Photos from the Zulu Lounge
May 3rd 2013 at the famous El Rey Theater in Los Angeles, California
Photos by Rawtography.com
Text and captions by Jillina
posted July 18, 2013
Below are a few highlight photos by Rawtography.com from the Zulu Lounge show held May 3, 2013 in Los Angles, California. The show was produced by dancer Khani Zulu and her husband, tattoo artist Zulu, at the swanky El Rey theater. The show’s theme was "La Nuit d’Absinthe" which inspired artists to be creative with their pieces. Whether they wore green, used French music, or performed with glow sticks to create a hallucinogenic effect, each performer had a unique way of interpreting the theme.
L.A. is home to many creative fusion dancers and musical guest Fishtank Ensemble. This rich diversity was well represented at the Zulu Lounge.
Upon arrival to the theater we were greeted by drummers Donavon Lerman, Faisal Zedan, Sean Krempa, and Marcos Ferrando in foyer. There were fairies and other elaborate dancers throughout the theater which created a cool circus atmosphere. The show was sprinkled with solos, trios, and group pieces showcasing a great diversity such as ITS, Tribal Fusion, French Can Can and Flamenco.
The swanky El Rey Theater
Producers Khani and Zulu Mandala Dance Works Fishtank Ensemble
Lauren Boldt, Stefanie Bernhard, Aubre Hill, Ariel Kasha
|
Resources:
-
Author Jillina’s bio page
Photography site- Rawtography
Have a comment? Use or comment section at the bottom of this page or Send us a letter!
Check the "Letters to the Editor" for other possible viewpoints!
Ready for more?
- 1-31-13 The Evolution of Jillina, An Interview Regarding Change, Flexibility and Lessons Learned
Working with Jillina for the last six years or so, I’ve been a fly on the wall for a lot of this transition. I’ve been there for marathon rehearsal weeks, brainstorming sessions, the stress of taking a show on the road, the flops, and the standing ovations. Español! - 11-7-11 Jillina Drum Solo Video from International Bellydance Conference of Canada
Jillina dances for drummer, Suleiman Warwar. This performance was held at the Acrobat Lounge in Toronto, Ontario, Canada. - 10-5-11 MaShuqa interviews Ali Hamidzadeh of Turquoise International,
Ali tells us about how he came to produce his first cymbals. He is interviewed by MaShuqa. He also talks about Dahlena, Bobby Farah, his education, inferior copies of his zils, how to know that you have genuine Turquoise cymbals. Testimonials from Jillina, Princess Farhana, and Marta Schill. - 9-27-11 Competition Strategies, A Judge’s Suggestions
Choosing a costume that fits and flatters your choreography is equally important. If you want to highlight your amazing hip work, be sure to choose a costume with lots of fringe and tassels on the hips so the judges cannot fail to see that hip work. - 3-24-11 A Transformational Week, A Fan’s View of Jillina’s Weeklong Intensive Report
I think that’s another benefit of having scholarships in the world of Bellydance because it gives dancers another goal to work towards: "What do I have to do to rise to the occasion, to receive this other kind of award?" - 3-22-11 Taiwan Bellydance: 2 Events Are Perfect Ending for 2010, Nefertiti Bellydance Carnival & Bellydance Evolution
I admire those dancers participating in the production for their talents, skills, and artistic qualities, however, I feel the framework of story-telling compromises dancers from better expressing their love for this dance (or through it). They are acting through dance rather than dancing to the music. - 11-27-09 My Dream: Dancing in Cairo!
To be asked to teach at Ahlan Wa Sahlan is an amazing honor, but to be performing, in the biggest show of the year? It was unbelievable! This was the most significant phone call I have ever received in my entire career. - 1-11-10 Carl’s Camera Captures Jillina's Bellydance Evolution
Jillina Carlano's Bellydance Evolution marked the beginning of an era in which bellydance moves beyond dance Oriental imported from Egypt and performed in clubs. - 7-16-13 "Der Schnerkle" Its Proper Uses and Functions
Therefore, I reasoned, the use of ones extremities for dancing (beyond transporting one across the stage or making a movement appear finished) was to gather and distribute performance energy from the stage rather than simply wave arms about in the air with artistry and grace. - 7-11-13 Venue Woes, Adventures in Event Production
My philosophy is that dance teachers should make a living wage, be well fed and rested, and then, they will give you a great product as a result. Attendees should have a place to stay that is near (or in) the venue of the event. Events should be reasonably priced, and affordable food should be available nearby. Simple, right? - 7-3-13 A Carousel of Challenges, Bellydancing at the County Fair
Using correct terminology is important; belly dancers are community performers who are requesting to perform on a community stage. - 7-1-13 Beauty Has Its Price, The Quest for Beauty, Part 4
Being involved with an art form that is all about beauty, I too feel the need to present myself as best and as beautiful as possible. Beauty costs in time, pain, and money; and as philosophers have pointed out for millennia: its only fleeting. - 6-18-13
A week long immersion into Middle Eastern music and dance while camping in the Mendocino redwood forest. Expect live music every night and classes with many music and dance teachers each day. Many of the names are linked to video interviews we have conducted with individuals or to their bio pages here on Gilded Serpent. - 6-17-13 Munique brings Egypt to Spain Again, 7th International Festival of Egypt in Barcelona 2013
Barcelona welcomed teachers and lucky participants for a festival that brought Egypt to Spain with well attended lectures, workshops, and galas during four days of fun and learning, January 31st until February 3rd, 2013. This event provided a unique opportunity to learn the art of Oriental dance from the best names in Egypt. span class=”artist”>Randa Kamel (Egypt), Mo Geddawi (Egypt), Gamal Seif (Egypt), Bozenka (Cuba/USA), Amar Gamal (Cuba/USA), Amaru Sabat (Spain), who together with Munique Neith ran workshops throughout an intensive weekend. - 6-11-13 Changes in the Island Kingdom, The Bahrain Bellydance Scene
Returning to Bahrain to work after four years felt like going back to my roots. This little island kingdom is where I did my first Middle East contract, busted my bra on New Year’s Eve, and returned several times in the following year. Those were the days. Now it had been a while. Had Bahrain changed? You betcha.
Sorry, comments for this entry are closed at this time.