Mawheba: A Journey Toward Teaching Dance
Notes from an Interview with Dandesh
by Caroline Evanoff
posted February 18, 2019
In Egypt you often hear people saying that the best dancers originate from Alexandria and Dandash is no exception. Born into a family of performers she was destined for fame. She also had a variety of influences over the years which helped create the unique style of the one and only Dandash!
Dandash’s parents performed as a singing duo on the radio in Alexandria as well as in weddings and parties.
From the tender age of seven Dandash was already an accomplished dancer and would accompany her parents and started to perform professionally.
The mesmerized guests would exclaim “how could someone so young dance like that! She must go on to be famous! ” . When I asked Dandash if she had been formally trained she replied that Allah had given her “mawheba”, that is a gift of talent from above. She added that she had seen Naima Akef on television and had fallen in love with her. Another influencing factor on her style was her love of ballet. She did not study ballet but would imitate the moves and dance around in her home as a child. At this point in the interview Dandash jumps up to demonstrate. With her arms raised and elegant execution of pirouettes on demi-pointe I am reminded of a music box dancer. She also demonstrates how she incorporated ballet leg lifts into raqs sharqi.
Dandash at 8 years of age with her mother
I was curious as to what a performer of such a young age would wear on stage and she replied that she had many “thobes” (dresses) of all colours. They were modest and covered her chest although some were also short and often with matching sequined headbands.
She further surprised me by informing me that she actually made the costumes herself. Then to add to her talents she relayed that she also sang alongside her blind sister Noura. Noura was older than her, sixteen at the time and still sings for Dandash and other dancers to this day.
I asked her about her education and whilst she attended school right up until finishing level she admitted that she would day dream about dance in the classroom. Her favourite subject was Arabic which is not surprising for an artist who interprets the song meanings with her actions and movements.
The family became well known and was asked to attend various celebrations in the countryside outside of Alexandria. They travelled to cities such as Mansoura and Sonbat. Here Dandash saw for the first time performances by the Ghawazee of Sonbat and also Awalim who had travelled from Cairo to perform in weddings. These distinct styles were quite different from what she had seen on television and in Alexandria. She even incorporated a few moves she had seen which helped to mold her unique style and made her stand out later in Cairo.
Dandash’s star shone bright and she quickly rose to become the number one dancer in Alexandria. She performed in all the 5 star hotels such as Cecil Hotel, San Giovani as well as weddings and parties. She also began working in “masraheyat” stage musicals. So even though she was well loved in Alexandria the public realized that it would be a shame for her to stay and that she really needed to go to the centre of Raqs Sharqi, that is Cairo.
On left is Dandash at the age of 17 performing at the Cecil Hotel Alexandria. She and Azza Sherif were the first Egyptian stars to have badlas made from leather.
Azza Sherif had the identical design only in black. On right is Dandash performing in Cairo with her sister Noura who is singing.
Once she finished high school, she married a musician who played keyboard for her and they left for Cairo. From the second day she arrived in Cairo she was working in nearly every venue. She changed costume designers from Hagga Torkeya who was in Alexandria, to the renowned Sahar Okasha amongst others. She also immediately started work as an actress on television as well as dancing in haflas that were also televised on channels such as Orbit and Nile TV. Within two years of the move she had become a superstar in Egypt.
I asked Dandash what was her most memorable moment in her dance career and her face lit up as she recalled one special night that stood out from all others. She was performing at the famous Cave de Roi nightspot and in walked none other than world famous Egyptian actor Omar Sherif with his entourage. Suddenly she felt herself putting her best foot forward and dancing stronger than ever before because she knew that he was watching her. She had seen his films as a child and had been in love with him since that time. She was overjoyed that night and believes that it was her best show ever. During her set she stopped her band and motioned for the microphone. She then asked Omar Sherif if she may greet him and he replied if he could greet her in return. He then took the mike and announced to all that “If I don’t see Dandash dance, I don’t see the Pyramids”. At which point Dandash burst into tears. The whole event was published in the gossip columns of the papers the very next day.
With the increase in exposure also came the interest of foreign students to study with her. Dandash started teaching private students from her home (including myself). This was also around the time that the festivals started on home ground in Egypt. Dandash performed at the opening gala of Ahlan wa Sahlan in the Ramses Hilton in 2002. She stole the show with a tableau (also known as the manga routine) depicting dancers of the past: Souheir Zaki, Sami Gamal, Naima Akef, Taheya Karioka, Nagua Fouad, Fifi Abdou, Sahar Hamdi and Dina. Incredibly Souheir Zaki was in attendance and hugged her after her show because she was so thrilled. Here is the same tableau performed on TV:
The next year she also started to teach at Ahlan wa Sahlan. Dandash knows that her technique is difficult to grasp and humbly admits that she struggled with teaching in the beginning. Even Dina made the comment to Dandash “ the best thing about you is that your style is different and difficult. There is no way that any bellydancer can copy you”. There were not only language barriers to overcome but understanding how to teach her unique style which would take time. She went on to teach and perform in various festivals such as the Nile Group, Raks of Course and Camp Negum as well as abroad in Japan, USA, England, France, Germany, Italy, Sweden, Mexico, Ecuador and Greece. She has now spent the past four years working on herself and her teaching methods. She feels much more confidant as a teacher and this is one of the reasons behind why she has finally decided to create her own festival in Cairo. (See “resources” below)
Before I leave, Dandash proudly tells me one recent moment in her life that also had her in tears. Whilst in Japan recently she was taken to the “National Museum of Ethnology” in Osaka, for a “surprise”. As she wandered through the various rooms she had no idea what was in store for her. As she rounded the corner leading to the section devoted to Middle Eastern arts she was amazed to find her very own badla on display and a video screen of her dancing being broadcast. She was the only raqs sharqi dancer to be honoured in the museum.
Dandash performing in Alexandria
2 unlabeled photos above-
Left: Dandash in red dress in a role in the television series “Hotline”
Right: Dandesh in a “masraheya” with Ahmed el Saka.
Author’s bio page
The International Dandash Festival will take place for the first time in Cairo from the 1st- 6th July 2019
For more information and details contact:
Facebook page: Dandash Bellydance
Have a comment? Use or comment section at the bottom of this page or Send us a letter!
Check the “Letters to the Editor” for other possible viewpoints!
Ready for more?
- 2-4-12 Nelly, Beloved Star of Egypt, An Interview with Nelly Fouad
I asked Nelly if there was any comparison to the Awalim of Mohamed Ali street and she said no, they were different; the Alexandrian Awalim had a real school for teaching the arts — they were strict and corrected your mistakes.
- 7-7-11 Permits, IDs, Licensing, Foreign Dancers in Cairo,
It dawned on me that some dodgy nightclub manager, whom I didn’t know personally, had complete control over my passport and my freedom to leave! So, I had no alternative other than to end my contract in order to get my passport back which also meant halting the lengthy paper process.
- 6-28-04 Ahlan Wa Sahlan Festival 2004-Intro
Middle Eastern dance artists and students from throughout the world attend this event to immerse themselves in instruction by leading Egyptian instructors, shop for costumes and other supplies offered by Egyptian vendors, and enjoy the gala shows featuring top Egyptian dancers. Check back for regular updates!
- 8-27-12 A Dance Challenge in an Ancient Land, Farha Festival 2012 in Luxor, Egypt,
Besides, I needed a personal challenge this year and dancing an improvisation solo for the final night performance with the musicians seemed to fit the bill for me.
- 3-16-11 Amera’s Dina DVD Reviewed An evening of Arabic Dance and Music featuring World Renowned Belly Dance Artist DINA
Nonetheless, we need to move beyond her expressions. Her dance is Dina. She is agile, melodic, rhythmic, and her movements are so intertwined with the lyrics and the music that she exists as the music–always reaching out to us and, thereby, bridging the gap.
9-28-04 A Subjective View of Raqia’s Cash Cow The AWS Festival 2004, Part 1
First,she came out as a snake, then entered wearing a melaya, next, as a caged lion. Her performance was very entertaining.
- 6-1-04 “Raqia Hassan presents Ahlan Wa Sahlan Oriental Dance Festival Opening Cairo 2003.”
While my personal preference is to focus on the dancers, some people may enjoy celebrity spotting, or looking for friends and fellow dancers fortunate enough to have attended the gala.
- 11-10-11 A Month in Cairo, Egypt, Report No. 3: Fresh Eggs and the Festival Begins, Ahlan Wa Sahlan, Part 1
One of the aspects of AWS that I enjoy most is the contact it offers with dancers not only from Egypt, both Egyptian and foreign-born, but from all over the world. It’s a rare opportunity to find out that our dance idols are real people who are warm, friendly, and eager to share their knowledge.
- 10-19-01 Follow the Bouncing Butt; in Defense of a Teaching Method
Some of the “Follow Me” teachers should be more aptly described as “inspirationally oriented”.
Feb 18, 2019 - 11:02:10
I love Dandash. She is such a sweetheart. Beautiful inside and out and so down to earth. No Pima Dona just a genuine and honest Gal. Xoxo
Talented and beautiful. ..I hope our dance paths will cross Again one day! Inshallah
Rahatul Ashiq Tamal
Nov 14, 2020 - 01:11:04