<\/em> usually named  after its founder, created its own doctrine, traditions and social conventions. Thus the <em>Shadhiliyya<\/em> is named after <span class=\"artist\">Abu al-Hasan al-Shadhili<\/span>, the<em> Qadiriyya<\/em> after &#8216;<span class=\"artist\">Abd al-Qadir  al-Jilani<\/span>, and the <em>Jazuliyya<\/em> after<span class=\"artist\"> Muhammad ibn Sulayman  al-Jazuli<\/span>, whose influence of North African Sufism  began on the wider Islamic world in the 15th-17th centuries. Special attention  is given to Jazuli&rsquo;s attachment to two traditions of international Sufism, the  Shadhiliyya of North Africa and the Qadiriyya. These networks extended  throughout the Islamic world from Afghanistan to Morocco. <\/p>\n<p class=\"highlight\">Furthermore, the Maghreb consists of many  Sufi-brotherhoods, often recognized and set through their <em>Zawiyas<\/em> and  initiations. Sufis have always worked toward reform through advice and  education of the individual and internal purification through providing a model  and example of tolerance, solidarity, brotherhood and selflessness removed from  anything that would give a bad image of Islam.<\/p>\n<div class=\"floatleft\">\n<h6><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/Mosquee_zaouia_Alger-5.jpg\" width=\"375\" height=\"276\" alt=\"Zawiya\" \/><\/h6>\n<h6>This zawiya is also a mosque in the  center of Algiers, called Sidi Abd Ar- Rahmane<br \/>\n            mosque, it is the name of the  saint, people come from everywhere to pay their <br \/>\n            respect and have a pilgrimage,  as the Saint or Marabout was known for healing<br \/>\n             diseases) <\/h6>\n<h6><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/Zaouia_Sidi_Amor_Makhlouf,_Monastir,_septembre_2013,_01-5.jpg\" width=\"375\" height=\"247\" alt=\"Zawiya\" \/><br \/>\n        This is a typical zawiya located in  the cemetary in Monastir in Tunisia.It is common<br \/>\nthat people pay their respect    to their deceased loved ones and also to the saint of<br \/>\nthis zawiya)<\/h6>\n<\/p><\/div>\n<p>However, the zawiya is an Islamic religious school, monastery  or a religious site, which groups Sufi followers around a particular  sheikh. Sufism is based on the Qur&#8217;an and the practice of the Prophet. Sufi  teaching stresses mysticism and love of God.&nbsp;Sufism purifies hearts and  directs intentions towards God. All Sufi orders have certain specific rules and  regulations to achieve this realization, and there are particular spiritual  states and stations in Sufism that may be obtained by performing certain  practices and rituals. At  the initiation ceremony, the sheikh who has experienced union with God and annihilation  of self, in addition to giving the disciple the special garment, also gives him a secret word or  prayer to help him in his meditation.<\/p>\n<p> Sufis  also believe in spiritual guides who reveal themselves to the Sufi in visions  or dreams and help him on his path. The initiate has to learn spiritual poverty  (<em>faqr<\/em>), which means emptying the soul of self in order to make room for  God. The illusion of the individual ego must be erased by humility and love of  one&#8217;s neighbor. This is attained by a rigid self-discipline that removes all  obstacles to the revelation of the Divine Presence.<\/p>\n<p> The struggle of  Sufis for the purification of intention towards God leads them to formulate  specific practices, and over time these become an indispensable part of Sufi  teachings. The saints are  not calling for anyone to believe in them despite their visions and blessings.  The initiation into a Sufi order is a necessary ritual that transmits the  spiritual blessing (<em>Baraka<\/em>, spiritual power) of the guide (<em>murshid<\/em>)  to the disciple (<em>murid<\/em>). \u00a0<\/p>\n<h2 class=\"aligncenter\">Sufi Brotherhoods  in the Maghreb<\/h2>\n<p>In the Maghreb, most Muslims follow the&nbsp;<em>Sunni<\/em>&nbsp;Maliki&nbsp;School. A strong tradition of venerating&nbsp;<em>marabouts<\/em>&nbsp;and saints&#8217; tombs is found throughout the  Maghreb and therefore in many places. Rhythms and music styles are named after  the <em>marabouts<\/em>. A network of&nbsp;<em>zawiyas<\/em>&nbsp;traditionally helped proliferate basic literacy  and knowledge of Islam in rural regions.  Each Sufi order or a <em>Tar\u012bqa <\/em>ha<em>s<\/em> a <em>silsila<\/em> that means a chain or a lineage of a specific sheikh  of a Sufi brotherhood.  The Maghreb consists of various Sufi brotherhoods which are as follows:<\/p>\n<div class=\"floatright\">\n<p class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/el-muqadma-de-la-zaouia-kadiriya-a-tlemcen-smaller.jpg\" width=\"225\" height=\"322\" alt=\"Lady Shamman\" \/><\/p>\n<h6 class=\"aligncenter\">This lady is the muqadma or the shawwafa, which<br \/>\nmeans the medium or the shamman who can<br \/>\ncommunicate with the spirits and give  messages.<br \/>\nShe is also in charge of the tomb or the shrine of <br \/>\nthe saint. She is  here standing next to the shrine<br \/>\nand will make sure that the shrine is  respectedby<br \/>\nthe visitors. This shrine is located in Tlemcen(In<br \/>\nthe west of Algeria and belongs to the Qadiriya<br \/>\nSufi Brotherhood)<br \/>\nPhoto courtesy of VitamineDZ.com <\/h6>\n<\/p><\/div>\n<p class=\"sectiontitle\">1.  Al Qadiriya:<\/p>\n<p> It is  the oldest and most widespread order. It has branches all over the world that tie to its center in Baghdad. It was  founded in Baghdad by &#8216;Abd al Qadir Jilani (d.1166) who is considered to be the greatest saint  in Islam. It later became established in Yemen, Egypt, Sudan, the Maghreb,  Central Asia and India. The Qadiriya stresses piety, humility, moderation and  philanthropy and appeals to all classes of society. It is governed by a  descendant of al Jilani who is also the keeper of his tomb in Baghdad which is  a pilgrimage center for his followers from all over the world.<\/p>\n<p class=\"sectiontitle\">2. Ash Shadiliya:<\/p>\n<p> It was started by al Shadili (d.1258)  in Tunis. It flourished especially in Egypt under<span class=\"artist\"> ibn &#8216;Ata Allah<\/span> (d.1309) but  also spread to North Africa, Saudi Arabia and Syria. It is the strongest order in the  Maghreb where it was organized by al Jazuli (d. 1465) and has sub-orders under  other names. The Tariqa Ash  Shadiliya stress the intellectual basis of Sufism and allows its members to remain involved in the secular world. Their disciples are not allowed to  beg and are always neatly dressed. They appealed mainly to the middle class in  Egypt and are still active there. It is said that the Shadiliya were the first  to discover the value of coffee as a means of staying awake during nights of  prayer!<\/p>\n<p class=\"sectiontitle\">3.  Al Jilaliya: <\/p>\n<p> This order is a  Qadiri branch in the Maghreb who worship  al Jilani as a supernatural being, combining Sufism with pre-Islamic ideas and  practices.<strong><\/strong><\/p>\n<p class=\"sectiontitle\">4. Ad Daraquiya:<\/p>\n<p> It was founded in the early 19th century by <span class=\"artist\">Mulay &#8216;Arabi  Darqawi<\/span> (d. 1823) in Fez, Morocco. It was the driving force behind the Jihad  movement that achieved mass conversions to Islam in the mixed Amazigh (Berber), Arab, and Sub-Saharian African  lands of the Sahel. It is influential today in Mali, Niger and Chad and still  widespread in Morocco.<\/p>\n<div class=\"floatleft\">\n<h6 class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/Tijaniyya2-5.jpg\" width=\"188\" height=\"263\" alt=\"Book Cover with Sain Sidi Tijani\" \/><\/h6>\n<h6 class=\"aligncenter\"><span class=\"aligncenter\">This  is a book cover representating the <br \/>\n            Saint Sidi Tijani with his animal-<br \/>\nhere the  deer &#8211; as each saint\/marabour<br \/>\ncan be represented by an animal,<br \/>\nthe mosque  behind him is his zawiya.<\/span><\/h6>\n<\/p><\/div>\n<p class=\"sectiontitle\">5.Tijaniyya:<\/p>\n<p> It is the largest tariqa in West Africa  whose founder, <span class=\"artist\">Ahmed al-Tijani<\/span> (d.1815), lived and was buried in Fez. Indeed it was a Tijani who was  responsible for propagating the <span class=\"company\">Khalwatiyya<\/span> order, which he had  encountered in Cairo on his way to Mecca to perform the Hajj. In a further  example of the inter-connectedness of the brotherhoods&rsquo; histories, Tijani had  also been an initiate of the <span class=\"company\">Wazzaniyya<\/span> and the<span class=\"company\"> Qadiriyya<\/span>.<\/p>\n<p class=\"sectiontitle\">6.  Al A\u00efssawa<\/p>\n<p> This tariqa is a  religious and mystical brotherhood founded in&nbsp;Mekn\u00e8s,&nbsp;Morocco, by <span class=\"company\">Muhammad Ben A\u00efss\u00e2<\/span> (1465\u20131526),  best known as the&nbsp;<em>Shaykh Al-K\u00e2mil<\/em>, or &quot;Perfect&nbsp;Sufi&nbsp;Master&quot;. The terms A\u00efss\u00e2wa  (`Is\u00e2wa) is derive from the name of the founder,  and respectively designate the brotherhood  and its  disciples (fuqar\u00e2, sing. to&nbsp;fakir, literally: &quot;poor&quot;). The  A\u00efssawa followers are known for their&nbsp;spiritual&nbsp;music, which generally comprises  songs of religious&nbsp;psalms,  characterized by the use of the&nbsp;oboe-ghaita (similar to the&nbsp;mizmar&nbsp;or&nbsp;zurna) accompanied by percussion  using&nbsp;polyrhythm.<\/p>\n<div class=\"floatright\">\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/AissawaWithHorns-smaller.jpg\" width=\"375\" height=\"281\" alt=\"Aissawa\" \/><\/p>\n<h6 class=\"aligncenter\"> This picture shows the A\u00efssawa brotherhoods with  the leader Said Guissi&rsquo;s\u00a0<br \/>\nEnsemble from  the holy city of Fes, Morocco. They are considered the most<br \/>\naccomplished groups  to emerge from the centuries old A\u00efssawa Tariqa.<br \/>\nHere they use trumpets  and pipes creating a trance &#8211; inducing wall of sound.<br \/>\nI met them in London many  times at the Music Village festival in 1998 and<br \/>\nalso at the Sufi Festival in  London in 2000.This picture was taken at the Muslim <br \/>\nVoice festival in 2009 in  New York City. They are bringing to life the Sufi<br \/>\nmusical tradition of connecting with  the Divine.<\/h6>\n<\/p><\/div>\n<p>Complex  ceremonies, which use symbolic dances to bring the participants to  ecstatic&nbsp;trance,  are held by the Aissawa in private during domestic ritual nights (<em>l\u00eelat<\/em>),  and in public during celebrations of national festivals (the&nbsp;<em>moussem<\/em>,  which are also&nbsp;pilgrimages)  as well as during folk performances or religious festivities, such as&nbsp;Ramadan, or&nbsp;<em>mawlid<\/em>, the &quot;birth of the  Prophet.&quot; The Moroccan and Algerian States organize these festivities.<\/p>\n<p> In  Morocco, the ceremonies of the A\u00efss\u00e2wa brotherhood take the form of   nightly rituals (known simply as &quot;night&quot;,&nbsp;<em>lila<\/em>),  organized mainly by <em>Imam Sheikh Boulila<\/em> (Master of the Night) at the request of  women sympathizers. Women are currently the principal customers of the  orchestras of the brotherhood in Morocco.<\/p>\n<p> As  the A\u00efss\u00e2wa is supposed to bring to people blessings (<em>baraka<\/em>), reasons for organizing a  ceremony are varied and include celebration of a Muslim festivity, wedding,  birth, circumcision, or exorcism, the search for a cure for illness, or to make  contact with the divine through the&nbsp;<em>extase<\/em>.  Rituals have standardized phases among all the A\u00efss\u00e2wa musin ensemble. These  include mystical recitations of Sufi&nbsp;litanies&nbsp;and the singing of spiritual  poems along with exorcism, and collective dances.<\/p>\n<table width=\"320\" border=\"0\" align=\"left\" cellpadding=\"10\">\n<tr>\n<td><iframe loading=\"lazy\" width=\"300\" height=\"225\" src=\"\/\/www.youtube.com\/embed\/EVluKNjBCAA\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h6>A moussem is a religious festival celebrating here the Saint Sidi Ali, known for healing people, therefore this sacred site became a gathering for people to dance and get into trance in order to get healed.<br \/>\n              <\/h6>\n<\/td>\n<\/tr>\n<\/table>\n<p>According  to A\u00efssawa lore, this ceremony was not established nor even practiced at the  time of&nbsp;Chaykh Al-K\u00e2mil. Some members of the brotherhood believe  that it emerged in the 17th century at the instigation of A\u00efss\u00e2w\u00ee disciple <span class=\"artist\">S\u00eed\u00ee  `Abderrahm\u00e2n Tar\u00ee Chentr\u00ee<\/span>. Alternatively, it may have appeared in the 18th  century under the influence of Moroccan Sufi masters <span class=\"artist\">Sid\u00ee `Ali Ben Hamd\u00fbch<\/span> or  Sid\u00ee Al-Darq\u00e2w\u00ee, who were both well known for their ecstatic practices.<\/p>\n<p> More  broadly, the actual trance ritual of the A\u00efss\u00e2wa brotherhood seems to have been  established progressively through the centuries under the three influences of  Sufism, pre-Islamic&nbsp;animist&nbsp;beliefs,  and urban Arab melodic poetry such as the&nbsp;<em>Malhun<\/em>.<\/p>\n<p class=\"sectiontitle\">7. Al Wazzaniyya:<\/p>\n<p> Like the Charqawiyya, it is are an offshoot  of the Jazuliyya-Shadhiliyya. The tariqa was founded by <em>Moulay<\/em> (saint)<span class=\"artist\"> &lsquo;Abd  Allah al-Sharif <\/span>(d.1678), who had been a member of the Jazuliyya order and, unlike the others, takes its name not  from their master or founder but from the town in which they are based, Wazzan. This town is  located in the southwestern Morocco and founded by <span class=\"artist\">al Sharif<\/span> in the first half  of the 17th Century. It is known by many Moroccans as &ldquo;Dar  Dmana&rdquo; (The Abode of Protection).<\/p>\n<p class=\"sectiontitle\">8. Al Siqiliyya:<\/p>\n<p>Al Siqiliyya are an annex of the Khalwatiyya. Based  in Morocco since the 18th Century, it has also been suggested that they may  have some link to Sicily, which had a sizeable Muslim population until the  mid 13th Century, and in fact was ruled as an Islamic emirate (called Siqlliyya) from the mid-10th Century to the end of the 11th. The  connection between Sicily and Morocco, and Fez in particular, seems to be the  role played by<span class=\"artist\"> Jawhar al-Siqilli <\/span>(d.992) in the Fatimid conquests of the Maghreb.          <\/p>\n<div class=\"floatright\">\n            <iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/GoLgD8VIWrM\" width=\"500\" height=\"281\" frameborder=\"0\" class=\"aligncenter\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h6 class=\"aligncenter\">The M\u2019alma (master) Zaida Gania is here performing a Sufi song with the female ensemble singing and<br \/>\nplaying percussion at the Gnawa festival of Essaouira, Morocco.<br \/>\nChrib Attay 2009<\/h6>\n<\/p><\/div>\n<p class=\"sectiontitle\">9.  Al Gnawa: <\/p>\n<p>The  <span class=\"company\">Gnawa Brotherhood<\/span>    exists under the names  of <span class=\"company\">Gnaoua, Ouled Sidi Blel, L&rsquo;Aabid, Stambali, Zar,<\/span> etc\u2026<\/p>\n<p>The&nbsp;<em class=\"company\">Gnawa<\/em>&nbsp;(sing.<em> Gnawi<\/em>) <em>refers<\/em> to an ethnic Sufi religious order. The name may originate from the  Saharan Amazigh (Berber) dialect word <em>\u00a0aguinaw <\/em>or <em>agenou<\/em>, meaning &ldquo;black men&rdquo;. This word in turn is possibly derived  from the name of the city significant in the 11th century, in what  is now Western Mali, called <em>Gana<\/em> in Arabic <em>Ghana<\/em> .The term &ldquo;Gnawa&rdquo;  has two meanings: It refers on one hand to an ethnic minority of former black  slaves brought from Sub-Saharan Africa\u00a0  (especially West Africa: Ghana, Guinea, Burkina Faso and Mali) more than  900 years ago to the Maghreb (Morocco, Algeria,  Tunisia, Libya, and Mauritana); and on the other hand to an even smaller  group of people within this ethnic minority who take part in the<em> Lila<\/em> or <em>Derdeba<\/em> ritual ceremony of spirit possession. The members of this group have preserved  their traditions through the centuries.\u00a0  While they have retained many of the customs, rituals and beliefs of  their ancestors, their music and dance are the most preserved traits. After  their conversion to Islam they adopted the first black person to convert to  Islam and become the first <em>muezzin, <\/em><span class=\"artist\">Bilel<\/span>, as their ancestor and saint  patron.<\/p>\n<div class=\"floatleft\">\n            <iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/KeiDVixVOpQ\" width=\"300\" height=\"169\" frameborder=\"0\" class=\"aligncenter\" allowfullscreen><\/iframe><\/p>\n<h6 class=\"aligncenter\">The female Gnawa master M\u2019alma Hasna al Bacharia is <br \/>\nperforming here with an electric guitar a Sufi song praising the<br \/>\nprophet Muhammad and the saints. Her ensemble is playing<br \/>\ntraditional gnawa 6\/8 rhythms.She was featured on the <br \/>\nAlgerian National Television channel ENTV. <\/h6>\n<p><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/malma--hasna-el-bacharia-smaller.jpg\" width=\"300\" height=\"202\" alt=\"Malma Hasna el Bacharia\" \/><\/p>\n<h6 class=\"aligncenter\">This picture shows the Master Ma&rsquo;alma Hasna playing<br \/>\nGimbri and singing &nbsp;on stage. <\/h6>\n<\/p><\/div>\n<p class=\"sectiontitle\">The Gnawa of Morocco<\/p>\n<p>During the last few decades, Gnawa music of Morocco has been  modernized and therefore became more profane. However there are still many <em>lilat <\/em> organized privately, which conserves the sacred, spiritual status of the music.<\/p>\n<p>Today Gnawa musicians do not consist  of only men; women are becoming respected musicians and still are\u00a0<em>muquadmat or Shawwafa <\/em>who are  communicating with the spirits. However, they also decided to play the religious  instrument, called the <em>gembri. <\/em>\u00a0The <span class=\"company\">Haddarat Zaida Gania<\/span>\u00a0 is a group of women who have learned the  female art of oral tradition of the <em>Hadra<\/em> (zikr) from their mothers and  female ancestors. I met them in the Moroccan city of Eassaouira while I was working at the <span class=\"company\">Oasis  Dance Camp <\/span>in Morocco in 2011. They perform Sufi and Gnawa music. I was blown  away by their performance and I hope I will find the opportunity to bring them  to the United States. <\/p>\n<p class=\"highlight\">The first ever master\u00a0female <em>gembri<\/em> player is called<span class=\"artist\"> Hasna al Bacharia<\/span>. Hasna El Bacharia has an artistic career of over thirty years. She mixes the sacred and the profane; she also plays electric guitar, <em>&lsquo;ud<\/em> , banjo and especially <em>Guembri<\/em> (a spiritual instrument that is not supposed to be touched or played by a woman). <\/p>\n<div class=\"floatright\">\n<h6 class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/Haddarat-Gania-Amel-TafsoutNov2011-smaller.jpg\" width=\"300\" height=\"218\" alt=\"Amel and friends\" \/><\/h6>\n<h6 class=\"aligncenter\"><em> This  picture was taken in Essaouira during the Oasis Dance<br \/>\nCamp, Nov.2011 at the  Haddarat Gania&rsquo;s home. After they<br \/>\ncooked for all of us, they perform for us. Here  I am with them as<br \/>\nthey insisted that we should take a picture together and there<br \/>\nis another member of ADC present. They are all related and <br \/>\nthey are starting to  enjoy their success).\u00a0<\/em><a href=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/Haddarat-Gania-Amel-TafsoutNov2011.jpg\"> click for enlargement<\/a><\/h6>\n<h6 class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/Female-gnawa-smaller.jpg\" width=\"300\" height=\"238\" alt=\"Young Haddarat in performance\" \/><br \/>\n              <em>Here are the  younger Haddarat in performance<\/em><br \/>\n            Photo courtesy of Mario Scolas.<a href=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/Female-gnawa.jpg\"> click for enlargement<\/a><\/h6>\n<\/p><\/div>\n<p>She is the daughter of one of  the masters of the <em>Diwan<\/em> in the South  Western Algerian city of Bechar. In 1972 she founded her first music band with four other female  musicians. The band started performing in weddings for only women. In 1976,  Hasna and her female ensemble were featured in a huge concert in Bechar by the  <span class=\"company\">Union of Algerian Women<\/span>. In January 1999, Hasna arrives in Paris after being invited by the <span class=\"company\">Cabaret Sauvage<\/span> at the festival of Algerian Women. After her first  successful album, Hasna is invited at many concerts and music festivals around  the world. I personally saw her perform many times in London,  U.K. We became friends through interesting circumstances and I am always happy  to hear that she is rewarded and respected for her art.<\/p>\n<p>While adopting Islam, Gnawa continued to celebrate ritual  possession during rites where they are devoted to the practice of the dances  of possession, called <em>jedba<\/em><em>,<\/em> and  proceed the <em>lila<\/em> ceremony that is animated by a master musician  (<em>M&rsquo;aalem)<\/em> accompanied by his troupe. Gnawa music mixes classical Islamic  Sufism with pre-Islamic African traditions, whether local or sub-Saharan. The  Gnawa use their music and dance to heal the pain of captivity. They perform  trance ceremonies called <em>Derdeba <\/em>(possession rite) which generally  takes place at\u00a0 nighttime, for this  reason it is called a <em>lila.<\/em><\/p>\n<p>The Gnawa believe that many misfortunes that happen to  people are not just accidental but <em>Djinns<\/em> could cause them. That is why some people are under the  affliction of some illness, infertility or depression; therefore they come to  seek the help of the Gnawa.<\/p>\n<p class=\"highlight\"> Many  modern Western scholars see parallels between African American music such as  the blues, that is rooted in Black American slave songs, and Gnawa music as  well as a Sufi Tariqa.<\/p>\n<p> This influence resonates from other  black  groups such as the Bori in Nigeria, the Stambouli in Tunisia, the Sambani in  Lybia, the Bilali in Algeria and those outside Africa such as the Voodoo  religion, the Candomble in Brazil and the Santeria in Cuba.<\/p>\n<p class=\"sectiontitle\">Sidi Blel<\/p>\n<p><strong>Sidi  Blel <\/strong>is a Sufi  brotherhood in Algeria that is also related to the Gnawa. The ceremony takes  place during a <em>Wa\u00e2da <\/em>at a <em>zawiya<\/em> often led by a sheikh but the <em>Zikr<\/em> is often recited by scholars called <em>Tolba. <\/em>\u00a0The dances <em>Kouyou<\/em>, the<em> Tbal <\/em>(a  bass drum) and<em> Karkabou (<\/em>North African castanets) as well as the music  called <em>D\u00eewan <\/em>are performed by music Gnawa or Sidi Blel troupes. The ritual <em>Tabyette <\/em>consists of bringing a bull who will be taken with the Sidi  Blel musicians around the city with a flag of the Sufi brotherhood before it  will be offered as a sacrifice to the <em>Djinns.<\/em><strong><\/strong><\/p>\n<p> There might be that  many other animals such as a sheep, a ram or a rooster will also be sacrificed  after a prayer. Following this ritual, the dance called <em>Dendoune <\/em>is  performed by the same musicians or sometimes if the celebration is part of a <em>Di\\wan <\/em>festival other music ensembles will perform and end the festival with a  dance performance of a <em>Kouyou.<\/em><\/p>\n<p>   The brotherhood  Sidi Blel is named after the first slave freed at the beginning of Islam who became the  first <em>Muezzin<\/em> during the prophet Muhammad&rsquo;s time. <\/p>\n<p> The <em>\u00a0Karkabou, the Gumbri <\/em>and the <em>Tbol<\/em> (or Tam Tam) are the traditional instruments that represent this brotherhood.  The ceremony is called <em>D\u00eewan or D\u00eewan Gnawa. <\/em>It starts with the<em> Tbol <\/em>and  the <em>Karkabou<\/em>, accompanied by the chanting and the dance. The duration of  this performance is around one hour, then the musicians sit down in a  semicircle around the <em>M&rsquo;aalem<\/em> who is playing the <em>Gumbri <\/em>and  invoking a chant in a choir that is praising Allah and his  prophets as well as the saints. The dancers, who are dancing barefoot, are the  followers. The <em>D\u00eewan <\/em>ceremony starts at the sunset and can end at the  sunrise. Many festivals in the year exist in Algeria as a tribute to the  sacrifice of the bull, also called <em>Derba<\/em>. The repertoires of the  traditional dances are: <em>Koyou, Bania, M&rsquo;Bara, Megzaoua, Sergou, Jaiba,  Marou.<\/em><\/p>\n<div>\n<p class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/Sidi-Blel.jpg\" alt=\"Gnawa\/Sidi Blel musicians\" width=\"500\" height=\"320\" \/><\/p>\n<h6 class=\"aligncenter\">This  picture shows a colonial postcard where the Gnawa\/Sidi Blel musicians were used  in an ensemble for <br \/>\n              street music even if they are playing their traditional  instrument and in the middle of the picture sits a<br \/>\n              French Colonial who is their  leader. Note that they are in the same time soldiers for the French Army as<br \/>\nthey are all wearing a kind of the French Kepi hats<\/h6>\n<p class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/gnawas-maroc.jpg\" alt=\"Colonial postcard shwoing gnawa musicians\" width=\"500\" height=\"318\" \/><\/p>\n<h6 class=\"aligncenter\">This is  another typical Colonial postcard showing the Gnawa musicians from Casablanca  with their traditional<br \/>\ninstruments. It is interesting that they are called <em>Indigenous<\/em> musicians, because every person who was<br \/>\nnot French was called Indigenous at  that time.<\/h6>\n<h6 class=\"aligncenter\"><img decoding=\"async\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/diwan-bechar.jpg\" alt=\"Karkabou Castanet and bass drum called T'bol\" \/><br \/> <br \/>\n            The instruments The Karkabou castanet and the bass  drum called T&rsquo;bol<\/h6>\n<\/p><\/div>\n<table width=\"650\" border=\"0\" align=\"center\" cellpadding=\"10\">\n<tr>\n<td><iframe loading=\"lazy\" width=\"300\" height=\"225\" src=\"\/\/www.youtube.com\/embed\/2xmilvRyNco\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<h6 class=\"aligncenter\">Ga&#8217;ada Diwan B\u00e9char  with the ensemble Ferda \u201cBenbouziane\u201d,<br \/>\nAlgerian Television.<\/h6>\n<\/td>\n<td valign=\"top\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/1FestivalDiwanAlger-smaller.jpg\" width=\"300\" height=\"157\" alt=\"PR poster for Gnawa Fest in Algeria\" \/><\/p>\n<h6 class=\"aligncenter\">This a poster for the Gnawa Festival in  Algeria called Diwan, <br \/>\nIt is taking place every year from Sept. 27th to Oct 3rd  in Algiers<\/h6>\n<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" valign=\"top\">\n<h6 class=\"aligncenter\">This is a unique video of two amazing music ensembles of the      Algerian Southern city of Bechar performing together a Sufi song calling<br \/>\nthe saint for healing. It is a typical North African trance music where the rhythm (6\/8) get faster at the end of the piece. Here we can see <br \/>\nthat the music instruments are traditional as well as Western using North African drums such as the Bendir and karkabou castanets and <br \/>\nalso a drumkit. The second music piece is based on Andalusian Algerian music but the song is also about having faith. <\/h6>\n<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\">\n<h6><span class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/DiwanbySamyAbdelghani.jpg\" alt=\"Diwan Fest\" width=\"500\" height=\"250\" \/><br \/>\n      Musicians from the Ga&rsquo;ada group performing at the Diwan festival. Note that a female  singer and musician is part<br \/>\n      of the band. This is the same band Ga&#8217;ada performing at  the Diwan festival.<\/span><\/h6>\n<\/td>\n<\/tr>\n<\/table>\n<p class=\"sectiontitle\">As  Stambali or Stambouli<\/p>\n<p><em>Stambali<\/em> is a ritual of possession in Tunisia,  using music as a healing form. This ritual came from Sub-Saharan Africa where  music, chanting and dance  enable people to get into a trance and embody supernatural  entities. The term designates generally a series of practices where the <em>Stambali<\/em> is the last phase, with a healing vocation or a conspiracy of the <em>Evil Eye<\/em>. <em>Stambali<\/em> gathers elements originating from Africa and the Maghreb<\/p>\n<p>\n          It  is a ceremony where mostly Black Tunisians (former slaves) take part and where  dance and instrumental sounds are associated to African rhythms. This ceremony  is very similar to the Haitian Vaudou or the Brazilian Candombl\u00e9.<\/p>\n<table width=\"766\" border=\"0\" align=\"center\" cellpadding=\"10\">\n<tr>\n<td width=\"324\" valign=\"top\">\n<h6><span class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/4Stambali.jpg\" width=\"300\" height=\"300\" alt=\"Stambali\" \/><br \/>\nThis LP cover shows the  Tunisian Stambali musicians with<br \/>\nthe whole ritual setting of the <em>Derdeba<\/em>\u00a0 with incense\u00a0and instruments.<\/span><\/h6>\n<\/td>\n<td width=\"430\" valign=\"top\">\n              <iframe loading=\"lazy\" width=\"400\" height=\"300\" src=\"\/\/www.youtube.com\/embed\/Ny2fU-4M7HQ\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<h6 class=\"aligncenter\">This video from the Tunisian Television shows a Hadra\/Zikr by a Sufi Brotherhood.<br \/>\n                  That is the reason why one musician is holding the flag. The song is a welcoming<br \/>\nto all saints and spirits. Notice that all musicians are good singers and play the<br \/>\nframe drums. <\/h6>\n<\/td>\n<\/tr>\n<\/table>\n<p>&nbsp;<\/p>\n<h2 class=\"aligncenter\">Hadra<\/h2>\n<p><strong>Ha\u1e0dra<\/strong>&nbsp;means &ldquo;presence&rdquo; in Arabic. It  is a collective&nbsp;ritual performed by&nbsp;Sufi&nbsp;orders in a <em>zawiya<\/em>, a  mosque or at home. It is often held on Thursday evenings after the night  prayer. The hadra features various forms of&nbsp;<em>dhikr or zikr<\/em>&nbsp;(remembrance). These include the  recitation of Qur&#8217;an and devotional texts particular to the Sufi order  in question, called&nbsp;<em>hizb<\/em>&nbsp;in  the Maghreb, as well as religious poetic chanting, centering on praise and supplication to  Allah, praise of the Prophet and rhythmic invocations of God. One or more  of the divine names used are: <em>Allah<\/em>,&nbsp;<em>Hayy<\/em>, <em>Qayyum<\/em>&nbsp;or  simply&nbsp;<em>Hu<\/em>&nbsp;(&quot;He&quot;), as well as the testimony of faith  and <em>tawhid<\/em>,&nbsp;&ldquo;<em>la ilaha illa Allah&rdquo;<\/em>&nbsp;(there is no god but  God).<strong><\/strong><\/p>\n<p>Rhythmic  recitation of names and chanting of religious poetry are frequently performed  together. In conservative Sufi orders no instruments are used, only the&nbsp;daf&nbsp;(frame drum); other orders use  a range of instrumentation. <\/p>\n<div>\n<h6 class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/Femme-de-CHaouen2.jpg\" alt=\"female Harda\" width=\"500\" height=\"331\" \/><\/h6>\n<h6 class=\"aligncenter\">\n              The female Hadra performer of the little famous town of Chauen\/ Chafchauen who always had a tradition<br \/>\nof reciting the zikr and playing themselves the  instruments. They are very well respected as performers. <br \/>\n              See the video clip below.<br \/>\n  <iframe loading=\"lazy\" width=\"500\" height=\"281\" src=\"\/\/www.youtube.com\/embed\/0Dz44L0NMlI\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<\/h6>\n<h6 class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/LilaDerdeba-Mouqadma.jpg\" alt=\"Lila\/Derdeba\" width=\"500\" height=\"285\" \/><\/h6>\n<h6 class=\"aligncenter\">Here  we can see the Muqadma at the Lila or Derdeba, starting the ritual in dancing with a  bowl of milk<br \/>\nthat will be given to every one present starting with the master  and the musicians, <\/h6>\n<h6 class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/Gnaouas-Lila.jpg\" alt=\"This photo has the colors of the spirits\" width=\"500\" height=\"281\" \/><\/h6>\n<h6 class=\"aligncenter\"> This is a very  important pix where there is an interaction between the master- M&rsquo;aalam Mahmoud Guinea<br \/>\nplaying the Gimbri and the moqadma\u00a0Malika (also his wife) dancing  into the trance. They are <br \/>\nboth from Essaouira, Morocco. Notice the colors of the saints are all here. I know these people. <br \/>\nPhoto courtesy of Olivia Rivet<\/h6>\n<\/p><\/div>\n<p>&nbsp;<\/p>\n<h2 class=\"aligncenter\">The Lila Ceremony <\/h2>\n<table width=\"300\" border=\"2\" align=\"right\" cellpadding=\"4\">\n<tr>\n<td>\n<h5 class=\"aligncenter\">Terms <\/h5>\n<ul>\n<li>\n<h6>Baraka &#8211;  Spiritual power, spiritual blessing and also protection <\/h6>\n<\/li>\n<li>\n<h6>Djinn &#8211; The Djinn (in Arabic al-jinn) are spiritual beings mentioned in the Qu\u2019ran, who inhabit an unseenworld. They are invisible to humans. Together, the djinn, humans and angels belong to the three sapient of God. In the Qu\u2019ran they are mentioned to be made of fire but they are able to interact physically with people and objects. Like humans, they can be good, bad or neutrally benevolent. They are mentioned in the Qur\u2019an in the 72nd surah (verse), titled surat el Jinn.<br \/>\n                      Muslim people try to avoid to tell their real name, therefore they give them various names. Also referred to as mluk.<\/h6>\n<\/li>\n<li>\n<h6>Faqr &#8211; Poverty, in this context it is spiritual poverty, which means emptying the soul of self in order to make room for God<\/h6>\n<\/li>\n<li>\n<h6>Marabout &#8211; A saint, often a Sufi saint who has been deceased. It could also mean the shrine of a saint.<\/h6>\n<\/li>\n<li>\n<h6>Murid &#8211; A disciple or student<\/h6>\n<\/li>\n<li>\n<h6>Murshid &#8211; A guide or teacher<\/h6>\n<\/li>\n<li>\n<h6>Sheikh &#8211;  An elderly man, a leader who wins the respect by his action, or a Sufi leader<\/h6>\n<\/li>\n<li>\n<h6>Silsila &#8211; A chain or a lineage of a specific sheikh of a Sufi brotherhood<\/h6>\n<\/li>\n<li>\n<h6>Tariqat &#8211; A Sufi order  but can also mean, the \u2018way or the path\u2019<\/h6>\n<\/li>\n<li>\n<h6>Zawiya &#8211; A n Islamic religious school, monastery or a religious site which groups Sufi followers around a particular sheikh<\/h6>\n<\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/table>\n<p>It  is important to mention that all Sufi brotherhoods use music and dance in their  ceremonies. Often a sacrifice of an animal needs to be performed. In every  ceremony, everyone will be fed as eating the  food of the ceremony is a <em>baraka<\/em>.<\/p>\n<p> All  Sufi brotherhoods in the Maghreb, such as the Quadiriya, the Aissawa,  relate their spiritual authority to a  saint. The ceremonies begin with reciting the Saint&rsquo;s written works or <em>Hizb <\/em>(or  spiritual prescriptions). In this way they give themselves the authority to  perform the ritual.  This  article is focusing on the Gnawa or Sidi Blel or Sambali ritual.<\/p>\n<p> The  Gnawa ceremony, called lila or derdeba is performed all night long.  Usually it takes place inside a house or in a zawiya<em>.<\/em> The first part is  mundane, often a kind of procession when the musicians and the M&rsquo;allem arrive  playing music.\u00a0 The music ensemble  consists of the <em>M&rsquo;allem<\/em> (a lead musician and Sufi master) who plays the <em>guembri<\/em> (a three string bass) and many musicians who play the <em>T&rsquo;bol<\/em> (a bass  drum) and the <em>Karkabou<\/em> (metallic castanets). All musicians are also  dancers, as dance is not separated from music.<\/p>\n<p class=\"highlight\"> The  Gnawa perform a complex liturgy (lila, derdeba) that recreates the first  sacrifice of the genesis of the universe by the evocation of the seven main  manifestations of the Divine, the seven saints and the seven <em>mluk or djins <\/em>(supernatural  entities<em>)<\/em>, represented by the seven colors. Therefore the lila ceremony  includes seven sections, representing seven saints or ancestral  spirits or djinns or Mluk. Each section is associated with a particular color  representing the male and female elements or spirits (mixed colors &#8211; Sidi Bouderbal, white, green &#8211; all saints, red &#8211;  Sidi Hamou, black &#8211; Aicha Kandisha, yellow &#8211; Lalla Mira) and each color  symbolizes a particular function in nature and beyond.<\/p>\n<p> The <em>mluk<\/em> are  evoked by the seven musical patterns, seven melodic and rhythmic cells (<em>Um<\/em>)  which are repeated and varied, set up the seven suites that form the repertoire  of dance and music of the Gnawa ritual. During these seven suites are burned  seven different incense and veils or shawls of seven different colors are used to cover  the dancers. Each of the seven <em>mluk<\/em> is accompanied by many characters  (mluk or Djins) recognized by the music and by the footsteps of the dance. These  entities are treated like &ldquo;presence&rdquo; (Hadra) that the consciousness meets in the altered state of consciousness  (<em>Hal)<\/em>, are related with mental complexes, human  characters or behaviors. Some of the most known spirits amongst the Gnawa  group are: Lalla Mira, Lalla Aicha, and Sidi Mimoun are usually related to places  like rivers or seas. <\/p>\n<p class=\"highlight\"> The  Gnawa&rsquo;s traditions and beliefs go through a process of cultural assimilation of  the new spirit beliefs that originated from animistic pre-Islamic beliefs. <\/p>\n<p> In  her article, &ldquo;Spirits in Morocco&rdquo;,<span class=\"artist\"> Anas Farrah<\/span> explains that,<\/p>\n<blockquote>\n<p> &ldquo;In the Islamic tradition the  spirits or &ldquo;ginns&rdquo; are creatures that lived in earth before the creation of  humans, they are also judged based on their actions and some of them will be  sent to heaven, others to hell. The Islamic beliefs reinforce the belief of  Moroccans in spirits in two other ways directly driven from the Coran texts;\u00a0the first one is that the  spirits or &ldquo;ginns&rdquo; are created from fire and the second one is that they burned  by comets when they try to reach heaven&rdquo;(Farrah, page 4)<\/p>\n<\/blockquote>\n<p>The aim of the ritual is to reintegrate and to balance the main powers of the  human body, made by the same energy that supports the divine creative energy.<\/p>\n<p> The  ceremony is performed through a well-established ritual. Fundamental in the ceremony are: the sacrifice of a sheep or a goat, bringing cloths of different colors, eating dates and drinking milk, the burning of incense, playing music and the chant in call and response as well as the dance. Some participants go into  a trance where the spirit may come through responding to a typical rhythm or a  color. The Derdeba is animated by the M&rsquo;aalem (the master) and the <em>Moqadma <\/em>also  called <em>Shawwafa <\/em>(a medium) who is in charge of the accessories and  clothing necessary for the ritual.\u00a0 The M&rsquo;aalam,  using his spiritual instrument, the Guembri, calls the saints and the mluk   to intorduce them in order to take possession of the followers, who devote  themselves to the trance. <\/p>\n<div class=\"aligncenter\">\n<p>          <iframe loading=\"lazy\" width=\"500\" height=\"375\" src=\"\/\/www.youtube.com\/embed\/EHTg4f6welY\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<h6>This video  from the 1980s is performed by the Moroccan Guembri player Paco, with his song, he is calling<br \/>\na spirit \u201cBaba Hamou\u201d to come for help and bring healing. Here we can see women getting into trance,<br \/>\nsome of them standing others already sitting letting their hair loose. I believe this is a video clip as there<br \/>\nare here only women dancing, normally men and women dance together and I don\u2019t see the Muqadma who<br \/>\ntakes care of the people getting into trance. There is only at the end a man who bring the orange flower holder. <\/h6>\n<p>  <iframe loading=\"lazy\" width=\"500\" height=\"281\" src=\"\/\/www.youtube.com\/embed\/IpBnwWKyxQA\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<h6>This video is with the master M\u2019alem Bakbou ( he used to be the bass player and guembri player of the <br \/>\n            Moroccan music band Jil Jillala) I met him in London when he was doing a recording and I interpreted for<br \/>\nhim. He stayed in my home and we became friend. He is from Marrakech. Here we see the beginning of the<br \/>\nreal lila, first  the musicians dance and stamp on the ground to call the spirits of the Earth, then people get<br \/>\nfed. After that the bass drums are played and the young girls are holding the candles and some the incense<br \/>\nwho are given to the instruments and musicians. The 2 Muqadmaat\/mediums enter the courtyard. The<br \/>\nmusicians dance. In the dark of the night the Muqadma starts the dance and get into the trance bringing<br \/>\nthe messages of the spirits.The colors of the spirits of the dead are used ( black, bue, red, green). The comes<br \/>\nthe spirit of the color yellow, the spirit of rthe sun and the sky, called Mira, where everybody dances, it is the<br \/>\nreturn to Life. <\/h6>\n<p>            <iframe loading=\"lazy\" width=\"500\" height=\"281\" src=\"\/\/www.youtube.com\/embed\/rR_anVNdYOI\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<h6>This is a video in English language about the Gnawa festival of Essaouira, Morocco. <\/h6>\n<\/p><\/div>\n<p>The <em>Mluk <\/em>(sing. <em>Melk)<\/em> are abstract entities that gather a number of  djinn. In the Maghreb, people avoid to call them Djinn<em>. Djinns <\/em>are known  as the &ldquo;invisible&rdquo; people. People call them different names in the Maghreb,  such as <em>do\u00fbk en n\u00e2s <\/em>(these people<em>), N\u00e2s el okrin <\/em>(the other  people),<em> Rj\u00e2l Allah <\/em>or <em>A\u00eft Rebbi <\/em>(God&rsquo;s people), <em>mou\u00e2l al Ardh <\/em>(the master of the ground), <em>Rj\u00e2l al khafiya <\/em>(the hidden people) or <em>rouhaniyin  (<\/em>the spirits).<\/p>\n<p> Each  Gnawa group gets together with a <em>moqadma<\/em>, the priestess that leads the  trance <em>(Jedba)<\/em> after feeding the instruments and the various colors  brought by her in a bundle with incense. When she gets into a trance, she  starts channeling a spirit and may give messages to the community. The Lila  ceremony then continues where everyone is dancing until the goal is achieved  and the trance is over when the participants have been cleansed from their  affliction. The participants negotiate their relationship with the mluk either by placating them if they have been offended or strengthening an existing relationship.  Each melk is accompanied by its specific color, incense, rhythm and dance. \n          <\/p>\n<p class=\"highlight\">In  the Maghreb, people do not talk about trance; they  just find themselves doing it and it is part of their upbringing, culture and  spirituality. Stories about the Mluk were part of any other kind of story. People are aware of  their presence and are careful not to harm them. All the tales and stories are  based on them and people will avoid their names and places where they might be  located. As far as the trance is concerned, it is not limited to a zawiya or to  the ceremony such as the Derdeba. People, mostly women, are very  sensitive to drums or one kind of music. It is common in the Maghreb that a  woman gets into a trance in a wedding or in a concert. People are aware of that  and they will take care of that person as she is bringing the <em>baraka <\/em>to  everyone in falling into trance, this shows how Maghrebi people are sensitive  to energies.<\/p>\n<p> Furthermore,  the French writer <span class=\"artist\">Demerghem<\/span> in &nbsp;&quot;le Culte des Saint&quot;&nbsp; (1954) gives a  complete picture of the Sufi Brotherhoods and their rituals in Algeria as he watched  them for many years. Not surprisingly, the rituals did not change and the  people are still worshiping the saints and their followers. Despite the  development of orthodox medicine, people call the Sufi brotherhoods for help. <\/p>\n<p> During the dark years of the Algerian civil war   in the 1990&rsquo;s, women visited each other and played drums, sang and danced  until they fell into and trance in order to heal themselves from the stress and sadness. They  went back home relieved from their worries and pains.\u00a0<\/p>\n<div>\n<h6 class=\"aligncenter\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/mogador11.jpg\" width=\"500\" height=\"343\" alt=\"A young couple carries on the traditions\" \/><\/h6>\n<h6 class=\"aligncenter\">The picture is showing a young couple where  the young woman is playing the gimbri, an instrument that<br \/>\nwas supposed to be played only by  men, and the young man is playing the karkabou castanet,<br \/>\n              This is the picture of  the future where both genders are involved in performing side by side.<\/h6>\n<\/p><\/div>\n<p>&nbsp;<\/p>\n<h5>Bibliography<\/h5>\n<ul class=\"footnotes\">\n<li> Ibrahim  Boye,<strong> <em>Sayyidi Andal Qadr Djilani<\/strong><\/em>, Publisud, Paris 1990<\/li>\n<li> E. Demerghem, <em><strong>Le Culte des Saints<\/strong>, <\/em>Gallimard, Paris 1954<\/li>\n<li> Mohammed  Ennaji, <em><strong>Soldats, Domestiques et Comcubines. L&rsquo;esclavage au Maroc au XIXe  siecle<\/strong>, <\/em>Casablanca: Editions Eddif, 1994<\/li>\n<li>Viviana  P\u00e2ques, <em><strong>Religion des esclaves: Recherche de la Confrerie marocaine des  Gnawa<\/strong>, <\/em>Bergamo\u00a0 Italy, Moretti  &amp;\u00a0 Vitali, 1991<\/li>\n<li>U.  Topper, <em><strong>Sufis und Heilige im Maghreb<\/strong>,<\/em> Diederichs Gelbe Reihe, Muenchen  1994<\/li>\n<\/ul>\n<p><\/p>\n<h5>Resources:<\/h5>\n<ul class=\"footnotes\">\n<li>\n<a href=\"http:\/\/www.gildedserpent.com\/aboutuspages\/ameltafsout.htm\">Author&#8217;s bio page<\/a>\n<\/li>\n<\/ul>\n<div class=\"ready4more\">\n<p>Have a comment? Use or comment section at the bottom of this page or <a href=\"mailto:editor@gildedserpent.com\">Send us a letter!<\/a> <br \/>\nCheck the &quot;<a href=\"http:\/\/www.gildedserpent.com\/let2ed.htm\">Letters to the Editor<\/a>&quot; for other possible viewpoints!<\/p>\n<p>Ready for more?<\/p>\n<\/p><\/div>\n<p>\t\t\t<!--end ready4more --><\/p>\n<div class=\"articlelist\">\n<img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/www.gildedserpent.com\/art60\/graphics60\/Amel\/map-maghred.jpg\" alt=\"Map of the Mahgreb\" width=\"500\" height=\"294\" align=\"right\" \/><\/p>\n<ul>\n<li><span class=\"articledate\">9-20-07 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/art41\/amelpassageoftime.htm\">The Passage of Time<\/a> <span class=\"articleauthor\">by Amel Tafsout<\/span><br \/>\nHer performance brought tears to my eyes; not only was she technically outstanding, but she had a whole persona, stage presence and her aura&#8230; no younger dancer could be compared to her. Many times I went to see the show to watch her again and again! <\/li>\n<li> <span class=\"articledate\"> 4-17-06 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/art35\/RachelAmel.htm\">In a New England Snowstorm, Hopes of Spring&#8230;Amel Tafsout<\/a> <span class=\"articleauthor\">workshop review by Rachel Scherer<\/span><br \/>\n  At some point, one collapses into a dream, but this dream world is the most real of realities. <\/li>\n<li> <span class=\"articledate\"> 12-12-00 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/articles10\/Metamorphosis.htm\">A Metmorphosis Before My Eyes<\/a> <span class=\"articleauthor\">by Sharon\/Mahirimah<\/span><br \/>\n  &quot;I know I never could have danced and studied eight hours a day for 4 days straight without the energy and passion for the dance which surrounded me each day.&quot; <\/li>\n<li> <span class=\"articledate\"> 10-13-03 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/articles23\/shelleymedcamp.htm\">The Middle Eastern Music and Dance Camp in Mendocino <\/a> <span class=\"articleauthor\">by Yasmela<\/span><br \/>\n  There is nothing like immersing yourself in study and in the strange and unique culture of the Middle Eastern music and dance &#8220;scene&#8221;. <\/li>\n<li><span class=\"articledate\">12-13-05 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/art33\/YasminZar.htm\">The Zar<\/a> <span class=\"articleauthor\"> by Yasmin<\/span><br \/>\nWe do know that today thousands of women in Africa and the Middle East use this music to cure all kinds of illnesses. They literally dance until they drop. <\/li>\n<li><span class=\"articledate\">2-18-07<\/span> <a href=\"http:\/\/www.gildedserpent.com\/art39\/RoxanneZar.htm\">Its Not Your Grandmamma&#8217;s Zar<\/a> <span class=\"articleauthor\">by Roxanne Shelaby<\/span><br \/>\nLuckily at some point we hear the distinct rhythm for a Zar and follow the drumming right to the front door of an apartment house.<\/li>\n<li><span class=\"articledate\">7-9-11<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2011\/07\/09\/sawa-egyptian-percussion-instruments\/\">Egyptian Percussion Instruments<\/a> <span class=\"articleauthor\">by Dr George Dimitri Sawa<\/span><br \/>\nFrom the medieval era to our own time, Arabic music has been predominantly rhythmic. For this reason, much effort has been spent to write a theory of Arabic rhythms.<\/li>\n<li> <span class=\"articledate\">7-24-07<\/span><a href=\"http:\/\/www.gildedserpent.com\/art40\/Aminazarreview.htm\">The Zar, Trance Music for Women,<\/a><span class=\"articleauthor\"> CD Review by Amina Goodyear<\/span><br \/>\nproduced by Yasmin of Serpentine.org. &#8220;Once a spirit is called, it must be appeased. Then it will always be there.&#8221; And it will have to be periodically dealt with. <\/li>\n<li><span class=\"articledate\">2-17-12 <\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2012\/02\/17\/edwina-nearing-end-of-banat-mazin\/\" class=\"articlelink\">The End of the Banat Mazin? Struggles with Religious Fanatics, Real Estate Management , and Other Ghawazi<\/a> <span class=\"articleauthor\">by Edwina Nearing<\/span><br \/>\nYusuf Mazin, a Nawari Gypsy, had wandered the land dealing in livestock, entertaining the villagers with stories, delivering messages and generally making himself useful until his non-Gypsy wife blessed him with five beautiful daughters.  Beautiful, talented daughters who could master singing and dancing \u2014 the arts of the ghawazi, as such women were traditionally called in the countryside \u2014 were the best hope for the prosperity of a Nawari family in Egypt. <\/li>\n<li><span class=\"articledate\">1-11-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/01\/11\/whirling\/\" class=\"articlelink\">Whirling, Meditation in Motion or Spectacular Show?<\/a> <span class=\"articleauthor\">by Nicole McLaren<\/span><br \/>\nA dance could not be any more contradictory. The Whirling dance lingers between spectacular showmanship and meditation in motion; it combines trance and technique. It is a surprising paradox, unified like lovers within the dance. <\/li>\n<li><span class=\"articledate\">4-16-10 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2010\/04\/16\/andrea-panel-belly-dance-feminism\/\">Belly Dance and Feminism: Different Issues, Different Perspectives<\/a><span class=\"articleauthor\"> Introduction to IBCC Panel on Bellydance and Feminism <\/span><br \/>\nFeminism embraces more than one point of view, and feminist perspectives lead to many different decisions and courses of action. Feminism is a tool for thinking &#45; for understanding and putting a name to issues you may be wrestling with in your own dance life, and for seeing belly dance in the light of broader economic, social and political realities.<\/li>\n<li><span class=\"articledate\">10-17-13 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/10\/17\/iana-elena-russia-interview\/\" class=\"articlelink\">Our Rules: Beauty &amp; Professionalism, Elena Ramazanova Speaks About the League of Bellydance Masters<\/a> <span class=\"articleauthor\">by Iana Komarnytska<\/span><br \/>\n                    We had the pleasure to meet with Elena Ramazanova, president of The League of Bellydance Masters in Russia, artistic director of \u201cRamiza Dance Group\u201d, and a successful dancer and teacher at the open beach party of the Seventh International Belly Dance Festival titled \u201cExpression of the East\u201d in Berdyansk, Ukraine.<\/li>\n<li><span class=\"articledate\">10-15-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/10\/15\/tashabanat-defining-belly-dance-today\/\" class=\"articlelink\">Defining Belly Dance Today, Definition by Presentation<\/a> <span class=\"articleauthor\">by Tasha Banat<\/span><br \/>\n                    For me, the bottom line is that there is no wrong way to present belly dance because what an individual loves in the dance is easy to find.  Everything is so global today!  The dance has morphed into so many forms that if you cannot find a belly dance teacher that makes you happy, perhaps you need to look for another dance.<\/li>\n<li><span class=\"articledate\">10-12-13<\/span> <a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/09\/13\/interviews-with-saida-and-yamil\/\" class=\"articlelink\">Interviews with Saida and Yamil A Five Part Video Talk with Two Stars of Argentina, Part 5: The Dance Community of Argentina<\/a>,<span class=\"articleauthor\"> by Lynette, translation by Kalinka<\/span><br \/>In this section they discuss how well the dance community gets along in Argentina. Hopefully this will help stimulate more talk in our larger worldwide community.<\/li>\n<li><span class=\"articledate\">10-3-13 <\/span><a href=\"http:\/\/www.gildedserpent.com\/cms\/2013\/10\/03\/nisaa-desperately-seeking-shafiqa\/\" class=\"articlelink\">Desperately Seeking Shafiqa The Search for the Historical Shafiqa el Qibtiyya<\/a> <span class=\"articleauthor\">by Nisaa\/ Heather Ward.<\/span><br \/>\n                    Shafiqa el Qibtiyya (Shafiqa the Copt) is known to many practitioners and historians of Egyptian music and dance.  She rose to fame as an entertainer in the salat (entertainment halls) of Cairo around the turn of the century.  Popular dance lore posits that Shafiqa was an early pioneer (or perhaps the originator) of raqs shamadan, the candelabrum dance.                    <\/li>\n<\/ul><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sufi Brotherhoods and Trance Ceremonies in the Maghreb This zawiya is in Souk Ahras in East of Algeria, sometimes people call the zawiya a marabout &#8211; they really mean the saint. It happens that meals are offered to the poor every Friday of the week, here we see in the middle of the picture people [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[121,188,54,103,194,102,106,193,28,40,195,197,198,1,196],"tags":[],"_links":{"self":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/5197"}],"collection":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/comments?post=5197"}],"version-history":[{"count":0,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/posts\/5197\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/media?parent=5197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/categories?post=5197"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.gildedserpent.com\/cms\/wp-json\/wp\/v2\/tags?post=5197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}