Gilded
Serpent presents...
Rhythm
and Reason Series, Article 10
How
to Avoid Being Eaten by Sharks
by
Mary Ellen Donald
Originally
published in Bellydancer Magazine in 1978 as part of an ongoing
column.
This magazine was published by Yasmine Samra in Palo Alto, California.
Revised for Gilded Serpent April 8, 2006
I invite
you to join me…
on a psychological sojourn…
when I am frightened…
and I feel…
When I am
frightened, and I feel my sense of self-worth being threatened,
I often dip into my crazy bag and come up with some kind of extreme
response: a shouting fit, a quiet, rigid stance, or a proclamation
of new restrictions. Is it the same for you?
Fortunately,
most of us feel our sense of self-worth threatened only occasionally.
Sometimes we get this feeling over surprisingly small matters
such as a husband’s dislike of a casserole over which we labored
all afternoon.
Not
so fortunate are those people who feel threatened most
of the time, limping from one extreme response to another.
My formal
psychological training and experience leads me to speculate that
such people have experienced very stressful childhoods that have
robbed them of a good solid sense of self. That is, to survive
at all, they had to cling to whatever fragment of self they could
conjure up. Perhaps they exaggerated this fragment and ignored
the development of many other important aspects of their beings.
Such people,
dancers included of course, often attempt to surround themselves
with those who will bolster and support their distorted self-images;
they tend to choose anyone who does not threaten them.
Those
among us, who are content to be feeders of the threatened person,
give up our own individuality, and we may pay dearly for doing
so!
You
are probably questioning what all of this talk has to do with
Bellydance! Well, it does not have any more to
do with Bellydancing than it does with any other activity! However,
since most of the problems one encounters while studying, teaching,
or performing the Bellydance have much more to do with human issues
rather than problems in the dance per se, I’d like to examine
this topic a little closer with you. My expectation is to heighten
your awareness. Perhaps you can save yourself a lot of trouble
as you pursue your dance career or involvement in the world of
dance. (Once a social worker, always a social worker!)
My
travels around the U.S.A. have made something very clear to me:
every Bellydance community contains at least one of the above-mentioned
“easily threatened people.”
Sadly, in
many instances, those who are most easily threatened also wield
a great deal of power. Currently some of you are—or have been—their
feeders. You might ask yourself what it is about you that would
lead you to accept such an uncomfortable role. I am sure that
you gain something very important for yourself, or you would not
do it, but I am suggesting that you try to find a more satisfying
way of gaining the same thing or something better.
Below are
more details concerning those among us who whose sense of self-worth
is very easily threatened.
I have
been the recipient of ALL of the statements quoted below!
They are
repressive:
- “Mary
Ellen, you don’t know how happy we were to find your books.
Way before you wrote them, we tried to use our background in
piano and write down (in musical notation) some of the Middle
Eastern rhythms we heard on the records. We brought our work
to class, but loudly, our teacher scolded us and told us never
to do that again since there was no connection between
our piano lessons and our Bellydance music.” (I am surely glad
I did not consult with their teacher when I was thinking of
publishing my books!)
- “My teacher
told me that if I ever studied with any other teacher she would
throw me out of the company. Studying with her was a very special
pleasure. I did not know any other teachers who had troupes.
I did not dare to study anywhere else.”
- “Sometimes
the music would inspire me while I was dancing in class. My
cymbals would pick up the accents of the music, and I would
flow with it. When that happened, my teacher stopped me and
said that a Bellydancer should never play anything other than
right-left-right throughout the dance.” (Please beware of the
ignorance lurking behind some voices of authority.)
They
delight in public denouncements:
- “I was
chatting with a few of the students during the break and mentioned
X who had been a member of the class and the troupe until recently.
My instructor overheard me and rushed over to our group. She
glared at me, and with a voice filled with tension, she warned
me never to utter the name of that dancer in her presence!
She continued delivering a detailed account of how awful that
woman had behaved.”
- “Often
I would go into her class in a good mood, but two hours later,
I would leave, feeling like no responsible citizen would want
to bring another child into this horrible world. She would
point out the ills in just about every aspect of Bellydance
and in the entire socio-economic order of things.” (With so
many people around willing to pay money to feel bad, I sometimes
wonder why I work so hard at helping people to feel good. You
guessed it: the social worker rides again!)
They thrive
on grandiosity:
- “In our
class, several of us students told our teacher we felt shaky
about our Bellydance technique. We repeatedly asked her to
help us with our technique. However, her only response was,
‘You can get that from any other teacher. I’ve gone way beyond
that level!’ Her response always left us feeling frustrated
and confused.”
- “Whenever
I criticize about something specific to my teacher, she doesn’t
seem to hear me. Instead, she sets me up as a representative
of one viewpoint, herself as a representative of an opposing
viewpoint, and then proceeds with a lengthy series of arguments
to prove that her viewpoint is the correct one. She does not
fight battles; she wages wars! She does not aim at doing something
well; she has to do the best in the Universe.”
They
live on the level of Love or Hate:
- “I thought
we were good friends. We shared many confidences. She turned
to me for support when many others had turned away. That is
why I was shocked one day, when, out-of-the-blue, she lashed
out at me with an unforgettably fiery tongue! From then on,
I felt very shaky when relating to her because I never was sure
of when I might become a victim of her hostility again.”
- “We were
good friends. She got me dancing jobs, and I was very appreciative.
One day when I began to strike up one of our usually lively
conversations, she deadened her voice and coldly turned away.
We haven’t spoken since.”
- “He smiled
at me a lot. He was always charming and complimentary. He
acted as if everything I did was perfect in his eyes. Suddenly,
he turned completely against me! Then, just as suddenly, he
went back to his old charming manner. Now, I know how phony
he is, and that behavior disgusts me.” (I feel for you. I
am a trusting person, so when I experience such an abrupt turnabout,
I feel extremely vulnerable, too.)
One need
not point a finger at other dancers and self-righteously label
them as “crazy.” It could be that your reasoned
response may stimulate growth within them.
By
realizing that someone is one of the easily threatened types,
perhaps you will be able to relate to them in a way that is less
draining for you.
If you ever
gain the confidence of a dancer who is easily threatened, one
of the kindest things you could do is to suggest that she or he
seek professional counseling—since you don’t feel able to resolve
such conflicts. Unfortunately, most of us need to have the roof
cave in upon our heads before we will seek the right kind of help.
Often,
the easily threatened person will try to envelop you, making you
feel as though you are a very important person in her life. If
you fall for the flattery and let her into more of your life,
you are inviting trouble!
One important
tip to remember, when relating to such a person, is to put firm
limits on the nature of your involvement with each other. You
might agree to share a few specific activities and nothing more.
You
do not want to open up your heart to this person, especially regarding
your feelings about other people, because they will twist your
secrets against you when you begin to squirm out of the relationship
with them.
I
assume most of you want to trust others; so, I know this may sound
cold and paranoid. However, I will take that risk. Of course,
I am advising such precautions only when you are dealing with
people you know to be easily threatened. It is my hope that you
will be relating to other people in a trusting and open way.
I have been
sharing a little advice concerning how to relate to an easily
threatened person. I have assumed that you have decided that you
can gain some good from the relationship.
However,
sometimes you have to come to the agonizing conclusion that you
would be better off not relating at all!
In that case,
I suggest that you withdraw with as much dignity as possible,
as soon as possible.
Have
a comment? Send us a
letter!
Check the "Letters to the Editor"
for other possible viewpoints!
Ready
for more?
2-9-06
Rhythm
and Reason Series, Article 9, Can't
We All Get Along? Dancers and Musicians by
Mary Ellen Donald First,
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by
Mary Ellen Donald
When
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