Dondi
dances to the band, Middle-Earth: (L-R) Mike Mesleh, Glenn
Goodwin, Robert Rotsler, Dave Dhillon, Frank, and Anthony
Sarain. Photo by Erika Novak
|
Gilded Serpent presents...
Tips
on Dancing
to Live Music
(a Musician’s Perspective)
by
Frank Lazzaro
Many dancers
find performing to live music intimidating, but with a little
preparation, good communication, and a positive attitude, you
can make it the most exciting part of your dance performance.
Here are a few tips to make this challenging experience thrilling
and successful to new and experienced dancers alike:
- Be
prepared. Familiarize yourself with the music of the
musician or band you will be dancing to. Try to obtain a CD
of their music, so you will be able to practice to their music,
request songs, and make an unrehearsed piece appear free and
natural. Knowing the music beforehand will certainly lessen
your anxiety.
- Check-in.
Arrive early at the venue, take a moment to introduce yourself
and establish rapport with the bandleader. Make sure the emcee
knows your stage name, particularly if it is difficult to pronounce.
Let the musicians know if you plan to use props, ie. sword,
veil, candles etc. Talk about your song requests and routine,
ask any questions, and agree on what is mutually expected between
the musicians and the dancer, so there are fewer surprises.
- Wait
for your cue. Do not enter for your performance until
you are announced and the music starts. You would be surprised
at how many dancers make this mistake. Many experienced dancers
will let the music play for a few bars before entering, as to
build the anticipation.
- Approach
the stage. Upon entering for your routine, approach
the stage first. Acknowledge the musicians, and your audience,
but do most of your dancing during the first song in front of
the stage (or on it, if space allows), rather than straying
out to the audience too soon. Establish a visual connection
with the band and interact with them, as well as your audience.
- Listen
to the Music. The most important thing is to listen
to and feel the music. Try to relax and let the music dance
you. Developing an ear for Middle-Eastern music will come with
experience and study. A typical Belly dance routine consists
of 3 tunes, usually fast-slow-fast, but this style certainly
varies with dancer, band and venue. Realize that as in Middle-Eastern
dance, the music may also call for improvisation, and the version
played live may differ slightly from the CD version. It is up
to the dancer to listen attentively for changes, stops and endings.
Again, familiarity with popular Belly dance music will assist
you in anticipating these changes. Usually the band will hold
the ending for you to spin and pose rather than ending abruptly,
setting you up for the final stop.
- Communicate
with the band. Make fleeting eye contact, and use manual,
rather than oral, gestures if you need something. Covert hand
gestures can be used if you need the music to speed up, slow
down or end (but be patient). If the situation becomes desperate,
you can casually dance near the band and tell them briefly what
you desire. The band is there to provide beautiful music for
you to dance to, and will do what is needed to support you.
Your role in turn is to support the music with your interpretation
of it, highlighting what you hear in the music for your audience
to appreciate visually.
- Be
flexible. (Both physically and mentally!) Sometimes,
for whatever reason, you may not get the song you requested,
or the music may not sound just like you expected, so a skillful
dancer will be able to adapt and improvise. A true professional
makes mistakes look like part of the act!
- Don’t
fear the drummer. Try to make the drum solo the most
exciting part of your routine by connecting with the drummer.
Interact with the drummer in a lively give and take. Become
familiar with popular drum rhythms and listen for the “Rule
of Four”, whereby the drummer will play a recognizable phrase
4 times in succession for the dancers’ benefit. Dance in close
proximity, make eye contact, and keep your traveling to a minimum
during the drum solo. Avoid accepting tips and dance partners
during this time, so you may give the drummer your attention.
- Know
when to quit. After the drum solo and collecting tips,
listen for the imminent ending. The bandleader may try to get
your attention, but usually it is obvious when the song will
come to an end. Similarly, you may hail the bands attention
and “circle for a landing” when your energy has become exhausted
and you are ready to end. Once the third song ends, take a bow,
and acknowledge the band. Await your brief, lively exit piece,
to which you will whisk yourself off stage to a roar of applause.
Do not wait for your final exit piece to conclude before you
exit, to maintain the musical energy of the performance. Always
leave the crowd wanting more!
- Smile.
Above all, keep a positive attitude and smile. Hopefully, we
all do this for the joy of it, so convey that joy to your audience,
to your band and to yourself. Like music and dance, that joyful
spirit comes from within, and shines for all to see.
Have
a comment? Send us a
letter!
Check the "Letters to the Editor"
for other possible viewpoints!
Ready
for more?
1-14-04 Understanding
Middle Eastern Rhythm by Frank Lazzaro
The
rhythms of the tabla inspire the dance, so to understand these
rhythms is to fully blossom as a dancer.
4-6-05
The Rhythm and Reason Series
Article
1- Cymbals, Beyond Basics by
Mary Ellen Donald
Each
rhythm has a distinct arrangement of accents. If you are sure
of where these accents come, you can bring a unique flavor to
each section of your routine.
6-14-05
Dancing With
A SuperStar Jillina’s Drum Solo Workshop in Vancouver
by Erica
If
you have the opportunity to dance with this amazing, educated,
experienced, beautiful, and did I mention fun? woman, do not hesitate
to do it. It is worth every penny and every minute!
7-30-05 Rakkasah 2005
Casual photos by GS Staff
One
maybe two more pages of photos coming yet and then we are done!
7-29-05
The Untaught Teacher by
Reanee Temple
What
then, do we do about a teacher who has been misled, apparently,
concerning the history of our dance?
7-27-05
Calling all professional dancers!
How much do you charge? by Nanna Candelaria
Over
the years, we dancers have unwittingly kept the general rate ridiculously
low in restaurants and nightclubs.
6-3-05
Belly Dancer of the Year 2005
Page 1 Duos, Trios & Troupes photos by Monica
May 28, 2005, San Ramon, California. |