Gilded Serpent presents...

A Special Meeting in Barcelona

Munique Brings Wael Mansour for a Workhop and Show

Photos and text by Gabriel and Helwa
posted February 20, 2013

At Academia de Danza del Vientre Munique Neith  on 29th  and 30th of September 2012, two workshops took place with Munique Neith (the sponsor), Wael Mansour and young talents of Oriental dance from Spain, Italy, Portugal and France.  Tradition and modernity merged together on this warm weekend.

A full workshop with Wael Mansour.
Wael founded the school of The National Elkawmia Folklore Dance Troupe at El Balloon Theatre

 

Vending during the workshop

 

 

The teacher Wael Mansour

 

Workshop participants pose for a group photo.

 

The young talent of Folklore Group Al Macaamah of Spain

The charming Oriental wings of Shasa’s silk fans (Italy)

 

Su’ud Cirque of Spain lead by Amaru Sabat (center)

 

Su’ud Cirque of Spain

 

Tati Alves of Brazil

 

 

Asala and Goretti of Spain

 

Ahmar of Portugal

Jelila of Spain

Miriam of Spain

 

Grupo Folklorico- Cantaro of Spain
(Munique Neith director?)

 

Catalina

 

Ilina of Spain has a school in Tarragona

 

Ballet Munique Neith

 

Munique Neith is Brazilian of Arabic descent.

 

Wael Mansour of Egypt

 

Wael Mansour of Egypt

 

Amaru Sabat

 

Jelila of Barcelona

 

Grupo Folklorico – Saidi (Munique Neith, director)

Munique Neith


Lylia of France. She discovered bellydance in 2004 with Latifa Saadi
and began intensive training with Leyla Aidara

 

Ballet Munique Neith

Munique Neith

Munique Neith

Wael Mansour

Wael Mansour

Munique Neith (The sponsor) and Wael Mansour having fun in the finale closing

 

Closing Gala

Wael and Munique

 

Resources:

use the comment box

Have a comment? Use or comment section at the bottom of this page or Send us a letter!
Check the "Letters to the Editor" for other possible viewpoints!

Ready for more?

  • Our Art’s Flame is Alive in Lebanon, The Amani Oriental Festival 2012 photos
    The charming Lebanese city of Beirut welcomes people from all the world to the Amani Oriental Festival.
  • Dancing One’s Fortune: Told in Tarot Cards, Photos from Mariona’s "Book of Thoth" Production
    Each dance of Mariona’s 2012 show was an interpretation from one of the Tarot cards with their specific stories, characterizations and magical spells. The show begins by presenting a circus titled "Habibirot" that was formed by artists from many parts of the world.
  • Dance in Palma De Mallorca, Helwa’s Studio, photos by Gabriel Monserrat Lopez
    Helwa, Belly dance teacher and director of Academia Helwa de Danza del Vientre pioneer of teaching this art for more than 12 years in Palma de Mallorca, Balears Island, Spain
  • The Stars Converge in Barcelona, El Festival Internacional de Danza Oriental 2012,
    Munique Neith is Brazilian of Arabic descent. She is the prestigious and well traveled organizer of the International Oriental Dance Festival in Barcelona. More than 1500 people take part every year in the 2 gala shows, the competitions, and in different workshops with the best international master teachers.
  • Amani Oriental Festival Photos, October 25-29, 2011, Beirut, Lebanon
    As a professional performer, I was impressed with the high caliber of dance instructors. The majority of instructors were Lebanese and offered a diverse repertoire of Lebanese Oriental and folkloric technique with emphasis in dramatic moves, staging and communication through movement with modern dance components.
  • What Lies Beneath Part 2, The Morocco Tourists Don’t See, Suspicion, Lifestyle, Wedding, & Rescue
    What’s depressing about Laayoune is the idea of it: what it represents, not the city itself. Buildings, painted in salmon color like Marrakech, palm trees planted in pretty town squares, clean streets, restaurants and cafes, busy market places and a gorgeous plaza where people stroll at night. If you didn’t know any better, you would love this place! In reality, you are inside an enormous military base, while the city is a mere facade.
  • Does Your Teacher Have Your Best Interest at Heart?
    Remember that you are your own person and you can use your talents any way you want. Nobody owns anybody else. And nobody owns Belly Dance. Belly Dance is an exciting world that gives women and men many artistic and entrepreneurial opportunities.
  • Emotion Inspired by Song, Interpreting Arabic Orchestral Music
    What’s most important is the feeling. Listen to lots of music, and let yourself be moved. Even if you don’t know the words, you can still access the feelings. When you get on stage, express these feelings honestly to the audience. They will love you for it.
  • Everyone’s Uncle, In Celebration of the Life of Drummer Armando Mafufo
    In fact, so many artists wanted to perform in his honor that many had to be turned down or else we might have had to stay all night.
  • Make New Friends & Keep the Old, Response: A Dance Perspective for Today
    After living in the Middle East for 25 years and continuing to work in the region for music and dance, I have a pretty good idea of what talent and creative ideas exist in the region.
  • The Evolution of Jillina, An Interview Regarding Change, Flexibility and Lessons Learned
    Working with Jillina for the last six years or so, I’ve been a fly on the wall for a lot of this transition. I’ve been there for marathon rehearsal weeks, brainstorming sessions, the stress of taking a show on the road, the flops, and the standing ovations.
  • Have I Left Yet? Queen of Denial, Chapter 12
    Baghdad was the first place I had worked in where a complete communication blackout was ordered (no post, no newspapers, no telegrams, and no telephone access to the general public), and a mere two weeks after my arrival. For the very first time since I started traveling and dancing abroad, I was unable to call my parents (and vice versa) to assure them that I was fine regardless of what they were reading in the local newspapers.
  • Behind the Scenes, 3rd Coast Tribal Festival
    I had never been to a tribal dance convention before, even though I have been a professional (Egyptian style) belly dancer for 40 years. From my “glitz and tits” perspective, this belly dance offshoot wasn’t something I recognized as mine.
  • Cairo Revisited: Dancing into the ‘90s
    Originally written for Caravan Magazine 1992- The one thing on which you depend about dance in Egypt from year to year is that everything slowly changes. I’ve returned to Cairo each year now for nine consecutive years, and last year my visit was just before the short war we had with Iraq in which Egypt was our US ally. Cairenes seemed sad last year, because Cairo had lost most of its income from tourism, and many Egyptian nationals were returning from Iraq and Kuwait, where they no longer had employment. I did not know what to expect this year, except the inevitable fact of surprising, yet subtle, change.

Sorry, comments for this entry are closed at this time.