Rebaba for the Gilded Serpent

The Gilded Serpent presents
Rebaba

Sensuous and graceful, Rita's dramatic interpretation, style and technical skill have earned her an international reputation as one of the United States' most exciting performers of Oriental Dance. These attributes have created the foundation for Rita's unique teaching style which combines precision movement with emotional characterization. Rita had a background in Ballet, Modern, Afro-Haitian and Polynesian dance when she began studying Oriental dance with Jamila Salimpour in 1969. Rita began performing as an ensemble and solo dancer with Jamila Salimpour's Middle Eastern Dance Troupe "Bal-Anat" in 1970, making her cabaret debut in the Middle Eastern and Greek restaurants in her native San Francisco shortly there after. In 1975, Rita became one of the first North American Oriental dancers to perform in Paris, and throughout the 1970's and 80's, she continued to dance extensively in Europe, the Middle East, and Africa. Returning to the U.S. in the mid 1980's, Rita made her home in Hollywood, California where she was well known in the thriving Middle Eastern performance community. Currently based in San Francisco, Rita is CO-Founder/Director of Hahbi'Ru Dance Ensemble.

"When in San Francisco, you must not miss her show, she is a true dancer's dancer!"
Ibrahim Farrah New York, NY

"Her Dark beauty and emotional interpretation of the "Dance du Ventre" often made it difficult for her to convince native audiences of her true nationality."
Valerie DuBoux La Liberation, Paris France

Hahbi'Ru, will be performing at this year's Dickens Faire.The Faire starts November 28, and runs through December 21st, 2008, and will be doing two shows a day at 12:30pm and 3pm.

hahbiru.com

Articles on Gilded Serpent by or about Rebaba:
10-1-08 North Beach Memories- Casbah Cabaret, Part I Circa 1973 by Rebaba
We performed what I have dubbed “conveyer belt dancing”, that is three dancers doing three shows each, starting promptly at 8:30 p.m. without stopping until 2:00 a.m., whether we had an audience or not.

5-6-10 Queen of Denial, A Tale about Life and Belly Dancing, Part 1: The Safety of the Stage by Rebaba or Rita Alderucci
For many years, the most secure and safe place for me was on stage–dancing and acting. Performing gave me the security and love for which I yearned (both with and without drugs).

7-15-10 Queen of Denial, Chapter 2: Dancing in the “City of Lights” by Rebaba
I’m breathing very hard, and can tell I’m very, very shiny and red, even under the stage lights, but I think he likes me. And he is completely dumbfounded that an “American” girl is auditioning for a job as a “Danseuse Oriental!” I know I’m way too fat, but thank God I’m a belly dancer, and apparently a novelty, because I couldn’t get away with this in any other dance form! Fortunately, I’m only 19 years old and my excess flesh is young, tan and firm!”