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The
Gilded Serpent presents...
Report
of the
Eastern U.S. Middle Eastern
and Balkan Music and Dance Camp
organized by Tayyar Akdeniz and Artemis Mourat
October
2-5, 2003
report by Tahya
Lehigh Valley, Pennsylvania
Participation at
a camp devoted to Middle Eastern music and dance with some of the most
accomplished musicians in the eastern United States gave attendees a
chance to revel in joyous celebration. The camaraderie of a camp - bunking
with strangers who soon become friends, "breaking bread" together,
learning new dance steps, songs, and drum rhythms - has all the ingredients
for a treasured experience, and this camp lived up to that potential.
My personal
experience of reuniting with old friends was greatly enhanced by
the new friends I made. As I wandered throughout the camp, it was
heartwarming for me to observe master musicians instructing several
small circles of eager students.
All
the dance classes - Egyptian Oriental with Cassandra,
Turkish Oriental with Artemis, Turkish Romany with
Tayyar, and Balkan folk dance with Steve Kotansky
- were filled to capacity. And the evening parties offered everyone
a chance to practice the new step(s) they learned, accompanied by one
of the finest musician ensembles I have ever heard - Omar Faruk
Tekbilek (Ney, Zurna and Baglama), Yuri Yunakov
(Saxophone), Tamer Pinarbasi (Kanoun), Avram
Pengas (Bouzouki), Haig Manoukian (Oud), Souren
Baronian (Clarinet and Riqq (Tamborine), Hamit Golbasi
(Ney, Zurna), and Seido Salifoski (Doumbek),
among others. Eloise Miller stated, "These were
incredible musicians incredibly fired up!"
While conversing
with some of the camp attendees, I asked if they were enjoying the camp
as much as I was. Shibar, one participant, cited Faruk
Tekbilek's zurna and ney class as one of the camp highlights.
She
explained how he correlated the 7 holes in the ney with the 7 chakras
and the 7 openings in the head. From there, she said, the discussion
deepened into "an astounding creative color visualization."
Carl Miller,
another camp participant, expressed his gratitude by stating that in
addition to beginner drumming classes, a class for intermediate drummers
was also offered, and "I appreciated the class actually was advanced.”
The
caring, supportive, engaging personae of event planners Artemis and
Tayyar attracted like-minded individuals, and despite a record-breaking
cold snap during the first two days, a warm spirit permeated the camp.
Rustic accommodations among the pines at Ramblewood in the
Susquehanna Valley of Maryland gave the camp an 'earthy' ambiance, and
our meals were abundant with hot food. Ramblewood served these producers
well for their first attempt at offering an East Coast Middle Eastern
Music and Dance Camp. However, they will likely try for earlier accommodations
for the next event so that an unexpected cold snap doesn't take anyone
by surprise.
My only regret was
that the unseasonably cold weather dampened enthusiasm for the traditional
nightly bonfire drum circles. So I will patiently wait until next year's
camp for those events. Nevertheless, as my roommate Jessie Bassil
said, "It was cold but we arose early every morning and
danced late into the night every night. I would like to add that both
of the evening programs were great! Cassandra was breathtaking and Artemis,
as usual, was sparkling and beautiful." Another camp participant
chimed in, "The band was hot hot hot!"

Jesse and Tahya |
I asked Tayyar how
he felt about the event and he replied, "I was dreaming to make a
camp on the East Coast. I am so happy the plan came true. I shared a lot
with the dancers and the musicians. Also, it makes me very happy it was
a good camp, which makes it clear to me there is a future for this camp."
Artemis commented, "We wanted to create an environment where dancers
and musicians with diverse areas of interest could come together and learn
and teach and jam - and we did! We had people with all levels of expertise
in attendance and we welcomed them all. Folks enrolled from as far north
as Massachusetts and upstate New York and down to Georgia and as far away
as England." Among
our international dance and music staff were representatives from the
U.S. and several Middle Eastern countries, including several folks (staff
and attendees) of Romany heritage.
Our
wonderfully diverse backgrounds became a vehicle for the celebration
of this extraordinary music and dance, and through our common passion,
we came together hand-in-hand and reconnected with our gypsy spirit.
I extend my heartfelt
thanks to Tayyar and Artemis for all their hard work and meticulous
attention to detail in organizing a most successful event. How do I
measure its success? The joie de'vivre I observed among the nearly one
hundred participants. Thanks to ALL the teaching staff, musicians, assistants,
and fellow campers for a memorable experience that brought great joy
to my heart/mind/soul.
The
dates for next year's (2004) camp are May 28-31, Memorial Day weekend,
at
the South Mountain YMCA Camp in Pennsylvania.
Camp info- www.folktours.com
Have
a comment? Send us a letter!
Check the "Letters to the Editor"
for other possible viewpoints!
Ready
for More?
12-16-03
Photos from the The 10th and Final
Festival Fantasia photos by Susie
produced
by Rose Productions, Black Sheep BellyDance and the Sebastopol Community
Center
October 11 & 12, 2003, Sebastopol, California
11-23-03
Egypta, a Revivification of Ancient Sacred
Dance performed by The Silk Road Dance Company
Kennedy Center Millennium Stage, Washington D.C. report by Pen Katali,
M.L.S.
Egypta
impressed me as a stunning artistic success, splendid beyond belief.
11-17-03
2nd
Annual
San Leandro Festival produced by Tatseena
photos by GS staff
it
seems that this event is destined to grow each year.
11-11-03
MORE Photos from The Middle Eastern Music
and Dance Camp in Mendocino by GS staff and friends
Just
the extra photos of our art and faces you know projected into a beautiful
natural setting.
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